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You've selected:
More Rhythm
Chamber Orchestra
Sheetmusic to print
19 sheet music found
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1
Fascinating Rhythm for String Quartet or Wind Quartet (Mixed Quartet, Double Reed Quartet, or Clarin
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.530766 Composed by George Ge…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.530766 Composed by George Gershwin. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 29 pages. Last Resort Music Publishing #6065363. Published by Last Resort Music Publishing (A0.530766). This Gershwin favorite was first introduced in Lady Be Good, starring Fred and Adele Astaire. It has been recorded and performed by greats such as Ella Fitzgerald, Tony Bennett, Tommy Dorsey, Michael Feinstein and more!An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Set of 11 Parts plus ScorePart 1 Flute or Oboe or ViolinPart 1 Clarinet in BbPart 2 Flute or Oboe or ViolinPart 2 Clarinet in BbPart 3 ViolaPart 3 ViolinPart 3 Clarinet in BbPart 3 English Horn or French Horn in FPart 4 Cello or BassoonPart 4 Bass Clarinet in BbKeyboard or GuitarScore (Parts 1-4 in C)
$9.95
9.19 €
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Chamber Orchestra
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George Gershwin
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Cello, Piano Quartet &
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Fascinating Rhythm for String Quartet or Wind Quartet
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Last Resort Music Publishing
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SheetMusicPlus
A Short Overture for a Small Orchestra - score and parts
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.872623 Composed by Philip Or…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.872623 Composed by Philip Orem. Contemporary. Score and parts. 56 pages. Philip Orem #3544299. Published by Philip Orem (A0.872623). This short piece is lots of fun and a perfect companion to my Requiem as it uses the same orchestra. Starting slow and lyrically and then becoming more rhythmic, there is lots of color in this little gem.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$45.00
41.57 €
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Chamber Orchestra
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Philip Orem
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A Short Overture for a Small Orchestra - score and parts
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Philip Orem
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SheetMusicPlus
O Holy Night
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1310441 By Moses Sun. By Ado…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1310441 By Moses Sun. By Adolphe-Charles Adam and John Sullivan Dwight. Arranged by Moses Sun. Christmas,Holiday,Praise & Worship,Rock,Sacred. 47 pages. MSUNMUSIC #899502. Published by MSUNMUSIC (A0.1310441). NOTE: this arrangement includes WAV files of stems for optional synth parts not in the original recording and will be provided for free once the purchase is complete. This package also includes click track and voice cues as well. Please contact the artist at moses@mosessunmusic.com for more details!a different take on a traditional Christmas carol classic, with a more poweful rock ballad edge and sweeping strings.Suitable for contemporary/traditional services alike.Scored for:- 1 flute- 1 oboe- string ensemble (double quartet and up recommended)- solo female (powerful pop alto/mezzo)- SAT chorus- rhythm section (suggested: piano, electric guitar, bass, drums, B3 organ - includes just one master rhythm chart for all).
$59.99
55.42 €
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Chamber Orchestra
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Moses Sun
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O Holy Night
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MSUNMUSIC
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.73 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Joy to the World
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1310451 By Moses Sun. By Isa…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1310451 By Moses Sun. By Isaac Watts. Arranged by Moses Sun. Christmas,Holiday,Pop,Praise & Worship,Rock. 24 pages. MSUNMUSIC #899507. Published by MSUNMUSIC (A0.1310451). Roadmap:- verse 1- verse 2- verse 4- instrumental break- verse 1NOTE: this arrangement includes WAV files of stems for original synth parts and will be provided for free once the purchase is complete. This package also includes click track and voice cues as well. Please contact the artist at moses@mosessunmusic.com for more details!Suitable for contemporary/traditional services alike.Scored for:- 1 flute- 1 oboe- string ensemble (double quartet and up recommended)- rhythm section (suggested: EP, electric guitar, bass, drums - includes just one master rhythm chart for all).
$59.99
55.42 €
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Chamber Orchestra
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Moses Sun
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Joy to the World
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MSUNMUSIC
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SheetMusicPlus
Little Laser Lady for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.86 €
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Chamber Orchestra
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David Warin Solomons
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Little Laser Lady for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Landscape before sunrise for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.86 €
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Chamber Orchestra
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David Warin Solomons
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Landscape before sunrise for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
An amble round Mercury for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.86 €
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Chamber Orchestra
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David Warin Solomons
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An amble round Mercury for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Both Sides Now
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1376716 By Joni Mitchell. By…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1376716 By Joni Mitchell. By Joni Mitchell. Arranged by Daryl McKenzie. Contemporary,Pop. 34 pages. Daryl McKenzie #961264. Published by Daryl McKenzie (A0.1376716). Arranged in the style of Joni Mitchell for Vocal with Chamber Orchestra - Voice, Flute, Cor Ang., 2 Perc, Piano, Double Bass (Rhythm Section), Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of GFull audio demo (Sibelius Sounds): click hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$69.99
64.66 €
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Chamber Orchestra
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Joni Mitchell
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Both Sides Now
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Daryl McKenzie
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SheetMusicPlus
Se
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.717975 By Jackie Evancho. By…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.717975 By Jackie Evancho. By Andrea Morricone and Ennicio Morricone. Arranged by Daryl McKenzie. Contemporary. Score and parts. 33 pages. Daryl McKenzie #4112437. Published by Daryl McKenzie (A0.717975). An Ennio Morricone classic arranged in the style of Jackie Evancho. Instrumental version for Chamber Orchestra with Rhythm Section (Fl, Ob, Cl, Bsn, Trumpet, F Horn, Trombone, Piano, Guitar, Bass, Drums, Perc (Tymps),Vln1, Vln2, Vla, Vcl). Key of G major.Vocal version for Big Band available in G or A major: https://bit.ly/3pliIVRVocal with Full Pops Orchestra Version in Ab major also available: https://bit.ly/3pliIVRMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF
$59.99
55.42 €
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Chamber Orchestra
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Jackie Evancho
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Se
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Daryl McKenzie
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SheetMusicPlus
Doodlin'
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.717896 By Horace Silver. By …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.717896 By Horace Silver. By Horace Silver. Arranged by Daryl McKenzie. Jazz. Score and parts. 8 pages. Daryl McKenzie #3882985. Published by Daryl McKenzie (A0.717896). Arranged in the style of Kai Winding. Trombone Octet with Rhythm Section. 6 Tenor Trombones, 2 Bass Trombones, Guitar, Piano, Bass, Drums.More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$49.99
46.18 €
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Chamber Orchestra
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Horace Silver
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Doodlin'
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Daryl McKenzie
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SheetMusicPlus
Orchestral Suite No 3 in D Major BWV 1068
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Se…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00
24.94 €
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Chamber Orchestra
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Johann Sebastian Bach
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Orchestral Suite No 3 in D Major BWV 1068
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Arte Nova Music Lab
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SheetMusicPlus
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
3.69 €
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Chamber Orchestra
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Instrumentation:
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German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Moon River
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.717656 By Henry Mancini. By …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.717656 By Henry Mancini. By Henry Mancini. Arranged by Daryl McKenzie. Film/TV,Jazz. Score and parts. 32 pages. Daryl McKenzie #3018559. Published by Daryl McKenzie (A0.717656). Instrumental arrangement for chamber orchestra - Alto Sax, Oboe, Tenor Sax, Bassoon, Horn, Trumpet, Trombone, Rhythm Section (Piano, Bass, Drums) Tympani & Strings (Vln1, Vln2, Vla, Vcl) Also available on Sheet Music Plus as a vocal with Big Band with Strings or Pops Orchestra: Search Here  More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$49.99
46.18 €
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Chamber Orchestra
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Henry Mancini
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Moon River
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Daryl McKenzie
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
20.28 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
16.58 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Hommage à György Ligeti - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1371596 Composed by Amos Elk…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1371596 Composed by Amos Elkana. 21st Century,Contemporary. 31 pages. Amos Elkana #955848. Published by Amos Elkana (A0.1371596). This piece is composed for the same exact instrumentation as Ligeti's own Chamber Concerto. I have always admired György Ligeti. I spent many hours studying his music and especially his Chamber Concerto for 13 instrumentalists. Ligeti died while I was working on this piece and I decided to make this work my homage to him. Hommage à György Ligeti was composed using a compositional method that is inspired by the idea of Fractals. A series of four numbers (5,6,4,4) dictate the micro and macro structure of the work. This method of composition can organize not only the structure of a piece but also its pitch material, rhythmic material and more but, even if strictly applied, it leaves much room for intuition on the part of the composer.
$44.00
40.65 €
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Chamber Orchestra
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Amos Elkana
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Hommage à György Ligeti - Score Only
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Amos Elkana
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SheetMusicPlus
Carol of the Drum
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1302129 By Eric Benjamin. By…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1302129 By Eric Benjamin. By Katherine K. Davis. Arranged by Eric Benjamin. 20th Century,Children,Christmas,Classical,Holiday. Score and Parts. 46 pages. Eric Benjamin #891730. Published by Eric Benjamin (A0.1302129). The Little Drummer Boy plays a duombeck and produces rhythms that are decidedly more Middle Eastern in this arrangement of the popular classic. Arranged for two part treble choir and chamber orchestra (2222.000 harp or kbd, perc and strings), the melody and harmony are the same, but the setting references Levantine scales and even quotes Arabian Dance from Nutcracker and Scheherazade.
$75.00
69.29 €
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Chamber Orchestra
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Eric Benjamin
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Carol of the Drum
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Eric Benjamin
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SheetMusicPlus
Holiday Medley
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.850805 Composed by Tradition…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.850805 Composed by Traditional. Arranged by Peter Tambroni. Christmas. Score and parts. 14 pages. Peter Tambroni #25163. Published by Peter Tambroni (A0.850805). This is a simple arrangement for string orchestra of Jolly Old St. Nicholas, Good King Wenceslas and Adeste Fideles (O Come All Ye Faithful).Only the key of G is used and there are no accidentals. There is an optional advanced first violin part with some third position work to provide a challenge for more advanced players. The standard first violin is the same but an octave lower. The second violin part is almost identical but with some harmony notes. Dotted rhythms and hooked bowings have been using sparingly.The harmony is generally two part between upper and lower strings. The cello varies slightly from the bass to thicken the harmonies.Markings have been kept to a minimum to allow for flexibility, interpretation and to get students in the habit of notating their part.
$25.00
23.1 €
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Chamber Orchestra
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Traditional
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Holiday Medley
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Peter Tambroni
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SheetMusicPlus
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