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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Ted
Sheetmusicplus
Not classified
19,524
Piano & keyboards
Piano solo
15,211
Piano, Voice
6,151
Easy Piano
3,398
Piano, Vocal and Guitar
2,030
Organ
1,552
C Instruments
1,075
1 Piano, 4 hands
486
Piano Accompaniment
313
Piano Trio: piano, violin, cello
210
Accordion
157
Piano (band part)
118
2 Pianos, 4 hands
108
Piano Quartet: piano, violin, viola, cello
62
Organ, Piano (duet)
43
Big Note Piano
40
Harpsichord
34
Piano Quartet: piano, 2 violins, cello
32
1 Piano, 6 hands
30
Piano Quintet: piano, 2 violins, viola, cello
22
Organ, Trumpet (duet)
18
2 Pianos, 8 hands
8
Keyboard
6
Piano ensembles
1
Accordion ensemble
1
Fake Book
1
+ 20 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
1,541
Guitar
1,388
Ukulele
454
Melody line, (Lyrics) and Chords
392
Mandolin
355
2 Guitars (duet)
192
Bass guitar
177
Lyrics and Chords
151
Piano, Guitar (duet)
147
Guitar (band part)
128
4 Guitars (Quartet)
74
Dulcimer
71
Banjo
68
3 Guitars (trio)
44
Guitar Ensemble
22
Mandolin, Guitar (duet)
10
Electric Bass (band part)
7
2 Dulcimers (duet)
5
Baritone Ukulele
5
Guitar, Violin, Cello (trio)
4
2 Ukuleles
4
Mandolin, Piano (duet)
4
Guitar, Orchestra
3
Lap Steel Guitar
2
Guitar, Flute, Clarinet
2
Lute
1
Ukulele Ensemble
1
Dobro
1
+ 23 instrumentations
-
Retract
Voice
Choral SATB
6,457
Choral 3-part
1,800
Choral 2-part
1,100
Choral TTBB
1,088
Choral SSAA
680
Choral Unison
674
High voice
273
Soprano voice, Piano
264
Vocal duet, Piano
250
Voice solo
177
Choral Instrumental Pak
172
Tenor voice, Piano
169
Vocal duet
145
Baritone voice, Piano
139
Alto voice, Piano
132
Low voice, Piano
126
Soli, Mixted choir and accompaniment
106
Mezzo-Soprano voice, Piano
55
Medium voice, Piano
55
Choral
52
High voice, Piano
29
Choral SSAATTBB
29
Choral SSATB
18
Tenor voice
16
Choral SSATTB
16
Low voice
13
Soprano voice
12
Voice, Guitar
4
Choral SSAB, Piano
4
Choral SATBB
3
Choral SSAATB
3
Vocal duet, Organ
2
Choral SSAB a cappella
2
Baritone voice
1
Soprano voice, Orchestra
1
Voice, Basso continuo
1
Choral SATTBB A Cappella
1
Choral SSAATB A Cappella
1
+ 33 instrumentations
-
Retract
Woodwind
Flute and Piano
1,560
Clarinet and Piano
1,400
2 Saxophones (duet)
1,382
Saxophone Quartet: 4 saxophones
1,286
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,216
Oboe, Piano (duet)
1,183
Alto Saxophone and Piano
1,057
Flute, Oboe, Clarinet, Bassoon
944
Flute
839
Clarinet
838
Tenor Saxophone and Piano
813
Saxophone (band part)
812
2 Flutes (duet)
724
Clarinet Quartet: 4 clarinets
712
Alto Saxophone
671
2 Clarinets (duet)
615
Saxophone Quintet: 5 Saxophones
609
Tenor Saxophone
488
Soprano Saxophone and Piano
439
Oboe (band part)
389
Descant (Soprano) Recorder
365
Baritone Saxophone, Piano
319
Ocarina
298
Clarinet (band part)
297
Flute, Clarinet (duet)
287
3 Saxophones (trio)
287
Flute Quartet: 4 flutes
285
2 Recorders (duet)
281
2 Oboes (duet)
255
Treble (Alto) Recorder
251
Saxophone, Clarinet (duet)
249
Clarinet Ensemble
228
Oboe
220
Clarinet, Violin (duet)
211
Harmonica
210
Flute (band part)
202
Flute and Guitar
183
Oboe, Bassoon (duet)
178
Oboe, Clarinet (duet)
177
3 Clarinets (trio)
165
Clarinet, Trumpet (duet)
163
Saxophone ensemble
162
Flute ensemble
148
Clarinet Quintet: 5 clarinets
146
Flute Trio: 3 flutes
140
English horn, Piano
138
Soprano Saxophone
130
Flute, Violin
127
Flute, Violin, Piano
110
Clarinet and Viola
108
Baritone Saxophone
100
Flute, Viola (duet)
95
Bass Clarinet, Piano
94
Flute, Oboe, Clarinet (trio)
93
Flute, Saxophone (duet)
90
Oboe, Flute
90
Flute, Trumpet (duet)
86
Clarinet, Bassoon (duet)
81
Flute, Clarinet and Bassoon.
78
Flute Quintet : 5 flutes
75
Recorder Quartet
74
Recorder
71
Clarinet, Guitar (duet)
67
Treble (Alto) Recorder, Piano
65
Flute, Oboe (duet)
62
Oboe, Clarinet, Bassoon (trio)
61
Descent (Soprano) Recorder, Piano
56
Recorder Ensemble
53
Flute, Violoncello
50
English Horn
49
2 Saxophones, Piano
48
Tenor Recorder
47
Clarinet, Cello (duet)
40
2 Flutes, Piano
40
Flute, Clarinet, Piano (trio)
39
Oboe, Cello
33
Flute, Oboe, Bassoon
32
3 Recorders (trio)
32
5 Recorders
27
Flute, Trombone (duet)
25
Oboe, Violin (duet)
25
Piccolo
24
Flute, Bassoon, and Piano
23
Oboe, Guitar (duet)
22
Piccolo, Piano
21
Saxophone and Organ
20
Bass Clarinet
19
Clarinet, Cello, Piano (trio)
19
Flute, Oboe, Piano (trio)
18
Treble (Alto) Recorder, Basso continuo
18
Flute, Violin and Violoncello
17
Flute, Clarinet, Horn and Bassoon (Quartet)
17
Recorder, Piano
16
Clarinet, Harp (duet)
16
Clarinet, Trombone (duet)
15
Flute, Cello, Piano (trio)
15
2 Clarinets, Piano
14
Clarinet, Bassoon, Piano (trio)
13
Flute, Viola and Piano
13
Oboe and viola (duet)
12
Flute, harp and violin
11
Flute, Violin, Violoncello and Piano
10
Flute, trombone and piano
9
Saxophone
9
2 Clarinets, Bassoon
9
English Horn, Guitar (duet)
8
4 Oboes
8
Saxophone and Guitar
8
Clarinette, Viola and Piano (trio)
7
Eb Instruments
7
3 Oboes
7
Oboe, Harp
7
Clarinet, Double bass (duet)
6
Oboe ensemble
6
Pennywhistle
6
Saxophone and Harp
6
Flute, Organ (duet)
5
Oboe, Clarinet and Piano (Trio)
5
Clarinet, trumpet and piano
5
Clarinet, Organ
5
Flute, Cello, Guitar
4
Oboe, Cello and Piano
4
Flute and Strings Trio
4
Wind ensemble
4
Clarinet Quintet: Clarinet, String Quartet
4
Oboe, Trombone (duet)
3
Oboe, Bassoon and Piano
3
Flute, Tuba (duet)
3
Oboe, Violin, Piano
3
2 English horns and Pianoforte
3
Flute, Viola and harp
3
English horn, Harp (duet)
2
2 Recorders, Piano
2
2 Flutes, 2 Clarinets (Quartet)
2
Flute, Clarinet, Violin (trio)
2
Saxophone and Piano
2
Clarinet, Tuba
2
2 Flutes, Basso continuo
1
Clarinet, Orchestra
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Flute, Oboe, Violin
1
Oboe and Orchestra
1
Flute, French horn (duet)
1
Flute and String Quartet
1
Saxophone and cello
1
2 Oboes, 2 Horns and 2 Bassoons
1
Pan Flute
1
2 Recorders, Guitar
1
2 Flutes and Harp
1
Recorder, Guitar (duet)
1
Flute, Harp and Cello
1
Oboe, Trumpet (duet)
1
+ 147 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,418
Trombone and Piano
1,079
Trumpet, Piano
987
Trumpet
965
French Horn and Piano
730
Brass quartet : 2 trumpets, trombone, tuba
646
Trombone
582
Trumpet (band part)
561
Trombone (band part)
535
French horn
486
Tuba and Piano
417
2 Trombones (duet)
383
2 Trumpets (duet)
378
Tuba
341
Brass Quartet
302
Trumpet, Trombone (duet)
283
Brass Quartet: 2 trumpets, horn, trombone
273
2 French horns (duet)
235
French horn (band part)
231
Trumpet, Saxophone (duet)
184
Euphonium, Piano (duet)
172
Brass Quartet: 4 trombones
156
English horn, Piano
138
Tuba (band part)
116
2 Tubas (duet)
101
Brass Quartet: 4 horns
94
Trumpet ensemble
73
Trumpet, Horn (duert)
72
Trombone ensemble
67
Euphonium
56
Brass Quartet: 4 trumpets
52
English Horn
49
Horn Ensemble
39
3 Trombones (trio)
37
4 Tubas
29
Brass Trio
27
2 Euphoniums and 2 Tubas
27
Bass Trombone and Piano
25
Bass Trombone
22
3 Trumpets (trio)
21
Tuba and Organ
20
Trombone, Horn (duet)
20
Trombone, Organ
15
2 Euphoniums (duet)
15
Horn, Cello (duet)
15
Bass Clef Instruments
14
Tuba or Euphonium or Saxhorn
14
3 Tubas (trio)
14
French Horn and Harp
12
Trumpet, Cello (duet)
12
Trumpet, Bassoon (duet)
11
Trumpet, Harp
10
Trumpet, Tuba (duet)
10
Horn, Tuba (duet)
10
Brass Quartet: 2 trumpets, 2 trombones
10
3 French horns (trio)
9
Trombone, Tuba (duet)
9
English Horn, Guitar (duet)
8
French horn and Basson (duet)
7
Euphonium, Tuba (duet)
7
Euphonium (band part)
6
Horn and Organ
6
Bb Instruments
6
Trumpet, Trombone, Piano
5
Trumpet, violin (duet)
4
Trumpet and Guitar
4
Cornet
4
Trombone and Orchestra
4
Trombone, Violin (duet)
3
2 Trumpets, Keyboard (piano or organ)
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Trumpet, Cello, Piano
3
2 English horns and Pianoforte
3
English horn, Harp (duet)
2
2 Trombones, Piano
2
Clarinet, Horn (duet)
2
3 Euphoniums
1
4 Euphoniums
1
Tuba ensemble
1
F Instruments
1
Trumpet, Orchestra
1
Trumpet, Euphonium (duet)
1
Trombone, Viola (duet)
1
Cornet and Orchestra
1
+ 79 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
3,143
Violin and Piano
2,165
Cello, Piano
1,465
Violin
1,261
Viola, Piano
1,235
Cello
1,020
Violin, Cello (duet)
751
Harp
637
2 Violins (duet)
591
Viola
566
String Trio: violin, viola, cello
492
2 Cellos (duet)
485
String Quintet: 2 violins, viola, cello, bass
415
Violin, Viola (duet)
386
2 Violas (duet)
367
Double Bass
348
Double bass, Piano (duet)
336
Violin (band part)
292
String Trio: 2 violins, cello
225
Doublebass (band part)
224
Viola (band part)
189
Viola, Cello (duet)
124
2 Double basses (duet)
97
2 Harps (duet)
97
Piano Trio: Violin, Viola, Piano
97
4 Cellos
95
String Trio: 3 violins
94
Violin, Guitar (duet)
92
Cello (band part)
69
String Trio: 3 cellos
55
Cello, String Bass (duet)
55
Cello, Guitar (duet)
46
Viola, Guitar (duet)
42
Violin, Bassoon (duet)
41
Harp, Flute (duet)
41
String Quartet : 4 violas
39
String quartet: 4 violins
39
String Trio: 3 violas
35
Harp, Violin (duet)
33
String Trio: 2 violins, viola
24
String Quintet: 2 violins, viola, 2 cellos
23
String Quintet: 2 violins, 2 violas, cello
20
String trio
20
Viola and Harp
16
Viola and Bassoon
16
Harp, Cello (duet)
15
Cello, Organ
15
Violin ensemble
15
Harp, Voice
15
Violin, Basso continuo
14
Violin, Clarinet, Piano (trio)
13
Viola ensemble
11
Flute, Doublebass (duet)
10
2 Violins, Piano
7
Cello Ensemble
7
4 Double Basses
6
3 Harps
6
Violin, Organ
6
Autoharp
6
Violoncello, Basso continuo
5
Violin, Cello, Clarinet
4
Harp, Violin, Violoncello
4
Cello, Orchestra
4
Violin, Tuba (duet)
3
Harp, Trombone (duet)
3
Harp and Piano
3
5 Harps
2
Harp and Organ
2
Viola and orchestra
2
2 Violas, Piano
2
Viola, Organ
2
2 Cellos, Piano
1
Harp and mandolin
1
Violin, Trumpet and Piano
1
Harp (band part)
1
4 Harps
1
+ 71 instrumentations
-
Retract
Orchestra & Percussion
Concert band
6,834
String Orchestra
1,703
Orchestra
1,693
Handbells
1,007
Jazz Ensemble
958
Brass ensemble
611
Chamber Orchestra
480
Marching band
403
Jazz combo
211
Percussion (band part)
208
Percussion Ensemble
200
Drums
183
Drum (band part)
78
Marimba
55
Percussion
45
Timpani (band part)
32
Vibraphone
29
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
29
Xylophone, Piano
24
Timpani
21
Xylophone
17
Orchestra, Violin
7
Piano and Orchestra
7
Woodwind Quintet
7
2 Xylophones
6
School Ensemble
6
Xylophone or Marimba or Vibraphone
4
Brass Quintet: other combinaisons
4
3 Marimbas
4
2 Snare Drums (duet)
2
Big band
2
2 Marimbas
2
Snare drums
2
Vibraphone and Marimba
1
Bongos
1
Drums-Marching band
1
Voice Mezzo-Soprano, Orchestra
1
Bodhran
1
Marimba and Organ
1
Woodwind Quartet: any 4 woodwinds
1
Conga
1
+ 36 instrumentations
-
Retract
Others
Musical course - Solfege
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--INSTRUMENTS--
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480 sheet music found
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476
The Gifted Home - Full Score
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Chamber Orchestra
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INTERMEDIATE
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MSGL Orchestra
#
Götz Bergmann
#
Guitar
#
The Gifted Home - Full Score
#
Musikschule Goldenes Lamm
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1327407 By MSGL Orchestra. By Daniel Scheufler. Arranged by Götz Bergmann. Christian,Film/TV,Po...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1327407 By MSGL Orchestra. By Daniel Scheufler. Arranged by Götz Bergmann. Christian,Film/TV,Pop. 28 pages. Musikschule Goldenes Lamm #915354. Published by Musikschule Goldenes Lamm (A0.1327407). THE GIFTED HOME. Arrangement for Chamber Orchestra plus Piano & Guitar. With Individual Parts. Enjoy it!This file does contain Full Score and Individual Parts for Oboe, Harp, Percussion, Guitar, Piano, Violin I, Violin II, Viola, Cello and Double Bass.
$24.99
Requiem
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Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Teddy Bears Picnic
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Chamber Orchestra
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John W Bratton and Paul Gareth
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Greg Eaton
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Teddy Bears Picnic
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Greg Eaton
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.1234321 Composed by John W Bratton and Paul Gareth James. Arranged by Greg Eaton. 20th Century,Broadway,Chil...
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Chamber Orchestra - Digital Download SKU: A0.1234321 Composed by John W Bratton and Paul Gareth James. Arranged by Greg Eaton. 20th Century,Broadway,Children,Film/TV,Musical/Show. Score and Parts. 58 pages. Greg Eaton #829865. Published by Greg Eaton (A0.1234321). The Teddy Bear's Picnic, arranged for orchestra and one line voices. Very playful. Listen to the whole track via the YouTube link.
$49.99
Wailings (Tânguiri) - miniature adapted for string orchestra and flute
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Andrei Lucian Dragoi
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Wailings
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Andrei-Lucian Dragoi
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.913115 Composed by Andrei Lucian Dragoi. 20th Century,Contemporary,Standards. Score and Parts. 24 ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.913115 Composed by Andrei Lucian Dragoi. 20th Century,Contemporary,Standards. Score and Parts. 24 pages. Andrei-Lucian Dragoi #6507903. Published by Andrei-Lucian Dragoi (A0.913115). Miniature adapted for string orchestra and fluteMusic (composed on 31st of May 2001 and firstly published on 1st of February 2021):
$4.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Mu...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Canticum Canticorum for Krzysztof Penderecki
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Chamber Orchestra
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ADVANCED
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and p...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Downward Spiral
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Chamber Orchestra
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INTERMEDIATE
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Sabrina Pena Young
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Downward Spiral
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Sabrina Peña Young
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina Pena Young. 20th Century,Contemporary. 7 pages. Sabrina Peña Young #...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina Pena Young. 20th Century,Contemporary. 7 pages. Sabrina Peña Young #3425623. Published by Sabrina Peña Young (A0.976917). Beautiful adagio work for strings. Can be adapted to string quartet, string orchestra or string ensemble. Intermediate to advanced 21st century work. Written by award-winning composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
Dreams - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
Hail To The Lord's Anointed (for String Quartet and Piano)
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Chamber Orchestra
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EASY
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Sacred music
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Traditional
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Stephen DeCesare
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Hail To The Lord's Anointed
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.624464 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. S...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.624464 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and parts. 19 pages. Exultet Music #4775983. Published by Exultet Music (A0.624464). The traditional hymn that was written by the poet James Montgomery has now been freshly arranged for a String Quartet (Violin (2), Viola, Cello), C-Trumpet obbligato with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year. .
$12.99
Hail To The Lord's Anointed (String Quartet with Organ accompaniment)
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Chamber Orchestra
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EASY
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Sacred music
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Traditional
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Stephen DeCesare
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Hail To The Lord's Anointed
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.628818 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sa...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.628818 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 19 pages. Exultet Music #6232281. Published by Exultet Music (A0.628818). One of the most widely used hymns in the Christian hymnal has now been freshly arranged and scored for a String Quartet (Violin (2), Viola, Cello) with Organ accompaniment. Accessible and appropriate for any church setting. Can be used at various times throughout the liturgical year but especially during Lent. An accompaniment track is also available.
$12.99
Chamber Music with Percussion in School I. - ÜtÅ‘s Kamarazene az Iskolában I.
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Chamber Orchestra
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EASY
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Béla Ugró
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Chamber Music with Percussion
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Bela Ugro
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373893 Composed by Béla Ugró. 21st Century,Blues,Chamber,Children,Contemporary. 116 pages. ...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373893 Composed by Béla Ugró. 21st Century,Blues,Chamber,Children,Contemporary. 116 pages. Bela Ugro #958369. Published by Bela Ugro (A0.1373893). Explore the captivating world of percussion chamber music with Chamber Music with Percussion in School I. - ÃœtÅ‘s Kamarazene az Iskolában I., a vibrant music sheet collection crafted by the talented composer Béla Ugró. Designed for school ensembles, this collection offers an array of engaging pieces, each meticulously curated to inspire and challenge budding percussionists with a total of 116 pages.Explore the captivating world of percussion chamber music with Chamber Music with Percussion in School I. - ÃœtÅ‘s Kamarazene az Iskolában I., a vibrant music sheet collection crafted by the talented composer Béla Ugró. Designed for school ensembles, this collection offers an array of engaging pieces, each meticulously curated to inspire and challenge budding percussionists.Content:Chamber Music: LITTLE BLUES (Percussion Duo) SZAMBA ROCK (Percussion Trio) CLICKER DRUMMERS (Percussion Quartet) START-UP BOOTS (Percussion Quartet) Parade:   5. SZAMBA (Percussion Quintet)   6. TRAPPOLÓ DRUMMERS (Percussion Quintet)Drumset duo:   7. LU-FUKY DRUMS   8. DARÃLÓKA   9. HINTATÓNIA  10. FAVÃGÓK PARADE DRUMSET DUOWith a diverse selection ranging from energetic duets to intricate quintets, this collection provides students with an immersive musical experience that encourages teamwork, creativity, and technical proficiency. Whether exploring rhythmic grooves or experimenting with innovative percussion techniques, Chamber Music with Percussion in School I. offers an enriching journey for both performers and audiences alike.Keywords: Percussion Chamber MusicSchool Ensemble MusicBéla Ugró CompositionPercussion QuartetPercussion QuintetDrumset DuoPercussion DuetsMusical ChallengesCreative Percussion PiecesTeamwork in MusicTechnical ProficiencyVibrant Music SheetsEnergetic Percussion MusicInnovative Percussion TechniquesImmersive Musical Experience.
$20.00
Rondo in A minor for Cello and Orchestra
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Chamber Orchestra
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ADVANCED
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Contemporary
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Cello and
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Joel Jacklich
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score a...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
The Enchanted Garden
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Chamber Orchestra
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Christian Jost
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The Enchanted Garden
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Schott Music - Digital
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SheetMusicPlus
2 Fl. · 2 Ob. · 1 Fg. - Cemb. - Str. (5 · 4 · 3 · 2 · 1) [mit modernen oder barocken Instrumenten aufführbar] violin and chamber orchestra ...
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2 Fl. · 2 Ob. · 1 Fg. - Cemb. - Str. (5 · 4 · 3 · 2 · 1) [mit modernen oder barocken Instrumenten aufführbar] violin and chamber orchestra - Digital Download SKU: S9.Q47444 Concertino for violin and chamber orchestra. Composed by Christian Jost. This edition: piano reduction with solo part. Violin Library. Downloadable, Piano reduction with solo part. Duration 18 minutes. Schott Music - Digital #Q47444. Published by Schott Music - Digital (S9.Q47444). Zauberei, Magie, Mythen, Legenden, dies sind die großen Themen barocker Opern – Ausdruck der Sehnsucht jener Zeit, sich durch die Illusion der Oper dem Phantastischen hingeben zu können. Diese unverkennbare Parallele zu unserer Gegenwart ist die Grundlage einer tiefgreifenden kompositorischen und inhaltlichen Auseinandersetzung mit Stoffen und Gesten der Alten Musik, die mich zu einer Reihe von Werken anregt. Sie wird mit dem Zaubergarten – Concertino für Violine und Kammerorchester gleichsam eröffnet. Die vier Sätze „erwacht – verzaubert – bedroht – entschwunden“, deren jeweilige atmosphärische Struktur von der Solo-Violine charakterisiert wird (darin ähnlich den vivaldinischen Vier Jahreszeiten), durchlaufen unterschiedliche Stadien der Idiome „Alter Musik“, um sie durch das Prisma unserer Zeit unverbraucht und „magisch“ erscheinen zu lassen. So kann sich der Konzertmeister oder ein Gastsolist auf die Pfade des „Zaubergartens“ begeben, sie lenken oder sich dahintreibend in das Geschehen einfügen. Christian Jost, Mai 2011Die vier Sätze „erwacht – verzaubert – bedroht – entschwunden“, deren jeweilige atmosphärische Struktur von der Solo-Violine charakterisiert wird (ähnlich den vivaldinischen Vier Jahreszeiten), durchlaufen unterschiedliche Stadien der Idiome „Alter Musik, um sie durch das Prisma unserer Zeit unverbraucht und „magisch erscheinen zu lassen. So kann sich der Konzertmeister oder ein Gastsolist auf die Pfade des „Zaubergartens begeben, sie lenken oder sich dahintreibend in das Geschehen einfügen. Christian Jost.
$36.99
Some Enchanted Evening
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Chamber Orchestra
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INTERMEDIATE
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Broadway
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The Temptations
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Marek Czekala
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Some Enchanted Evening
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Marek Czekala
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SheetMusicPlus
By The Temptations. By Oscar Hammerstein and Richard Rodgers. Arranged by Marek Czekala. 20th Century,Broadway,Classical,Mus ical/Show. Score and Parts...
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By The Temptations. By Oscar Hammerstein and Richard Rodgers. Arranged by Marek Czekala. 20th Century,Broadway,Classical,Mus ical/Show. Score and Parts. 31 pages. Marek Czekala #863493. Published by Marek Czekala
$69.00
Tasto
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Chamber Orchestra
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Ser
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Tasto
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.962364 Composed by Ser. Contemporary,World. Score and parts. 56 pages. Sergio Roberto de Oliveira #5992129. ...
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Chamber Orchestra - Digital Download SKU: A0.962364 Composed by Ser. Contemporary,World. Score and parts. 56 pages. Sergio Roberto de Oliveira #5992129. Published by Sergio Roberto de Oliveira (A0.962364). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$35.72
Pr'os lados do Piaui, entre a Turquia e a Alemanha
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Chamber Orchestra
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Sergio Roberto de Oliveira
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Pr'os lados do Piaui, entre a
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. ...
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Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto de Oliveira #5011347. Published by Sergio Roberto de Oliveira (A0.962358). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.58
Quadrado
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Chamber Orchestra
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Sergio Roberto de Oliveira
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Quadrado
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.962367 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 110 pages. Sergio Robert...
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Chamber Orchestra - Digital Download SKU: A0.962367 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 110 pages. Sergio Roberto de Oliveira #6248427. Published by Sergio Roberto de Oliveira (A0.962367). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.50
2 Momentos
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Chamber Orchestra
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Contemporary
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Sergio Roberto de Oliveira
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2 Momentos
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.962308 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 102...
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Chamber Orchestra - Digital Download SKU: A0.962308 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 102 pages. Sergio Roberto de Oliveira #2951589. Published by Sergio Roberto de Oliveira (A0.962308). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$28.80
Concertino - for clarinet, mandolin and symphony orchestra
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Chamber Orchestra
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Klezmer
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Chamber Orchestra
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ADVANCED
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Contemporary
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Germaine Tailleferre
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Germaine Tailleferre: Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Mus...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
Happy Birthday (dedicated to my wife Brenda)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Patty and Mildred Hill
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Jordan Grigg
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Happy Birthday
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Jordan Grigg
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.864057 Composed by Patty and Mildred Hill. Arranged by Jordan Grigg. Concert,Holiday,Instructional...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.864057 Composed by Patty and Mildred Hill. Arranged by Jordan Grigg. Concert,Holiday,Instructional,Standards. Score and parts. 21 pages. Jordan Grigg #4327173. Published by Jordan Grigg (A0.864057).
$16.95
In Memoriam (dedicated to Tara Lynne Touesnard)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Jordan Grigg
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In Memoriam
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Jordan Grigg
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.863407 Composed by Jordan Grigg. 20th Century,Concert,Contemporary,Standards. Score and parts. 34 ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.863407 Composed by Jordan Grigg. 20th Century,Concert,Contemporary,Standards. Score and parts. 34 pages. Jordan Grigg #3387969. Published by Jordan Grigg (A0.863407).
$10.95
Fauré: Pavane Op. 50 for Piano Sextet
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 for Pian
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards....
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
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