Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
857
Digital
Sheet Music
12
Sheet Music
Books
5
Music
Equipment
1,331
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
757
PIANO & KEYBOARDS
Piano solo
986
Easy Piano
470
Piano, Voice
154
Piano, Vocal and Guitar
98
C Instruments
59
Organ
39
2 Pianos, 4 hands
24
Big Note Piano
9
Piano Accompaniment
8
1 Piano, 4 hands
4
Piano Trio: piano, violin, cello
3
Organ, Trumpet (duet)
3
2 Pianos, 8 hands
2
Piano (band part)
2
Piano Quartet: piano, 2 violins, cello
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
47
Guitar notes and tablatures
38
Ukulele
26
Melody line, (Lyrics) and Chords
8
Mandolin
6
Bass guitar
5
4 Guitars (Quartet)
5
Banjo
4
Guitar Ensemble
3
2 Guitars (duet)
3
Piano, Guitar (duet)
2
Guitar (band part)
2
Dulcimer
1
Lyrics and Chords
1
3 Guitars (trio)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
197
Choral 3-part
64
Choral TTBB
37
Choral 2-part
37
Choral Unison
36
Choral SSAA
22
Vocal duet
6
Alto voice, Piano
6
Vocal duet, Piano
3
Tenor voice
2
Soprano voice, Piano
2
Choral
1
Soprano voice
1
Choral SSATTB
1
High voice
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone Quartet: 4 saxophones
61
Flute
49
Clarinet
46
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
43
Flute and Piano
41
Saxophone Quintet: 5 Saxophones
39
Saxophone (band part)
37
2 Flutes (duet)
36
Clarinet and Piano
34
2 Saxophones (duet)
33
Oboe, Piano (duet)
33
Oboe (band part)
32
Flute, Oboe, Clarinet, Bassoon
32
3 Saxophones (trio)
30
Alto Saxophone and Piano
29
Tenor Saxophone and Piano
27
Clarinet Quartet: 4 clarinets
26
Alto Saxophone
24
Baritone Saxophone, Piano
23
Tenor Saxophone
21
Soprano Saxophone and Piano
19
Saxophone
19
2 Clarinets (duet)
15
Clarinet Ensemble
14
Flute ensemble
13
English horn, Piano
12
English Horn
11
2 Recorders (duet)
11
Descant (Soprano) Recorder
10
Saxophone ensemble
9
Flute Quintet : 5 flutes
9
Flute Quartet: 4 flutes
8
Flute Trio: 3 flutes
7
3 Clarinets (trio)
7
Flute, Oboe, Clarinet (trio)
7
Flute and Guitar
6
Oboe, Clarinet, Bassoon (trio)
6
2 Oboes (duet)
6
Clarinet Quintet: 5 clarinets
5
Clarinet, Violin (duet)
5
Clarinet, Bassoon (duet)
5
Saxophone, Clarinet (duet)
5
5 Recorders
5
Recorder Quartet
5
Flute, Clarinet (duet)
5
Clarinet, Trumpet (duet)
4
3 Recorders (trio)
4
Clarinet (band part)
4
Treble (Alto) Recorder
4
Flute, Violin
3
Oboe ensemble
2
Baritone Saxophone
2
Flute, Saxophone (duet)
2
Flute (band part)
2
Oboe, Guitar (duet)
2
Oboe, Bassoon (duet)
2
Bass Clarinet, Piano
2
Treble (Alto) Recorder, Piano
2
Soprano Saxophone
2
Oboe
2
Oboe, Flute
2
Flute, Trumpet (duet)
2
Flute, Oboe (duet)
1
Flute, Clarinet and Bassoon.
1
Harmonica
1
2 Clarinets, Piano
1
Clarinet, Trombone (duet)
1
Oboe, Clarinet (duet)
1
Descent (Soprano) Recorder, Piano
1
Recorder, Piano
1
Flute, Violin, Piano
1
2 Flutes, Piano
1
Tenor Recorder
1
Flute, Oboe, Bassoon
1
Saxophone and Guitar
1
4 Oboes
1
Recorder
1
Saxophone and Organ
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
54
Trumpet
41
Trombone
35
Trombone and Piano
35
French Horn and Piano
32
Trumpet, Piano
30
French horn
27
Tuba
23
Brass quartet : 2 trumpets, trombone, tuba
21
Tuba and Piano
15
English horn, Piano
12
Trumpet (band part)
12
2 Trumpets (duet)
12
English Horn
11
2 Trombones (duet)
10
Trumpet, Trombone (duet)
10
Brass Quartet: 2 trumpets, horn, trombone
10
Brass Quartet: 4 trombones
8
Trombone (band part)
7
2 French horns (duet)
7
Euphonium, Piano (duet)
7
Trombone ensemble
7
2 Tubas (duet)
6
Brass Quartet: 4 horns
5
Horn Ensemble
5
Trumpet, Horn (duert)
4
Trumpet ensemble
4
Trumpet, Saxophone (duet)
4
Brass Quartet: 4 trumpets
4
2 Euphoniums and 2 Tubas
3
Tuba and Organ
3
3 Tubas (trio)
3
3 French horns (trio)
3
3 Trombones (trio)
3
Brass Trio
2
French horn (band part)
2
4 Tubas
2
Brass Quartet
2
Cornet and Orchestra
1
2 Trumpets, Keyboard (piano or organ)
1
Tuba ensemble
1
Trombone, Horn (duet)
1
Tuba (band part)
1
2 Euphoniums (duet)
1
Instrumentations suivantes
Retracter
STRINGS
Violin, Cello (duet)
224
Violin
184
Cello
80
Violin and Piano
62
String Trio: 2 violins, cello
53
Harp
45
Cello, Piano
36
2 Violins (duet)
22
Double Bass
19
Double bass, Piano (duet)
18
2 Cellos (duet)
18
2 Harps (duet)
9
Violin (band part)
7
Violin, Guitar (duet)
7
Cello, Guitar (duet)
6
String Trio: 3 cellos
5
Doublebass (band part)
4
Harp, Flute (duet)
4
String Trio: 3 violins
3
4 Cellos
3
Violin ensemble
3
String quartet: 4 violins
3
Violin, Clarinet, Piano (trio)
1
Violin, Bassoon (duet)
1
Violoncello, Basso continuo
1
5 Harps
1
4 Harps
1
Cello (band part)
1
Harp, Voice
1
Harp and Piano
1
2 Double basses (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
136
Orchestra
67
Jazz Ensemble
47
Handbells
46
Brass ensemble
42
String Orchestra
40
Jazz combo
24
Chamber Orchestra
12
Percussion Ensemble
10
Marching band
8
Drums
5
Percussion (band part)
2
Marimba
1
Xylophone
1
Vibraphone
1
Drum (band part)
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
1
You've selected:
How Can It Be - Viola
Chamber Orchestra
Sheetmusic to print
12 sheet music found
<
1
Three Laments of Heloise for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
89.96 €
#
Chamber Orchestra
#
Dosia McKay
#
Three Laments of Heloise for Chamber Orchestra
#
Gavia Music
#
SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.37 €
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Variations on a Rossini Theme op.Posth
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
(+)
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
26.98 €
#
Chamber Orchestra
#
Frederik François Chopin
#
Variations on a Rossini Theme op.Posth
#
James Strauss
#
SheetMusicPlus
Histoire du Soldat Concert Suite
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1141262 Composed by Igor Str…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1141262 Composed by Igor Stravinsky. Arranged by John M. Laverty. 20th Century,Chamber,Classical. Score and Parts. 245 pages. Zephyrwindmusic.com #741570. Published by zephyrwindmusic.com (A0.1141262). Histoire du Soldat is one of Igor Stravinsky’s most performed chamber works. It is published in the original edition (for seven players, three spoken parts, and a single dancer) and as a trio version for clarinet, violin, and piano scored by the composer. It is also frequently performed as a concert suite using the original instrumentation. Although the concert suite is in many respects identical to the original, it omits several movements as well as small sections within some movements where spoken parts with music occur. This new edition is intended to eliminate any confusion as to what music should be included or eliminated in order to create a more deï¬nitive concert suite. Fortunately, Stravinsky performed or recorded the concert suite on many occasions indicating his intentions for how the work should be presented. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download. Instrumentation: Clarinet in B-flat and A Bassoon Cornet in B-flat and A (with an optional part in C) Trombone Percussion Violin Double Bass.
$50.00
44.98 €
#
Chamber Orchestra
#
Igor Stravinsky
#
Histoire du Soldat Concert Suite
#
zephyrwindmusic.com
#
SheetMusicPlus
The Hunt
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco E…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
8.99 €
#
Chamber Orchestra
#
Franco Esteve
#
The Hunt
#
Franco Esteve
#
SheetMusicPlus
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine …
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
42.24 €
#
Chamber Orchestra
#
Germaine Tailleferre
#
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Halloween Prelude for Small Orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.900886 Composed by Mark Biss…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by Mark Bisson (A0.900886). A short Concert piece for a school orchestra.I was trying to create a fun Halloween piece full of musical cliches. There is a tuba solo but this can be played by a trombone if necessary. I have also included the tuba part as an E flat bass part. I have included optional oboe parts (which can be covered either by clarinets or flutes) and an optional bassoon part. The piece may feel a little brass heavy due to there being 4 horn parts and 4 trumpet parts; this is a reflection of the instrumentalists I had at the time of composing it. It is, as usual, thickly scored so that it will still work even if you don’t have a full compliment of players. The Double bass part can be played on a bass guitar.PERFORMANCE AND PHOTOCOPYING I freely give my permission to make as many copies of parts etc. as needed and would be delighted to have any of my music performed (there is no charge) but please tell me how it went!
$6.99
6.29 €
#
Chamber Orchestra
#
Mark Bisson
#
Halloween Prelude for Small Orchestra
#
Mark Bisson
#
SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
(+)
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.58 €
#
Chamber Orchestra
#
Ofer Ben-Amots
#
Songs from the Pomegranate Garden
#
The Composer's Own Press
#
SheetMusicPlus
A Dream from the Past
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna …
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.
$25.00
22.49 €
#
Chamber Orchestra
#
Arianna Cunningham
#
A Dream from the Past
#
Arianna Cunningham
#
SheetMusicPlus
Moon for String Orchestra and Percussion
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.1003485 Composed by Steve Horowitz. Co…
(+)
Chamber Orchestra - Digital Download SKU: A0.1003485 Composed by Steve Horowitz. Contemporary,Film/TV,Instructional. Score and parts. 48 pages. Steven M Horowitz #4283671. Published by Steven M Horowitz (A0.1003485). Moon is a moody and dark piece for string orchestra and percussion. it runs about 10 minutes in length and is composed to go along with NASA footage of the Moon. Inquire about the video footage if you are interested, however the piece can be played with or without the film. Score & Full set of Parts Included.
$19.99
17.98 €
#
Chamber Orchestra
#
Steve Horowitz
#
Full set of Parts Included
#
Moon for String Orchestra and Percussion
#
Steven M Horowitz
#
SheetMusicPlus
Beauty And The Beast
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1346606 By Celine Dion & Pea…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1346606 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Vinicius Louzada. Film/TV,Pop. 25 pages. Vinicius Louzada #931385. Published by Vinicius Louzada (A0.1346606). This arrangement is for chamber orchestra and soloist. It can be performed in recitals and concerts.
$49.99
44.97 €
#
Chamber Orchestra
#
Celine Dion & Peabo Bryson
#
Beauty And The Beast
#
Vinicius Louzada
#
SheetMusicPlus
Se Todos Fossem Iguais A Voce
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1350089 Composed by Antonio …
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1350089 Composed by Antonio Carlos Jobim and Vinicius De Moraes. Arranged by Vinicius Louzada. Broadway,Contemporary,Musical/Show,Pop. 42 pages. Vinicius Louzada #934864. Published by Vinicius Louzada (A0.1350089). This arrangement was created for chamber orchestra, including strings, wind quintet, percussion and soloist. It can be performed in recitals and didactic concerts.
$49.99
44.97 €
#
Chamber Orchestra
#
Antonio Carlos Jobim and Vinicius De Moraes
#
Se Todos Fossem Iguais A Voce
#
Vinicius Louzada
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
