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Piano solo 30 Piano, Voice 13 Piano, Vocal and Guitar 7 Easy Piano 5 C Instruments 4

2 Pianos, 4 hands 1 Piano Accompaniment 1 1 Piano, 4 hands 1

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Choral SATB 29 Choral Instrumental Pak 10 Choral Unison 5 Choral 2-part 4 Vocal duet, Piano 2

Choral 3-part 2 Choral SSAA 1 Voice solo 1 High voice 1

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2 Flutes (duet) 13 Clarinet 11 Oboe (band part) 11 Saxophone Quartet: 4 saxophones 9 Oboe, Piano (duet) 7

Flute and Piano 5 2 Saxophones (duet) 4 Baritone Saxophone, Piano 3 Alto Saxophone and Piano 3 Saxophone, Clarinet (duet) 3 Flute (band part) 3 Clarinet (band part) 2 2 Saxophones, Piano 2 3 Saxophones (trio) 2 Tenor Saxophone and Piano 2 Flute 1 Oboe, Clarinet (duet) 1 Flute Quintet : 5 flutes 1 Flute ensemble 1 2 Oboes (duet) 1 Clarinet and Viola 1 Oboe, Bassoon (duet) 1 Oboe, Flute 1 Oboe, Guitar (duet) 1 Flute, Oboe, Clarinet, Bassoon 1 Clarinet, Guitar (duet) 1 Clarinet and Piano 1 Tenor Saxophone 1 Alto Saxophone 1 English horn, Piano 1

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Trombone and Piano 4 2 French horns (duet) 3 Trumpet, Piano 3 Trumpet (band part) 2 French Horn and Piano 2

Trumpet, Saxophone (duet) 2 French horn 2 Trumpet 1 Tuba 1 Brass Quartet: 2 trumpets, horn, trombone 1 Trumpet, Trombone (duet) 1 English horn, Piano 1

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Cello, Piano 7 Viola, Piano 3 2 Cellos (duet) 3 Cello 2 Harp, Voice 1

Viola 1 2 Violas (duet) 1

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Brass ensemble 3 Handbells 3 Concert band 3 Chamber Orchestra 2

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Here Is Love, the Love of God - Violin 1

Chamber Orchestra

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2 sheet music found

Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical â€œTheophilusâ€), yet they are unusual for being composed in such contrasting genres. Lukeâ€™sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesaboutâ€”and speeches fromâ€”the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christâ€™s ascension is narratedandâ€”following an orchestral Sinfoniaâ€”the chorus sings words of Jesus from the Sermon on the Plain in Lukeâ€™sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faithâ€”a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiahâ€œHeaven is my throneâ€¦â€, the end of the narrative is remarkable for two reasons: firstly, Stephenâ€™s final wordsmirror those of Christ on the cross in Lukeâ€™s gospelâ€”where Jesus forgives his executioners and prays â€œFather, intoyour hands I commend my spiritâ€ (Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephenâ€™s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiahâ€”whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saulâ€™sConversion is followed here by a Christological poem found in Paulâ€™s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Lukeâ€™s realistic assessment that in spite of Paulâ€™s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Lukeâ€™s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paulâ€™s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,â€œSpirit of mercy, truth, and loveâ€ is an eighteenth century poem that e.

$25.95 23.92 € #Chamber Orchestra #Carson Cooman #Carson Cooman: The Acts of the Apostles #Musik Fabrik Music Publishing #SheetMusicPlus

Three Laments of Heloise for Chamber Orchestra Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloiseâ€™s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweetâ€¦ They are always there before my eyes, bringing with them awakened longingsâ€¦ The second movement If Not With You, My Heart Is Nowhere, expresses Heloiseâ€™s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloiseâ€™s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).

$100.00 92.19 € #Chamber Orchestra #Dosia McKay #Three Laments of Heloise for Chamber Orchestra #Gavia Music #SheetMusicPlus