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PIANO & KEYBOARDS

Piano solo 114 Piano, Vocal and Guitar 87 Piano, Voice 60 Piano (band part) 47 Easy Piano 34

C Instruments 19 Big Note Piano 14 1 Piano, 4 hands 13 Organ 4 2 Pianos, 4 hands 3 Piano Accompaniment 2 Organ, Trumpet (duet) 2 Keyboard 1 Organ, Piano (duet) 1

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GUITARS

Guitar (band part) 91 Melody line, (Lyrics) and Chords 70 Guitar notes and tablatures 56 Lyrics and Chords 30 Ukulele 22

Guitar 15 Bass guitar 8 Electric Bass (band part) 5 Mandolin 5 4 Guitars (Quartet) 1

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VOICE

Choral SATB 165 Choral Instrumental Pak 74 Choral 3-part 41 Choral 2-part 37 Choral TTBB 15

Choral 13 Choral Unison 13 Choral SSAA 6 Voice solo 3 Baritone voice, Piano 1 Voice, Guitar 1 Vocal duet 1 Choral SSATB 1 Vocal duet, Piano 1 Choral SSAATB 1

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WOODWIND

Saxophone (band part) 266 Flute (band part) 41 Clarinet (band part) 21 Tenor Saxophone 16 Flute 14

Alto Saxophone 13 Clarinet 13 Saxophone Quartet: 4 saxophones 11 Saxophone ensemble 4 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 4 Clarinet Quintet: 5 clarinets 4 Flute, Oboe, Clarinet, Bassoon 3 Oboe (band part) 3 Clarinet and Piano 3 Flute and Piano 2 Harmonica 2 Recorder 2 Flute Quartet: 4 flutes 2 Clarinet Quartet: 4 clarinets 2 Alto Saxophone and Piano 2 Saxophone Quintet: 5 Saxophones 2 Soprano Saxophone 1 Tenor Saxophone and Piano 1 Recorder Quartet 1 2 Flutes (duet) 1 Clarinet Ensemble 1 Oboe 1

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WOODBRASS

Trombone (band part) 235 Trumpet (band part) 175 French horn (band part) 45 Tuba (band part) 39 Brass Quintet: 2 trumpets, horn, trombone, tuba 18

Trumpet 18 French horn 15 Trombone 15 Brass quartet : 2 trumpets, trombone, tuba 9 Trombone and Piano 3 Tuba or Euphonium or Saxhorn 2 Brass Quartet: 2 trumpets, 2 trombones 2 Trumpet, Piano 1 French Horn and Piano 1 Trumpet, Saxophone (duet) 1

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STRINGS

Doublebass (band part) 52 Violin 16 String Quartet: 2 violins, viola, cello 16 Cello 14 Viola 13

Violin (band part) 12 Harp 5 Cello, Piano 3 Violin and Piano 3 Cello (band part) 2 String Trio: violin, viola, cello 2 2 Violas (duet) 1 Viola, Piano 1 Viola (band part) 1 Harp (band part) 1 String Trio: 2 violins, cello 1 Violin, Viola (duet) 1 2 Violins (duet) 1

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PERCUSSION & ORCHESTRA

Jazz Ensemble 232 Concert band 97 Marching band 75 Drum (band part) 53 Orchestra 21 Drums 19 Handbells 11 String Orchestra 10 Percussion (band part) 9 Jazz combo 7 Percussion 7 Brass ensemble 3 Chamber Orchestra 3

Xylophone 2 Timpani 1 Percussion Ensemble 1

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Shout

Chamber Orchestra

Sheetmusic to print

3 sheet music found

Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format Chamber Orchestra

Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David War…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.

$5.00 4.61 € #Chamber Orchestra #David Warin Solomons #Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format #David Warin Solomons #SheetMusicPlus

Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, â€œAve Maris Stellaâ€ (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute â€“ as both an important American composer and a significantcontributor to Americaâ€™s contemporary musical life.The workâ€™s basic source material is the plainchant Ave maris stella (â€œHail, star of the seaâ€) â€“appropriate because of Duquesneâ€™s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe workâ€™s tone â€“ becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as â€œan underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â€ The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up â€“ as in a pentimento.At various points, one can begin to hear the original plainchant â€œpeek outâ€ in subtle ways.The opening section of the movement obsesses again and again on what sounds like aâ€œbeginningâ€ â€“ as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked â€œsinister.â€ After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at theâ€œbeginningâ€ again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly â€“ in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movementâ€™stransformations, and â€œmotetâ€ sections â€“ using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)ï»¿This is the score only. The complete parts and each seperate part are also available as seperate items.

$25.95 23.92 € #Chamber Orchestra #Carson Cooman #Carson Cooman: Symphony No. 3, “Ave Maris Stella” #Musik Fabrik Music Publishing #SheetMusicPlus