Version française
Browse Free-scores.com
Home page
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free Sheet Music
358
Digital Sheet Music
5
Sheet Music Books
6
Music Equipment
1
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
294
PIANO & KEYBOARDS
Easy Piano
122
Piano solo
101
Piano, Voice
72
C Instruments
30
Piano, Vocal and Guitar
27
Organ
9
Big Note Piano
6
Piano Accompaniment
6
1 Piano, 4 hands
5
Piano Quintet: piano, 2 violins, viola, cello
2
Piano Trio: piano, violin, cello
2
Piano Quartet: piano, violin, viola, cello
1
Accordion
1
Instrumentations suivantes
Retracter
GUITARS
Melody line, (Lyrics) and Chords
11
Guitar notes and tablatures
10
Guitar
10
Ukulele
5
2 Guitars (duet)
2
Bass guitar
2
Dulcimer
1
Piano, Guitar (duet)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
147
Choral Instrumental Pak
130
Choral TTBB
42
Choral Unison
29
Choral 2-part
29
Choral 3-part
22
Choral SSAA
12
Vocal duet, Piano
9
Choral
6
Soprano voice, Piano
2
Alto voice, Piano
1
Vocal duet
1
Choral SSAB, Piano
1
Voice solo
1
Soprano voice
1
Instrumentations suivantes
Retracter
WOODWIND
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
19
Saxophone Quartet: 4 saxophones
13
Clarinet and Piano
13
Flute, Oboe, Clarinet, Bassoon
12
Flute and Piano
12
Clarinet Quartet: 4 clarinets
10
Saxophone Quintet: 5 Saxophones
10
Saxophone ensemble
9
Clarinet Ensemble
6
Alto Saxophone and Piano
6
Oboe, Piano (duet)
6
Saxophone (band part)
5
Soprano Saxophone and Piano
4
Clarinet
4
Flute (band part)
4
Tenor Saxophone and Piano
4
Tenor Saxophone
3
2 Flutes (duet)
3
Clarinet, Harp (duet)
2
Flute Quintet : 5 flutes
2
Baritone Saxophone, Piano
2
2 Saxophones (duet)
2
Saxophone and Harp
2
Flute Trio: 3 flutes
2
Oboe (band part)
2
Alto Saxophone
2
3 Clarinets (trio)
2
Flute
2
Flute ensemble
2
Oboe, Harp
2
Eb Instruments
1
Descant (Soprano) Recorder
1
Clarinet (band part)
1
Flute, Oboe, Clarinet (trio)
1
3 Saxophones (trio)
1
Clarinet Quintet: 5 clarinets
1
Flute, Clarinet and Bassoon.
1
Treble (Alto) Recorder
1
Clarinet, Bassoon (duet)
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass quartet : 2 trumpets, trombone, tuba
62
Brass Quintet: 2 trumpets, horn, trombone, tuba
17
Trombone and Piano
6
Tuba and Piano
6
Trombone ensemble
4
Brass Quartet: 2 trumpets, horn, trombone
4
French Horn and Piano
4
Trumpet
4
Euphonium, Piano (duet)
3
Trumpet, Piano
3
French Horn and Harp
2
Trumpet ensemble
2
Trumpet, Harp
2
Tuba
2
French horn
2
Trombone (band part)
2
Trumpet, Trombone (duet)
2
Bb Instruments
1
Bass Clef Instruments
1
Tuba ensemble
1
Brass Quartet: 2 trumpets, 2 trombones
1
2 Euphoniums and 2 Tubas
1
2 Trumpets (duet)
1
Trumpet (band part)
1
Brass Quartet: 4 trombones
1
2 Trombones (duet)
1
Brass Quartet: 4 trumpets
1
French horn (band part)
1
Trombone
1
2 Tubas (duet)
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
47
Violin and Piano
17
Cello, Piano
15
Violin
12
2 Harps (duet)
9
Viola, Piano
9
Cello
5
String Trio: 2 violins, cello
5
Harp, Flute (duet)
4
String Quintet: 2 violins, viola, cello, bass
4
2 Violins (duet)
3
Harp, Violin (duet)
3
Harp
3
Violin (band part)
3
Viola
3
Double bass, Piano (duet)
3
Viola and Harp
2
String Trio: violin, viola, cello
2
Double Bass
2
Violin ensemble
2
String Trio: 3 violins
2
Violin, Cello (duet)
2
Viola ensemble
2
Viola (band part)
2
Harp, Cello (duet)
1
Violin, Viola (duet)
1
2 Cellos (duet)
1
Doublebass (band part)
1
String Trio: 3 cellos
1
Cello (band part)
1
Harp, Voice
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Orchestra
37
Concert band
37
Jazz Ensemble
22
Brass ensemble
21
String Orchestra
18
Chamber Orchestra
5
Drums
4
Jazz combo
3
Handbells
2
Marching band
2
Percussion Ensemble
1
Percussion (band part)
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Song of Joseph
Chamber Orchestra
Sheetmusic to print
5 sheet music found
<
1
Joseph White: La Bella Cubana for chamber orchestra - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph Wh…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
9.21 €
#
Chamber Orchestra
#
Joseph White
#
Joseph White: La Bella Cubana for chamber orchestra - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.62 €
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Pecious Love
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.854867 Composed by Joseph Pu…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.854867 Composed by Joseph Pugh. Christian,Contemporary,Jazz,Pop. Score and parts. 7 pages. Joseph Pugh #5213861. Published by Joseph Pugh (A0.854867). This song was written many years ago and recorded many times but, I think,this is the best recorded arrangement of it. Flute ,oboe, and bassoon are the lead and harmony instruments.
$19.99
18.43 €
#
Chamber Orchestra
#
Joseph Pugh
#
Pecious Love
#
Joseph Pugh
#
SheetMusicPlus
Mariä Wiegenlied A flat majeur
Chamber Orchestra
Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken, Violine 1, Violine 2, Viola, V…
(+)
Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken, Violine 1, Violine 2, Viola, Violoncello, Kontrabass soprano and chamber orchestra - intermediate - Digital Download SKU: S9.Q6457 Aus Schlichte Weisen. Composed by Max Reger. This edition: set of parts. Downloadable, Set of parts. Op. 76/52. Duration 6 minutes. Schott Music - Digital #Q6457. Published by Schott Music - Digital (S9.Q6457). Key: A flat major. German.The vocal œuvre of Max Reger is quite comprehensive but only few of his more than 300 works have become firmly established in the concert repertoire. One song, however, was to become a real big seller: Mariä Wiegenlied in which the composer had woven the old Christmas carol Joseph, lieber Joseph mein. Because of its huge success, Max Reger recommended to his publisher an instrumentation which he actually realized later: This gem for piano was turned into an atmospheric piece of pastoral music for voice and chamber orchestra.
$45.99
42.4 €
#
Chamber Orchestra
#
Max Reger
#
Mariä Wiegenlied A flat majeur
#
Schott Music - Digital
#
SheetMusicPlus
Mariä Wiegenlied A flat majeur
Chamber Orchestra
Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken - Streicher (5.5.4.3.2) soprano…
(+)
Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken - Streicher (5.5.4.3.2) soprano and chamber orchestra - intermediate - Digital Download SKU: S9.Q6456 Aus Schlichte Weisen. Composed by Max Reger. This edition: score. Downloadable, Score. Op. 76/52. Duration 6 minutes. Schott Music - Digital #Q6456. Published by Schott Music - Digital (S9.Q6456). Key: A flat major. German.The vocal oeuvre of Max Reger is quite comprehensive but only few of his more than 300 works have become firmly established in the concert repertoire. One song, however, was to become a real big seller: Mariä Wiegenlied in which the composer had woven the old Christmas carol Joseph, lieber Joseph mein. Because of its huge success, Max Reger recommended to his publisher an instrumentation which he actually realized later: This gem for piano was turned into an atmospheric piece of pastoral music for voice and chamber orchestra.
$15.99
14.74 €
#
Chamber Orchestra
#
Max Reger
#
Mariä Wiegenlied A flat majeur
#
Schott Music - Digital
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version