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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
For Love
Not classified
9,997
Piano & keyboards
Piano solo
12,819
Piano, Vocal and Guitar
12,318
Piano, Voice
6,594
Easy Piano
3,864
C Instruments
1,542
Organ
636
Big Note Piano
625
Piano Accompaniment
524
1 Piano, 4 hands
439
Accordion
198
Piano Trio: piano, violin, cello
149
2 Pianos, 4 hands
67
Piano Quartet: piano, violin, viola, cello
39
Piano Quartet: piano, 2 violins, cello
33
Piano (band part)
29
Melody line, Piano
25
Accordion, Voice
22
Piano Quintet: piano, 2 violins, viola, cello
20
Organ, Piano (duet)
12
Keyboard
12
Organ, Trumpet (duet)
7
Harpsichord
3
2 Accordions
3
2 Pianos, 8 hands
3
1 Piano, 6 hands
2
Piano ensembles
1
Solo instrument and Organ
1
+ 22 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
3,101
Guitar notes and tablatures
2,932
Guitar
1,577
Lyrics and Chords
1,342
Ukulele
933
Bass guitar
496
2 Guitars (duet)
69
Guitar (band part)
66
Piano, Guitar (duet)
60
Mandolin
44
4 Guitars (Quartet)
44
Dulcimer
43
Banjo
35
Guitar Ensemble
35
3 Guitars (trio)
25
Baritone Ukulele
24
Ukulele Ensemble
15
Electric Bass (band part)
4
Lap Steel Guitar
3
2 Dulcimers (duet)
3
Mandolin, Piano (duet)
2
2 Mandolins (duet)
2
Band Scores
1
Guitar, Violin, Cello (trio)
1
Dobro
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
4,557
Choral 3-part
1,735
Choral 2-part
1,031
Choral TTBB
801
Choral Unison
529
Choral SSAA
524
Voice solo
428
Vocal duet, Piano
344
Choral
283
Soprano voice, Piano
173
Alto voice, Piano
148
Vocal duet
135
High voice
126
Tenor voice, Piano
122
Choral Instrumental Pak
73
Baritone voice, Piano
70
Low voice, Piano
52
Tenor voice
49
Medium voice, Piano
40
Soprano voice
33
Mezzo-Soprano voice, Piano
13
Voice, Guitar
13
Choral SSATB
9
Choral SSAATTBB
6
Medium Voice
5
Choral SSAB, Piano
5
Low voice
5
Choral SSATTB
5
Choral SATBB
5
Choral, Organ
5
Choral SSAB a cappella
4
Soli, Mixted choir and accompaniment
4
Choral SSATBB
3
Vocal duet, Organ
1
Baritone voice
1
Lyrics only
1
Choral SSAATB
1
Choral SATTBB A Cappella
1
+ 33 instrumentations
-
Retract
Woodwind
Flute
1,329
Clarinet
1,226
Saxophone
997
Flute and Piano
954
Alto Saxophone
927
Clarinet and Piano
854
Tenor Saxophone
774
Oboe, Piano (duet)
768
Saxophone Quartet: 4 saxophones
632
Alto Saxophone and Piano
622
Saxophone (band part)
561
2 Saxophones (duet)
559
2 Flutes (duet)
557
Flute, Oboe, Clarinet, Bassoon
459
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
452
Tenor Saxophone and Piano
440
2 Clarinets (duet)
384
Oboe (band part)
317
Clarinet Quartet: 4 clarinets
313
Soprano Saxophone and Piano
254
Saxophone Quintet: 5 Saxophones
220
Oboe
195
Flute, Clarinet (duet)
189
Flute Quartet: 4 flutes
157
Baritone Saxophone, Piano
146
3 Clarinets (trio)
145
3 Saxophones (trio)
139
Saxophone, Clarinet (duet)
135
Flute and Guitar
125
2 Oboes (duet)
123
Flute, Violin, Piano
114
Clarinet, Violin (duet)
113
Oboe, Bassoon (duet)
111
English horn, Piano
110
Recorder
107
Clarinet (band part)
107
Soprano Saxophone
106
Clarinet Ensemble
91
Clarinet Quintet: 5 clarinets
89
Flute Trio: 3 flutes
88
Flute, Violin
86
Clarinet, Trumpet (duet)
85
Flute ensemble
80
Oboe, Clarinet (duet)
77
Flute (band part)
75
Eb Instruments
66
Flute, Clarinet and Bassoon.
65
2 Recorders (duet)
65
Flute, Oboe, Clarinet (trio)
63
Saxophone ensemble
63
Clarinet and Viola
62
Descant (Soprano) Recorder
58
Flute, Viola (duet)
57
Bass Clarinet, Piano
55
Oboe, Flute
50
Flute, Trumpet (duet)
47
Flute, Saxophone (duet)
46
Flute, Oboe, Bassoon
44
Flute Quintet : 5 flutes
44
Clarinet, Bassoon (duet)
42
Clarinet, Guitar (duet)
42
Baritone Saxophone
41
Ocarina
40
Flute, Violoncello
31
English Horn
30
Flute, Oboe (duet)
29
Oboe, Clarinet, Bassoon (trio)
28
Treble (Alto) Recorder
27
Recorder Quartet
27
Clarinet, Cello (duet)
26
Harmonica
26
Flute, Bassoon, and Piano
23
Oboe, Cello
23
2 Clarinets, Bassoon
21
Flute, Clarinet, Piano (trio)
21
Flute, Violin and Violoncello
20
2 Clarinets, Piano
17
Recorder Ensemble
17
Bass Clarinet
16
Clarinet, Harp (duet)
14
English Horn, Guitar (duet)
14
2 Flutes, Piano
14
Flute, Cello, Piano (trio)
14
Oboe, Violin (duet)
12
Oboe, Guitar (duet)
11
Oboe and viola (duet)
11
Piccolo
11
2 Saxophones, Piano
11
Descent (Soprano) Recorder, Piano
10
5 Recorders
10
Flute, Oboe, Piano (trio)
10
Clarinet, Bassoon, Piano (trio)
9
Clarinet, Cello, Piano (trio)
9
Flute, Violin, Violoncello and Piano
8
Flute, Viola and Piano
8
3 Recorders (trio)
8
Saxophone and Guitar
8
Flute, harp and violin
8
Harmonica, Piano
7
Clarinet, Trombone (duet)
7
Tenor Recorder
7
Flute, Oboe, Violin
6
3 Oboes
6
Flute, Clarinet, Violin (trio)
6
Flute, Clarinet, Horn and Bassoon (Quartet)
6
Flute, Trombone (duet)
6
Treble (Alto) Recorder, Piano
5
Saxophone and Harp
5
Pennywhistle
5
Flute, trombone and piano
4
Flute, Cello, Guitar
4
Flute, Harp and Cello
4
Clarinet, Tuba
4
Oboe, Trombone (duet)
4
Saxophone and Piano
4
Flute, French horn (duet)
3
Flute, Tuba (duet)
3
Piccolo, Piano
3
2 English horns and Pianoforte
3
Bagpipe
3
Oboe, Trumpet (duet)
3
Oboe, Violin, Piano
3
Clarinette, Viola and Piano (trio)
3
Oboe, Cello and Piano
3
Clarinet, trumpet and piano
3
Clarinet, Double bass (duet)
3
4 Oboes
2
Oboe, Clarinet and Piano (Trio)
2
Flute, Organ (duet)
2
2 Recorders, Guitar
1
Wind ensemble
1
Oboe, Harp
1
Treble (Alto) Recorder, Basso continuo
1
Clarinet Quintet: Clarinet, String Quartet
1
2 Oboes, 2 Horns and 2 Bassoons
1
Saxophone and Organ
1
Oboe, Bassoon and Piano
1
Saxophone, Violin (duet)
1
Flute, Viola and harp
1
Flute and Strings Trio
1
Flute, Violin, Guitar
1
2 Oboes, Piano
1
Flute, Viola and Cello
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Recorder, Piano
1
+ 140 instrumentations
-
Retract
Woodbrass
Trumpet
1,224
Trombone
1,022
French horn
642
Trumpet, Piano
615
Brass Quintet: 2 trumpets, horn, trombone, tuba
578
Trombone and Piano
544
French Horn and Piano
415
Trumpet (band part)
283
Tuba
283
Brass quartet : 2 trumpets, trombone, tuba
266
Trombone (band part)
255
2 Trumpets (duet)
205
Tuba and Piano
201
2 Trombones (duet)
184
Brass Quartet
127
Brass Quartet: 2 trumpets, horn, trombone
119
Trumpet, Trombone (duet)
118
English horn, Piano
110
Trumpet, Saxophone (duet)
98
2 French horns (duet)
98
Euphonium
82
Bass Clef Instruments
73
Euphonium, Piano (duet)
69
Bb Instruments
68
Brass Quartet: 4 trombones
59
Trumpet, Horn (duert)
58
French horn (band part)
52
Tuba (band part)
39
2 Tubas (duet)
33
English Horn
30
Brass Quartet: 4 horns
28
Trombone ensemble
24
3 Trombones (trio)
20
F Instruments
17
Brass Trio
16
English Horn, Guitar (duet)
14
Trumpet ensemble
14
Brass Quartet: 4 trumpets
14
2 Euphoniums and 2 Tubas
13
2 Euphoniums (duet)
12
Trumpet, Tuba (duet)
10
4 Tubas
10
Trumpet, Cello (duet)
10
Horn Ensemble
10
French Horn and Harp
8
Horn, Cello (duet)
8
Trumpet, Harp
7
Trumpet, Cello, Piano
7
Bass Trombone
7
Tuba and Organ
6
Bass Trombone and Piano
5
Trombone, Tuba (duet)
5
Trumpet, Trombone, Piano
5
Euphonium, Tuba (duet)
4
Tuba or Euphonium or Saxhorn
4
Brass Quartet: 2 trumpets, 2 trombones
4
3 Trumpets (trio)
4
2 French horns, Piano
3
French horn and Basson (duet)
3
Trumpet, violin (duet)
3
2 English horns and Pianoforte
3
Trumpet, Bassoon (duet)
3
Trombone, Violin (duet)
3
3 French horns (trio)
2
Horn, Tuba (duet)
2
3 Euphoniums
2
2 Trumpets, Keyboard (piano or organ)
2
Trombone, Horn (duet)
2
Trumpet, Euphonium (duet)
1
Cornet and Orchestra
1
Trombone, Organ
1
Tuba ensemble
1
3 Tubas (trio)
1
Horn and Organ
1
+ 69 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
2,125
Violin and Piano
1,461
Violin
1,382
Cello
1,055
Cello, Piano
875
Viola
785
Viola, Piano
761
Harp
654
Violin, Cello (duet)
536
2 Violins (duet)
498
String Trio: violin, viola, cello
336
2 Cellos (duet)
279
Violin, Viola (duet)
246
Double Bass
221
String Quintet: 2 violins, viola, cello, bass
204
String Trio: 2 violins, cello
201
2 Violas (duet)
194
Double bass, Piano (duet)
180
Violin (band part)
154
Viola (band part)
151
Doublebass (band part)
113
Piano Trio: Violin, Viola, Piano
77
Violin, Guitar (duet)
74
Viola, Cello (duet)
69
String Trio: 3 violins
63
4 Cellos
51
Cello (band part)
48
String trio
46
String Trio: 3 cellos
41
Cello, Guitar (duet)
38
2 Harps (duet)
37
String Trio: 3 violas
35
String Trio: 2 violins, viola
29
Harp, Violin (duet)
29
Violin, Bassoon (duet)
28
2 Double basses (duet)
28
Harp, Flute (duet)
24
Harp, Voice
23
Cello, String Bass (duet)
18
Viola, Guitar (duet)
14
String quartet: 4 violins
14
Violin, Clarinet, Piano (trio)
10
Viola and Harp
9
String Quartet : 4 violas
9
Viola and Bassoon
8
Harp, Cello (duet)
7
2 Violins, Piano
7
String Quintet: 2 violins, 2 violas, cello
6
Cello, Organ
6
Harp, Violin, Violoncello
5
Violin, Organ
4
Viola, Organ
4
Flute, Doublebass (duet)
3
Cello Ensemble
3
3 Harps
3
String Quintet: 2 violins, viola, 2 cellos
3
Harp and Piano
3
Viola ensemble
2
2 Violas, Piano
2
4 Harps
2
2 Cellos, Piano
2
4 Double Basses
2
Violin ensemble
2
Harp and Organ
2
5 Harps
2
Violin, Tuba (duet)
2
Harp, Trombone (duet)
1
Violin, Cello, Clarinet
1
Autoharp
1
3 double basses
1
+ 65 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,705
Orchestra
815
String Orchestra
665
Jazz Ensemble
611
Handbells
440
Brass ensemble
348
Drums
309
Chamber Orchestra
194
Marching band
177
Jazz combo
160
Percussion Ensemble
73
Percussion (band part)
59
Drum (band part)
39
Percussion
26
Marimba
24
Xylophone
22
Vibraphone
15
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
11
Timpani (band part)
10
Xylophone, Piano
8
3 Marimbas
4
Timpani
3
Flexible Instrumentation
3
Xylophone or Marimba or Vibraphone
2
Brass Quintet: other combinaisons
2
Marimba, Piano (duet)
2
Snare drums
2
Woodwind Quintet
1
2 Xylophones
1
School Ensemble
1
Piano and Orchestra
1
Orchestra, Violin
1
+ 27 instrumentations
-
Retract
Others
Musical course - Solfege
6
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For Love
Chamber Orchestra
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194 sheet music found
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176
Three Laments of Heloise for Chamber Orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Dosia McKay
#
Three Laments of Heloise for C
#
Gavia Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Barbara Allen for piccolo and orchestra
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Reinhold Behringer
#
David Warin Solomons
#
Barbara Allen for piccolo and
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Trad...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
The Joyce Cycle, for voice and orchestra
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Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Conte...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Song of the Forgotten Rose Trio for Marimba, Flute and Piano
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Chamber Orchestra
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INTERMEDIATE
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Sabrina Pena Young
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Song of the Forgotten Rose Tri
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Sabrina Peña Young
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Pe...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432533. Published by Sabrina Peña Young (A0.976943). Beautiful song for flute, marimba and piano about love, romance, and a forgotten rose found by her hero. A wedding song. Mythical tale. Truly a lovely work for intermediate to advanced musicians. A perfect work of repertoire for any music studio! Ideal for pedagogy, performance, or special event. Award-winning composer. Quite an exceptional work! Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Mu...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Carson Cooman
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Symphony No. 2, "Litanies of L
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
A Mighty Fortress (EIN FESTE BURG) - two antiphonal pianos and organ
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Martin Luther
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Clifton Allen Davis, ASCAP
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A Mighty Fortress
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1278081 Composed by Martin Luther. Arranged by Clifton Allen Davis, ASCAP. Christian,Religious,Tra...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1278081 Composed by Martin Luther. Arranged by Clifton Allen Davis, ASCAP. Christian,Religious,Traditional. Score and Parts. 14 pages. Clifton Allen Davis Music, ASCAP #869772. Published by Clifton Allen Davis Music, ASCAP (A0.1278081). This festive arrangement for two antiphonal pianos and organ uses sparkling figuration and interesting harmonies to bring a fresh flair to this beloved hymn. Â Written for a piano dedication service, the arrangement is useful for worship settings, recitals, and festivals. Only one purchased copy required to make three performance copies.
$9.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Concertino - for clarinet, mandolin and symphony orchestra
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Chamber Orchestra
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Klezmer
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Fantasy for Flute and Strings
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Chamber Orchestra
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ADVANCED
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pa...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
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Chamber Orchestra
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BEGINNER
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instruct...
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
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Chamber Orchestra
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BEGINNER
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instruct...
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
Wedding Song (There Is Love)
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Chamber Orchestra
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EASY
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Paul Stookey
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Karen D
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Wedding Song
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Karen D. Janiszewski
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.865412 By Paul Stookey. By Paul Stookey. Arranged by Karen D. Janiszewski. Children,Folk. Score an...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.865412 By Paul Stookey. By Paul Stookey. Arranged by Karen D. Janiszewski. Children,Folk. Score and parts. 25 pages. Karen D. Janiszewski #3073563. Published by Karen D. Janiszewski (A0.865412). This arrangement features a vocal soloist and bowed string quartet accompaniment. Beautiful string interludes separate each verse, will likely will take little rehearsal time for everyone to learn and is written in a comfortably singable key of Eb. Full score and individual parts included.
$12.99
Pájaros (Birds) for solo flute and strings
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. A...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
Fitch Overture for chamber orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Joseph Dillon Ford
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Fitch Overture for chamber orc
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David Warin Solomons2
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.
$10.00
Love Theme (tema D'amore)
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Chamber Orchestra
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ADVANCED
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Film/TV
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Andrea Morricone and Ennio Mor
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Dico
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Love Theme
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.843176 Composed by Andrea Morricone and Ennio Morricone. Arranged by Dico. Film/TV. Score and part...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.843176 Composed by Andrea Morricone and Ennio Morricone. Arranged by Dico. Film/TV. Score and parts. 55 pages. Dico #6758993. Published by Dico (A0.843176). WEDDING SERIESÂ - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.LOVE THEMEÂ (from Cinema Paradiso):Voices | Fl | Ob | Hr 1, 2 (opt. Tb sub. Hr 2) | Bb Tpt 1, 2 | Pno | Perc | Strs
$62.50
Love Theme (tema D'amore)
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Chamber Orchestra
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ADVANCED
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Andrea Morricone and Ennio Mor
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Dico
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Love Theme
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.688079 Composed by Andrea Morricone and Ennio Morricone. Arranged by Dico. Film/TV,Wedding. Score ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.688079 Composed by Andrea Morricone and Ennio Morricone. Arranged by Dico. Film/TV,Wedding. Score and parts. 55 pages. Dico Ferreira #296803. Published by Dico Ferreira (A0.688079). WEDDING SERIESÂ - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.LOVE THEMEÂ (from Cinema Paradiso):Voices | Fl | Ob | Hr 1, 2 (opt. Tb sub. Hr 2) | Bb Tpt 1, 2 | Pno | Perc | Strs
$62.50
O Love (Soprano solo plus chamber orchestra ALL PARTS)
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Stuart Brown
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O Love
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Stuart Brown Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.835427 Composed by Stuart Brown. Contemporary. 49 pages. Stuart Brown Music #18177. Published by S...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.835427 Composed by Stuart Brown. Contemporary. 49 pages. Stuart Brown Music #18177. Published by Stuart Brown Music (A0.835427). Described as truly inspired and absolutely beautiful, this is an original setting of George Matheson's well-known poem O Love, that wilt not let me go. It has had a profound impact on everyone who has heard it, even reducing some people to tears at its first performance. Performing rights apply in the UK and USA (PRS for Music).
$25.00
O Love, that wilt not let me go - Soprano solo plus chamber orchestra SCORE
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Stuart Brown
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O Love, that wilt not let me g
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Stuart Brown Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.835426 Composed by Stuart Brown. Contemporary. 14 pages. Stuart Brown Music #18175. Published by S...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.835426 Composed by Stuart Brown. Contemporary. 14 pages. Stuart Brown Music #18175. Published by Stuart Brown Music (A0.835426). Described as truly inspired and absolutely beautiful, this is an original setting of George Matheson's well-known poem O Love, that wilt not let me go. It has had a profound impact on everyone who has heard it, even reducing some people to tears at its first performance. Performing rights apply in the UK and USA (PRS for Music).
$10.00
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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Chamber Orchestra
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INTERMEDIATE
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standard...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
$48.95
Brahms - Love Song Waltzes Op.52 for Choir and Chamber Orchestra - Bassoon 2
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Chamber Orchestra
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Classical
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Johannes Brahms
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Adrian Connell
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Brahms - Love Song Waltzes Op.
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Adrian Connell
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.823392 Composed by Johannes Brahms. Arranged by Adrian Connell. 20th Century,Romantic Period. Score and part...
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Chamber Orchestra - Digital Download SKU: A0.823392 Composed by Johannes Brahms. Arranged by Adrian Connell. 20th Century,Romantic Period. Score and parts. 11 pages. Adrian Connell #3125527. Published by Adrian Connell (A0.823392). An orchestration of Johannes Brahms Love Song Waltzes Op.52 prepared for a performance by my choir Ruskin Chorale
$1.99
Brahms - Love Song Waltzes Op.52 for Choir and Chamber Orchestra - Flute
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Chamber Orchestra
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Classical
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Johannes Brahms
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Adrian Connell
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Brahms - Love Song Waltzes Op.
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Adrian Connell
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.823398 Composed by Johannes Brahms. Arranged by Adrian Connell. Classical,Romantic Period. Score and parts. ...
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Chamber Orchestra - Digital Download SKU: A0.823398 Composed by Johannes Brahms. Arranged by Adrian Connell. Classical,Romantic Period. Score and parts. 12 pages. Adrian Connell #3125535. Published by Adrian Connell (A0.823398). An orchestration of Johannes Brahms Love Song Waltzes Op.52 prepared for a performance by my choir Ruskin Chorale
$1.99
Brahms - Love Song Waltzes Op.52 for Choir and Chamber Orchestra - Horn 2
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Chamber Orchestra
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Classical
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Johannes Brahms
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Adrian Connell
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Brahms - Love Song Waltzes Op.
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Adrian Connell
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.823397 Composed by Johannes Brahms. Arranged by Adrian Connell. Classical,Romantic Period. Score and parts. ...
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Chamber Orchestra - Digital Download SKU: A0.823397 Composed by Johannes Brahms. Arranged by Adrian Connell. Classical,Romantic Period. Score and parts. 9 pages. Adrian Connell #3125539. Published by Adrian Connell (A0.823397). An orchestration of Johannes Brahms Love Song Waltzes Op.52 prepared for a performance by my choir Ruskin Chorale
$1.99
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