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PIANO & KEYBOARDS

Piano solo 82 Piano, Vocal and Guitar 39 Easy Piano 18 Piano Accompaniment 17 Piano, Voice 15

C Instruments 7 Piano Quartet: piano, 2 violins, cello 3 1 Piano, 4 hands 3 Piano Trio: piano, violin, cello 2 Big Note Piano 1 Organ 1

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GUITARS

Guitar notes and tablatures 48 Guitar 16 Ukulele 9 Melody line, (Lyrics) and Chords 9 Lyrics and Chords 5

2 Guitars (duet) 4 Bass guitar 2 Dulcimer 1

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VOICE

Choral SATB 89 Choral 3-part 23 Choral 2-part 15 Choral SSAA 7 Choral Instrumental Pak 5

Choral TTBB 5 Choral Unison 5 Choral 3 Medium voice, Piano 1 Vocal duet, Piano 1 Vocal duet 1 Voice solo 1

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WOODWIND

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 12 Saxophone Quintet: 5 Saxophones 12 Saxophone Quartet: 4 saxophones 10 Clarinet (band part) 6 Flute, Clarinet (duet) 5

Oboe (band part) 5 Alto Saxophone and Piano 5 Oboe, Piano (duet) 4 Saxophone (band part) 4 2 Saxophones (duet) 4 Flute, Oboe, Clarinet, Bassoon 3 Saxophone ensemble 3 Flute Quartet: 4 flutes 3 Clarinet and Piano 3 Clarinet Quintet: 5 clarinets 3 Clarinet 3 Flute and Piano 3 Flute (band part) 3 2 Oboes (duet) 2 5 Recorders 2 2 Clarinets (duet) 2 Alto Saxophone 2 Flute 2 2 Flutes (duet) 2 Piccolo 1 Recorder Quartet 1 Clarinet Quartet: 4 clarinets 1 Piccolo, Piano 1 Bagpipe 1 Flute, Cello, Piano (trio) 1 Oboe, Clarinet (duet) 1 Flute Quintet : 5 flutes 1 Oboe 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 9 Trombone (band part) 8 Brass Quartet 4 Brass quartet : 2 trumpets, trombone, tuba 4 French horn 4

Trumpet, Piano 3 French horn (band part) 3 Trumpet, Horn (duert) 3 Trumpet, Trombone (duet) 2 Tuba 2 Trumpet ensemble 2 Trumpet 2 Trumpet (band part) 2 Horn Ensemble 2 Trombone 2 Tuba (band part) 2 French Horn and Piano 1 Tuba and Piano 1 2 Trumpets (duet) 1 Trombone and Piano 1

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STRINGS

Violin and Piano 12 String Quartet: 2 violins, viola, cello 12 Violin, Viola (duet) 4 2 Violins (duet) 4 Piano Trio: Violin, Viola, Piano 4

Violin, Cello (duet) 4 String Quintet: 2 violins, viola, cello, bass 4 Viola, Piano 3 String Trio: 2 violins, cello 3 Violin 3 Cello, Piano 3 Viola 2 Cello 2 Double Bass 2 Double bass, Piano (duet) 2 Harp, Voice 1 2 Violas (duet) 1 2 Cellos (duet) 1 Viola and Harp 1 Harp, Cello (duet) 1 Harp 1

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PERCUSSION & ORCHESTRA

Concert band 19 Orchestra 8 String Orchestra 3 Chamber Orchestra 3 Percussion (band part) 2

Drums 1 Timpani (band part) 1 Percussion 1 Handbells 1

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Redemption:

Chamber Orchestra

Sheetmusic to print

3 sheet music found

Redemption - Score and Parts Chamber Orchestra

Chamber Orchestra - Digital Download SKU: A0.811365 Composed by Daniel Ashcroft. Co…(+)

Chamber Orchestra - Digital Download SKU: A0.811365 Composed by Daniel Ashcroft. Contemporary. Score and parts. 118 pages. DanielAshcroftMusic #24077. Published by DanielAshcroftMusic (A0.811365).

$40.00 36.81 € #Chamber Orchestra #Daniel Ashcroft #Redemption - Score and Parts #DanielAshcroftMusic #SheetMusicPlus

Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists â€“ as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles â€“ Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bachâ€™s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bachâ€™s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words.Â Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.

$18.99 17.48 € #Chamber Orchestra #Johann Sebastian Bach and Netherlands Bach Society #Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra #Flavio Regis Cunha #SheetMusicPlus

Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical â€œTheophilusâ€), yet they are unusual for being composed in such contrasting genres. Lukeâ€™sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesaboutâ€”and speeches fromâ€”the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christâ€™s ascension is narratedandâ€”following an orchestral Sinfoniaâ€”the chorus sings words of Jesus from the Sermon on the Plain in Lukeâ€™sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faithâ€”a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiahâ€œHeaven is my throneâ€¦â€, the end of the narrative is remarkable for two reasons: firstly, Stephenâ€™s final wordsmirror those of Christ on the cross in Lukeâ€™s gospelâ€”where Jesus forgives his executioners and prays â€œFather, intoyour hands I commend my spiritâ€ (Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephenâ€™s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiahâ€”whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saulâ€™sConversion is followed here by a Christological poem found in Paulâ€™s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Lukeâ€™s realistic assessment that in spite of Paulâ€™s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Lukeâ€™s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paulâ€™s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,â€œSpirit of mercy, truth, and loveâ€ is an eighteenth century poem that e.

$25.95 23.88 € #Chamber Orchestra #Carson Cooman #Carson Cooman: The Acts of the Apostles #Musik Fabrik Music Publishing #SheetMusicPlus