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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
THE RAVE
Not classified
1,484
Piano & keyboards
Piano solo
873
Piano, Voice
545
Piano, Vocal and Guitar
231
Easy Piano
171
Organ
163
C Instruments
68
Accordion
58
Piano Trio: piano, violin, cello
18
1 Piano, 4 hands
15
Big Note Piano
14
Piano Accompaniment
12
Piano Quartet: piano, violin, viola, cello
9
2 Pianos, 4 hands
8
Organ, Piano (duet)
6
Piano (band part)
3
Organ, Trumpet (duet)
2
Piano Quintet: piano, 2 violins, viola, cello
1
Harpsichord
1
Piano Quartet: piano, 2 violins, cello
1
+ 14 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
124
Guitar
87
Melody line, (Lyrics) and Chords
47
Bass guitar
28
Ukulele
20
Lyrics and Chords
14
4 Guitars (Quartet)
6
Guitar, Flute, Clarinet
4
Piano, Guitar (duet)
4
Dulcimer
4
2 Guitars (duet)
4
Mandolin
3
Guitar (band part)
2
Electric Bass (band part)
1
Banjo
1
+ 10 instrumentations
-
Retract
Voice
Choral SATB
385
Choral 3-part
97
Choral TTBB
64
Choral 2-part
52
Voice solo
48
Choral Unison
31
Choral SSAA
23
Soprano voice, Piano
18
Choral Instrumental Pak
12
Medium voice, Piano
12
High voice
8
Baritone voice, Piano
7
Vocal duet, Piano
7
Choral
6
Low voice, Piano
6
Vocal duet
5
Tenor voice, Piano
5
Mezzo-Soprano voice, Piano
4
Alto voice, Piano
4
Tenor voice
3
Voice, Guitar
2
Soli, Mixted choir and accompaniment
1
Choral SSAB, Piano
1
Choral SATBB
1
+ 19 instrumentations
-
Retract
Woodwind
Flute and Piano
8,504
Flute
6,885
2 Flutes (duet)
3,735
2 Flutes, Piano
151
Saxophone Quartet: 4 saxophones
135
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
103
Clarinet Quartet: 4 clarinets
81
Alto Saxophone and Piano
80
Clarinet and Piano
63
2 Saxophones (duet)
59
Flute, Oboe, Clarinet, Bassoon
59
Oboe, Piano (duet)
51
Tenor Saxophone and Piano
44
Flute Quartet: 4 flutes
44
Soprano Saxophone and Piano
41
Clarinet Quintet: 5 clarinets
40
2 Clarinets (duet)
39
Saxophone (band part)
35
Flute, Organ (duet)
31
Clarinet
31
Saxophone Quintet: 5 Saxophones
31
Saxophone ensemble
29
Alto Saxophone
27
Flute Quintet : 5 flutes
26
3 Clarinets (trio)
26
Clarinet Ensemble
25
3 Saxophones (trio)
22
Clarinet (band part)
21
Oboe (band part)
21
Flute ensemble
17
Flute Trio: 3 flutes
17
Clarinet, Violin (duet)
14
Flute (band part)
13
Flute, Clarinet (duet)
13
Tenor Saxophone
12
Flute, Clarinet, Piano (trio)
12
Saxophone, Clarinet (duet)
12
Flute and Guitar
11
Oboe, Bassoon (duet)
10
Baritone Saxophone, Piano
10
2 Oboes (duet)
9
Flute, Basso continuo
9
Flute, Oboe, Clarinet (trio)
8
Flute, Violin and Violoncello
8
Saxophone
8
Clarinet, Trumpet (duet)
7
English horn, Piano
7
Bass Clarinet, Piano
7
Flute, Violoncello
7
Oboe, Cello
7
Flute, Oboe, Piano (trio)
6
Clarinet, Cello (duet)
6
2 Flutes and Guitar
6
Oboe, Clarinet, Bassoon (trio)
6
Wind ensemble
5
Flute, Saxophone (duet)
5
Flute, Oboe, Bassoon
5
Flute, Orchestra
5
Oboe, Clarinet (duet)
5
Flute, Violin
5
Flute, Clarinet and Bassoon.
5
Recorder Quartet
5
2 Recorders (duet)
4
Descant (Soprano) Recorder
4
Clarinet and Viola
4
Oboe
4
Clarinet, trumpet and piano
4
2 Saxophones, Piano
4
Flute, Viola (duet)
4
Saxophone and Harp
4
Recorder
4
Clarinet, Bassoon (duet)
4
Treble (Alto) Recorder, Piano
4
Clarinet, Harp (duet)
4
Flute, Bassoon, and Piano
4
Flute, Trumpet (duet)
3
2 Flutes and Harp
3
Oboe, Flute
3
Treble (Alto) Recorder
3
Harmonica
3
Flute, Cello, Piano (trio)
3
Tenor Recorder
3
Piccolo, Piano
3
Descent (Soprano) Recorder, Piano
3
Bass Clarinet
2
Recorder, Piano
2
Flute, Viola and Piano
2
2 Clarinets, Piano
2
Clarinet, Cello, Piano (trio)
2
Oboe, Bassoon and Piano
2
3 Recorders (trio)
2
Ocarina
2
Oboe, Harp
2
Flute, Violin, Piano
2
Flute, trombone and piano
2
Flute, Violin, Violoncello and Piano
2
2 Recorders, Piano
1
2 Flutes, Basso continuo
1
Clarinet, Tuba
1
Clarinet, Guitar (duet)
1
Oboe, Trumpet (duet)
1
Flute, harp and violin
1
Oboe and viola (duet)
1
Saxophone and Organ
1
Saxophone and Guitar
1
Oboe, Clarinet and Piano (Trio)
1
English Horn
1
Clarinet, Bassoon, Piano (trio)
1
Flute, Tuba (duet)
1
Oboe, Guitar (duet)
1
Bagpipe
1
3 Oboes
1
Eb Instruments
1
Piccolo
1
Flute, Trombone (duet)
1
Clarinet Quintet: Clarinet, String Quartet
1
+ 111 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
101
Brass quartet : 2 trumpets, trombone, tuba
62
Trumpet, Piano
59
Trombone and Piano
47
Trumpet ensemble
35
Trumpet
31
Trombone ensemble
27
Trombone (band part)
25
2 Trombones (duet)
24
French Horn and Piano
24
French horn
19
2 Trumpets (duet)
18
Trombone
18
Brass Quartet: 4 trombones
17
Trumpet (band part)
16
Brass Quartet: 2 trumpets, horn, trombone
15
Trumpet, Trombone (duet)
14
Brass Quartet
13
Tuba and Piano
12
3 Trumpets (trio)
12
Brass Quartet: 4 horns
11
Euphonium, Piano (duet)
11
French horn (band part)
11
Brass Quartet: 4 trumpets
9
Trumpet, Saxophone (duet)
9
Tuba
8
2 French horns (duet)
8
English horn, Piano
7
Tuba (band part)
7
Bass Trombone and Piano
5
Euphonium
4
Trumpet, Cello (duet)
4
French Horn and Harp
4
Trumpet, Bassoon (duet)
3
Trumpet, violin (duet)
3
2 Tubas (duet)
3
Horn, Trumpet, Trombone (trio)
2
Trumpet, Cello, Piano
2
Trumpet, Harp
2
Horn Ensemble
2
Bass Clef Instruments
2
Trumpet, Trombone, Piano
2
Bb Instruments
2
Brass Trio
2
2 Euphoniums and 2 Tubas
2
F Instruments
1
Trombone, Tuba (duet)
1
English Horn
1
Brass Quartet: 2 trumpets, 2 trombones
1
Horn, Cello (duet)
1
2 Euphoniums (duet)
1
Trombone, Violin (duet)
1
3 Trombones (trio)
1
2 French horns, Piano
1
Trumpet, Horn (duert)
1
+ 50 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
189
Violin and Piano
113
Cello, Piano
68
Viola, Piano
65
Violin
62
Harp
55
Cello
29
Violin, Cello (duet)
28
2 Violins (duet)
27
Viola
26
2 Cellos (duet)
25
String Trio: violin, viola, cello
24
2 Harps (duet)
23
2 Violas (duet)
20
Violin, Viola (duet)
17
Violin (band part)
13
String Trio: 2 violins, cello
13
4 Cellos
13
Double bass, Piano (duet)
11
String Quartet : 4 violas
11
String Trio: 3 violins
10
Double Bass
10
Viola (band part)
9
String Quintet: 2 violins, 2 violas, cello
8
Doublebass (band part)
7
Violin, Bassoon (duet)
6
Cello (band part)
5
String quartet: 4 violins
5
Viola, Cello (duet)
5
Harp, Flute (duet)
5
String Trio: 3 cellos
4
Harp, Violin (duet)
3
String Quintet: 2 violins, viola, cello, bass
3
Harp, String quartet
3
Harp, Cello (duet)
3
Violin, Basso continuo
3
Viola and Harp
3
Cello, Guitar (duet)
2
Violin, Clarinet, Piano (trio)
2
Violin, Guitar (duet)
2
Piano Trio: Violin, Viola, Piano
2
Violin ensemble
2
Cello, String Bass (duet)
1
2 Violins, Piano
1
Viola and Bassoon
1
Viola ensemble
1
2 Violins and Basso
1
2 Double basses (duet)
1
Violin, Tuba (duet)
1
Viola, Guitar (duet)
1
String Trio: 3 violas
1
Harp, Voice
1
+ 47 instrumentations
-
Retract
Orchestra & Percussion
Concert band
910
String Orchestra
133
Orchestra
97
Chamber Orchestra
38
Brass ensemble
38
Handbells
36
Jazz Ensemble
24
Percussion (band part)
14
Percussion Ensemble
12
Drums
12
Marching band
6
Jazz combo
6
Timpani (band part)
6
Percussion
2
Drum (band part)
2
Xylophone, Piano
2
Vibraphone and Marimba
1
Marimba
1
Woodwind Quintet
1
Cajon
1
Orchestra, Violin
1
Vibraphone
1
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
1
+ 18 instrumentations
-
Retract
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You've selected:
THE RAVE
Chamber Orchestra
Sheetmusic to print
38 sheet music found
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1
26
The Traveler
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Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Timothy Lee Miller
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The Traveler
#
TLM Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018258 Composed by Timothy Lee Miller. Classical,Contemporary. Score and parts. 161 pages. TLM Mu...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018258 Composed by Timothy Lee Miller. Classical,Contemporary. Score and parts. 161 pages. TLM Music Publishing #623857. Published by TLM Music Publishing (A0.1018258). Commissioned by the University of St. Andrews (Scotland) New Music Ensemble, this work moves at a quick pace and chronicles the experience of traveling.
$49.99
And The Glory Of The Lord (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
#
George Frideric Handel
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Charles A
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And The Glory Of The Lord
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CG Publications
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1232907 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1232907 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 21 pages. CG Publications #828536. Published by CG Publications (A0.1232907). The glorious opening chorus from, from Handel’s “MESSIAH,†is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). Performance requires a moderately accomplished violinist but only players of modest ability in the other instruments. Also, appropriate substitutions are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.Â
$14.99
Badinerie - (from Orchestral Suite No.2 in B minor - BWV 1067 - for Traverso Flute, Strings and Cont
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Chamber Orchestra
#
Classical
#
Johann Sebastian Bach
#
Flavio Regis Cunha
#
Badinerie -
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.597302 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Christmas,Easter,Holiday,W...
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Chamber Orchestra - Digital Download SKU: A0.597302 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Christmas,Easter,Holiday,Wedding. Score and parts. 16 pages. Flavio Regis Cunha #5300167. Published by Flavio Regis Cunha (A0.597302). This is a transcription of the vibrant 'Badinerie' from Orchestral Suite No.2 in B minor - BWV 1067. Here you will find a beautiful edition of the full score and the orchestral parts, with a realized continuo (harpsichord).
$7.99
Guitar Concerto　"Traveling with guitar" op.131
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Chamber Orchestra
#
ADVANCED
#
Contemporary
#
Kohei KONDO
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Guitar Concerto　"Travel
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Kohei KONDO
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.885972 Composed by Kohei KONDO. 20th Century,Contemporary. Score and parts. 54 pages. Kohei KONDO ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.885972 Composed by Kohei KONDO. 20th Century,Contemporary. Score and parts. 54 pages. Kohei KONDO #37797. Published by Kohei KONDO (A0.885972). Composed by Japanese composer Kohei KONDOGuitar Concerto　Traveling with guitar op.131 Solo guitar and chamber orchestra Premired on Feb.13.2013 in Tokyo at Owada sakura hall Guitar: Gaku YAMADA JSCM Youth Chamber Orchestra conducted by Masataka MATSUO. https://youtu.be/girIuOX7Qw8The 3rd movement can be performed as an independent solo piece.
$8.00
Grave of Charlie Reynolds
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Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Jim Bosse
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Grave of Charlie Reynolds
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Jim Bosse
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.955018 Composed by Jim Bosse. Contemporary,Folk. Score and parts. 41 pages. Jim Bosse #4595307. Pu...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.955018 Composed by Jim Bosse. Contemporary,Folk. Score and parts. 41 pages. Jim Bosse #4595307. Published by Jim Bosse (A0.955018). This is the final movement from Shavano Suite, a set of four pieces inspired by folklore and campfire tales of the Maysville/Mount Shavano area in the Rocky Mountains of Colorado. The suite was originally scored for classical guitar duet, but this version is expanded for guitar, string quartet and percussion. The percussion part requires a large drum (or timpani), glockenspiel, guiro and wind chimes. The suite has a total performance time if 17 minutes. This movement, however, can stand alone as a concert piece, with a performance time of 3 minutes and 30 seconds. Performance demand is advanced intermediate level. Videos of all four movements in the original guitar duet form can be viewed on YouTube by searching jimbosseguitar. Jim's web site is www.facebook.com/jimbosse
$4.99
Ravel, Pavane pour une infante défunte, Cello et Orchestre
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Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Maurice Ravel
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Peyber A
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Ravel, Pavane pour une infante
#
Peyber Medina
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866908 Composed by Maurice Ravel. Arranged by Peyber A. Medina H. 20th Century,Concert,World. Scor...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866908 Composed by Maurice Ravel. Arranged by Peyber A. Medina H. 20th Century,Concert,World. Score and parts. 54 pages. Peyber Medina #4719669. Published by Peyber Medina (A0.866908). This is a beautiful reorchestration from the famous Pavane Pour Une Infante Défunte by Maurice Ravel, specially adapted for violoncello and small orchestra by Peyber A. Medina H. for his friend, world-class violoncellist Maestro William Molina Cestari.
$55.00
Travel Music
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Chamber Orchestra
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ADVANCED
#
Film/TV
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Danny Elfman
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Patrick Sheehan
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rock selections
#
Travel Music
#
Patrick Sheehan
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1258596 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV. Score and Parts. 3...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1258596 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV. Score and Parts. 35 pages. Patrick Sheehan #851854. Published by Patrick Sheehan (A0.1258596). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuiceâ€INSTRUMENTATION: Harp, Piano, Violin 1A, Violin 1B, Violin 2A, Violin 2B, Viola, Violoncello, Contrabass.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
Clarinet in the Ages - Score Only
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Chamber Orchestra
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ADVANCED
#
Karol Niklas
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Clarinet in the Ages - Score O
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Karol Niklas
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1082630 Composed by Karol Niklas. 20th Century,Baroque,Classical,New Age,Romantic Period. Score an...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1082630 Composed by Karol Niklas. 20th Century,Baroque,Classical,New Age,Romantic Period. Score and parts. 20 pages. Karol Niklas #686841. Published by Karol Niklas (A0.1082630). It is a piece for clarinet and string orchestra with timpani using various instrumental techniques. It travels through various ages of the music history beginning with impressionism and going as far back as baroque.
$15.00
Travessia
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Chamber Orchestra
#
INTERMEDIATE
#
Inedita
#
Vinicius Louzada
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Travessia
#
Vinicius Louzada
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1367646 By Inedita. By Fernando Brant and Milton Silva Campos Do Nascimento. Arranged by Vinicius ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1367646 By Inedita. By Fernando Brant and Milton Silva Campos Do Nascimento. Arranged by Vinicius Louzada. Multicultural,Pop,World. 42 pages. Vinicius Louzada #952024. Published by Vinicius Louzada (A0.1367646). This arrangement was created for a concert in honor of the composer and singer Milton Nascimento, and can be performed in ceremonies, concerts and recitals. Arrangement for chamber orchestra.
$49.99
Metamorphosis
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Chamber Orchestra
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ADVANCED
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Contemporary
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Daniel Burwasser
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Metamorphosis
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Head and Stem
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and Stem #701166. Published by Head and Stem (A0.1097212). The composition of Metamorphosis for chamber orchestra began in the Fall of 1985 and was completed in February of 1986 when the composer was just 26. This score represents a newly revised edition done in 2022. Every effort was made to maintain the original intention of the piece. Metamorphosis is a work that conveys the essence of transformation and change. It explores the emotional and sonic journey of a metamorphic process, capturing the stages of evolution, growth, and eventual emergence. Metamorphosis represents a brief early period in the composer’s output where a more dissonant harmonic language was used or where the tonality becomes more ambiguous. The composition begins with a sense of anticipation, using subtle and mysterious musical elements to represent the initial state before transformation. In the opening bars for instance, one hears a suggestion of the Scriabin “mystic†chord which also loosely serves as the basis of the piece.. A brief hat-tipping moment is where a few bars of the Ravel string quartet is paraphrased (listen for it!). The work then travels through various cycles and episodes and only hints at the chord along the way. For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$60.00
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Barbara Allen for piccolo and orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Trad...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Think About That Day - a Christmas Song - Strings with piano with parts
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Chamber Orchestra
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EASY
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Christmas
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Connie Boss
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See lyrics below:
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Think About That Day - a Chris
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801538 Composed by Connie Boss. Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6075855....
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801538 Composed by Connie Boss. Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6075855. Published by Connie Boss (A0.801538). This is a song that makes you wonder what it would have been like to be Mary and Joseph. Think about that day - the angel came, they traveled to Bethlehem, Jesus was born......This is for a string quartet but it is available in other versions as well. Lyrics and parts are included. cdboss@cvalley.net See lyrics below:
$5.50
Fauré: Pavane Op. 50 for Piano Sextet
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 for Pian
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards....
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
Variations on The Three Ravens for flute and string quartet
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Chamber Orchestra
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INTERMEDIATE
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Traditional
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David Warin Solomons
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Variations on The Three Ravens
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.579961 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Renaissance. Score ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.579961 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Renaissance. Score and parts. 14 pages. David Warin Solomons #3478379. Published by David Warin Solomons (A0.579961). Instrumental arrangement of an old English folk song with variations.
$15.00
Bach 1729 BWV 156 Adagio for Chamber Orchestra
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Chamber Orchestra
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EASY
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Classical
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Rainer's Rainbow
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R G Roth
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Bach 1729 BWV 156 Adagio for C
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Rainer's Rainbow
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1213502 By Rainer's Rainbow. By Johann Sebastian Bach 1685-1750. Arranged by R G Roth. 19th Centur...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1213502 By Rainer's Rainbow. By Johann Sebastian Bach 1685-1750. Arranged by R G Roth. 19th Century,20th Century,Baroque,Classical,Romantic Period. Score and Parts. 21 pages. Rainer's Rainbow #810690. Published by Rainer's Rainbow (A0.1213502). Bach Composed this well known Adagio as partof his Cantata BWV 156, titled I stand with one foot in the grave. Written in 1729 it has become one of his best known melodies. It is arranged here for chamber ensemble where the melody is shared between various woodwinds. A solo part is provided for a violinist to strengthen the melody if needed.
$11.99
Legacy for Chamber Orchestra
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Chamber Orchestra
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ADVANCED
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Pub...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Valiant!
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Chamber Orchestra
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INTERMEDIATE
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Anthony N
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Valiant!
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Anthony N Dass
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1408317 Composed by Anthony N. Dass. 21st Century,Contemporary. 20 pages. Anthony N Dass #990900. ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1408317 Composed by Anthony N. Dass. 21st Century,Contemporary. 20 pages. Anthony N Dass #990900. Published by Anthony N Dass (A0.1408317). This piece shows the true meaning of its title! Courage and Bravery! The note soars right off the page with this quick and bold piece with flourishes and bold statements that will make your players feel brave in their performance. Excellent way to start and/or end a concert of a small but courageous orchestra!
$35.00
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35: Ouv
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By Ge...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
Aveux Non Avenus (2020) for soprano and string quartet
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Aveux Non Avenus
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas Oboe Lee #5302511. Published by Thomas Oboe Lee (A0.869642). I saw an obituary in the New York Times entitled Overlooked No More: Claude Cahun, Whose Photographs Explored Gender and Sexuality. I was so fascinated by the article that I went and purchased a book of her poems and writings. Within it I found a series of poems under the subtile of Délectations Moroses that were truly fantastic. A year ago I wrote a work for soprano and string quartet titled Gaspard de la Nuit on a set of poems by Aloysius Bertrand. Ravel's Gaspard de la Nuit is for solo piano, a set of tone poems inspired by the poems of the same A. Bertrand. I enjoyed my Gaspard so much that I wanted to write another work for soprano and string quartet, this time using these fascinating poems by Claude Cahun.The work is in seven movements.1. Allegro (de l'oubli)2. Largo (de l'oubli)3. Allegro con moto (d'un enfant difficile)4. Moderato (de l'amour)5. Moderato (de l'art)6. Allegro (Vocation)7. Adagio (Quatrième dimension)Enjoy!!!Duration: 27 minuteshttps://thomasoboelee.bandcamp.com/album/aveux-non-avenus-2020-for-soprano-and-string-quartet
$9.99
For Unto Us A Child Is Born (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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George Frideric Handel
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Charles A
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For Unto Us A Child Is Born
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CG Publications
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1226069 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1226069 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 23 pages. CG Publications #821953. Published by CG Publications (A0.1226069). Handel’s inspiring chorus from “MESSIAH†is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). Difficult melismatic passages have been simplified, without diminishing their musical integrity, to allow for an effective and impressive, but easier, performance for groups of even modest resources. Performance requires an accomplished violinist but only players of modest ability in the other instruments. Also, appropriate substitutions are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.
$14.99
Schafe können sicher weiden (Sheep May Safely Graze) for Chamber Orchestra Full Score
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Johann Sebastian Bach
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Flavio Regis Cunha
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Schafe können sicher weiden
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1506994 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroqu...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1506994 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Chamber,Instructional,Sacred,Wedding. 29 pages. Flavio Regis Cunha #1082378. Published by Flavio Regis Cunha (A0.1506994). Attention Chamber Orchestras and Ensembles!Schafe können sicher weiden (Sheep May Safely Graze) for Chamber Orchestra Full Score.Discover the elegance of J.S. Bach with Schafe Können sicher weiden (Sheep May Safely Graze), meticulously arranged by Flavio Regis Cunha for the modern chamber orchestra. This full score Bb version features (Bach's original key) two flutes (recorders), strings, and harpsichord, creating a rich tapestry of sound that brings Bach's serene masterpiece to life.Perfect for church ensembles, school orchestras, and theatre productions, this arrangement offers a touch of timeless beauty to your repertoire. Envision your audience being whisked away to a tranquil countryside as the harmonious blend of flutes, strings, and harpsichord unfolds, delivering a moment of pure musical delight.Elevate your next performance with this exquisite Bach piece, designed to captivate and inspire. Let the music resonate and make every note count.Secure your copy of this timeless arrangement today!JS Bach: Schafe können sicher weiden (Sheep May Safely Graze) for Chamber Orchestra Full Score Bb Version.Advanced Intermediate LevelFormat: Concert, 9 x 12 inchesEngraved with Urtex Kapellmeister Music Fonts29 pages.
$18.99
Hallelujah (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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G
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Charles A
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Hallelujah
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CG Publications
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1118209 By G. F. Handel. By G. F. Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,R...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1118209 By G. F. Handel. By G. F. Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 23 pages. CG Publications #719721. Published by CG Publications (A0.1118209). Handel’s majestic chorus from “MESSIAH,†slightly abridged to ease performance, is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard & Drum). Requires an accomplished violinist, but only players of modest ability in the other instruments. Also, appropriate substitutions, such as clarinet, bassoon, or cello, etc., are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.
$14.99
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