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II solo score
Chamber Orchestra
Sheetmusic to print
29 sheet music found
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1
26
[Westergaard] Twelfth Night (Act II Full Score)
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Chamber Orchestra
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Peter Westergaard
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[Westergaard] Twelfth Night
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American Composers Alliance Inc.
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.952814 Composed by Peter Westergaard. Contemporary,Opera. Score and parts. 388 pages. American Composers All...
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Chamber Orchestra - Digital Download SKU: A0.952814 Composed by Peter Westergaard. Contemporary,Opera. Score and parts. 388 pages. American Composers Alliance Inc. #4624289. Published by American Composers Alliance Inc. (A0.952814). Full score to Act II of Westergaard's Shakespearian chamber opera, Twelfth Night. Scored for 12 solo singers (1 soprano, 1 mezzo-soprano, 1 contralto, 1 countertenor, 3 tenors, 4 baritones, 1 bass), 4 supernumeraries, flute (doubling piccolo & alto flute), Ob (doubling English horn), Clarinet, Bassoon, Horn, Trumpet, Harp, 2 Violins, 2 Violas, and 2 cellos. PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$111.95
Vivaldi - Violin Concerto No.1 in B flat major Op.4 RV 383 for Violin solo, Strings and Continuo
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto No.1
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.516926 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 60 pages. ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.516926 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 60 pages. Santino Cara #3007387. Published by Santino Cara (A0.516926). Violin Concerto No.1 in B flat major RV 383 for violin solo (with insertions of violin I solo and violin II solo) Strings and Continuo (cembalo), reconstructed in 2012 by Santino Cara from 12 Concertos La stravaganza Op.4 of Antonio Vivaldi.
$16.40
In convertendo Dominus (Full Score)
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Baldassare Galuppi
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ed
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In convertendo Dominus
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Elizabeth Fisher Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.998639 Composed by Baldassare Galuppi. Arranged by ed. Elizabeth Fisher. Baroque,Classical. Score ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.998639 Composed by Baldassare Galuppi. Arranged by ed. Elizabeth Fisher. Baroque,Classical. Score and Parts. 26 pages. Elizabeth Fisher Music #5766391. Published by Elizabeth Fisher Music (A0.998639). This five-movement work was composed by Baldassare Galuppi for the women of the Ospedale della Incurabili. It is scored for SSAA voices**, S soloist, and string orchestra. Movments I, III, and V are for SSAA chorus while movements II and IV are for Soprano soloist. The text is taken from Psalm 126. **Note: In this edition, the Alto 2 part has been transposed up one octave from the original manuscript which has the part written in the bass clef.
$14.99
INTREPID: A Fantasy for Oboe/English Horn Soloist and Chamber Orchestra (Parts Only)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Sarah Wallin Huff
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INTREPID: A Fantasy for Oboe/E
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Novel Soundtrax
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.800343 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 55 pages. Novel Soundtrax #48...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.800343 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 55 pages. Novel Soundtrax #484973. Published by Novel Soundtrax (A0.800343). Evoking the driving forces of metamorphosis and migration, INTREPID is a cinematic Fantasy for soloist on oboe and english horn, with small chamber orchestra accompaniment. It is rich in color and texture, persistently forward-moving on its sweeping journey. --Instrument List: 2 Flutes / 1 Piccolo (doubled by Flute II) 1 Clarinet in Bb (or 1 part for Bb/A Clarinets) Bassoon Solo Oboe and English Horn in F (doubled by soloist) 2 Horns in F 2 Tenor Trombones 1 Percussionist: Suspended Cymbal, Triangle, Maracas, and Cabasa Piano Harp Strings (vln 1, vln 2, vla, cello, bass).
$45.00
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Chamber Orchestra
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ADVANCED
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Classical
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO I
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Scor...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
Levaithan of the Ancient Deep (Score only)
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Chamber Orchestra
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Contemporary
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Sarah Wallin Huff
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Levaithan of the Ancient Deep
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Novel Soundtrax
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.800344 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 156 pages. Novel Soundtrax #493373. Pub...
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Chamber Orchestra - Digital Download SKU: A0.800344 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 156 pages. Novel Soundtrax #493373. Published by Novel Soundtrax (A0.800344). Score for the 2008 three-movement concerto for solo 6-string electric violin, chamber orchestra, EWI (Electric Wind Instrument), and synthesizer. Approx. 25 minutes long. Taking its cue from the Hebrew description of this Creature of antiquity and imagination, this Concerto features the virtuosic properties of the six-string electric violin with its immense range, while the various and creative sounds available to the synthesizer and electric wind instrument (EWI) enhance the beauty of the acoustic orchestra. Instrument List: Orchestra: 2 Flutes / 1 Piccolo (doubled by Flute II) 2 Oboes / 1 English Horn in F (doubled by Oboe II) 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 2 Trombones (1 Tenor, 1 Bass) 4 Timpani 3 Percussionists: Low Floor Tom, Bongos, 2 Concert Toms, Suspended Cymbal, Tambourine, and Claves Strings (vln 1, vln 2, vla, cello, bass) MIDI/Electric Instruments: EWI, Synthesizer, Six-string Electric Violin: Strings are tuned (from lowest to highest): F, C, G, D, A, E.
$75.00
The Holy City, Vocal or Instrumental Solo, With String Ensemble Accompaniment
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Stephen Adams, MichaelMaybrick
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Casper Lai
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The Holy City, Vocal or Instru
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Casper Lai
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.893878 Composed by Stephen Adams, MichaelMaybrick. Arranged by Casper Lai. Christian,Christmas,Gos...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.893878 Composed by Stephen Adams, MichaelMaybrick. Arranged by Casper Lai. Christian,Christmas,Gospel,Sacred. Score and parts. 29 pages. Casper Lai #5287661. Published by Casper Lai (A0.893878). This famous piece is commonly found arranged as choral, instrumental solo or even orchestral. But it is rarely arranged into solo voice / instrumental with string ensemble / orchestral accompaniment.The piece is around 5 minutes.The file includes the full score, the solo part with lyrics, the part score for violin I, violin II, viola, cello and bass.You are welcome to share your thought with me via email: casperlkk@gmail.com.Thank you.
$12.99
Beethoven-Symphony No.6(Pastoral),Op.68,Movement II,for Orchestra
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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MSM
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Beethoven-Symphony No.6(Pastor
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Open Cloud
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.674417 Composed by Ludwig van Beethoven. Arranged by MSM. Classical,Romantic Period. Score and Par...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.674417 Composed by Ludwig van Beethoven. Arranged by MSM. Classical,Romantic Period. Score and Parts. 150 pages. Open Cloud #6094839. Published by Open Cloud (A0.674417). This product (include full and parts score) is a digital sheet music in PDF format. The music was composed by Beethoven(Ludwig van Beethoven), 1770-1827,for Solo Violin and String Band, published by More Sheet Music Press.
$47.09
Sonata RV40 Movement II
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Antonio Vivaldi
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Nick Lacanski
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Sonata RV40 Movement II
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theupperstaff
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.647040 Composed by Antonio Vivaldi. Arranged by Nick Lacanski. Baroque. Score and parts. 16 pages....
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.647040 Composed by Antonio Vivaldi. Arranged by Nick Lacanski. Baroque. Score and parts. 16 pages. Theupperstaff #2034179. Published by theupperstaff (A0.647040). This is a lively movement that will definitely showcase the technical abilities of the clarinetist. It is arranged for solo clarinet and string orchestra.
$8.99
Bourrée I & II, Suite 2 BWV 1067 for piano trio (fl, vc, pno)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Klas Krantz
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Bourrée I & II, Suite 2 BWV 1
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Amadeus Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.532650 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score and pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.532650 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score and parts. 6 pages. Amadeus Music #6674233. Published by Amadeus Music (A0.532650). Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity
$7.95
Comfort Ye from The Messiah for Solo Tenor Voice and Chamber Orchestra
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Chamber Orchestra
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ADVANCED
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Classical
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George Frideric Handel
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Doug Clyde
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Parts
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Comfort Ye from The Messiah fo
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ALBEDO MUSIC
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.713002 Composed by George Frideric Handel. Arranged by Doug Clyde. Baroque,Christian,Christmas,Eas...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.713002 Composed by George Frideric Handel. Arranged by Doug Clyde. Baroque,Christian,Christmas,Easter,Sacred. Score and parts. 13 pages. ALBEDO MUSIC #4824607. Published by ALBEDO MUSIC (A0.713002). Comfort Ye from The Messiah for Solo Tenor Voice and Chamber Orchestra. Composed by George Frideric Handel. No. 2. HWV 56. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Tenor, Harpsichord, Violin I, Violin II, Viola, Cello. Performance Duration 2:25. AMDS8. © 2009 by ALBEDO MUSIC.
$10.00
Bach - Piano Concerto No.7 in G minor BWV 1058 for Piano solo and String Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Santino Cara
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Santino Cara
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II
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Bach - Piano Concerto No.7 in
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1356525 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 118 pages. S...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1356525 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 118 pages. Santino Cara #941197. Published by Santino Cara (A0.1356525). Complete score and parts of the Piano Concerto No.8 in G minor BWV 1058 for Piano concertato and Strings. Arranged for harpsichord in 1738 by Bach himself, from the previous concerto in A minor for solo violin, strings and continuo BWV 1041. Rewritten and elaborated for Piano and String orchestra in Rome in 2023 by Santino Cara.3 Movements: 1. Allegro moderato, 2. Andante, 3. Allegro assai.Instrumentations: Piano concertato, Violins I. & II., Violas, Violoncellos, Double Basses.
$22.40
Piccolo concerto "Auvers-sur-Oise" - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Davide Riva
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Piccolo concerto "Auvers-sur-O
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Davide Riva
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1262564 Composed by Davide Riva. 21st Century,Classical,Contemporary. 29 pages. Davide Riva #85558...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1262564 Composed by Davide Riva. 21st Century,Classical,Contemporary. 29 pages. Davide Riva #855582. Published by Davide Riva (A0.1262564). Piccolo concerto is inspired by the little french town called Auvers-sur-Oise, where lived and died the famous painter Vincent Van Gogh.This concerto is composed by the italian composer Davide Riva and is dedicate to the piccolist M° Raphael Leone.Duration: 16 min c.caQuesto concerto per ottavino e orchestra è ispirato al piccolo paese Auvers-sur-Oise situato al nord della Francia, dove Vincent Van Gogh visse e passò gli ultimi giorni della sua vita.Scritto dal compositore italiano Davide Riva, è dedicato al Maestro Raphael Leone.I. ModeratoII. AdagioIII. Allegro con brioSCORING - ORGANICOPiccolo flute (solo)2 HornsTimpaniStringsOrchestral score only (no performance material).
$10.99
Bach - Piano Concerto No.8 in D minor BWV 1059 for Piano solo and String Orchestra
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Santino Cara
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Johann Sebastian Bach
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Santino Cara
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II
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Bach - Piano Concerto No.8 in
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1352181 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 93 pages. Sa...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1352181 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. 93 pages. Santino Cara #937016. Published by Santino Cara (A0.1352181). Complete score and parts of the Concerto No.8 in D minor BWV 1059 for Piano, Strings and Continuo. Composed by Johann Sebastian Bach. Rewritten and elaborated in Rome in 2023 by Santino Cara.3 Movements: 1. Allegro, 2. Adagio, 3. Presto.Instrumentation: Piano concertato, Violins I. & II., Violas, Violoncellos and Double Basses
$22.40
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (9x12)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Jamey Aston
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Far and Away: Concerto for Obo
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Montana Knites Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Kni...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Knites Publishing #5802253. Published by Montana Knites Publishing (A0.1025353). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 9 x 12 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (8 1/2 x 11)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Jamey Aston
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Far and Away: Concerto for Obo
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Montana Knites Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Kni...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Knites Publishing #5294211. Published by Montana Knites Publishing (A0.1025352). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 8 1/2 x 11 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95
Trumpet Concerto no. 1 in D Major
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Ryan LeGrand
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Trumpet Concerto no. 1 in D Ma
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Ryan M. LeGrand
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013940 Composed by Ryan LeGrand. 20th Century,Baroque,Concert,Contemporary,Standards. Score and p...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013940 Composed by Ryan LeGrand. 20th Century,Baroque,Concert,Contemporary,Standards. Score and parts. 126 pages. Ryan M. LeGrand #5022849. Published by Ryan M. LeGrand (A0.1013940). Trumpet Concerto no. 1 in D Major, written in 2013, revised 2019.I. Allegro con Brio II. Adagio moltoIII. Allegro Scored for solo Trumpet in D and Chamber Orchestra (2 Flutes, 2 Oboes, Bassoon, Strings).INCLUDES COMPLETE SCORE AND FULL SET OF PARTS.
$19.99
Concerto Grosso in F minor.
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Bennett Rabiega
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Bennett Rabiega
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O Come, O Come, Emmanuel: A Ch
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Bennett A Rabiega
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Chri...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. Score and Parts. 273 pages. Bennett A Rabiega #863238. Published by Bennett A Rabiega (A0.1288208). This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and an orchestra of 1 Flute, 1 Soprano Saxophone, 1 Trumpet, 1 Trombone, Violin I, Violin II, Viola, Cello, Piano, Acoustic Guitar, Bass Guitar, and Drums). A reduced orchestration is available, as is a vocal score with piano accompaniment. This is the full orchestration, including the vocal score and all instrumental parts. 1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)
$249.95
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
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Chamber Orchestra
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INTERMEDIATE
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Thomas Graf
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Instrumentation:
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German Spring Song Collection
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
Stabat Mater Dolorosa, Vocal Duet SA
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Chamber Orchestra
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ADVANCED
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Sacred music
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Giovanni Battista Pergolesi
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Doug Clyde
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Stabat Mater Dolorosa, Vocal D
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ALBEDO MUSIC
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1329566 Composed by Giovanni Battista Pergolesi. Arranged by Doug Clyde. Baroque,Chamber,Christian...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1329566 Composed by Giovanni Battista Pergolesi. Arranged by Doug Clyde. Baroque,Chamber,Christian,Religious,Sacred. 16 pages. ALBEDO MUSIC #917549. Published by ALBEDO MUSIC (A0.1329566). Stabat Mater Dolorosa for Vocal Duet and Chamber Orchestra. Composed by Giovanni Battista Pergolesi. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Violin I, Violin II, Viola, Cello, Contrabass, Soprano Solo, Alto Solo. Lyrics in Latin: Stabat mater dolorosa juxta Crucem lacrimosa, dum pendebat Filius. Performance Duration 4:10. © 2023 by ALBEDO MUSIC.
$9.99
Vivaldi - Violin Concerto in B flat major RV 375 for Violin, Strings and Cembalo
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Chamber Orchestra
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Classical
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto in B
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.503075 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 96 pages....
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Chamber Orchestra - Digital Download SKU: A0.503075 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 96 pages. Published by Santino Cara (A0.503075). Complete score and parts of the Violin Concerto in B flat major RV 375 for Violin concertante, Strings and Cembalo. Composed in Venice presumably between 1723 and 1724 by Antonio Vivaldi. Reconstructed and elaborated in Rome in 2002 by Santino Cara. Single PDF file with full score and separate parts for: Violin concertante, Violins I and Violins II, Cellos (with solo cello), Double basses, Harpsichord. 3 Movements: 1. Calmo-Allegro non tanto, 2. Largo, 3. Allegro Source: this concert was reconstructed from the manuscript kept at the From the manuscript kept at the State Library of the University of Dresden.
$18.90
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