Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
6,647
Digital
Sheet Music
154
Sheet Music
Books
29
Music
Equipment
2,475
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
5416
PIANO & KEYBOARDS
Piano solo
2795
Piano, Vocal and Guitar
795
Piano, Voice
774
Easy Piano
615
C Instruments
218
Organ
213
Big Note Piano
117
Piano Accompaniment
103
1 Piano, 4 hands
92
Piano Trio: piano, violin, cello
63
2 Pianos, 4 hands
50
Piano (band part)
26
Organ, Trumpet (duet)
15
Piano Quartet: piano, violin, viola, cello
14
Piano Quintet: piano, 2 violins, viola, cello
9
Accordion
6
Organ, Piano (duet)
6
Harpsichord
6
2 Pianos, 8 hands
5
Piano Quartet: piano, 2 violins, cello
5
Keyboard
3
Accordion ensemble
1
2 Accordions
1
1 Piano, 6 hands
1
Fake Book
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
306
Guitar notes and tablatures
279
Ukulele
75
Guitar (band part)
56
2 Guitars (duet)
48
Melody line, (Lyrics) and Chords
47
Bass guitar
42
4 Guitars (Quartet)
37
Dulcimer
28
Mandolin
17
Banjo
16
Guitar Ensemble
11
Mandolin, Piano (duet)
10
Piano, Guitar (duet)
8
3 Guitars (trio)
8
Lyrics and Chords
5
2 Dulcimers (duet)
2
2 Mandolins (duet)
2
Baritone Ukulele
2
Guitar, Orchestra
1
Ukulele Ensemble
1
Mandolin, Guitar (duet)
1
Guitar, Violin, Cello (trio)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
1426
Choral 3-part
467
Choral Unison
381
Choral 2-part
301
Choral TTBB
253
Choral SSAA
171
Soprano voice, Piano
103
Tenor voice, Piano
80
Alto voice, Piano
79
Vocal duet
44
Vocal duet, Piano
40
High voice
22
Baritone voice, Piano
15
Medium voice, Piano
15
Low voice, Piano
8
Tenor voice
7
Voice solo
7
Choral SSAATTBB
5
Choral
4
Soprano voice
4
Choral SSATTB
3
Soli, Mixted choir and accompaniment
2
Choral SSATB
1
Low voice
1
Choral SSAB, Piano
1
Choral SSAB a cappella
1
Instrumentations suivantes
Retracter
WOODWIND
2 Saxophones (duet)
536
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
509
Saxophone Quartet: 4 saxophones
454
Flute and Piano
411
Oboe, Piano (duet)
361
Flute, Oboe, Clarinet, Bassoon
355
Clarinet and Piano
321
2 Clarinets (duet)
311
2 Flutes (duet)
298
Alto Saxophone and Piano
282
Clarinet Quartet: 4 clarinets
257
Saxophone Quintet: 5 Saxophones
213
Flute
202
Saxophone (band part)
199
Clarinet
195
Tenor Saxophone and Piano
188
Saxophone, Clarinet (duet)
181
Alto Saxophone
168
Clarinet, Violin (duet)
141
Clarinet Ensemble
139
Soprano Saxophone and Piano
124
Clarinet, Trumpet (duet)
121
Baritone Saxophone, Piano
118
Flute, Clarinet (duet)
118
Saxophone ensemble
104
Flute Quartet: 4 flutes
103
English horn, Piano
97
2 Oboes (duet)
96
Flute ensemble
91
Flute, Violin
81
Pennywhistle
81
3 Saxophones (trio)
80
Oboe, Clarinet (duet)
80
Tenor Saxophone
78
Oboe, Bassoon (duet)
76
Oboe (band part)
74
Clarinet Quintet: 5 clarinets
73
3 Clarinets (trio)
72
Clarinet and Viola
71
Flute, Saxophone (duet)
63
Flute, Viola (duet)
62
Oboe, Flute
58
2 Recorders (duet)
58
Flute, Trumpet (duet)
56
Recorder
54
Flute and Guitar
48
Bass Clarinet, Piano
48
Flute Trio: 3 flutes
45
Oboe
36
Flute Quintet : 5 flutes
35
2 Flutes, Piano
30
Clarinet, Guitar (duet)
30
Flute (band part)
27
Oboe, Clarinet, Bassoon (trio)
24
Flute, Oboe, Clarinet (trio)
23
Flute, Oboe (duet)
21
Descant (Soprano) Recorder
20
Soprano Saxophone
20
Clarinet, Bassoon (duet)
15
Descent (Soprano) Recorder, Piano
15
Flute, Violin, Piano
15
Flute, Clarinet, Piano (trio)
14
Treble (Alto) Recorder, Piano
14
Recorder Quartet
13
Clarinet (band part)
13
Oboe, Violin (duet)
12
Flute, Violoncello
12
Treble (Alto) Recorder
12
3 Recorders (trio)
12
Flute, Clarinet and Bassoon.
12
Tenor Recorder
9
Harmonica
9
5 Recorders
9
Flute, Bassoon, and Piano
8
English Horn, Guitar (duet)
8
Saxophone
8
English Horn
8
Flute, Trombone (duet)
8
Flute, Harp and Cello
8
Clarinet, Trombone (duet)
8
Recorder Ensemble
6
Clarinet, Cello (duet)
6
Flute, Cello, Piano (trio)
6
2 Clarinets, Piano
6
Oboe, Guitar (duet)
6
Flute, Oboe, Bassoon
5
2 Saxophones, Piano
5
Clarinet, Harp (duet)
4
Baritone Saxophone
4
Flute, harp and violin
4
Piccolo, Piano
3
Recorder, Piano
3
Clarinet, Bassoon, Piano (trio)
3
Flute, Viola and Piano
3
Piccolo
3
Ocarina
3
Flute, Violin, Violoncello and Piano
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
Flute, Oboe, Piano (trio)
2
Flute, French horn (duet)
2
Saxophone and Organ
2
Saxophone and Harp
2
Saxophone and Guitar
2
Oboe, Harp
2
2 English horns and Pianoforte
1
Bagpipe
1
Clarinet Quintet: Clarinet, String Quartet
1
Bass Clarinet
1
Oboe, Violin, Piano
1
Eb Instruments
1
Oboe, Clarinet and Piano (Trio)
1
4 Oboes
1
Recorder, Harp
1
Oboe and viola (duet)
1
Oboe ensemble
1
Flute, Oboe, Violin
1
Flute, Violin and Violoncello
1
Flute, Clarinet, Violin (trio)
1
Recorder, Guitar (duet)
1
3 Oboes
1
Flute and Strings Trio
1
Oboe, Cello
1
2 Oboes, Piano
1
Treble (Alto) Recorder, Basso continuo
1
Flute, Cello, Guitar
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
423
Brass quartet : 2 trumpets, trombone, tuba
379
Trombone and Piano
270
Trumpet
210
Trumpet, Piano
203
French Horn and Piano
173
Trombone (band part)
134
2 Trumpets (duet)
130
Trombone
128
Trumpet, Saxophone (duet)
127
2 Trombones (duet)
110
Trumpet (band part)
106
English horn, Piano
97
Brass Quartet
91
Trumpet, Trombone (duet)
87
Brass Quartet: 2 trumpets, horn, trombone
86
French horn
83
Euphonium, Piano (duet)
78
Tuba and Piano
77
Tuba
74
Brass Quartet: 4 trombones
57
Trombone ensemble
48
2 French horns (duet)
39
Trumpet ensemble
28
Brass Quartet: 4 horns
24
French horn (band part)
22
Tuba (band part)
17
Brass Quartet: 4 trumpets
15
Horn Ensemble
14
Brass Trio
13
4 Tubas
13
2 Tubas (duet)
10
2 Euphoniums (duet)
9
English Horn, Guitar (duet)
8
Tuba and Organ
8
English Horn
8
2 Euphoniums and 2 Tubas
6
Trombone, Horn (duet)
5
Bass Trombone
5
Trumpet, Tuba (duet)
5
3 Trumpets (trio)
5
Trombone, Tuba (duet)
4
Horn, Tuba (duet)
4
3 Trombones (trio)
4
Horn, Cello (duet)
3
Euphonium
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Trumpet, Horn (duert)
3
Bass Clef Instruments
2
3 French horns (trio)
2
Trombone, Organ
2
Trumpet, Trombone, Piano
2
French horn and Basson (duet)
2
2 English horns and Pianoforte
1
Tuba ensemble
1
Trumpet, violin (duet)
1
3 Euphoniums
1
4 Euphoniums
1
Brass Quartet: 2 trumpets, 2 trombones
1
2 French horns, Piano
1
3 Tubas (trio)
1
Bb Instruments
1
Trumpet, Euphonium (duet)
1
Trumpet, Harp
1
Bass Trombone and Piano
1
French Horn and Harp
1
Clarinet, Horn (duet)
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
1265
Harp
979
Violin and Piano
493
Violin
379
Violin, Cello (duet)
349
Cello, Piano
319
Viola, Piano
294
String Trio: violin, viola, cello
278
Cello
240
2 Violins (duet)
222
2 Violas (duet)
129
Violin, Viola (duet)
128
2 Cellos (duet)
121
String Quintet: 2 violins, viola, cello, bass
107
Viola
105
String Trio: 2 violins, cello
73
Double Bass
53
2 Harps (duet)
49
Double bass, Piano (duet)
46
Doublebass (band part)
34
Viola (band part)
27
4 Cellos
25
Viola, Cello (duet)
22
Harp, Flute (duet)
21
String Trio: 3 violins
19
Violin, Guitar (duet)
18
Viola ensemble
18
Violin ensemble
17
String Trio: 3 cellos
17
String Trio: 3 violas
15
String quartet: 4 violins
14
Piano Trio: Violin, Viola, Piano
13
Violin (band part)
13
String Quartet : 4 violas
11
Harp and mandolin
9
Cello, String Bass (duet)
9
String Quintet: 2 violins, 2 violas, cello
8
2 Double basses (duet)
8
Harp, Violin (duet)
7
String Trio: 2 violins, viola
7
Cello, Guitar (duet)
6
4 Double Basses
5
2 Violins, Piano
4
Harp, Voice
4
Viola and Bassoon
4
Viola and Harp
3
Cello (band part)
3
Cello Ensemble
3
Harp, Cello (duet)
3
Viola, Guitar (duet)
3
Harp and Piano
3
2 Violas, Piano
2
Violoncello, Basso continuo
2
String Quintet: 2 violins, viola, 2 cellos
2
Violin, Clarinet, Piano (trio)
1
Violin, Organ
1
Harp, Trombone (duet)
1
Cello, Organ
1
Autoharp
1
Violin, Bassoon (duet)
1
Cello, Orchestra
1
Harp, Violin, Violoncello
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
1190
String Orchestra
479
Jazz Ensemble
351
Orchestra
346
Brass ensemble
250
Handbells
214
Chamber Orchestra
154
Marching band
106
Jazz combo
99
Percussion Ensemble
54
Drums
29
Drum (band part)
27
Marimba
16
Vibraphone
10
Percussion (band part)
7
School Ensemble
6
Xylophone
3
Xylophone, Piano
2
Percussion
1
Bodhran
1
2 Xylophones
1
Marimba, Piano (duet)
1
Flexible Instrumentation
1
Piano and Orchestra
1
Brass Quintet: other combinaisons
1
Woodwind Quintet
1
Vibraphone and Marimba
1
Orchestra, Violin
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
1
You've selected:
Here It Is
Chamber Orchestra
Sheetmusic to print
154 sheet music found
<
1
26
51
....
151
Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan Mar…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. Juan Maria Solare #4810669. Published by Juan Maria Solare (A0.596576). Meditative piece for chamber orchestra (2222.2200.timp.strings) Character: noble and majestic. Reflective, meditative. The title is an allusion to the Bible (Mark 11:23, Matthew 17:20, Matthew 21:21). If you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. One possible interpretation is that the inner mountain symbolize those troubles and issues that you can speak to, i.e. face, and therefore solve. Listen to it on all usual streaming platforms: Spotify: https://open.spotify.com/album/5kuPwSQGnXK9CY9QNX4fks Apple Music: https://music.apple.com/us/album/speak-to-your-mountain-and-move-it-single/1462303377 Bandcamp: https://juanmariasolare.bandcamp.com/album/speak-to-your-mountain-and-move-it Nico Zwaneveld from the blog Christian Dance wrote (10 August 2019): Maybe you can appreciate the works of Hans Zimmer, Gustav Mahler, Edvard Grieg... or maybe this introduction to Juan Maria Solare will cause you to add him to the same list when you are looking for additions to your music collection... let's just say for those special moments where other music genres will not be able to bring you the same feelings of hope, serenity, calmness, nobleness, or tranquility. (http://blog.christiandance.eu/2019/08/juan-maria-solare-speak-to-your.html) As for the parts, contact the composer (www.JuanMariaSolare.com) or search (soon) in Sheet Music Plus (https://www.sheetmusicplus.com/publishers/juan-maria-solare-sheet-music/3003582?aff_id=565049)
$4.00
3.66 €
#
Chamber Orchestra
#
Juan MarÃa Solare
#
Speak to Your Mountain And Move it [chamber orchestra
#
Juan Maria Solare
#
SheetMusicPlus
Were You There?
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1343102 By Thomas Quigley. B…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1343102 By Thomas Quigley. By Spiritual. Arranged by Thomas Quigley. Christian,Religious. 38 pages. Thomas Quigley #928616. Published by Thomas Quigley (A0.1343102). This is a sensitively crafted version of a well-loved Spiritual. Although the style is quite simple, the arrangement is very effective. The accessible parts merge beautifully with well chosen harmonies and it is ideal for a middle grade school or college orchestra to perform, either as a concert item or as an interlude at a religious service.
$59.95
54.84 €
#
Chamber Orchestra
#
Thomas Quigley
#
Were You There?
#
Thomas Quigley
#
SheetMusicPlus
Syzygy | Ethereal Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fi…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Multicultural,World. Score and Parts. 22 pages. Fiona Cork #733457. Published by Fiona Cork (A0.1133304). Syzygy is an amalgam of four movements, all very different in feel, yet blended smoothly to paint a picture of the divine cosmos. With pronounced usage of the pentatonic scale, Syzygy invokes my personal love of Chinese orchestra (as well as some genre fusion to spice up the general aesthetic). I was sixteen when I wrote this, my first large-scale piece, and therefore was very fond of it; but I never got so big for my britches that I didn't ask for help. After the four-ish months I spent writing this, I revised it with several local music directors and composers, as well as personal friends who played specific instruments used in the score. _____________________________ syz·y·gy /ˈsizijē/ noun ASTRONOMY a conjunction or opposition, especially of the moon with the sun. the planets were aligned in syzygy a pair of connected or corresponding things. animus and anima represent a supreme pair of opposites, the syzygy.
$3.00
2.74 €
#
Chamber Orchestra
#
Fiona Cork
#
Syzygy | Ethereal Chamber Orchestra
#
Fiona Cork
#
SheetMusicPlus
Where Have I Danced With You Before
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1275397 By Return To Forever…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1275397 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score and Parts. 26 pages. Jeff Tincher #867324. Published by Jeff Tincher (A0.1275397). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$50.00
45.74 €
#
Chamber Orchestra
#
Return To Forever
#
Where Have I Danced With You Before
#
Jeff Tincher
#
SheetMusicPlus
Visions of Nowhere, op. 10 - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1218112 Composed by Peter Le…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. Published by Peter Le Tissier (A0.1218112). Visions of Nowhere was written in the latter half of 2021 into the first months of 2022. The piece is a melting pot of ideas, strongly connected with some of the GÃ idhlig songs written during the years 2018-2021 and motifs from the Symphony in D/E Minor (2017-2021). The piece is scored for small Chamber Orchestra, with an orchestral Harp part that has been written with the intention that a Piano may be used as a substitute should it be required. The work is roughly 8-10 minutes long.Parts are available upon contact with the composer at www.peterletissier.com.
$20.99
19.2 €
#
Chamber Orchestra
#
Peter Le Tissier
#
Visions of Nowhere, op. 10 - Score Only
#
Peter Le Tissier
#
SheetMusicPlus
Let It Go
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1500730 By Idina Menzel. By …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1500730 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Demetrio Bonvecchio. Film/TV,Pop,Rock. 74 pages. Demetrio Bonvecchio (Db Music) #1076820. Published by Demetrio Bonvecchio (Db Music) (A0.1500730). Let It Go, here arranged for Chamber Orchestra with a Vocal Soloist, is one of the best songs written in later years. Mixing pop/rock elements to classical music, this is a hymn to freedom with joy and determination.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioScore + Set of Parts includedOther Chamber Orchestra scores available: Bundle Of Joy (from Inside Out) A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) When I Am Older (from Frozen 2) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Go The Distance (from Hercules) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
91.47 €
#
Chamber Orchestra
#
Idina Menzel
#
Let It Go
#
Demetrio Bonvecchio
#
SheetMusicPlus
Let It Snow! Let It Snow! Let It Snow!
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1298466 By Jessica Simpson. …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1298466 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by John Langley (for Studio Orchestrations). Broadway,Christmas,Contemporary,Film/TV,Musical/Show,Standards. Score and Parts. 71 pages. Www.studio-orchestrations.com #888438. Published by www.studio-orchestrations.com (A0.1298466). The classic Christmas ballad made famous by Dean Martin, arranged here for SATB chorus and smal orchestra will charm any christmas audience and is a version suitable for any good amateur or professional performance group. A perfect Christmas Concert Stocking filler.Instrumentation:SATB ChorusFlute dbl. PiccoloPiccolo2 ClarinetsGlockenspielHarpPiano/KeyboardGuitar (optional)Drum KitStringsA correpsonding SATB Chorus and Piano version is also available from this supplier arranged by John Langley.Other titles available from the same arranger:A Million Dreams (The Greatest Showman)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305770/Product.aspxWhen you believe (The Prince of Egypt) https://www.sheetmusicdirect.com/en-US/se/ID_No/1369099/Product.aspxCome what may (Moulin Rouge)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1346777/Product.aspxEl Tango de Roxanne (Moulin Rouge) https://www.sheetmusicdirect.com/en-US/se/ID_No/1346335/Product.aspxMaadowlark (The Baker's Wife)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372145/Product.aspxDiamonds are forever  (Title song)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372605/Product.aspxBarcelona [Freddie Mercury/Montserrat Caballe)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305928/Product.aspxSummer Wine [Lee Hazelwood/Nancy Sinatra]  https://www.sheetmusicdirect.com/en-US/se/ID_No/1151500/Product.aspxMalone's death (The Untoucahables) https://www.sheetmusicdirect.com/en-US/se/ID_No/1380919/Product.aspx.
$150.00
137.21 €
#
Chamber Orchestra
#
Jessica Simpson
#
Let It Snow! Let It Snow! Let It Snow!
#
www.studio-orchestrations.com
#
SheetMusicPlus
Let It Snow! Let It Snow! Let It Snow!
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1298552 By Jessica Simpson. …
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1298552 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by John Langley (for Studio Orchestrations). Christmas,Contemporary,Film/TV,Holiday,Standards. Score and Parts. 64 pages. Www.studio-orchestrations.com #888447. Published by www.studio-orchestrations.com (A0.1298552). The classic Christmas ballad made famous by Dean Martin, arranged here for Baritone (or mezzo) Solo and small orchestra will charm any christmas audience and is a version suitable for any good amateur or professional performance group.  A perfect Christmas Concert Stocking filler.Instrumentation:SATB ChorusFlute dbl. PiccoloPiccolo2 ClarinetsGlockenspielHarpPiano/KeyboardGuitar (optional)Drum KitStringsA correpsonding SATB Chorus with Orchestra or just Piano version is also available from this supplier arranged by John Langley.Other titles available from the same arranger:A Million Dreams (The Greatest Showman)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305770/Product.aspxWhen you believe (The Prince of Egypt) https://www.sheetmusicdirect.com/en-US/se/ID_No/1369099/Product.aspxCome what may (Moulin Rouge)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1346777/Product.aspxEl Tango de Roxanne (Moulin Rouge) https://www.sheetmusicdirect.com/en-US/se/ID_No/1346335/Product.aspxMaadowlark (The Baker's Wife)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372145/Product.aspxDiamonds are forever  (Title song)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372605/Product.aspxBarcelona [Freddie Mercury/Montserrat Caballe)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305928/Product.aspxSummer Wine [Lee Hazelwood/Nancy Sinatra]  https://www.sheetmusicdirect.com/en-US/se/ID_No/1151500/Product.aspxMalone's death (The Untoucahables) https://www.sheetmusicdirect.com/en-US/se/ID_No/1380919/Product.aspx.
$150.00
137.21 €
#
Chamber Orchestra
#
Jessica Simpson
#
Let It Snow! Let It Snow! Let It Snow!
#
www.studio-orchestrations.com
#
SheetMusicPlus
A Dream Is A Wish Your Heart Makes
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1500143 By Linda Ronstadt. B…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1500143 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 46 pages. Demetrio Bonvecchio (Db Music) #1076220. Published by Demetrio Bonvecchio (Db Music) (A0.1500143). A Dream Is A Wish Your Heart Makes, here arranged for Chamber Orchestra with Vocal Soloist, is one of the most famous songs ever written for a Disney movie.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio Bonvecchio[Score + Set of Parts included]Other Chamber Orchestra scores available: Bundle of Joy (from Inside Out) When I Am Older (from Frozen 2) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Let It Go (from Frozen) (with Vocal Soloist) Go The Distance (from Hercules) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
91.47 €
#
Chamber Orchestra
#
Linda Ronstadt
#
A Dream Is A Wish Your Heart Makes
#
Demetrio Bonvecchio
#
SheetMusicPlus
Salvation Is Created
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1360751 By Central Alberta C…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1360751 By Central Alberta Chamber Orchestra. By Pavel Grigorievich Chesnokov. Arranged by James Bicigo. 19th Century,Chamber,Christmas,Romantic Period,Sacred. 26 pages. Polar Publications #945244. Published by Polar Publications (A0.1360751). This beautiful choral hymn in the Russian Orthodox style is set here for chamber orchestra. it was performed in December 2023 by the Central Alberta Chamber Orchestra. Long a staple of the band and choir repertoire, now it can be a staple for orchestras as well.
$50.00
45.74 €
#
Chamber Orchestra
#
Central Alberta Chamber Orchestra
#
Salvation Is Created
#
Polar Publications
#
SheetMusicPlus
Christmas Time Is Here
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1360773 Composed by Lee Mend…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1360773 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Jim Bicigo. Chamber,Christmas,Film/TV,Holiday,Jazz. 32 pages. Polar Publications #945267. Published by Polar Publications (A0.1360773). This Charlie Brown Christmas classis is set for solo soprano voice or unison children's chorus and chamber orchestra. perfect for a small orchestra's holiday programming. it was performed by the Central Alberta Chamber Orchestra on their holiday concert in December 2023.
$80.00
73.18 €
#
Chamber Orchestra
#
Lee Mendelson and Vince Guaraldi
#
Christmas Time Is Here
#
Polar Publications
#
SheetMusicPlus
It Came Upon a Midnight Clear for String Quartet (or Mixed Quartet or Piano Quintet)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.530715 Composed by Richard S…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.530715 Composed by Richard Storrs Willis. Arranged by Daniel Kelley. 20th Century,Christmas,Standards. Score and parts. 13 pages. Last Resort Music Publishing #4887763. Published by Last Resort Music Publishing (A0.530715). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95
9.1 €
#
Chamber Orchestra
#
Richard Storrs Willis
#
Cello, Piano Quartet &
#
It Came Upon a Midnight Clear for String Quartet
#
Last Resort Music Publishing
#
SheetMusicPlus
There Is A Rose In Flower
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.946465 Composed by Johannes …
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.946465 Composed by Johannes Brahms. Arranged by William Taylor. Christmas,Romantic Period,Sacred,Wedding. Score and parts. 10 pages. William Taylor #6329919. Published by William Taylor (A0.946465). This beautiful, flowing piece is traditionally played during Christmas but it works well year round. This version includes parts for string quartet and two violins, oboe and cello. .
$15.00
13.72 €
#
Chamber Orchestra
#
Johannes Brahms
#
There Is A Rose In Flower
#
William Taylor
#
SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.74 €
#
Chamber Orchestra
#
Carson Cooman
#
Carson Cooman: The Acts of the Apostles
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.19 €
#
Chamber Orchestra
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
91.47 €
#
Chamber Orchestra
#
Dosia McKay
#
Three Laments of Heloise for Chamber Orchestra
#
Gavia Music
#
SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.47 €
#
Chamber Orchestra
#
Georg Philipp Telemann
#
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
#
Sneakwood Editions
#
SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.19 €
#
Chamber Orchestra
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.19 €
#
Chamber Orchestra
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Entre Nous for Strings
Chamber Orchestra
String Ensemble,String Quintet - Level 1 - Digital Download SKU: A0.799652 Composed…
(+)
String Ensemble,String Quintet - Level 1 - Digital Download SKU: A0.799652 Composed by D. M. Gardner. Concert. Score and parts. 25 pages. D. M. Gardner Music #481035. Published by D. M. Gardner Music (A0.799652). This very popular piece has enjoyed performances across the country. Entre Nous was originally premiered in Omaha, Nebraska with the University of Nebraska Chamber Orchestra. Soon, Entre Nous made it's way to places such as Florida, Texas, and most recently, Iowa, where this newest revision was premiered. Entre Nous has faired well in competition and recital and is sure to be a great addition the repertoire of any chamber orchestra.Entre Nous (between me and thee) is a conversation between a man and his God. It is a single movement, ternary composition, mirroring the Holy Trinity. Beginning in a solemn g minor, it quickly moves forward with an endless flow of eighth note counterpoint, emerging enchantingly into the flowing melancholy melody of the B section. The second A surfaces in a minor with a sudden new energy and direction, slipping into a deeply contemplative, ethereally enchanting ending.Entre Nous is also a very unique and interesting piece, perhaps the reason for its popularity. Structurally, it turns upside-down a number of times, each line becoming the melody at some point. A very linear piece, melodic interweaving and predominance give Entre Nous a characteristic that can be best described as enchanting. Much of the melody being perceived is actually a combination of several lines of music at once, often in contrast to another melody or two beneath.Premiere: University of Nebraska at Omaha - Chamber Orchestra - April 30, 1997Difficulty: Moderate - A great piece for middle school or youth orchestras. Great for competition. Entre Nous has been performed for several competitions and a graduate audition at Florida State.Number of Pages: 25 total printed pagesApprox. 7 minutes and 34 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$19.99
18.29 €
#
Chamber Orchestra
#
D
#
Entre Nous for Strings
#
D. M. Gardner Music
#
SheetMusicPlus
Bach 1729 BWV 156 Adagio for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1213502 By Rainer's Rainbow.…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1213502 By Rainer's Rainbow. By Johann Sebastian Bach 1685-1750. Arranged by R G Roth. 19th Century,20th Century,Baroque,Classical,Romantic Period. Score and Parts. 21 pages. Rainer's Rainbow #810690. Published by Rainer's Rainbow (A0.1213502). Bach Composed this well known Adagio as partof his Cantata BWV 156, titled I stand with one foot in the grave. Written in 1729 it has become one of his best known melodies. It is arranged here for chamber ensemble where the melody is shared between various woodwinds. A solo part is provided for a violinist to strengthen the melody if needed.
$11.99
10.97 €
#
Chamber Orchestra
#
Rainer's Rainbow
#
Bach 1729 BWV 156 Adagio for Chamber Orchestra
#
Rainer's Rainbow
#
SheetMusicPlus
Piano Concerto No. 1 - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.87 €
#
Chamber Orchestra
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - Score Only
#
Juan Maria Solare
#
SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.22 €
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Alpenhorn Variety Pack
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.889884 Composed by Gary Frie…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.889884 Composed by Gary Friedman. Contemporary,World. Score and parts. 47 pages. Gary Friedman #13175. Published by Gary Friedman (A0.889884). This contains music in several styles, both slow and lively, for solo alpenhorn and orchestra. A piano is included in the orchestra, but if not available, other instruments are provided with cues for the piano passages. It was written to celebrate the 75th anniversary of the San Francisco Civic Symphony, the oldest community orchestra on the West Coast. There were three performances in 2006, the anniversary year - two indoor and one outdoor. A piano reduction of the orchestra accompaniment is provided here and is also sold separately with the solo part for $5.00. Duration: 6 or 8 minutes, depending on whether an optional repeat is taken. Year: 2005.
$40.00
36.59 €
#
Chamber Orchestra
#
Gary Friedman
#
Alpenhorn Variety Pack
#
Gary Friedman
#
SheetMusicPlus
<
1
26
51
....
151
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
