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String Quartet No. 2
Chamber Orchestra
Sheetmusic to print
11 sheet music found
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1
Albinoni - Concerto No.2 to 5 in F major Op.5 for Flute and String Quartet
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.516797 Composed by Albinoni …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.516797 Composed by Albinoni Tomaso. Arranged by Santino Cara. Baroque. Score and parts. 26 pages. Santino Cara #2549323. Published by Santino Cara (A0.516797). Version for Flute and String Quartet of the Concerto No.2 in F major Op.5, from 12 Concertos to 5 for two violins, alto viola, tenor viola and cello(B.C) of Tomaso Albinoni. Transcribed in Rome in 2016 by Santino Cara.
$6.40
5.75 €
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Chamber Orchestra
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Albinoni Tomaso
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Albinoni - Concerto No.2 to 5 in F major Op.5 for Flute and String Quartet
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Santino Cara
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SheetMusicPlus
Aveux Non Avenus (2020) for soprano and string quartet
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869642 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas Oboe Lee #5302511. Published by Thomas Oboe Lee (A0.869642). I saw an obituary in the New York Times entitled Overlooked No More: Claude Cahun, Whose Photographs Explored Gender and Sexuality. I was so fascinated by the article that I went and purchased a book of her poems and writings. Within it I found a series of poems under the subtile of Délectations Moroses that were truly fantastic. A year ago I wrote a work for soprano and string quartet titled Gaspard de la Nuit on a set of poems by Aloysius Bertrand. Ravel's Gaspard de la Nuit is for solo piano, a set of tone poems inspired by the poems of the same A. Bertrand. I enjoyed my Gaspard so much that I wanted to write another work for soprano and string quartet, this time using these fascinating poems by Claude Cahun.The work is in seven movements.1. Allegro (de l'oubli)2. Largo (de l'oubli)3. Allegro con moto (d'un enfant difficile)4. Moderato (de l'amour)5. Moderato (de l'art)6. Allegro (Vocation)7. Adagio (Quatrième dimension)Enjoy!!!Duration: 27 minuteshttps://thomasoboelee.bandcamp.com/album/aveux-non-avenus-2020-for-soprano-and-string-quartet
$9.99
8.97 €
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Chamber Orchestra
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Thomas Oboe Lee
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Aveux Non Avenus
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Thomas Oboe Lee
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SheetMusicPlus
Vivaldi: The Four Seasons Complete for Flute & String Quartet
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.551487 Composed by Antonio V…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.551487 Composed by Antonio Vivaldi. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 282 pages. Jmsgu3 #5306251. Published by jmsgu3 (A0.551487). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$59.95
53.84 €
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Chamber Orchestra
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Antonio Vivaldi
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Op
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Vivaldi: The Four Seasons Complete for Flute & String Quartet
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jmsgu3
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SheetMusicPlus
Brahms : Clarinet Sonata No.2, 2nd Movement (for Clarinet Quintet)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.914859 Composed by Johannes …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.914859 Composed by Johannes Brahms. Arranged by Shimpei Kojima. Romantic Period. Score and parts. 28 pages. Shimpei Kojima #5828373. Published by Shimpei Kojima (A0.914859). The second movement of Brahms Clarinet Sonata No. 2 (Op.120-2) has been arranged into Clarinet Quintet (clarinet and string quartet). Score and parts (Cl in Bb, Vn I, Vn II, Va, Vc) are included. Cl in A is also included as an option for your convinience.
$6.00
5.39 €
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Chamber Orchestra
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Johannes Brahms
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Brahms : Clarinet Sonata No.2, 2nd Movement
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Shimpei Kojima
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SheetMusicPlus
Stabat Mater No.2 Cujus animam gemenitum D Major
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.856927 Composed by Giovanni Battista P…
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Chamber Orchestra - Digital Download SKU: A0.856927 Composed by Giovanni Battista Pergolesi. Arranged by Change the Key. Christian,Romantic Period,Sacred. Score and parts. 7 pages. Change the Key #3621093. Published by Change the Key (A0.856927). Stabat Mater No.2 Cujus animam gemenitum by Giovanni Pergolesi transposed to D Major for string quartet, piano and soprano. Vocal range E - G.
$6.00
5.39 €
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Chamber Orchestra
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Giovanni Battista Pergolesi
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Stabat Mater No.2 Cujus animam gemenitum D Major
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Change the Key
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SheetMusicPlus
Stabat Mater No.2 Cujus animam gemenitem Eb Major
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.856930 Composed by Giovanni Battista P…
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Chamber Orchestra - Digital Download SKU: A0.856930 Composed by Giovanni Battista Pergolesi. Arranged by Change the Key. Christian,Romantic Period,Sacred. Score and parts. 7 pages. Change the Key #3621097. Published by Change the Key (A0.856930). Stabat Mater No.2 Cujus animam gemenitem by Giovanni Pergolesi transposed to Eb Major for string quartet, piano and soprano. Vocal range F - Ab.
$6.00
5.39 €
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Chamber Orchestra
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Giovanni Battista Pergolesi
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Stabat Mater No.2 Cujus animam gemenitem Eb Major
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Change the Key
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SheetMusicPlus
Stabat Mater No.2 Cujus animam gementum C Major
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.856926 Composed by Giovanni Battista P…
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Chamber Orchestra - Digital Download SKU: A0.856926 Composed by Giovanni Battista Pergolesi. Arranged by Change the Key. Christian,Romantic Period,Sacred. Score and parts. 7 pages. Change the Key #3621085. Published by Change the Key (A0.856926). Stabat Mater No.2 Cujus animam gementum by Giovanni Pergolesi transposed to C Major for string quartet, piano and soprano. Vocal range D - F.
$6.00
5.39 €
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Chamber Orchestra
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Giovanni Battista Pergolesi
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Stabat Mater No.2 Cujus animam gementum C Major
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Change the Key
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SheetMusicPlus
Vivaldi: Summer from the Four Seasons for Flute & String Quartet
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.551467 Composed by Antonio V…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.551467 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and Parts. 82 pages. Jmsgu3 #5290105. Published by jmsgu3 (A0.551467). Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$39.95
35.88 €
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Chamber Orchestra
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Antonio Vivaldi
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Vivaldi: Summer from the Four Seasons for Flute & String Quartet
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jmsgu3
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SheetMusicPlus
Shall I Compare Thee to a Summer's Day? (Sonnet 18) for Tenor and String Quartet [Score & Parts]
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.939868 Composed by Richard S…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.939868 Composed by Richard St. Clair. 20th Century,Contemporary. Score and parts. 14 pages. Richard St. Clair #6050379. Published by Richard St. Clair (A0.939868). This is a setting of perhaps the most famous of William Shakespeare's Sonnets, no. 18. In gentle tonal harmonies and delicate counterpointing, this chanson takes about 2 minutes to perform.
$12.99
11.67 €
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Chamber Orchestra
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Richard St
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Shall I Compare Thee to a Summer's Day?
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Richard St. Clair
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SheetMusicPlus
Pomp And Circumstance No. 1 (trio)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.843117 Composed by Edward El…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.843117 Composed by Edward Elgar. Arranged by Dico. 20th Century,Wedding. Score and parts. 25 pages. Dico #6639087. Published by Dico (A0.843117). WEDDING SERIESÂ - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are sextets. Some instruments can be replaced and some arrangements have reductions. These options are provided.POMP AND CIRCUMSTANCE MARCH No. 1 (Trio) - this arrangement was made for a wedding ceremony with a small set. That's why the string section is a quartet without a viola part.INSTRUMENTATION:Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 (bass) | Timpani | Piano | Strings (-viola)
$22.00
19.76 €
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Chamber Orchestra
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Edward Elgar
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Pomp And Circumstance No. 1
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Dico
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.28 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
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