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Chamber Orchestra

Quiet Times - Solo Flugelhorn Feature for Studio Orchestra Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard D…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Jazz,Pop. 41 pages. Charles Decker Music Press #5740917. Published by Charles Decker Music Press (A0.817154). This very accessible and moderately difficult original jazz-influenced, lush sounding ballad for studio orchestra featuring solo flugelhorn creates lasting memories for performers and audiences. New York State School Music News review: This slow ballad has an effective legato flow with remarkably colorful orchestration â€¦ a very original and playable creation. The audio file is an actual studio orchestra performance of the entire work and not a computer playback of the score. See also the piano reduction accompaniment for Quiet Times at Charles Decker Music Press. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.
$18.95 17.47 € #Chamber Orchestra #Richard Decker #Quiet Times - Solo Flugelhorn Feature for Studio Orchestra #Charles Decker Music Press #SheetMusicPlus

The Lord Calling (Orchestration) Chamber Orchestra

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1413491 By Oklahoma Baptist …(+)

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1413491 By Oklahoma Baptist Children's Chorus. By Michael Ware. Arranged by Michael Ware. Children,Christian,Praise & Worship,Religious,Sacred. 22 pages. Michael Ware Music #995268. Published by Michael Ware Music (A0.1413491). The Lord Calling is one of Michael Wareâ€™s most performed childrenâ€™s choir pieces. Made popular by the Oklahoma Baptist Childrenâ€™s Chorus, this heartfelt unison/opt. 2-part song encourages the singer and listener to listen to, worship, and follow the Lord. The optional chamber orchestration richly adds to the atmosphere of the piece. Vocal/piano score and orchestration are available separately. Instrumentation: Flute 1, Flute 2/Oboe, Clarinet in Bb, Horn in F, percussion, Voices, Piano, Violin I, Violin II, Viola, Cello (substitute parts: Soprano Sax, Alto Sax)This download is the chamber orchestration.
$45.00 41.49 € #Chamber Orchestra #Oklahoma Baptist Children's Chorus #The Lord Calling #Michael Ware Music #SheetMusicPlus

Visions of Nowhere, op. 10 - Score Only Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1218112 Composed by Peter Le…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. Published by Peter Le Tissier (A0.1218112). Visions of Nowhere was written in the latter half of 2021 into the first months of 2022. The piece is a melting pot of ideas, strongly connected with some of the GÃ idhlig songs written during the years 2018-2021 and motifs from the Symphony in D/E Minor (2017-2021). The piece is scored for small Chamber Orchestra, with an orchestral Harp part that has been written with the intention that a Piano may be used as a substitute should it be required. The work is roughly 8-10 minutes long.Parts are available upon contact with the composer at www.peterletissier.com.
$20.99 19.35 € #Chamber Orchestra #Peter Le Tissier #Visions of Nowhere, op. 10 - Score Only #Peter Le Tissier #SheetMusicPlus

La Donna È Mobile- baritone solo and chamber ensemble Chamber Orchestra

Chamber Orchestra - Level 3 - Digital Download SKU: A0.753602 Composed by Verdi & P…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.753602 Composed by Verdi & Piave. Arranged by John Hoesly. Concert,Opera,Romantic Period. Score and parts. 16 pages. PRS&B #2928077. Published by PRS&B (A0.753602). La Donna Ãˆ Mobile- Verdi & Piave. Famous aria from Rigoletto. This arrangement is for Baritone in the key of F Major. Violin, Cello and Harp provide the accompaniment. Piano may substitute for the harp.
$15.00 13.83 € #Chamber Orchestra #Verdi & Piave #Piave. #La Donna È Mobile- baritone solo and chamber ensemble #PRS&B #SheetMusicPlus

Time To Say Goodbye Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.753620 By Andrea Bocelli & S…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.753620 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John Hoesly. Opera. Score and parts. 22 pages. PRS&B #3859537. Published by PRS&B (A0.753620). Time To Say Goodbye (Con te partirÃ²)- Soprano and baritone duet with chamber ensemble. Stirring setting for one of the most popular songs of all time. Opera/pop crossover. In both Italian and English. Includes scores and parts. All parts could be doubled or assigned to another instrument (example: substitute flute for the violin part). Includes an optional bass part.
$20.00 18.44 € #Chamber Orchestra #Andrea Bocelli & Sarah Brightman #Time To Say Goodbye #PRS&B #SheetMusicPlus

Habanera- chamber ensemble Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.753600 Composed by Georges B…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.753600 Composed by Georges Bizet. Arranged by John Hoesly. Concert,Opera,Romantic Period. Score and parts. 15 pages. PRS&B #2926725. Published by PRS&B (A0.753600). Habanera from Carmen- Georges Bizet. Famous aria from Carmen scored by John Hoesly for chamber ensemble of Violin, Cello and Harp. Piano may substitute for harp.
$15.00 13.83 € #Chamber Orchestra #Georges Bizet #Habanera- chamber ensemble #PRS&B #SheetMusicPlus

German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola Chamber Orchestra

Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Gr…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes â€“ all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tÃ¶nen die Lieder, der FrÃ¼hling kommt wieder/Im MÃ¤rzen der Bauer Part II Alle VÃ¶glein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grÃ¼ÃŸen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99 3.68 € #Chamber Orchestra #Instrumentation: #German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola #Thomas Graf - the-hit-factory.com #SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 SÃ¤tzen fÃ¼r GroÃŸes BlÃ¤serensemble, Kontrabass und Schlagwerk 1. Deux CaractÃ¨res 2. Dialogues 3. Dance de Conflusion Confluence heiÃŸt ein Ort in Lyon an dem 2 FlÃ¼sse zusammen flieÃŸen: Die SaÃ´ne mÃ¼ndet in die - zumindest im Deutschen - weibliche Rhone. Im FranzÃ¶sischen mÃ¼ndet sie aber in DEN Rhone â€“ Le RhÃ´ne. Das verwirrt den Komponisten: Wie erhalten FlÃ¼sse ihr Geschlecht, sind sie mal mÃ¤nnlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchflieÃŸen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken Ã¼ber Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch mÃ¤nnliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sÃ¤tzige Komposition und mÃ¤andriert dabei tÃ¤nzerisch im Bett der zusammenflieÃŸenden StrÃ¶me. Farbenreiche modale Harmonien bilden das Bett fÃ¼r weite MelodiebÃ¶gen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tÃ¤nzelnden Sog in Richtung der MÃ¼ndung: Tanzendes Finale! 1. Satz: Deux CharactÃ¨res Im ersten Satz (Andante) werden die Rollen verteilt - die SÃ¢one und der RhÃ´ne erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lÃ¤sst schon eine Tendenz erkennen: HolzblÃ¤ser(inne)n Ã¼bernehmen die weibliche Hauptrolle, das mÃ¤nnliche Blech den Gegenpart. Die beiden Schlagwerker unterstÃ¼tzen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und grÃ¶ÃŸeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeÃ¤fft. Man versucht sich gegenseitig zu Ã¼berzeugen, fÃ¤llt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schlieÃŸlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versÃ¶hnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfÃ¤nglichen Confusion eine Conflusion: Es flieÃŸt und tanzt zusammen, was zusammen gehÃ¶rt. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 SÃ¤tzen fÃ¼r GroÃŸes BlÃ¤serensemble, Kontrabass und Schlagwerk 1. Deux CaractÃ¨res 2. Dialogues 3. Dance de Conflusion Confluence heiÃŸt ein Ort in Lyon an dem 2 FlÃ¼sse zusammen flieÃŸen: Die SaÃ´ne mÃ¼ndet in die - zumindest im Deutschen - weibliche Rhone. Im FranzÃ¶sischen mÃ¼ndet sie aber in DEN Rhone â€“ Le RhÃ´ne. Das verwirrt den Komponisten: Wie erhalten FlÃ¼sse ihr Geschlecht, sind sie mal mÃ¤nnlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchflieÃŸen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken Ã¼ber Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch mÃ¤nnliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sÃ¤tzige Komposition und mÃ¤andriert dabei tÃ¤nzerisch im Bett der zusammenflieÃŸenden StrÃ¶me. Farbenreiche modale Harmonien bilden das Bett fÃ¼r weite MelodiebÃ¶gen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tÃ¤nzelnden Sog in Richtung der MÃ¼ndung: Tanzendes Finale! 1. Satz: Deux CharactÃ¨res Im ersten Satz (Andante) werden die Rollen verteilt - die SÃ¢one und der RhÃ´ne erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lÃ¤sst schon eine Tendenz erkennen: HolzblÃ¤ser(inne)n Ã¼bernehmen die weibliche Hauptrolle, das mÃ¤nnliche Blech den Gegenpart. Die beiden Schlagwerker unterstÃ¼tzen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und grÃ¶ÃŸeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeÃ¤fft. Man versucht sich gegenseitig zu Ã¼berzeugen, fÃ¤llt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schlieÃŸlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versÃ¶hnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfÃ¤nglichen Confusion eine Conflusion: Es flieÃŸt und tanzt zusammen, was zusammen gehÃ¶rt. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille Â â€¢ â€œOne Second to the Futureâ€ is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system. Â â€¢ The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics. Â â€¢ The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with â€œCâ€ as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad. Â Â â€¢ At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away. Â â€¢ The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides. Â â€¢ Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark â€œslow motion.â€ At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement. Â Technical RequirementsÂ â€¢ Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound.Â â€¢ A standard guitar delay and distortion pedal for electric guitar parts one and two is required.Â â€¢ Glass and metal guitar slides are required. Â Â To download the fixed audio tracks, go here:Â https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracksÂ For fixed audio track information and information, contact me at:info@brentrobitaille.com.

Lullaby for Young Herr Freesen Chamber Orchestra

Chamber Orchestra - Digital Download SKU: A0.1028076 Composed by Richard Vaughan. C…(+)

Chamber Orchestra - Digital Download SKU: A0.1028076 Composed by Richard Vaughan. Contemporary. Score and parts. 20 pages. Richard Vaughan #3244131. Published by Richard Vaughan (A0.1028076). This short attractive piece of 3 minutes is ideal for a developing orchestra with at least 2 horns. The harp part can be easily and appropriately substituted by piano or other analogue sounding keyboard. Parts are available.
$12.99 11.98 € #Chamber Orchestra #Richard Vaughan #Lullaby for Young Herr Freesen #Richard Vaughan #SheetMusicPlus

Gymnopedie No. 1 (for small chamber orchestra and solo violin) Chamber Orchestra

Chamber Orchestra - Level 3 - Digital Download SKU: A0.923580 Composed by Erik Sati…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.923580 Composed by Erik Satie. Arranged by CJ Darnieder. Romantic Period. Score and parts. 15 pages. CJ Darnieder #3475075. Published by CJ Darnieder (A0.923580). Set of parts, for full score: https://www.sheetmusicplus.com/title/gymnopedie-no-1-for-small-chamber-orchestra-and-solo-violin-dig...Satie's famous and gorgeous Gymnopedie No.1 in a unique arrangement by CJ Darnieder. Instrumentation is as follows:1 flute, 1 oboe, 1 clarinet, 1 bassoon, 2 horns, harp, solo violin, and strings*For younger ensembles, doubling woodwinds is an option. *Piano may also be substituted for harp if harmonics are omitted or performed up the octave.*For more professional ensembles, the smaller the string section, the better.If you have any questions or would like to perform this arrangement, please do not hesitate to contact me! composercjdarnieder@gmail.com.
$6.00 5.53 € #Chamber Orchestra #Erik Satie #Gymnopedie No. 1 #CJ Darnieder #SheetMusicPlus