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String Quartet: 2 violins, viola, cello
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119
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4 Double Basses
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Viola, Organ
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String Quintet: 2 violins, viola, 2 cellos
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Concerto for Mandolin in G major
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1150812 By Alex Tinlin. By J…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1150812 By Alex Tinlin. By Johann Nepomuk Hummel. Arranged by Alex Tinlin. Classical. Score and parts. 134 pages. Alex Tinlin #750997. Published by Alex Tinlin (A0.1150812). My edition of Johann Nepomuk Hummels' Mandolin Concerto in G Major, originally composed for virtuoso mandolinist Bartholomeo Bortolazzi in 1799. I was assisted in editing the mandolin part by my mandolin-playing brother, Rolf Tinlin.
$5.99
5.43 €
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Chamber Orchestra
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Alex Tinlin
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Concerto for Mandolin in G major
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Alex Tinlin
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.51 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.92 €
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Chamber Orchestra
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Le Villi Scena e Romanza, "Se come voi piccina io fossi" (Anna)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1262243 Composed by Giacomo …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1262243 Composed by Giacomo Puccini. Arranged by George Dousis. 19th Century,Chamber,Classical,Opera,Romantic Period. Score and Parts. 31 pages. George Dousis #855092. Published by George Dousis (A0.1262243). The aria has been reduced in orchestration and adapted to 7 instruments, transcribed directly from the original. This version is written in D major. It is also available in the original tone on my site. You can listen to the demo as it was performed in a different language.
$7.99
7.24 €
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Chamber Orchestra
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Giacomo Puccini
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Le Villi Scena e Romanza, "Se come voi piccina io fossi"
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George Dousis
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SheetMusicPlus
JESU, JOY OF MAN'S DESIRING - for choir and chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.842972 Composed by Johann Se…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.842972 Composed by Johann Sebastian Bach. Arranged by Dico. Baroque,Christmas,Easter,Sacred,Wedding. Score and parts. 40 pages. Dico #6431895. Published by Dico (A0.842972). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.JESU, JOY OF MAN'S DESIRING for chorus and chamber orchestra.Score | Fl | Ob | Hrn 1, 2 | Tpt 1, 2 | Choir | Pno | Str
$22.00
19.93 €
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Chamber Orchestra
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Johann Sebastian Bach
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JESU, JOY OF MAN'S DESIRING - for choir and chamber orchestra
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Dico
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SheetMusicPlus
Jesu, Joy of Man's Desiring - for choir & orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.509062 By Various. By Johann…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.509062 By Various. By Johann Sebastian Bach. Arranged by Dico. Baroque,Wedding. Score and parts. 40 pages. Dico Ferreira #120156. Published by Dico Ferreira (A0.509062). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.JESU, JOY OF MAN'S DESIRING for chorus and chamber orchestra.Score | Fl | Ob | Hrn 1, 2 | Tpt 1, 2 | Choir | Pno | Str
$22.00
19.93 €
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Chamber Orchestra
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Various
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Jesu, Joy of Man's Desiring - for choir & orchestra
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Dico Ferreira
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SheetMusicPlus
Schumann: "Hör' ich das Liedchen klingen" op. 48, No. 10; Arr. for String Quartet or Voice and Stri
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.785093 Composed by R Schumann. Arrange…
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Chamber Orchestra - Digital Download SKU: A0.785093 Composed by R Schumann. Arranged by D Oppenheim. Romantic Period. Score and parts. 8 pages. Dan Oppenheim #4725. Published by Dan Oppenheim (A0.785093). R Schumann: Hör' ich das Liedchen klingen op. 48, No. 10 Arr. for String Quartet and optional Voice. After Heine's lieder-cycle Dichterliebe (The Poet's Love).Find more of my arrangements - search Dan Oppenheim
$6.32
5.73 €
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Chamber Orchestra
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R Schumann
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Schumann: "Hör' ich das Liedchen klingen" op. 48, No. 10; Arr. for String Quartet or Voice and Stri
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Dan Oppenheim
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SheetMusicPlus
På väg ("On my way"), for violin and chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano O…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano Olcese. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 8 pages. Stefano Olcese #5887933. Published by Stefano Olcese (A0.934332). På väg means , in Swedish, more or less on my way. I have been living in Sweden since 2014, so to me it felt natural to use a Swedish title :)This composition wants to express a journey feeling, through landscapes and through our inner soul. It is approximately 5 minutes long and is the 2nd movement of a suite for violin and orchestra called Ales Stenar, which is structured in 5 movements. The orchestration requires, as a minimum, the following instruments: 1 solo violin, 1 first violin, 1 second violin, 1 viola, 1 cello, 1 double bass, 1 oboe, 1 clarinet in B-flat, 1 bassoon. Upon request I can arrange the score for a bigger ensemble.The solo violin player should be a skilled one - though difficulties are not extreme - and someone who is able to deliver emotions. Among the orchestra players it would be wise to have a skilled bassoonist. I have been told by many that this is concert music, ballet music, film music.Some more practical infos:- I belong to the Swedish Performing Right Organization called STIM- My Instagram: https://www.instagram.com/stefano_olcese/- My website link is: http://www.stefano-olcese.com/- My Linkedin profile: https://www.linkedin.com/in/stefano-olcese-140a1810/
$9.99
9.05 €
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Chamber Orchestra
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Stefano Olcese
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På väg
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Stefano Olcese
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SheetMusicPlus
Telemann - Concerto in G major TWV51-G3 for Oboe and Strings
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.516845 Composed by Telemann …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.516845 Composed by Telemann Georg Philipp. Arranged by Santino Cara. Baroque. Score and parts. 45 pages. Santino Cara #2911845. Published by Santino Cara (A0.516845). Oboe Concerto in G major TWV 51:G3 for solo oboe and string orchestra by Georg Philipp Telemann, reconstructed from the original manuscript and arranged by Santino Cara in 2010.Along with the complete score of the concert, they are inserted also the parts separate for oboe and string instruments. This concert is also available in version for oboe and piano that you will find on my Sheet Music Plus page. http://www.sheetmusicplus.com/publishers/Santino-Cara/1492 Movements. 1. Soave, 2. Allegro, 3. Adagio, 4. Vivace.
$9.80
8.88 €
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Chamber Orchestra
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Telemann Georg Philipp
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Telemann - Concerto in G major TWV51-G3 for Oboe and Strings
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Santino Cara
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SheetMusicPlus
My School
Chamber Orchestra
Chamber Orchestra - Level 1 - Digital Download SKU: A0.492254 Composed by John Ston…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.492254 Composed by John Stones and Mandy Walker. Children,Praise & Worship. Score and parts. 25 pages. John Stones #107559. Published by John Stones (A0.492254). A school song. Words can be adapted to suit any school or college.
$25.00
22.65 €
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Chamber Orchestra
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John Stones and Mandy Walker
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My School
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John Stones
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SheetMusicPlus
Sinfonia Concertante for Treble Recorder, Mandolin and Strings
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1367498 By Alex Tinlin. By D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1367498 By Alex Tinlin. By Domenico Caudioso. Arranged by Alex Tinlin. Baroque,Classical,Early Music. 53 pages. Alex Tinlin #951848. Published by Alex Tinlin (A0.1367498). My arrangement and edition of a Sinfonia Concertante attributed to the Italian composer Domenico Caudioso. The original score is for treble recorder, mandolin and keyboard reduction of what is presumed to be a small orchestra. I have arranged this for the two solo instruments and strings.
$5.99
5.43 €
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Chamber Orchestra
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Alex Tinlin
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Sinfonia Concertante for Treble Recorder, Mandolin and Strings
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Alex Tinlin
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SheetMusicPlus
My Country, 'Tis Of Thee (America)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.684529 Composed by Thesaurus…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.684529 Composed by Thesaurus Musicus (1744). Arranged by Gert Th. Walter. Patriotic,Praise & Worship,Sacred. Score and parts. 12 pages. Gert Th. Walter #6462895. Published by Gert Th. Walter (A0.684529). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$9.99
9.05 €
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Chamber Orchestra
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Thesaurus Musicus
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My Country, 'Tis Of Thee
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Gert Th. Walter
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SheetMusicPlus
My Country, 'Tis Of Thee (America)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.684530 Composed by Thesaurus…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.684530 Composed by Thesaurus Musicus (1744). Arranged by Gert Th. Walter. Patriotic,Praise & Worship,Sacred. Score and parts. 13 pages. Gert Th. Walter #6462899. Published by Gert Th. Walter (A0.684530). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$10.99
9.96 €
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Chamber Orchestra
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Thesaurus Musicus
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My Country, 'Tis Of Thee
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Gert Th. Walter
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SheetMusicPlus
My Country, 'Tis Of Thee (America)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.684686 Composed by Thesaurus…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.684686 Composed by Thesaurus Musicus (1744). Arranged by Gert Th. Walter. Patriotic,Praise & Worship,Sacred. Score and parts. 22 pages. Gert Th. Walter #6478777. Published by Gert Th. Walter (A0.684686). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$20.95
18.98 €
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Chamber Orchestra
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Thesaurus Musicus
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My Country, 'Tis Of Thee
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Gert Th. Walter
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SheetMusicPlus
My Country, 'Tis Of Thee (America)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.684523 Composed by Thesaurus…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.684523 Composed by Thesaurus Musicus (1744). Arranged by Gert Th. Walter. Patriotic,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #6462139. Published by Gert Th. Walter (A0.684523). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$6.99
6.33 €
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Chamber Orchestra
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Thesaurus Musicus
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My Country, 'Tis Of Thee
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Gert Th. Walter
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SheetMusicPlus
My Country, 'Tis Of Thee (America)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.684531 Composed by Thesaurus…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.684531 Composed by Thesaurus Musicus (1744). Arranged by Gert Th. Walter. Patriotic,Praise & Worship,Sacred. Score and parts. 14 pages. Gert Th. Walter #6462901. Published by Gert Th. Walter (A0.684531). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2021 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$11.99
10.86 €
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Chamber Orchestra
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Thesaurus Musicus
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My Country, 'Tis Of Thee
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Gert Th. Walter
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SheetMusicPlus
Suite for My Sweet (Minuet 3)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.938091 Composed by Bruce J. …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.938091 Composed by Bruce J. Patterson. Contemporary,Romantic Period,Sacred,Wedding. Score and parts. 9 pages. In His Name Music/SESAC #49203. Published by In His Name Music/SESAC (A0.938091). Suite for My Sweet (Minuet 3) is from my Classical Works project written for my lovely wife, Lynne. Classical Works is a collection of original compositions written for classical guitar with orchestration. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. www.messiahsongs.com 615-516-0473.
$6.99
6.33 €
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Chamber Orchestra
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Bruce J
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Suite for My Sweet
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In His Name Music/SESAC
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SheetMusicPlus
How Many Times
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.992207 Composed by David Keith Jones. …
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Chamber Orchestra - Digital Download SKU: A0.992207 Composed by David Keith Jones. Contemporary. Score and parts. 3 pages. David Keith Jones #3422323. Published by David Keith Jones (A0.992207). David Keith Jones is an independent arranger and vocalist with digital albums in several genres including Arie Antiche and Musicals. This love song is part of an eclectic album called 'All My Own' due for release in 2018. The string parts can be played on a piano. Verse 2 lyrics are under the violin part.
$1.99
1.8 €
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Chamber Orchestra
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David Keith Jones
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How Many Times
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David Keith Jones
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SheetMusicPlus
My Romance
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1456632 Composed by Lorenz H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1456632 Composed by Lorenz Hart and Richard Rodgers. Arranged by Larry MacTaggart. Jazz,Standards,Traditional. 60 pages. MacTaggart Music #1035707. Published by MacTaggart Music (A0.1456632). Trombone solo (tenor / pea shooter) accompanied by a small orchestra (ww, 3 horns, tuba), combo (kybd, bass, drum kit), harp, and strings (no double bass). This arrangement provides a nod to the great Nelson Riddle with lush harmonies and poignant orchestration. It's the perfect selection for a star trombone soloist on your next orchestra pops concert.
$60.00
54.35 €
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Chamber Orchestra
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Lorenz Hart and Richard Rodgers
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My Romance
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MacTaggart Music
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SheetMusicPlus
Homage to Sibelius
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
93.76 €
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Chamber Orchestra
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.72 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
94.17 €
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Chamber Orchestra
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score only
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
18.07 €
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Chamber Orchestra
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Marechiare - Neopolitan Song by Tosti - Arranged for String Orchestra and Tenor in Eb minor
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.772398 Composed by Francesco Paolo Tos…
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Chamber Orchestra - Digital Download SKU: A0.772398 Composed by Francesco Paolo Tosti. Arranged by Amir Awad. Folk,World. Score and parts. 7 pages. Amir Awad #6429529. Published by Amir Awad (A0.772398). Marechiare is one of the favorite Neapolitan Songs , composed by Tosti , it was sung my many well known tenors
$15.00
13.59 €
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Chamber Orchestra
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Francesco Paolo Tosti
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Marechiare - Neopolitan Song by Tosti - Arranged for String Orchestra and Tenor in Eb minor
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Amir Awad
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SheetMusicPlus
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