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Chamber Orchestra
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Laudate Dominum From "Vesperae solenne de confessore" K. 339 for Solo Soprano, Violin, Viola (or Vio
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.723137 Composed by Walfgang …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.723137 Composed by Walfgang Amadeus Mozart. Arranged by Joel Jacklich (ASCAP). Christian,Classical,Concert,Sacred,Wedding. Score and parts. 22 pages. Joel Jacklich #3632647. Published by Joel Jacklich (A0.723137). Laudate Dominum from Vesperae solenne de confessore, K. 339. (originally Soprano, SATB Chorus, String Orchestra, and Basso Continuo is here arranged for Solo Soprano and String Trio (Violin. Viola, and Cello -or- Two Violins and Cello; the 2nd violin and viola parts are identical). The soprano covers the original solo soprano part plus the melody from the SATB where there is no soprano solo, thus the entire liturgical text is present.
$12.99
11.88 €
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Chamber Orchestra
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Walfgang Amadeus Mozart
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Laudate Dominum From "Vesperae solenne de confessore" K. 339 for Solo Soprano, Violin, Viola
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Joel Jacklich
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SheetMusicPlus
Laudate Dominum from "Vesperae solenne de confessore" K.399 for Solo Soprano and String Quartet
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.723140 Composed by Wolfgang …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.723140 Composed by Wolfgang Amadeus Mozart. Arranged by Joel Jacklich (ASCAP). Christian,Classical,Concert,Sacred,Wedding. Score and parts. 22 pages. Joel Jacklich #3636719. Published by Joel Jacklich (A0.723140). Laudate Dominum from Vesperae solenne de confessore, K. 339. (originally Soprano, SATB Chorus, String Orchestra, and Basso Continuo is here arranged for Solo Soprano and String Quartet. The soprano covers the original solo soprano part plus the melody from the SATB chorus where there is no soprano solo, thus the entire liturgical text is present.
$12.99
11.88 €
#
Chamber Orchestra
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Wolfgang Amadeus Mozart
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Laudate Dominum from "Vesperae solenne de confessore" K.399 for Solo Soprano and String Quartet
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Joel Jacklich
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SheetMusicPlus
Esperanza, Op. 73
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.984670 Composed by Aleh Ferreira. 20th…
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Chamber Orchestra - Digital Download SKU: A0.984670 Composed by Aleh Ferreira. 20th Century,Contemporary,World. Score and parts. 12 pages. Aleh Ferreira #4350469. Published by Aleh Ferreira (A0.984670). For guitar and string orchestra this modern music shows Aleh Ferreira ability to develop beautiful melodies.
$8.99
8.22 €
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Chamber Orchestra
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Aleh Ferreira
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Esperanza, Op. 73
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Aleh Ferreira
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SheetMusicPlus
Despacito
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.984774 By Luis Fonsi and Dad…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.984774 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by NIKOLAOS. Latin. Score and parts. 11 pages. NIKOLAOS #4364304. Published by NIKOLAOS (A0.984774).
$12.99
11.88 €
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Chamber Orchestra
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Luis Fonsi and Daddy Yankee
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Despacito
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NIKOLAOS
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SheetMusicPlus
"La Respelido" arranged and orchestrated for solo voice and orchestra by Germaine Tailleferre
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1155038 Composed by Traditio…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1155038 Composed by Traditional. Arranged by Germaine Tailleferre. 19th Century,Classical,Folk,Multicultural,World. Score and Parts. 29 pages. Musik Fabrik Music Publishing #755319. Published by Musik Fabrik Music Publishing (A0.1155038). Found in the papers of François Lang, this arrangement of the traditional Provençale song was probably part of a film score. This item is the score and the complete parts.
$49.95
45.67 €
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Chamber Orchestra
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Traditional
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"La Respelido" arranged and orchestrated for solo voice and orchestra by Germaine Tailleferre
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Musik Fabrik Music Publishing
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SheetMusicPlus
Campana sobre campana (String quartet and clarinet)
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.940046 Composed by Traditional Spanish…
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Chamber Orchestra - Digital Download SKU: A0.940046 Composed by Traditional Spanish Carol. Arranged by César Zumel. Christmas. Score and parts. 5 pages. César Zumel #6658333. Published by César Zumel (A0.940046). One of the most know carol in Spain has been arranged for string quartet and oboe. Oboe is the melody, very respectfull with traditional carol.
$12.99
11.88 €
#
Chamber Orchestra
#
Traditional Spanish Carol
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Campana sobre campana
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César Zumel
#
SheetMusicPlus
Campana sobre campana (String quartet and flute)
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.940048 Composed by Traditional Spanish…
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Chamber Orchestra - Digital Download SKU: A0.940048 Composed by Traditional Spanish Carol. Arranged by César Zumel. Christmas. Score and parts. 11 pages. César Zumel #6658337. Published by César Zumel (A0.940048). One of the most know carol in Spain has been arranged for string quartet and oboe. Oboe is the melody, very respectfull with traditional carol.
$12.99
11.88 €
#
Chamber Orchestra
#
Traditional Spanish Carol
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Campana sobre campana
#
César Zumel
#
SheetMusicPlus
Campana sobre campana (String quartet and oboe)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.940045 Composed by Public do…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.940045 Composed by Public domain spanish traditional carol. Arranged by César Zumel. Christmas. Score and parts. 11 pages. César Zumel #6658097. Published by César Zumel (A0.940045). One of the most know carol in Spain has been arranged for string quartet and oboe. Oboe is the melody, very respectfull with traditional carol.String quartet armony is close to the known armony, with some tuning of modern harmony just to update the sound for XXI century.Very atractive for ensembles that wants perform known carols, easy to engage the public and in some cases to invite the public to sing.
$12.99
11.88 €
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Chamber Orchestra
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Public domain spanish traditional carol
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Campana sobre campana
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César Zumel
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SheetMusicPlus
Campana sobre campana (String quartet and saxo)
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.940047 Composed by Traditional Spanish…
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Chamber Orchestra - Digital Download SKU: A0.940047 Composed by Traditional Spanish Carol. Arranged by César Zumel. Christmas. Score and parts. 5 pages. César Zumel #6658335. Published by César Zumel (A0.940047). One of the most know carol in Spain has been arranged for string quartet and oboe. Oboe is the melody, very respectfull with traditional carol.
$12.99
11.88 €
#
Chamber Orchestra
#
Traditional Spanish Carol
#
Campana sobre campana
#
César Zumel
#
SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.19 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.37 €
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Through This Old Church Doorway - Christmas - strings and piano
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801473 Composed by Connie Bo…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801473 Composed by Connie Boss. Christian,Christmas,Sacred. Score and parts. 19 pages. Connie Boss #5989687. Published by Connie Boss (A0.801473). This song starts off as an advent song and goes into Christmas. Perfect for a Christmas concert/vesper program. This arrangement is in strings. It also available to purchase in vocal sheet music as well as an mp3 of it. cdboss@cvalley.net for questions. Lyrics:
$6.00
5.49 €
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Chamber Orchestra
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Connie Boss
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Through This Old Church Doorway - Christmas - strings and piano
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Connie Boss
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SheetMusicPlus
Ponta De Areia
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1367638 By Esperanza Spaldin…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1367638 By Esperanza Spalding. By Fernando Brant and Milton Nascimento. Arranged by Vinicius Louzada. Latin,Multicultural,Pop,World. 26 pages. Vinicius Louzada #952013. Published by Vinicius Louzada (A0.1367638). This arrangement was created for a concert in honor of the composer and singer Milton Nascimento, and can be performed in ceremonies, concerts and recitals. Arrangement for chamber orchestra.
$49.99
45.7 €
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Chamber Orchestra
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Esperanza Spalding
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Ponta De Areia
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Vinicius Louzada
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SheetMusicPlus
Histoire du Soldat Concert Suite
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1141262 Composed by Igor Str…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1141262 Composed by Igor Stravinsky. Arranged by John M. Laverty. 20th Century,Chamber,Classical. Score and Parts. 245 pages. Zephyrwindmusic.com #741570. Published by zephyrwindmusic.com (A0.1141262). Histoire du Soldat is one of Igor Stravinsky’s most performed chamber works. It is published in the original edition (for seven players, three spoken parts, and a single dancer) and as a trio version for clarinet, violin, and piano scored by the composer. It is also frequently performed as a concert suite using the original instrumentation. Although the concert suite is in many respects identical to the original, it omits several movements as well as small sections within some movements where spoken parts with music occur. This new edition is intended to eliminate any confusion as to what music should be included or eliminated in order to create a more deï¬nitive concert suite. Fortunately, Stravinsky performed or recorded the concert suite on many occasions indicating his intentions for how the work should be presented. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download. Instrumentation: Clarinet in B-flat and A Bassoon Cornet in B-flat and A (with an optional part in C) Trombone Percussion Violin Double Bass.
$50.00
45.71 €
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Chamber Orchestra
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Igor Stravinsky
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Histoire du Soldat Concert Suite
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zephyrwindmusic.com
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SheetMusicPlus
Backwards Decade
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913637. Published by stanleymhoffman.com (A0.924854). This piece was composed for and is dedicated to the Vine Orchestra, Michael Mikulka, Conductor. His call for scores was for (if memory serves) works for chamber orchestra under eight seconds in duration. That is arguably the most unusual call for scores to which the composer has ever or will ever respond. Consider the resultant composition a novelty piece that is only six seconds in duration. If any orchestra performs this work, it is sure to illicit laughter in the audience even though, interestingly enough, the music itself is anything but humorous-sounding. The title is taken from the fact that the composer took the word decade and ran it backwards to get the main and only theme of the piece (E-D-A-C-E-D). Perhaps this brief piece will serve as the basis for a larger work one day. Who knows? It's an attractive little thing. In the meantime, enjoy! (PS: it is painful to charge more than $2.00 for six seconds of music, but if SMP Press ever prints an order, I have to make it worth their while, rather than costing them money.).
$8.00
7.31 €
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Chamber Orchestra
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Stanley M
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Backwards Decade
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stanleymhoffman.com
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SheetMusicPlus
Appassionato
Chamber Orchestra
Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nos…
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Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00
27.43 €
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Chamber Orchestra
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Peter Nostrand
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Peter Nostrand
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the strings are supportive
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Appassionato
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Imagine Music - Digital
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SheetMusicPlus
Hallelujah Chorus from "The Messiah" Organ, String Quintet & 2 Trumpets
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.505727 By Brooks Holmes. By G.F. Hande…
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Chamber Orchestra - Digital Download SKU: A0.505727 By Brooks Holmes. By G.F. Handel (1685 - 1759). Arranged by Brooks Holmes. Baroque,Classical,Easter,Holiday,Praise & Worship. Score and parts. 46 pages. Published by Brooks Holmes (A0.505727). This arrangement was designed for 2 Trumpets, Organ & String Quintet to accompany the Amherst College Choir at their annual Vespers Concert. It works perfectly with the Traditional Choir SATB parts. Check out Mr. Holmes’ YouTube performance for more details.
$19.95
18.24 €
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Chamber Orchestra
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Brooks Holmes
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Hallelujah Chorus from "The Messiah" Organ, String Quintet & 2 Trumpets
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Brooks Holmes
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SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.36 €
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Chamber Orchestra
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Johann Sebastian Bach and Netherlands Bach Society
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
54.85 €
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Chamber Orchestra
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Isaac Watts / Lowell Mason
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.37 €
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Chamber Orchestra
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the turbulent sea, the loved one has disappeared
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Music and James Joyce, Ofer Ben-Amots, and Poetry
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The Joyce Cycle, for voice and orchestra
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The Composer's Own Press
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SheetMusicPlus
Stopping by Woods (Robert Frost) – FULL SCORE (CHAMBER ORCH)
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.799682 Composed by Dave Gardner. Chris…
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Chamber Orchestra - Digital Download SKU: A0.799682 Composed by Dave Gardner. Christmas. Score and parts. 19 pages. D. M. Gardner Music #5454353. Published by D. M. Gardner Music (A0.799682). A picturesque setting of Robert Frost's famous poem, Stopping by Woods on a Snowy Evening for SATB Chorus and Chamber Orchestra. Each moment, carefully painted with music, illustrates the speaker's emotional journey from despair, to hope, to perseverance. An excellent setting for winter or Christmas concerts!***THIS PURCHASE IS FOR THE FULL SCORE ONLY (CHAMBER ORCHESTRA). INSTRUMENTAL PARTS AND CHORAL SCORE SOLD SEPARATELY.***Making the score, choral score, and parts available separately means it is much easier and affordable to replace or add music as needed!
$25.00
22.86 €
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Chamber Orchestra
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Dave Gardner
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Stopping by Woods
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D. M. Gardner Music
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SheetMusicPlus
Concerto Grosso in F minor.
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Fr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
27.43 €
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Chamber Orchestra
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George Frideric Handel
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Vivaldi Concerto in D Major for violin and orchestra RV 205
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890759 Composed by Antonio L…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890759 Composed by Antonio Lucio Vivaldi. Arranged by Sneakwood Editions. Baroque,Standards. Score and parts. 42 pages. Sneakwood Editions #2967689. Published by Sneakwood Editions (A0.890759). Concerto for Pisendel RV 205. Score and PartsThe Concerto facto per Mr.P[isendel] RV 205 is the one of the violin concerto by Vivaldi, Antonio (4 March 1678 – 28 July 1741 ), composed between 1716 and 1717. The original manuscript is in the Dresden library: Manuscript: Mus.2389-O- 123 (RISM-A/II-212000134). When Johann Georg Pisendel stayed in Venice, he studied with Vivaldi and be friended as well. Vivaldi dedicated a number of his violin concertos, sonatas and a sinfonia to him. Surely during the period between 1716 and 1717 Pisendel was in tour in Venice, we can asumme that he brought this concerto with him to Dresden to be performed there. For the present edition all the marks and notations has been respected from the original without adding any change, leaving the decision of the final performance to the performer.www.snakewoodeditions.com
$15.00
13.71 €
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Chamber Orchestra
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Antonio Lucio Vivaldi
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Vivaldi Concerto in D Major for violin and orchestra RV 205
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Sneakwood Editions
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SheetMusicPlus
The Baden-Baden Idyll
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.841253 Composed by Chris Gor…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.841253 Composed by Chris Gordon - Johannes Brahms - Robert Schumann. Arranged by Chris Gordon. Romantic Period. Score and parts. 112 pages. Cool Wind Music Digital #3038341. Published by Cool Wind Music Digital (A0.841253). Full set of parts: Please contact Chris Gordon at cgordoncwm@gmail.com or coolwindmusic@gmail.com for further information..'The Baden-Baden Idyll' is scored for chamber or small orchestra. It requires divisi strings, at least 2 players per part, plus oboe, clarinet in B flat and A, bassoon and french horn in F. I wrote it to 'accompany' a story I have been writing about the French-Spanish opera diva and composer, Pauline Viardot-GarcÃa, and her brilliant circle of musician, artist, and writer friends in Baden-Baden in the 1860s which included Klara Schumann and Johannes Brahms. Pauline first performed Brahms' Alto Rhapsody which gives an indication of how much the composer admired and respected her as a singer.
$45.00
41.14 €
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Chamber Orchestra
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Chris Gordon - Johannes Brahms - Robert Schumann
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The Baden-Baden Idyll
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Cool Wind Music Digital
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SheetMusicPlus
Bachata Sinfónica (Symphony Bachata) - Baila Conmigo
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1341672 By Roberto Pálmer…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1341672 By Roberto Pálmer. By Roberto Pálmer. 21st Century,Classical,Contemporary,Latin. 62 pages. Roberto Pálmer Music #927221. Published by Roberto Pálmer Music (A0.1341672). BAILA CONMIGO es el segundo movimiento de la tercera sinfonia del compositor español Roberto Pálmer. Se trata de una pieza única por tratarse de musica original (no es una adaptacion u orquestacion) escrita para orquesta sinfonica, sin letra, sin voz y sin los instrumentos y percusion propios de la bachata. Son los instrumentos de cuerda y viento habituales de la orquesta sinfonica los que realizan la percusion para recrear el ritmo de bachata, de una manera novedosa en la practica instrumental.BAILA CONMIGO is the second movement of the third symphony of the spanish composer Roberto Palmer. it is an unique piece of original music (not an arrangement nor an orchestration) written for symphony orchestra, with no lyrics, no singer and none of the bachata traditional instruments and percussion. Are the strings and winds sections of the orchestra who play their instruments in new different ways to recreate bachata rhythm.Web
$30.00
27.43 €
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Chamber Orchestra
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Roberto Pálmer
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Bachata Sinfónica
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Roberto Pálmer Music
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SheetMusicPlus
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