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285
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194
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136
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999
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596
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362
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276
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212
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199
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128
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120
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103
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103
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55
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43
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36
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22
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10
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9
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983
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957
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952
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838
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815
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775
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704
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674
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605
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570
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541
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519
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502
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502
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344
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312
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306
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264
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260
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258
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253
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232
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215
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198
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196
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177
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149
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138
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134
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134
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110
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108
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98
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56
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51
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47
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24
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22
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18
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15
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15
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English Horn
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4 Oboes
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10
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10
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731
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573
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503
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387
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379
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326
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314
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296
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284
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222
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186
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182
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164
Tuba (band part)
146
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145
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139
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137
Trombone ensemble
117
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116
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114
English horn, Piano
108
2 Tubas (duet)
79
Brass Quartet: 4 horns
62
Brass Trio
41
Euphonium
37
2 Euphoniums and 2 Tubas
34
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34
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34
Brass Quartet: 2 trumpets, 2 trombones
31
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28
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26
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24
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15
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15
3 Trumpets (trio)
14
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13
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English Horn
12
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11
Trombone, Tuba (duet)
10
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10
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10
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10
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9
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9
English Horn, Guitar (duet)
9
French horn and Basson (duet)
9
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8
3 Tubas (trio)
7
2 Trumpets, Keyboard (piano or organ)
7
Euphonium, Tuba (duet)
6
Trumpet and Guitar
6
F Instruments
5
French Horn and Harp
5
Trumpet, Trombone, Piano
5
Clarinet, Horn (duet)
4
Brass Quintet: 2 trumpets, horn, 2 trombones
4
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4
2 French horns, Piano
3
2 English horns and Pianoforte
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3 Euphoniums
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Horn, Tuba (duet)
3
Horn and Organ
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Cornet and Orchestra
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Trumpet, Euphonium (duet)
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1
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1
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1
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1
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String Quartet: 2 violins, viola, cello
3010
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1384
Violin
1102
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939
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879
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747
Cello
734
String Trio: violin, viola, cello
590
Harp
499
Viola
468
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451
String Quintet: 2 violins, viola, cello, bass
375
2 Cellos (duet)
351
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291
Violin (band part)
261
Doublebass (band part)
245
2 Violas (duet)
242
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239
Double Bass
235
String Trio: 2 violins, cello
214
Viola (band part)
198
2 Harps (duet)
141
Piano Trio: Violin, Viola, Piano
128
Viola, Cello (duet)
104
4 Cellos
83
String Trio: 3 violins
72
Cello (band part)
61
2 Double basses (duet)
57
String Trio: 3 cellos
47
String quartet: 4 violins
47
Violin, Guitar (duet)
43
Violin, Bassoon (duet)
42
Cello, String Bass (duet)
34
Violin ensemble
31
Viola and Bassoon
31
Viola ensemble
28
Cello, Guitar (duet)
27
Harp, Flute (duet)
23
Harp, Violin (duet)
22
String Quintet: 2 violins, 2 violas, cello
21
Harp, Voice
18
String Trio: 3 violas
18
Violin, Clarinet, Piano (trio)
17
Harp, Cello (duet)
15
String Quartet : 4 violas
15
String Trio: 2 violins, viola
13
Viola, Guitar (duet)
11
Viola and Harp
11
String Quintet: 2 violins, viola, 2 cellos
11
Cello, Organ
8
2 Violins, Piano
8
Flute, Doublebass (duet)
8
Harp, Trombone (duet)
5
Harp, Violin, Violoncello
5
4 Double Basses
5
Cello Ensemble
5
3 Harps
4
Harp and Piano
4
4 Harps
3
Cello, Orchestra
3
Violoncello, Basso continuo
3
Violin, Tuba (duet)
3
Harp and mandolin
2
2 Cellos, Piano
2
Violin, Organ
2
String trio
2
Autoharp
2
5 Harps
2
Violin, Cello, Clarinet
1
Harp and Organ
1
Viola and orchestra
1
Violin, Trumpet and Piano
1
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416
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Jazz combo
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192
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Xylophone, Piano
23
Xylophone
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Percussion
10
Big band
8
2 Xylophones
8
Timpani (band part)
7
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
6
Orchestra, Violin
6
School Ensemble
5
Brass Quintet: other combinaisons
4
Piano and Orchestra
4
Woodwind Quintet
3
Flexible Instrumentation
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Cajon
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Snare drums
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Chamber Orchestra
Sheetmusic to print
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401
Think About That Day - a Christmas Song - Strings with piano with parts
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801538 Composed by Connie Bo…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801538 Composed by Connie Boss. Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6075855. Published by Connie Boss (A0.801538). This is a song that makes you wonder what it would have been like to be Mary and Joseph. Think about that day - the angel came, they traveled to Bethlehem, Jesus was born......This is for a string quartet but it is available in other versions as well. Lyrics and parts are included. cdboss@cvalley.net See lyrics below:
$5.50
4.95 €
#
Chamber Orchestra
#
Connie Boss
#
See lyrics below:
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Think About That Day - a Christmas Song - Strings with piano with parts
#
Connie Boss
#
SheetMusicPlus
O Love, that wilt not let me go - Soprano solo plus chamber orchestra SCORE
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.835426 Composed by Stuart Br…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.835426 Composed by Stuart Brown. Contemporary. 14 pages. Stuart Brown Music #18175. Published by Stuart Brown Music (A0.835426). Described as truly inspired and absolutely beautiful, this is an original setting of George Matheson's well-known poem O Love, that wilt not let me go. It has had a profound impact on everyone who has heard it, even reducing some people to tears at its first performance. Performing rights apply in the UK and USA (PRS for Music).
$10.00
9.01 €
#
Chamber Orchestra
#
Stuart Brown
#
O Love, that wilt not let me go - Soprano solo plus chamber orchestra SCORE
#
Stuart Brown Music
#
SheetMusicPlus
To Come To A Place That Is Still - Score
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.729582 Composed by James F. …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.729582 Composed by James F. Rickley. 20th Century,Contemporary. Score and parts. 35 pages. WayWordBound #6670541. Published by WayWordBound (A0.729582). For Chamber Orchestra, Alternative Notation Used, Score in C, 1 Flute, 2 Oboes, 1 Clarinet, 2 Bassoons, 2 French Horns, 1 Trumpet, 1 Percussion (Tympani), Strings (66442).
$30.00
27.02 €
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Chamber Orchestra
#
James F
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To Come To A Place That Is Still - Score
#
WayWordBound
#
SheetMusicPlus
All People That On Earth Do Dwell (Accompaniment Package) (Brass Quartet - Alt.) (Key of F)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225655 By Stephen DeCesare.…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225655 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and Parts. 15 pages. Exultet Music #821725. Published by Exultet Music (A0.1225655). Old 100th (also known as Old Hundred) is one of the best known melodies in many occidental Christian musical traditions and has now been freshly arranged for a variety of arrangements. (Bb-Trumpet (2), Trombone (2) ) and Organ. Â A Full score is also available. Â Key of F version.
$3.99
3.59 €
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Chamber Orchestra
#
Stephen DeCesare
#
All People That On Earth Do Dwell
#
Exultet Music
#
SheetMusicPlus
All People That On Earth Do Dwell (Accompaniment Package) (Brass Quartet - Alt.) (Key of Eb)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225657 By Stephen DeCesare.…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225657 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and Parts. 16 pages. Exultet Music #821727. Published by Exultet Music (A0.1225657). Old 100th (also known as Old Hundred) is one of the best known melodies in many occidental Christian musical traditions and has now been freshly arranged for a variety of arrangements. (Bb-Trumpet (2), Trombone (2) ) and Organ. Â A Full score is also available. Â Key of Eb version.
$3.99
3.59 €
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Chamber Orchestra
#
Stephen DeCesare
#
All People That On Earth Do Dwell
#
Exultet Music
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SheetMusicPlus
All People That On Earth Do Dwell (Accompaniment Package) (Brass Quartet) (Key of F)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225653 By Stephen DeCesare.…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225653 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and Parts. 15 pages. Exultet Music #821723. Published by Exultet Music (A0.1225653). Old 100th (also known as Old Hundred) is one of the best known melodies in many occidental Christian musical traditions and has now been freshly arranged for a variety of arrangements. (Bb-Trumpet (2), French Horn, Trombone) and Organ. A Full score is also available. Key of F version.
$3.99
3.59 €
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Chamber Orchestra
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Stephen DeCesare
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All People That On Earth Do Dwell
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Exultet Music
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SheetMusicPlus
All People That On Earth Do Dwell (Accompaniment Package) (Brass Quartet) (Key of Eb)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225656 By Stephen DeCesare.…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225656 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and Parts. 16 pages. Exultet Music #821726. Published by Exultet Music (A0.1225656). Old 100th (also known as Old Hundred) is one of the best known melodies in many occidental Christian musical traditions and has now been freshly arranged for a variety of arrangements. (Bb-Trumpet (2), French Horn, Trombone) and Organ. Â A Full score is also available. Â Key of Eb version.
$3.99
3.59 €
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Chamber Orchestra
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Stephen DeCesare
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All People That On Earth Do Dwell
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Exultet Music
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SheetMusicPlus
Somewhere That's Green
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.788805 Composed by Alan Menken. Arrang…
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Chamber Orchestra - Digital Download SKU: A0.788805 Composed by Alan Menken. Arranged by Karl Logue. Contemporary. Score and parts. 39 pages. LogueRhythm Productions #6608195. Published by LogueRhythm Productions (A0.788805). Cheeky TTBB Arrangement of the Broadway classic. Great for GALA men's choruses. Available for TTBB/Piano, or TTBB and chamber ensemble.
$49.99
45.02 €
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Chamber Orchestra
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Alan Menken
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Somewhere That's Green
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LogueRhythm Productions
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SheetMusicPlus
Beethoven: Symphony #5, First Movement
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.921852 Composed by Ludwig va…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.921852 Composed by Ludwig van Beethoven. Arranged by Joshua Feltman. Romantic Period. Score and parts. 36 pages. Ryan Blauvelt #3447671. Published by Ryan Blauvelt (A0.921852). One of the most highly recognized compositions in history, Beethoven's 5th Symphony is the epitome of classical music muscle. The famous four-note motive that opens the symphony is heard throughout the first movement. Here's an arrangement that's designed for the beginning program in mind - with a hybrid instrumentation meant to allow ensembles with unique instrumentation to perform this monumental piece. <p><a href=>https://arrangethatmusic.com/custom-sheet-music>Customize this music on our website</a></p>
$25.00
22.52 €
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Chamber Orchestra
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Ludwig van Beethoven
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Beethoven: Symphony #5, First Movement
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Ryan Blauvelt
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.37 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Sacred,Wedding. Score and Parts. 43 pages. Flavio Regis Cunha #873288. Published by Flavio Regis Cunha (A0.1281935). Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.🎶 Experience the Elegance:Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.🌟 Elevate Your Performance:Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.🎻 Immerse in Musical History:Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.📚 Our Sheet Music:With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.🔥 Stand Out with Excellence:Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.🎉 Join the Musical Journey:Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠Get Your Sheet Music Now#MajesticHarmony #MusicalElegance #HändelMagic🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵Advanced Intermediate LevelFormat: Concert, 9 x 12 inches43 pages.
$18.99
17.1 €
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Chamber Orchestra
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George Frideric Handel
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Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings
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Flavio Regis Cunha
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.59 €
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Chamber Orchestra
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Johann Strauss Jr
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Legacy for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brand…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
36.03 €
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Chamber Orchestra
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Arizona Centennial Overture - Chamber Orchestra Version
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brando…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
36.02 €
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Chamber Orchestra
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Sy Brandon
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Arizona Centennial Overture - Chamber Orchestra Version
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Sy Brandon
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SheetMusicPlus
Concerto For Clarinet
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1433339 By Artie Shaw. By Ar…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1433339 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 176 pages. Robert C. Olivia #1013630. Published by Robert C. Olivia (A0.1433339). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. These are the parts for the big band and strings. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie” Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$200.00
180.13 €
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Chamber Orchestra
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Artie Shaw
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
Concerto For Clarinet - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403494 By Artie Shaw. By Ar…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403494 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert C. Olivia #986671. Published by Robert C. Olivia (A0.1403494). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$35.00
31.52 €
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Chamber Orchestra
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Artie Shaw
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Concerto For Clarinet - Score Only
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Robert C. Olivia
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SheetMusicPlus
Concerto For Clarinet
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403422 By Artie Shaw. By Ar…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403422 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 214 pages. Robert C. Olivia #986632. Published by Robert C. Olivia (A0.1403422). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw’s band with strings played on the record version and in the motion picture. In addition to the big band & string parts here, also available is the companion conductor score and solo clarinet part. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period. The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone. There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$200.00
180.13 €
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Chamber Orchestra
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Artie Shaw
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
Concerto for solo cello and sinfonietta op.3
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.946916 By Angus Ludfranz. By…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.946916 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Contemporary,Romantic Period. Score and parts. 85 pages. Angus Ludfranz #552652. Published by Angus Ludfranz (A0.946916). This piece was written when I was just graduated to secondary school, I was so nervous because of the brand new environment but also curious about everything, I joined the school orchestra and there was a concert for 170th school anniversary, I would never forget that concert in my life, it was the most extensive concert that I have attended (people were buying tickets to watch our performance) I was extremely nervous, but I was very happy in the percussion section. During rehearsal, I heard the amazing cello sound, that is a sound that I adored, it was the most amazing sound that I have ever heard, I was totally obsessed with the instrument, and I listen to cello concerto every day. Haydn, Dvorak, Shostakovich, Prokofiev, Schumann. I was totally obsessed with the instrument! Then I thought, why don’t I write a cello concerto by myself? That’s why I composed this piece. Hope you enjoy the piece. Your composer, A.Ludfranz.
$11.90
10.72 €
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Chamber Orchestra
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Angus Ludfranz
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Concerto for solo cello and sinfonietta op.3
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Angus Ludfranz
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SheetMusicPlus
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
42.29 €
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Chamber Orchestra
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Germaine Tailleferre
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Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
54.04 €
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Chamber Orchestra
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Isaac Watts / Lowell Mason
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
Canticum Canticorum for Krzysztof Penderecki
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by Mohammad…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
22.51 €
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Chamber Orchestra
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysztof Penderecki
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Rimorarte Edition
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SheetMusicPlus
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