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Once In A While
Chamber Orchestra
Sheetmusic to print
19 sheet music found
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1
Concerto for Solo 2nd Horn in F - Horn & Orchestra
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1355690 Composed by Antonio …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1355690 Composed by Antonio Rosetti. Arranged by Ediited & transcribed by Susan & Trevor Denyeer. Classical. 90 pages. Trevor Denyer #940283. Published by Trevor Denyer (A0.1355690). Antonio Rosetti wrote a number of delightful concertos for horn. This one for 2nd Horn does not imply any lack of technique, just that players of the day were divided into high and low. This work lies in a comfortable range for most performers of the modern instrument while being suitably challenging to be interesting. The orchestra parts are well written and sound really well.Print the parts double-sided including any title pages and the page turns will work.
$40.00
36.74 €
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Chamber Orchestra
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Antonio Rosetti
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Concerto for Solo 2nd Horn in F - Horn & Orchestra
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Trevor Denyer
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SheetMusicPlus
Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina Gutman. 20th Century,Children,Classical,Contemporary,Standards. Score and parts. 5 pages. Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts #4718069. Published by Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts (A0.1018475). MOZART, SYMPHONIC PERCEPTION OF REALITY & EFFECTIVE LEADERSHIP Rozalina Gutman’s Flow-based secret recipe that defies the common expectations of young students’ ability to achieve uncommon heights on their most satisfying path towards Higher Human Potential, is now OUT! No more waiting to grow up for having hands-on FUN-driven experiential interaction with complex and sophisticated piano/orchestra compositional mindset of Mozart! Thanks to this new publication release of CADENZA FOR THE 3RD MOVEMENT OF CONCERTO FOR PIANO & ORCHESTRA #21 IN C MAJOR BY W.A.MOZART, (K467) FOR LITTLE FUN-LOVING GENIUSES WITH SMALL AND FAST-MOVING HANDS, shared generously (in Limited Edition) by int’ly recognized master piano instructor Rozalina Gutman, now young performers can utilize her creative form of scaffolding during developmentally-critical time of their childhood. Her emotionally/intellectually balanced approach allows for the multi-dimensional engagement of child’s brain, fostering synaptic network growth for the symphonic perception of the reality - the crucial for the effective leadership ability to grasp complexities of balancing multiple priorities with no oversimplification, to help avoid the minds’s blind spots... (Read & see more inside, including Photo: Mihaly Csikszentmihalyi, Professor Flow, visionary Hungarian-born Research Psychologist who coined the term Flow & initiated paradigm shifting studies, shows his support for Rozalina Gutman’s innovations in the area of infusing children’s learning process with authentic narrative & fun, to help them achieve the state of Flow. )This publication affirms Rozalina Gutman’s outstanding lifelong commitment to advocacy for Music and Arts Education and Expressive Arts Therapy, to raise awareness for their evident high efficacy transformative impact on the human mind. And her Flow-infused teaching magic illustrates well this undeniable fact.(See inside Photo: Rozalina Gutman’s advocacy for Music Education message receives enthusiastic support from Maestro Gustavo Dudamel, proud music educator and passionate advocate for Music Education, conductor of famed Simon Bolivar National Youth Orchestra of Venezuela & Youth Orchestra of Los Angeles, conductor of LA Philharmonic.)Rozalina Gutman launched her campaign for Advocacy for Music Education through Brain/Music Research at the time of her presentation on her unique holistic teaching method (while showcasing this Cadenza) at the 17th International Seminar for the Commission on Education of Professional Musicians (CEPROM), ISME, under auspices of UNESCO. The head of Chinese delegation personally invited her to 29th World Conference of ISME in Beijing, China, where she led Int’l Symposium on this subject. ...Rozalina Gutman’s method revolves around encouraging students to invent narratives, relating to content and structure of the classical music pieces they are learning. Motivation for the child to enjoy the experience of learning... comes through personal investment in the meaning of the music being studied... Michael Hannan, Editor of Peer-Reviewed CEPROM Proceedings & Chair of 17th Int’l Seminar of CEPROM, ISME, under auspices of UNESCO(See more Photos of Rozalina Gutman inside: with celebrity supporters: Prof. Mihaly Csikszentmihalyi (Professor Flow), LA Philharmonic Conductor Gustavo Dudamel, Sen. Nancy Pelosi, Dr. Alexander (Sugar Tax on coke), Quincy Jones, celebrities’ producer, Dr. Deepak Chopra, among many others celebrities! )And now, you too can team up with this visionary strive - JOIN NOW! the initiated by her multi-disciplinary international campaign to advocate for the transformative power of Music & the Arts, to utilize this ancestral gift for propelling the spread of the human mind evolution during our time: www.CHARISMAfoundation.org Rozalina Gutman, int’ly recognized music educator and presenter, multidisciplinary scholar, concert.
$137.78
126.54 €
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Chamber Orchestra
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Rozalina Gutman
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EFFECTIVE LEADERSHIP
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Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
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Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts
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SheetMusicPlus
Telemann Concerto a 4 TWV 43:d2
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.890777 Composed by Georg Phi…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.890777 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque. Score and parts. 20 pages. Sneakwood Editions #5321931. Published by Sneakwood Editions (A0.890777). Another jewel of this four-part writing appears in the Concerto a 4 in D minor TWV 43:d2, dated around 1720 and found in Dresden and Darmstadt. The contrast between the lavishness of the slow movements and the rhythmic richness of the fast movements is masterful. While the slow movements offer a melodic and harmonic discourse of overwhelming beauty, the rhythmic resources of the fast movements are astonishingly forceful. To mention just a couple of examples, the fugal beginning with three parts in unison at a distance of one quaver in the second movement, or the impetuous syncopated rhythms of the final Allegro. From the booklet of the CD TELEMANN.Chamber music treasures from Dresden and Darmstadt Les Esprits Animaux. Musica Ficta MF8029 , 2018. Texts by Javier Lupiáñez.
$16.00
14.7 €
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Chamber Orchestra
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Georg Philipp Telemann
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Telemann Concerto a 4 TWV 43:d2
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Sneakwood Editions
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SheetMusicPlus
Overture to "A Lucky Star" A 1920s Musical, Full Orchestra Score and Individual Parts
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.730508 Composed by James Nat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.730508 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Jazz,Musical/Show,Patriotic. Score and parts. 74 pages. James Nathaniel Holland #5955675. Published by James Nathaniel Holland (A0.730508). Overture to American composer James Nathaniel Holland's early 1920s-styled musical A Lucky Star. The story about coming to terms with where you're from while attaining your dreams. Featured are 4 popular songs: A Lucky Star; O Baby, You Treat Me Too Rough; New York The City, The Town of Your Dreams; and Indiana. Perfect for period 20s jazz concert or opening to pops orchestra concert. Full score in concert pitch and individual instrument parts included. Instr: picc, fl12, ob12, cl12, bsn, hrn12, tpt, trmb, timp, drum set, piano (w/opt. banjo), strings. Duration: 8:28.
$15.95
14.65 €
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Chamber Orchestra
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James Nathaniel Holland
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Overture to "A Lucky Star" A 1920s Musical, Full Orchestra Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
C.P.E.Bach-Solfeggio in C minor Ensemble (Sextet)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1029996 Composed by Carl Phi…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1029996 Composed by Carl Philipp Emanuel Bach. Arranged by Yongliang Li. Baroque,Concert,Standards. Score and parts. 15 pages. Yongliang Li #5982835. Published by Yongliang Li (A0.1029996). Solfeggio, often called Solfeggietto, this well-known piece, published in 1770, is the most famous of Carl Philipp Emanuel Bach's keyboard works.This is a Sextet piece for Piano, 2 Violins, Viola, Cello and Double Bass. It is arranged using Baroque compositional style on orchestration, with personal musical ideas in terms of tones and texture. Piano is original composition while the strings mostly serve as accompaniment yet there are sections show the Call and Response between piano and strings. It is great for ensemble playing. Enjoy!It is included the full score and individual parts.Performance duration: 1 minute 20 seconds.
$9.99
9.18 €
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Chamber Orchestra
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Carl Philipp Emanuel Bach
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C.P.E.Bach-Solfeggio in C minor Ensemble
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Yongliang Li
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.6 €
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Chamber Orchestra
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.42 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.34 €
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Chamber Orchestra
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Karl Friedrich Abel
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Guinevere's Dream
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.978389 Composed by Ana Tipton. Arrange…
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Chamber Orchestra - Digital Download SKU: A0.978389 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6862211. Published by Curtis Tipton (A0.978389). I compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire arrangement go to https://soundcloud.com/user-138852143/guinevere-dream. My music can also be found on Spotify and iTunes.
$20.00
18.37 €
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Chamber Orchestra
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Ana Tipton
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Guinevere's Dream
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Curtis Tipton
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SheetMusicPlus
Sir Galahad And The Holy Grail
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.978394 Composed by Ana Tipto…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.978394 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6866859. Published by Curtis Tipton (A0.978394). compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire arrangement go to https://soundcloud.com/user-138852143/sir-galahad-and-the-holy-grail-2.
$20.00
18.37 €
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Chamber Orchestra
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Ana Tipton
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Sir Galahad And The Holy Grail
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Curtis Tipton
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SheetMusicPlus
Journey To Inner Worlds
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.978391 Composed by Ana Tipto…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.978391 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 15 pages. Curtis Tipton #6866405. Published by Curtis Tipton (A0.978391). I compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire piece go to https://soundcloud.com/user-138852143/journey-to-inner-world-50337-pm.
$20.00
18.37 €
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Chamber Orchestra
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Ana Tipton
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Journey To Inner Worlds
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Curtis Tipton
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SheetMusicPlus
Levaithan of the Ancient Deep (Score only)
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.800344 Composed by Sarah Wallin Huff. …
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Chamber Orchestra - Digital Download SKU: A0.800344 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 156 pages. Novel Soundtrax #493373. Published by Novel Soundtrax (A0.800344). Score for the 2008 three-movement concerto for solo 6-string electric violin, chamber orchestra, EWI (Electric Wind Instrument), and synthesizer. Approx. 25 minutes long. Taking its cue from the Hebrew description of this Creature of antiquity and imagination, this Concerto features the virtuosic properties of the six-string electric violin with its immense range, while the various and creative sounds available to the synthesizer and electric wind instrument (EWI) enhance the beauty of the acoustic orchestra. Instrument List: Orchestra: 2 Flutes / 1 Piccolo (doubled by Flute II) 2 Oboes / 1 English Horn in F (doubled by Oboe II) 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 2 Trombones (1 Tenor, 1 Bass) 4 Timpani 3 Percussionists: Low Floor Tom, Bongos, 2 Concert Toms, Suspended Cymbal, Tambourine, and Claves Strings (vln 1, vln 2, vla, cello, bass) MIDI/Electric Instruments: EWI, Synthesizer, Six-string Electric Violin: Strings are tuned (from lowest to highest): F, C, G, D, A, E.
$75.00
68.88 €
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Chamber Orchestra
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Sarah Wallin Huff
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Levaithan of the Ancient Deep
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Novel Soundtrax
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SheetMusicPlus
MADAMINA ('Catalog Aria' from Don Giovanni, Act I)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.601816 Composed by Wolfgang …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and parts. 83 pages. Flavio Regis Cunha #5314791. Published by Flavio Regis Cunha (A0.601816). Madamina, il catalogo è questo (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. Sung to a mostly light-hearted tune, it consists of a description and detailed count of his master's numerous conquests.The aria's two halves reverse the usual order of cavatina followed by cabaletta: in the first, a quick Allegro in 4/4, Leporello has a patter summarizing the number and occupations of Don Giovanni's lovers, while in the second, an Andante con moto in 3/4, in the style of a polonaise (with a melody similar to that of the Larghetto of Mozart's earlier Quintet for Piano and Winds), he describes his approaches and preferences, while Donna Elvira presumably listens in horror.Orquestration: 2.2.0.2 - 2.0.0.0 - Str - Solo Bass
$9.99
9.18 €
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Chamber Orchestra
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Wolfgang Amadeus Mozart
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MADAMINA
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Flavio Regis Cunha
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SheetMusicPlus
Hogwarts Hoedown
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1004953 Composed by Rob Bird…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1004953 Composed by Rob Birdwell. Children,Folk. Score and parts. 48 pages. Birdwell Music LLC #4798481. Published by Birdwell Music LLC (A0.1004953). This is an full orchestral pops composition - it's an original work of musical fan fiction. Written for a children's concert that featured a youth string group combined with the pro orchestra. It can also be performed by full orchestra and feature a combo of players (penny whistle, mandolin, guitar, etc.). See the youtube video for this example!Musically, this is a hoedown style Americana orchestral piece that mixes shtick and comedy while serving as a piece that can include youth string players and/or a featured combo in front of the orchestra. Dancing and costumes are limited only by your imagination!
$39.99
36.73 €
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Chamber Orchestra
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Rob Birdwell
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Hogwarts Hoedown
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Birdwell Music LLC
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SheetMusicPlus
Special Features
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.921909 Composed by Xavier Sa…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.921909 Composed by Xavier Santiago. Instructional,Standards. Score and parts. 34 pages. Xavier Santiago #6860791. Published by Xavier Santiago (A0.921909). Written for any fall recruitment concert, Xavier Santiago has composed and arrange this medley of classics for your audience and string orchestra. While this is to bring in non-orchestral players to the orchestra room, plenty of teaching opportunities come in. Your students will get an introduction to triplets, dynamics, staccato playing, different time signatures, and more! To get the audience really involved, there's a soloist part for them to play! .
$19.99
18.36 €
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Chamber Orchestra
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Xavier Santiago
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Special Features
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Xavier Santiago
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SheetMusicPlus
Forrest Gump - Score
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.597203 Composed by Alan Silv…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.597203 Composed by Alan Silvestri. Arranged by Flávio Régis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV,Instructional. Score and parts. 24 pages. Flavio Regis Cunha #4405850. Published by Flavio Regis Cunha (A0.597203). This is a beautiful arrangement for acoustic guitar, percussion and string orchestra. This music is of extreme beauty and simplicity. While the guitar performs the main melody, the string orchestra performs simple figurations, occasionally in divisi. Two lines of cellos were added to take better advantage of the instrument. Intermediate.Format: Concert, 9 x 12 inches.FULL SCOE AND ORCHESTRAL PARTS16 pages. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$49.99
45.91 €
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Chamber Orchestra
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Alan Silvestri
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Forrest Gump - Score
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Flavio Regis Cunha
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SheetMusicPlus
Ave Maria, F.Schubert
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.943215 Composed by Franz Sch…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.943215 Composed by Franz Schubert. Arranged by George Dousis. Romantic Period. Score and parts. 16 pages. George Dousis #6038761. Published by George Dousis (A0.943215). This is a version of Schubert's Ave Maria, for string quartet and Harp. The main melody appears mainly on the cello while the harp accompanies throughout the piece. This version has been performed live in concert.Visit my website and youtube channel:www.georgedousis.comwww.youtube.com/georgescoring
$9.99
9.18 €
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Chamber Orchestra
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Franz Schubert
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Ave Maria, F.Schubert
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George Dousis
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SheetMusicPlus
Cinema Paradiso
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.601819 Composed by Andrea Mo…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.601819 Composed by Andrea Morricone and Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV,Wedding. Score and parts. 28 pages. Flavio Regis Cunha #5733149. Published by Flavio Regis Cunha (A0.601819). Cinema Paradiso (for 2 Flutes, Oboe, 2 Clarinets in Bb and String Orchestra). Cinema Paradiso is a 1988 Italian drama film written and directed by Giuseppe Tornatore. The film stars Jacques Perrin, Philippe Noiret, Leopoldo Trieste, Marco Leonardi, Agnese Nano and Salvatore Cascio, and was produced by Franco Cristaldi and Giovanna Romagnoli, while the music score was composed by Ennio Morricone along with his son, Andrea. It won the Academy Award for Best Foreign Language Film at the 62nd Academy Awards. This arrangement written for chamber orchestra is well suited for small performances, weddings and receptions. You, your orchestra and your audience will love hearing and playing this beautiful piece by Morricone. Intermediate.Format: Concert, 9 x 12 inches.28 pages.
$49.99
45.91 €
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Chamber Orchestra
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Andrea Morricone and Ennio Morricone
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Cinema Paradiso
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Flavio Regis Cunha
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SheetMusicPlus
Cinema Paradiso
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1153119 Composed by Andrea M…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1153119 Composed by Andrea Morricone and Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional,Wedding. Score and parts. 28 pages. FRC Music #753363. Published by FRC Music (A0.1153119). Cinema Paradiso (for 2 Flutes, Oboe, 2 Clarinets in Bb and String Orchestra). Cinema Paradiso is a 1988 Italian drama film written and directed by Giuseppe Tornatore. The film stars Jacques Perrin, Philippe Noiret, Leopoldo Trieste, Marco Leonardi, Agnese Nano and Salvatore Cascio, and was produced by Franco Cristaldi and Giovanna Romagnoli, while the music score was composed by Ennio Morricone along with his son, Andrea. It won the Academy Award for Best Foreign Language Film at the 62nd Academy Awards. This arrangement written for chamber orchestra is well suited for small performances, weddings and receptions. You, your orchestra and your audience will love hearing and playing this beautiful piece by Morricone. Intermediate.Format: Concert, 9 x 12 inches.28 pages.
$49.99
45.91 €
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Chamber Orchestra
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Andrea Morricone and Ennio Morricone
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Cinema Paradiso
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FRC Music
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SheetMusicPlus
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