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Mann
Chamber Orchestra
Sheetmusic to print
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51
Johanna Müller-Hermann - Im Garten des Serails, Op. 10 No. 2 for female choir and chamber orchestra
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.914184 Composed by Johanna Muller-herm…
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Chamber Orchestra - Digital Download SKU: A0.914184 Composed by Johanna Muller-hermann. Arranged by Music for a While. 20th Century,Romantic Period. Score and parts. 35 pages. Music for a While #6565223. Published by Music for a While (A0.914184). Johanna Müller-HermannIm Garten des Serails, Op. 10 No. 2from Zwei Frauenchöre mit orchesterfor female choir (SSA with solo soprano) and chamber orchestra
$70.00
64.53 €
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Chamber Orchestra
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Johanna Muller-hermann
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Johanna Müller-Hermann - Im Garten des Serails, Op. 10 No. 2 for female choir and chamber orchestra
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Music for a While
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SheetMusicPlus
Entracte and Barcarolle from 'Tales of Hoffmann' Solo Trumpet and orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1200993 By Lucienne Renaudin…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1200993 By Lucienne Renaudin Vary. By Jacques Offenbach. Arranged by Marcus Martin. 19th Century,Opera. Score and Parts. 34 pages. Cornelius Edition (uk) #799642. Published by Cornelius Edition (uk) (A0.1200993). This famous melody, from the Venetian scene in its composer's last opera, has a captivating charm that no amount of familiarity could ever dispel. The melody, here arranged for Solo Trumpet and Orchestra first appeared in a much earlier operetta called Die Rheinnixen but its universal fame dates from its use in The Tales of Hoffmann. A useful concert item, it requires 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Harp and Strings.
$19.99
18.43 €
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Chamber Orchestra
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Lucienne Renaudin Vary
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Entracte and Barcarolle from 'Tales of Hoffmann' Solo Trumpet and orchestra
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Cornelius Edition
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SheetMusicPlus
Telemann – Grillen-Symphonie TWV 50:1 (Score and parts PDF)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.890768 Composed by Georg Phi…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.890768 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. Sneakwood Editions #4781043. Published by Sneakwood Editions (A0.890768). The Concert à 9 Parties, 50:1, features an eccentric instrumentation of flute (ordinary, or that at the octave [i.e. piccolo], or the two combined), alto chalumeau, oboe, two violins almost entirely in unison, viola, two concertante contrabasses, and continuo.The work is in fact a three-movement symphony, as indicated by the original title that Telemann crossed out before he began composing: Grillen-Symphonie in the Italian, French, English, Scottish, and Polish styles. Although this title was rejected, along with the jumble of national idioms, it helps explain the music’s curiously tongue-in-cheek style (Grillen, as used in this sense, are whims) (From Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s by Steven Zohn)Edition based on manuscript by Telemann: Staatsbibliothek zu Berlin (D-B): Mus. ms. autogr. G. Ph. Telemann 3.Score (18 pp.) and parts (Flute, Oboe, Chalumeau, Double bass 1, Double bass 2, Violins 1 and 2, Viola and Basso Continuo)www.snakewoodeditions.com
$18.00
16.59 €
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Chamber Orchestra
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Georg Philipp Telemann
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Telemann – Grillen-Symphonie TWV 50:1
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Sneakwood Editions
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.59 €
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Chamber Orchestra
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Georg Philipp Telemann
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
Telemann – Flute Concerto in D Major TWV 51:D2 (Score and parts in PDF)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.890769 Composed by Georg Phi…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.890769 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 40 pages. Sneakwood Editions #4781037. Published by Sneakwood Editions (A0.890769). We present a well reseached edition of the Telemann´s concerto for flute and orchestra contained in the manuscript of the Universitäts- und Landesbibliothek, Darmstadt (D-DS): Mus.ms.1033-39.We have maintained the original annotations clearly indicating the cases in which they can be interpreted in another way. The resulting edition can be used directly for its interpretation both by specialists in early music and by any musician who wants to approach this beautiful work.Edition based on (D-DS): Mus.ms.1033-39Score (19 pages) and Parts (friendly performance edition): Flute, Violin I, Violin II, Violin III, Viola and Basso.www.snakewoodeditions.com
$18.00
16.59 €
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Chamber Orchestra
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Georg Philipp Telemann
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Telemann – Flute Concerto in D Major TWV 51:D2
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Sneakwood Editions
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SheetMusicPlus
Telemann Concerto a 4 TWV 43:d2
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.890777 Composed by Georg Phi…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.890777 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque. Score and parts. 20 pages. Sneakwood Editions #5321931. Published by Sneakwood Editions (A0.890777). Another jewel of this four-part writing appears in the Concerto a 4 in D minor TWV 43:d2, dated around 1720 and found in Dresden and Darmstadt. The contrast between the lavishness of the slow movements and the rhythmic richness of the fast movements is masterful. While the slow movements offer a melodic and harmonic discourse of overwhelming beauty, the rhythmic resources of the fast movements are astonishingly forceful. To mention just a couple of examples, the fugal beginning with three parts in unison at a distance of one quaver in the second movement, or the impetuous syncopated rhythms of the final Allegro. From the booklet of the CD TELEMANN.Chamber music treasures from Dresden and Darmstadt Les Esprits Animaux. Musica Ficta MF8029 , 2018. Texts by Javier Lupiáñez.
$16.00
14.75 €
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Chamber Orchestra
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Georg Philipp Telemann
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Telemann Concerto a 4 TWV 43:d2
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Sneakwood Editions
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SheetMusicPlus
Telemann - Concerto in A major TWV51-A2 for Oboe and Strings
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.516830 Composed by Telemann …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.516830 Composed by Telemann Georg Philipp. Arranged by Santino Cara. Baroque. Score and parts. 43 pages. Santino Cara #2881169. Published by Santino Cara (A0.516830). Concerto in A major TWV51:A2 for Oboe and Strings (two violins, violas and cellos) of the concerto for oboe d'amore, strings and continuo of Georg Philipp Telemann. Transcribed in Rome in 2012 by Santino Cara.
$9.40
8.67 €
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Chamber Orchestra
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Telemann Georg Philipp
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Telemann - Concerto in A major TWV51-A2 for Oboe and Strings
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Santino Cara
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SheetMusicPlus
Telemann - Concerto in G major TWV51-G3 for Oboe and Strings
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.516845 Composed by Telemann …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.516845 Composed by Telemann Georg Philipp. Arranged by Santino Cara. Baroque. Score and parts. 45 pages. Santino Cara #2911845. Published by Santino Cara (A0.516845). Oboe Concerto in G major TWV 51:G3 for solo oboe and string orchestra by Georg Philipp Telemann, reconstructed from the original manuscript and arranged by Santino Cara in 2010.Along with the complete score of the concert, they are inserted also the parts separate for oboe and string instruments. This concert is also available in version for oboe and piano that you will find on my Sheet Music Plus page. http://www.sheetmusicplus.com/publishers/Santino-Cara/1492 Movements. 1. Soave, 2. Allegro, 3. Adagio, 4. Vivace.
$9.80
9.03 €
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Chamber Orchestra
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Telemann Georg Philipp
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Telemann - Concerto in G major TWV51-G3 for Oboe and Strings
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Santino Cara
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SheetMusicPlus
Telemann - Oboe Concerto in G major TWV 51-G3 for Oboe, Strings and Cembalo
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517488 Composed by Telemann …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.517488 Composed by Telemann Georg Philipp. Arranged by Santino Cara. Baroque. Score and parts. 79 pages. Santino Cara #5758797. Published by Santino Cara (A0.517488). Complete score and parts of the Oboe Concerto in G major TWV 51:G3 for Oboe, Strings and Cembalo. Composed in 1730 by Georg Philipp Telemann. Reconstructed and elaborated by Santino Cara.
$18.40
16.96 €
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Chamber Orchestra
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Telemann Georg Philipp
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Telemann - Oboe Concerto in G major TWV 51-G3 for Oboe, Strings and Cembalo
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Santino Cara
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SheetMusicPlus
[Wiemann] Heralds and Heroines
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.952832 Composed by Beth Wiemann. Conte…
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Chamber Orchestra - Digital Download SKU: A0.952832 Composed by Beth Wiemann. Contemporary. Score and parts. 19 pages. American Composers Alliance Inc. #4624381. Published by American Composers Alliance Inc. (A0.952832). A chamber orchestral piece - instrumentation: 2222 - 2210 - timp, perc - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$12.95
11.94 €
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Chamber Orchestra
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Beth Wiemann
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[Wiemann] Heralds and Heroines
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American Composers Alliance Inc.
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SheetMusicPlus
[Wiemann] Before the Snow
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.952829 Composed by Beth Wiemann. Conte…
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Chamber Orchestra - Digital Download SKU: A0.952829 Composed by Beth Wiemann. Contemporary. Score and parts. 58 pages. American Composers Alliance Inc. #4624371. Published by American Composers Alliance Inc. (A0.952829). Scored for chamber orchestra of flute, 2 oboes, 2 bassoons, 2 horns, and strings. PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$18.95
17.47 €
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Chamber Orchestra
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Beth Wiemann
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[Wiemann] Before the Snow
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American Composers Alliance Inc.
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SheetMusicPlus
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Sc…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
$48.95
45.13 €
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Chamber Orchestra
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Robert Schumann
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Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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jmsgu3
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SheetMusicPlus
Schumann: "Hör' ich das Liedchen klingen" op. 48, No. 10; Arr. for String Quartet or Voice and Stri
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.785093 Composed by R Schumann. Arrange…
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Chamber Orchestra - Digital Download SKU: A0.785093 Composed by R Schumann. Arranged by D Oppenheim. Romantic Period. Score and parts. 8 pages. Dan Oppenheim #4725. Published by Dan Oppenheim (A0.785093). R Schumann: Hör' ich das Liedchen klingen op. 48, No. 10 Arr. for String Quartet and optional Voice. After Heine's lieder-cycle Dichterliebe (The Poet's Love).Find more of my arrangements - search Dan Oppenheim
$6.32
5.83 €
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Chamber Orchestra
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R Schumann
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Schumann: "Hör' ich das Liedchen klingen" op. 48, No. 10; Arr. for String Quartet or Voice and Stri
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Dan Oppenheim
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SheetMusicPlus
Heinzelmannchens Wachtparade
Chamber Orchestra
Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edit…
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Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edition: piano direction and parts. Domesticum. Downloadable. Op. 5. Duration 8 minutes. Schott Music - Digital #Q49252. Published by Schott Music - Digital
The parade of the 'Heinzelmaennchen' (brownies) is reminiscent of old times. Catchy naive motifs prompt the listener to sing along, move to the rhythm and wallow in memories. Extremely popular in post-war Germany and frequently played even today, this music carries you off into the coffee houses of the 1920s. It is part of the standard repertoire of each spa and salon orchestra still today.
$42.99
39.63 €
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Chamber Orchestra
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Kurt Noack
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Heinzelmannchens Wachtparade
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Schott Music - Digital
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SheetMusicPlus
Washerwoman Greens
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1365736 Composed by Traditio…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1365736 Composed by Traditional. Arranged by Sylvia Lee Mann. Celtic,Folk,Holiday,Irish,Multicultural,Traditional,World. 32 pages. Sylvia Lee Mann #950079. Published by Sylvia Lee Mann (A0.1365736). This very familiar Irish tune has been arranged for intermediate level orchestra.Washerwoman Greens is an arrangement of The Irish Washerwoman. This arrangement was originally created for intermediate youth orchestra consisting of Strings, Flute, Oboe, and piano. The additional wind parts (Clarinet, Bassoon, Bass Clarinet, Alto Sax, Horn, Trumpet, and Trombone) have been added as an enhancement. The work can be effectively performed with just Strings, piano, flute and oboe.NOTE: The parts for B-flat and E-flat instruments may prove challenging for intermediate players because of the key, which was chosen for the strings and the C-instruments in the winds, but they can be effectively performed. Â (For an alternative, the B-flat clarinets may play from the trumpet part).
$40.00
36.88 €
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Chamber Orchestra
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Traditional
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Washerwoman Greens
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Sylvia Lee Mann
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SheetMusicPlus
Dialog für Flöte und Orchester
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.937909 Composed by Hanspeter…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.937909 Composed by Hanspeter Reimann. 20th Century,Contemporary. Score and parts. 24 pages. Hanspeter Reimann #1921231. Published by Hanspeter Reimann (A0.937909). Dialogue for Flute and Orchestra watch YouTube: https://www.youtube.com/watch?v=55A5XaSDrXk Single-Parts directly available from the composer.
$9.80
9.03 €
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Chamber Orchestra
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Hanspeter Reimann
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Dialog für Flöte und Orchester
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Hanspeter Reimann
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SheetMusicPlus
Canções com poemas de Vanne
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.937912 Composed by Hanspeter…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.937912 Composed by Hanspeter Reimann. 20th Century,Concert,World. Score and parts. 38 pages. Hanspeter Reimann #3099679. Published by Hanspeter Reimann (A0.937912). 5 Canções com poemas de Vanne para Soprano e Orquestra de Cordas.5 Lieder mit Gedichten von Vanne für Sopran und Streichorchester
$10.99
10.13 €
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Chamber Orchestra
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Hanspeter Reimann
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Canções com poemas de Vanne
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Hanspeter Reimann
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SheetMusicPlus
Mussorgsky: Promenade from Pictures
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921874 Composed by M. Mussor…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.921874 Composed by M. Mussorgsky. Arranged by Joshua Feltman. Romantic Period. Score and parts. 10 pages. Ryan Blauvelt #3692805. Published by Ryan Blauvelt (A0.921874). Modest Mussorgsky composed Pictures at an Exhibition in honor of his friend and painter, Viktor Hartmann.Each of the movements of Pictures attempts to capture the sketches, watercolors and architectural designs displayed at the Hartmann exhibition. Mussorgsky depicts himself moving from one picture to the next with a musical Promenade.Open your concert with this piece and your audience won't forget it. Hear the large brass sound of the original version through flute and piano in their strongest registers.
$30.00
27.66 €
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Chamber Orchestra
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M
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Mussorgsky: Promenade from Pictures
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Ryan Blauvelt
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SheetMusicPlus
Ein Totentanz
Chamber Orchestra
1 · 1 · 1 · 1 - 1 · 0 · 0 · 0 - Hfe. · Cemb. - Str. Baritone and Cham…
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1 · 1 · 1 · 1 - 1 · 0 · 0 · 0 - Hfe. · Cemb. - Str. Baritone and Chamber Orchestra - Digital Download SKU: S9.Q276 Suite. Composed by Aribert Reimann. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 15 minutes. Schott Music - Digital #Q276. Published by Schott Music - Digital (S9.Q276).
$19.99
18.43 €
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Chamber Orchestra
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Aribert Reimann
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Ein Totentanz
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Schott Music - Digital
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SheetMusicPlus
Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese B…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.
$19.95
18.39 €
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Chamber Orchestra
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Therese Brenet
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Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.62 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
95.83 €
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Chamber Orchestra
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score only
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
18.39 €
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Chamber Orchestra
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
JINGLE BELLS - STRING ENSEMBLE or ELEMENTARY ORCHESTRA
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.807206 Composed by James Pie…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.807206 Composed by James Pierpoint. Arranged by Glen Poehlmann. Christmas,Standards. Score and parts. 20 pages. Arrangements by GPoehlmann #6587379. Published by arrangements by GPoehlmann (A0.807206). JINGLE BELLS - STRING ENSEMBLE or ELEMENTARY STRING ORCHESTRAThis is a very flexible arrangement that can be adapted for students of different levels. You can combine any or all of the parts and repeat sections as needed. ART 1: Violin 1, Viola 1, Cello 1, Bass 1 (grade 2+)PART 2: Violin 2, Viola 2, Cello 2, (grade 2)PART 3: Violin 3, Viola 3, Cello 3 (grade 1 – open strings & first finger E & B only) Bass 2 (grade 1 – open strings only)44 measures. Performance Time approx 1:35 (no repeat) or 3:10 (with repeat). Easy to Medium Easy in difficulty.Key: D. Meter: 4/4PDF parts included: Score, Violin 1, Violin 2, Violin 3, Viola 1, Viola 2, Viola 3, Cello 1, Cello 2, Cello 3, Bass 1, Bass 2, Piano.
$5.00
4.61 €
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Chamber Orchestra
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James Pierpoint
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first finger E &
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JINGLE BELLS - STRING ENSEMBLE or ELEMENTARY ORCHESTRA
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arrangements by GPoehlmann
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SheetMusicPlus
O HOLY NIGHT - FLUTE SOLO with STRING QUARTET accompaniment
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.807096 Composed by Adolphe-C…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.807096 Composed by Adolphe-Charles Adam. Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 16 pages. Arrangements by GPoehlmann #6290799. Published by arrangements by GPoehlmann (A0.807096). O HOLY NIGHT - FLUTE SOLO with STRING QUARTET accompaniment72 measures. Performance Time approx. 4:50. Medium Advanced (Grade 4)Key: A - C. Meter: 12/8. Instrument Ranges (C4=middle C): Flute Solo C4 - C7. Violin 1 G3 - F6. Violin 2 G3 - B5. Viola C#3 - G5. Cello C2 - A4.
$5.25
4.84 €
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Chamber Orchestra
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Adolphe-Charles Adam
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Performance Time approx
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O HOLY NIGHT - FLUTE SOLO with STRING QUARTET accompaniment
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arrangements by GPoehlmann
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SheetMusicPlus
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