Download Digital Sheet Music of Piano Song No.3 - Viktoria for Chamber Orchestra

Digital scores (access after purchase)

Post mailing Digital sheet music

SORTING AND FILTERS

Sorting and filtering :

with audio

with video

with play-along

Not classified 328

PIANO & KEYBOARDS

Piano, Voice 855 Piano solo 622 Easy Piano 142 Piano, Vocal and Guitar 127 Piano Accompaniment 33

1 Piano, 4 hands 16 C Instruments 14 Big Note Piano 13 Piano Trio: piano, violin, cello 11 Organ 10 2 Pianos, 4 hands 2 Organ, Piano (duet) 2 Piano Quintet: piano, 2 violins, viola, cello 2 Piano Quartet: piano, violin, viola, cello 1

Instrumentations suivantes

Retracter

GUITARS

Piano, Guitar (duet) 73 Melody line, (Lyrics) and Chords 6 Guitar 5 Guitar notes and tablatures 1

VOICE

Choral 3-part 96 Choral SATB 54 Voice solo 44 Tenor voice, Piano 14 Soprano voice, Piano 13

High voice 13 Baritone voice, Piano 12 Choral TTBB 11 Alto voice, Piano 10 Vocal duet, Piano 9 Medium voice, Piano 8 Choral 2-part 7 Choral Unison 7 Choral SSAA 6 Tenor voice 2 Low voice, Piano 2 Soprano voice 1 Mezzo-Soprano voice, Piano 1

Instrumentations suivantes

Retracter

WOODWIND

Clarinet and Piano 111 Flute and Piano 76 Oboe, Piano (duet) 56 Alto Saxophone and Piano 42 Tenor Saxophone and Piano 30

Soprano Saxophone and Piano 26 Baritone Saxophone, Piano 19 English horn, Piano 16 2 Saxophones (duet) 14 Clarinet 12 Bass Clarinet, Piano 12 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 9 3 Saxophones (trio) 9 Clarinet Quartet: 4 clarinets 6 2 Clarinets (duet) 6 Flute 6 Oboe (band part) 5 2 Flutes (duet) 5 Saxophone Quartet: 4 saxophones 5 Alto Saxophone 4 Flute, Oboe, Clarinet, Bassoon 3 2 Oboes (duet) 3 Saxophone Quintet: 5 Saxophones 3 Flute Quartet: 4 flutes 2 Clarinet Quintet: 5 clarinets 2 Saxophone (band part) 2 Flute, Violin, Piano 2 Tenor Saxophone 2 Clarinet Ensemble 1 Flute, Viola and Piano 1 Piccolo, Piano 1 Treble (Alto) Recorder, Piano 1 Flute and Guitar 1 2 Recorders (duet) 1 Saxophone ensemble 1 Descant (Soprano) Recorder 1

Instrumentations suivantes

Retracter

WOODBRASS

Trombone and Piano 39 French Horn and Piano 38 Trumpet, Piano 27 Euphonium, Piano (duet) 23 English horn, Piano 16

Trumpet 15 Brass Quintet: 2 trumpets, horn, trombone, tuba 12 Tuba and Piano 9 Brass quartet : 2 trumpets, trombone, tuba 6 2 Trumpets (duet) 5 Trombone 3 2 French horns (duet) 3 Euphonium 2 Tuba and Organ 2 Brass Quartet: 2 trumpets, horn, trombone 2 2 Trombones (duet) 2 Tuba 1 Bass Trombone and Piano 1 Brass Quartet 1

Instrumentations suivantes

Retracter

STRINGS

Violin and Piano 152 Cello, Piano 86 Viola, Piano 69 String Quartet: 2 violins, viola, cello 14 Harp 9

Violin 8 2 Cellos (duet) 6 Double bass, Piano (duet) 6 Viola 5 Cello 4 String Trio: 2 violins, cello 3 2 Violins (duet) 3 2 Violas (duet) 3 Piano Trio: Violin, Viola, Piano 2 String Quintet: 2 violins, viola, cello, bass 2 Double Bass 1

Instrumentations suivantes

Retracter

PERCUSSION & ORCHESTRA

Concert band 25 Orchestra 19 String Orchestra 19 Jazz Ensemble 8 Brass ensemble 6 Handbells 6 Chamber Orchestra 3

Jazz combo 3 Vibraphone 1 Brass Quintet: other combinaisons 1

Instrumentations suivantes

Retracter

OTHERS

You've selected:

Piano Song No.3 - Viktoria

Chamber Orchestra

Sheetmusic to print

3 sheet music found

Schumann: Träumerei Op. 15 No. 7 for Piano Sextet Chamber Orchestra

Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Sc…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 TrÃ¤umerei * Daydreaming * Ð¼ÐµÑ‡Ñ‚Ð°Ñ‚ÐµÐ»ÑŒÐ½Ð¾ÑÑ‚ÑŒ * Î±Ï†Î·ÏÎ·Î¼Î¬Î´Î± * snÄ›nÃ An unexpected and welcome recital encore.Schumann's TrÃ¤umerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: TrÃ¤umerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: TrÃ¤umerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of TrÃ¤umerei for violin in 2021.Schumann's TrÃ¤umerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.

$48.95 45.13 € #Chamber Orchestra #Robert Schumann #Schumann: Träumerei Op. 15 No. 7 for Piano Sextet #jmsgu3 #SheetMusicPlus

The Joyce Cycle, for voice and orchestra Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyceâ€™s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com

$54.00 49.78 € #Chamber Orchestra #the turbulent sea, the loved one has disappeared #Music and James Joyce, Ofer Ben-Amots, and Poetry #The Joyce Cycle, for voice and orchestra #The Composer's Own Press #SheetMusicPlus

Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flÃ»tes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 Ã©xecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durÃ©e/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi quâ€™une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est Ã©galement disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________PrmiÃ¨re: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011PremiÃ¨re of the version for violin and 17 instruments: FrÃ©dÃ©ric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist EugÃ¨ne YsaÃ¿e. After Debussyâ€™s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violinâ€™s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussyâ€™s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the SÃ©rÃ©nade begins and ends with Debussyâ€™s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel FaurÃ©, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussyâ€™s unfinished works, and especially his theatre projects. His completion of Debussyâ€™s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.

$16.95 15.63 € #Chamber Orchestra #Claude Debussy/Robert Orledge #Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only #Musik Fabrik Music Publishing #SheetMusicPlus