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PIANO & KEYBOARDS

Piano solo 38 Piano, Vocal and Guitar 32 Piano, Voice 25 2 Pianos, 4 hands 21 Easy Piano 7

C Instruments 4 1 Piano, 4 hands 1

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GUITARS

Guitar notes and tablatures 6 Guitar 6 Lyrics and Chords 2 Ukulele 2 Bass guitar 1

Melody line, (Lyrics) and Chords 1

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VOICE

Choral SATB 20 Choral 3-part 5 Choral TTBB 4 Choral 2-part 1 Choral Unison 1

Soprano voice, Piano 1

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WOODWIND

Saxophone Quartet: 4 saxophones 3 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3 Clarinet 2 Oboe (band part) 2 2 Saxophones (duet) 2

Flute (band part) 2 Clarinet, Trombone (duet) 1 Flute ensemble 1 2 Clarinets (duet) 1 Recorder 1 Flute, Viola (duet) 1 Saxophone ensemble 1 Flute, Clarinet (duet) 1 Clarinet and Piano 1 Clarinet, Bassoon (duet) 1 Clarinet Ensemble 1 Clarinet, Cello (duet) 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 6 Trumpet 2 2 Trumpets (duet) 1 Trumpet, Piano 1 Trumpet, Saxophone (duet) 1

Tuba 1 French horn 1

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STRINGS

String Quartet: 2 violins, viola, cello 8 Violin and Piano 6 Violin, Cello (duet) 5 Violin 4 String Quintet: 2 violins, viola, cello, bass 4

String Trio: violin, viola, cello 3 Cello 3 Violin, Viola (duet) 2 Viola, Cello (duet) 1 Cello, Piano 1 Viola 1 Viola and Bassoon 1 Harp 1 Double Bass 1

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PERCUSSION & ORCHESTRA

Orchestra 8 String Orchestra 7 Concert band 6 Brass ensemble 3 Chamber Orchestra 3

Marimba 2 Jazz Ensemble 2 Orchestra, Violin 1 Jazz combo 1 Percussion Ensemble 1 String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard 1

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If I fall

Chamber Orchestra

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3 sheet music found

Concerto Grosso (2017) for chamber orchestra Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Ob…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. ForrÃ³ (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.

$9.99 9.21 € #Chamber Orchestra #Thomas Oboe Lee #Allegro #Concerto Grosso #Thomas Oboe Lee #SheetMusicPlus

Barbara Allen for piccolo and orchestra Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringe…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.

$16.00 14.75 € #Chamber Orchestra #Reinhold Behringer #Barbara Allen for piccolo and orchestra #David Warin Solomons #SheetMusicPlus

Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flÃ»tes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 Ã©xecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durÃ©e/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi quâ€™une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est Ã©galement disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________PrmiÃ¨re: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011PremiÃ¨re of the version for violin and 17 instruments: FrÃ©dÃ©ric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist EugÃ¨ne YsaÃ¿e. After Debussyâ€™s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violinâ€™s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussyâ€™s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the SÃ©rÃ©nade begins and ends with Debussyâ€™s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel FaurÃ©, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussyâ€™s unfinished works, and especially his theatre projects. His completion of Debussyâ€™s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.

$16.95 15.63 € #Chamber Orchestra #Claude Debussy/Robert Orledge #Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only #Musik Fabrik Music Publishing #SheetMusicPlus