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You've selected:
The Germ Song
SheetMusicPlus
Chamber Orchestra
Sheetmusic to print
23 sheet music found
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1
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
3.6 €
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Chamber Orchestra
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Instrumentation:
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German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.24 €
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Chamber Orchestra
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Georg Philipp Telemann
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
Potpourri of three children's songs for Junior Strings with piano / Piano Quintet
Chamber Orchestra
Chamber Orchestra - Level 1 - Digital Download SKU: A0.885866 Composed by Tradition…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri Hämäläinen. Children,Concert,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679227. Published by Suomi Music (A0.885866). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The Potpourri includes the melodies of Mary Had a Little Lamb, Frère Jaques and Haschen in der Grübe.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 3 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
9.02 €
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Chamber Orchestra
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Traditional children's music from America, France and Germany
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Potpourri of three children's songs for Junior Strings with piano / Piano Quintet
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Suomi Music
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SheetMusicPlus
"La Respelido" arranged and orchestrated for solo voice and orchestra by Germaine Tailleferre
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1155038 Composed by Traditio…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1155038 Composed by Traditional. Arranged by Germaine Tailleferre. 19th Century,Classical,Folk,Multicultural,World. Score and Parts. 29 pages. Musik Fabrik Music Publishing #755319. Published by Musik Fabrik Music Publishing (A0.1155038). Found in the papers of François Lang, this arrangement of the traditional Provençale song was probably part of a film score. This item is the score and the complete parts.
$49.95
45.08 €
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Chamber Orchestra
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Traditional
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"La Respelido" arranged and orchestrated for solo voice and orchestra by Germaine Tailleferre
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Musik Fabrik Music Publishing
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SheetMusicPlus
Schubart Christmas song of the shepherds
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320605 By Volker Schwarz, B…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320605 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 1 pages. Sabine Fenske #909105. Published by Sabine Fenske (A0.1320605). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organdouble bass.
$1.99
1.8 €
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Chamber Orchestra
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Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske
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Schubart Christmas song of the shepherds
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Sabine Fenske
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SheetMusicPlus
Schubart Christmas song of the shepherds
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320603 By Volker Schwarz, B…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320603 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 1 pages. Sabine Fenske #909103. Published by Sabine Fenske (A0.1320603). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organviola.
$1.99
1.8 €
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Chamber Orchestra
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Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske
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Schubart Christmas song of the shepherds
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Sabine Fenske
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SheetMusicPlus
Schubart Christmas song of the shepherds
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320607 By Volker Schwarz, B…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320607 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 1 pages. Sabine Fenske #909108. Published by Sabine Fenske (A0.1320607). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organflute 2.
$1.99
1.8 €
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Chamber Orchestra
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Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske
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Schubart Christmas song of the shepherds
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Sabine Fenske
#
SheetMusicPlus
Schubart Christmas song of the shepherds
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320606 By Volker Schwarz, B…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320606 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 1 pages. Sabine Fenske #909106. Published by Sabine Fenske (A0.1320606). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organflute 1.
$1.99
1.8 €
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Chamber Orchestra
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Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske
#
Schubart Christmas song of the shepherds
#
Sabine Fenske
#
SheetMusicPlus
Schubart Christmas song of the shepherds
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320604 By Volker Schwarz, B…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320604 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 1 pages. Sabine Fenske #909104. Published by Sabine Fenske (A0.1320604). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organvioloncello.
$1.99
1.8 €
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Chamber Orchestra
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Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske
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Schubart Christmas song of the shepherds
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Sabine Fenske
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SheetMusicPlus
Schubart Christmas song of the shepherds - Score Only
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320596 By Volker Schwarz, B…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320596 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 4 pages. Sabine Fenske #909094. Published by Sabine Fenske (A0.1320596). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organscore only.
$4.99
4.5 €
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Chamber Orchestra
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Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske
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Schubart Christmas song of the shepherds - Score Only
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Sabine Fenske
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SheetMusicPlus
Schubart Christmas song of the shepherds
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320622 By Volker Schwarz, B…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320622 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 11 pages. Sabine Fenske #909120. Published by Sabine Fenske (A0.1320622). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organscore an orchestral parts.
$12.99
11.72 €
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Chamber Orchestra
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Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske
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Schubart Christmas song of the shepherds
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Sabine Fenske
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SheetMusicPlus
Schubart Christmas song of the shepherds
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320601 By Volker Schwarz, B…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1320601 By Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske. By Christian Friedrich Daniel Schubart. Arranged by Sabine Fenske. Christmas,Classical. 1 pages. Sabine Fenske #909100. Published by Sabine Fenske (A0.1320601). Christian Friedrich Daniel Schubart (1731-1791) is well-known as the author of the most famous song „The trot“ (Die Forelle) of Franz Schubert. Not only an author but a composer he wrote his romantic and lovely Christmas song of the shepherds as a Lullabye for the Heaven’s son. Original for voice and piano, here arranged for voice solo (baritone or mezzo), mixed choir (SATB) string orchestra and 2 flutes. Style: classic-romantic, language: GermanCan also be performed with piano or organviolin 2.
$1.99
1.8 €
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Chamber Orchestra
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Volker Schwarz, Berliner Mozart-Chor, Berliner Mozartinum, Leitung Sabine Fenske
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Schubart Christmas song of the shepherds
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Sabine Fenske
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SheetMusicPlus
In Dulci Jubilo - family band
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arrang…
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Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. Sophia Transistor #3684543. Published by Sophia Transistor (A0.851122). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. Thisarrangement of the german traditional chistmas church song In Dulci Jubilo (In Sweet Rejoicing) offers several parts for many variableinstruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decentvocal scores with the original german lyrics and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in english and in german); 3 verses for each language - solo instruments in C (violin, flute,etc.); quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumsYouTube Play Along: https://youtu.be/G4I5bI43wAIGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns dochwas zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... DiesesArrangement des Weihnachtsklassikers In Dulci Jubilo (nun singet und seid froh!) beinhaltet Noten für die gängigstenHausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert undden Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt: -Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf Englisch undauf Deutsch); jeweils 6 Strophen - Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mitBassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - SchlagwerkViel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put togetherad libitum. All parts are matching, can be combined or played alone.traditional german christmas church songarranged by Sophia Johannafor family band2018 Holiday Contest Entry Public Domain Instrumental
$4.99
4.5 €
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Chamber Orchestra
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Traditional
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In Dulci Jubilo - family band
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Sophia Transistor
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SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
93.81 €
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Chamber Orchestra
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score only
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
18 €
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Chamber Orchestra
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.53 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.3 €
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Chamber Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Sc…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
$48.95
44.17 €
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Chamber Orchestra
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Robert Schumann
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Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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jmsgu3
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SheetMusicPlus
O du Fröhliche - Full Score
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.931479 Arranged by N. Marasc…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.931479 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 7 pages. Pubblicato da Nicola Marasco #6430227. Published by Pubblicato da Nicola Marasco (A0.931479). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$9.99
9.02 €
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Chamber Orchestra
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O du Fröhliche - Full Score
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Joseph White: La Bella Cubana for chamber orchestra - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph Wh…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
9.02 €
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Chamber Orchestra
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Joseph White
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Joseph White: La Bella Cubana for chamber orchestra - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Ave Maria
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.948811 By Kathleen Battle. By Franz Sc…
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Chamber Orchestra - Digital Download SKU: A0.948811 By Kathleen Battle. By Franz Schubert. Arranged by Adrian F. Pipas. Contemporary. Score and parts. 18 pages. Adrian F. Pipas #6618557. Published by Adrian F. Pipas (A0.948811). Ellens dritter Gesang (Ellens Gesang III, D. 839, Op. 52, No. 6, 1825), in English: Ellen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German.
$12.99
11.72 €
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Chamber Orchestra
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Kathleen Battle
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Ave Maria
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Adrian F. Pipas
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SheetMusicPlus
Mariä Wiegenlied A flat majeur
Chamber Orchestra
Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken - Streicher (5.5.4.3.2) soprano…
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Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken - Streicher (5.5.4.3.2) soprano and chamber orchestra - intermediate - Digital Download SKU: S9.Q6456 Aus Schlichte Weisen. Composed by Max Reger. This edition: score. Downloadable, Score. Op. 76/52. Duration 6 minutes. Schott Music - Digital #Q6456. Published by Schott Music - Digital (S9.Q6456). Key: A flat major. German.The vocal oeuvre of Max Reger is quite comprehensive but only few of his more than 300 works have become firmly established in the concert repertoire. One song, however, was to become a real big seller: Mariä Wiegenlied in which the composer had woven the old Christmas carol Joseph, lieber Joseph mein. Because of its huge success, Max Reger recommended to his publisher an instrumentation which he actually realized later: This gem for piano was turned into an atmospheric piece of pastoral music for voice and chamber orchestra.
$15.99
14.43 €
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Chamber Orchestra
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Max Reger
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Mariä Wiegenlied A flat majeur
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Schott Music - Digital
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SheetMusicPlus
Mariä Wiegenlied A flat majeur
Chamber Orchestra
Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken, Violine 1, Violine 2, Viola, V…
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Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken, Violine 1, Violine 2, Viola, Violoncello, Kontrabass soprano and chamber orchestra - intermediate - Digital Download SKU: S9.Q6457 Aus Schlichte Weisen. Composed by Max Reger. This edition: set of parts. Downloadable, Set of parts. Op. 76/52. Duration 6 minutes. Schott Music - Digital #Q6457. Published by Schott Music - Digital (S9.Q6457). Key: A flat major. German.The vocal œuvre of Max Reger is quite comprehensive but only few of his more than 300 works have become firmly established in the concert repertoire. One song, however, was to become a real big seller: Mariä Wiegenlied in which the composer had woven the old Christmas carol Joseph, lieber Joseph mein. Because of its huge success, Max Reger recommended to his publisher an instrumentation which he actually realized later: This gem for piano was turned into an atmospheric piece of pastoral music for voice and chamber orchestra.
$45.99
41.5 €
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Chamber Orchestra
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Max Reger
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Mariä Wiegenlied A flat majeur
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Schott Music - Digital
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SheetMusicPlus
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