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The Other Land
Chamber Orchestra
Sheetmusic to print
35 sheet music found
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26
Air On The G String (BWV 1068) / Fugue c minor (BWV 847)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1103957 Composed by Johann S…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1103957 Composed by Johann Sebastian Bach. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Baroque,Contemporary,Contest,Festival,Jazz. Score and parts. 32 pages. Uwe Roessler #707241. Published by Uwe Roessler (A0.1103957). This arrangement consists of two parts which can be played either seperately, or consecutively: the famous “Air On The G String†(BWV 1068, as in the 1871 arrangement by August Wilhemj), inspired by Jaques Loussier´s “Play Bachâ€- version, and the fugue c-minor from the Well-Tempered Piano (BWV 847), inspired by the magnificent Turtle Island String Quartet´s incomparable swinging rendition (hence the video link). There are several options of playing this arrangement: “Air†has two parts which can be repeated – thus, violin1 and cello can distribute the theme. Of course, these repetitions are optional. If you want to play the Air only – there is an optional ending in bar 22. If you want to play only the fugue – start from bar 23 (intro), or from bar 30 (theme). Or you choose to play Air and fugue consecutively. The arrangement works great either ways ;-). Piano voice is written out. However, there are also chord symbols for your own voicings. Minimal instrumentation: piano trio (violin1, cello, piano). Comes with full score and all individual parts. Optional voices for violin 2 and bass, clarinet Bb, guitar, and drums included. Professional sheet material. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$30.00
27.53 €
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Chamber Orchestra
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Johann Sebastian Bach
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Air On The G String
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Uwe Roessler
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SheetMusicPlus
Woodland Sketches (chamber orchestra)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.877109 Composed by Edward Ma…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.877109 Composed by Edward MacDowell. Arranged by Tim Laughlin. 20th Century,Folk,Romantic Period,World. Score and parts. 110 pages. Tim Laughlin #4747533. Published by Tim Laughlin (A0.877109). Woodland Sketches, op. 51, remains the most famous work from American late-Romantic composer Edward MacDowell and a favorite of pianists. Here orchestrated from the original piano version to small chamber orchestra (min. 12 players), the work includes the plaintive To a Wild Rose, based on a Brotherton Native American melody and later adapted by Nat King Cole. Performable in whole or in part, these 10 vignettes spray of color, from the graceful Water-lily to the stately Indian Lodge and the dancing Uncle Remus.
$54.95
50.43 €
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Chamber Orchestra
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Edward MacDowell
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Woodland Sketches
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Tim Laughlin
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SheetMusicPlus
Over The Rainbow (from The Wizard Of Oz)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By H…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 pages. Keith Moss #3466086. Published by Keith Moss (A0.976990). After performing in a string sextett for a few years, it became apparent that the repertoire is limited for this genre, certainly no where near as large as the string quartet works available. I have arranged some pieces that can be used as either programmatic or an encore. Often you just need one or two short pieces to complete your program and these work very well indeed to achieve that. Because they have already been performed, the kinks have been ironed out and are ready to play. Parts are sold in a set and each one contains a cover page, meaning it is possible to print a booklet. For scores of the pieces, please email me on the product link which I will supply free-of-charge. Please provide evidence that you have purchased the parts to obtain a score. For any other requests for arrangements, don't hesitate to contact me
$34.99
32.11 €
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Chamber Orchestra
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Judy Garland
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Over The Rainbow
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Keith Moss
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
20.14 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
16.47 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.38 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Hopewell Farmscapes from Hopewell Suite for Trumpet Sextet
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.750316 Composed by Eddie Lew…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.750316 Composed by Eddie Lewis. Folk. Score and parts. 19 pages. Tiger Music #4785795. Published by Tiger Music (A0.750316). Hopewell Farmscapes Third Movement from Hopewell Suite for Trumpet Ensemble by Eddie Lewis Hopewell Suite is a trumpet ensemble composition for four trumpets and two flugelhorns. It was composed in 2016 using inspirations Eddie Lewis collected while he was in South Africa for the jazz festival in Grahamstown, in the Eastern Cape. Hopewell is the name of the farm where Eddie and his wife stayed most of the time while they were in South Africa. The farm is owned by their brother-in-law. While Hopewell Farm was not the first farm Eddie ever visited, it is more common for him to see the farms from outside the fences. As a guest at Hopewell, Eddie had many opportunities to explore the land, accompanying his brother-in-law as he took care of the cattle. Some of this was on foot and sometimes they drove (off road) across the property in a bakkie. The scenes, the smells, the sounds, all of it calls out gladly to welcome you. If you are interested in purchasing the full suite with all seven movements, you can do so at: Sheet Music Plus: https://goo.gl/ry175L (affiliate link)
$17.79
16.33 €
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Chamber Orchestra
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Eddie Lewis
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Hopewell Farmscapes from Hopewell Suite for Trumpet Sextet
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Tiger Music
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SheetMusicPlus
Dreams - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
146.82 €
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Chamber Orchestra
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
A Whole New World
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314947 Composed by Alan Men…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314947 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 32 pages. Chappell Kingsland #903696. Published by Chappell Kingsland (A0.1314947). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a Vocal Duet (one high and one low voice, any type) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if you’d like the version for a single vocal soloist, or the versions with an instrumental soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00
45.88 €
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Chamber Orchestra
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Alan Menken and Tim Rice
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A Whole New World
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Chappell Kingsland
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SheetMusicPlus
A Whole New World
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314942 Composed by Alan Men…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314942 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 31 pages. Chappell Kingsland #903690. Published by Chappell Kingsland (A0.1314942). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a Vocal Soloist (soprano, alto, tenor, or treble voice) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if you’d like the vocal duet or an instrument as the featured soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00
45.88 €
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Chamber Orchestra
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Alan Menken and Tim Rice
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A Whole New World
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Chappell Kingsland
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SheetMusicPlus
A Whole New World
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311477 Composed by Alan Men…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311477 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 30 pages. Chappell Kingsland #900475. Published by Chappell Kingsland (A0.1311477). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a C Instrument Soloist (flute, oboe, violin, etc.) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if you’d like a different instrument or a vocalist as the featured soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00
45.88 €
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Chamber Orchestra
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Alan Menken and Tim Rice
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A Whole New World
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Chappell Kingsland
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SheetMusicPlus
A Whole New World
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311456 Composed by Alan Men…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311456 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 30 pages. Chappell Kingsland #900460. Published by Chappell Kingsland (A0.1311456). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a Bb Instrument Soloist (clarinet, soprano sax, tenor sax, trumpet, etc.) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if you’d like a different instrument or a vocalist as the featured soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00
45.88 €
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Chamber Orchestra
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Alan Menken and Tim Rice
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A Whole New World
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Chappell Kingsland
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SheetMusicPlus
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Co…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
15.55 €
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Chamber Orchestra
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Carson Cooman
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Symphony No. 2, "Litanies of Love and Rain"
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Musik Fabrik Music Publishing
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SheetMusicPlus
John Field, Sonata I (Movement II) - orchestra by Scott Fields Davis
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.998482 Composed by John Fiel…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.998482 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 71 pages. Scott Fields Davis #6098865. Published by Scott Fields Davis (A0.998482). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer. This is an orchestral arrangement of the first of four piano sonatas written by John Field. This download contains the conductor's score and all the parts to the second of the two movements of Field's first piano sonata.Instruments used: Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 4 minutes and 10 seconds. Â To download the other movement, please click the following link: John Field, Sonata I (Movement I) arranged for orchestra by Scott Fields Davis Â
$15.00
13.77 €
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Chamber Orchestra
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John Field
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John Field, Sonata I
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Scott Fields Davis
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SheetMusicPlus
John Field, Sonata III (Movement I) - orchestra by Scott Fields Davis
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.998503 Composed by John Fiel…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.998503 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 91 pages. Scott Fields Davis #6252035. Published by Scott Fields Davis (A0.998503). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the first movement of the third of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 6 minutes and 12 seconds. Â To download the other movement, click the following link: John Field, Sonata III (Movement II) arranged for orchestra by Scott Fields Davis Â
$15.50
14.22 €
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Chamber Orchestra
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John Field
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John Field, Sonata III
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Scott Fields Davis
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SheetMusicPlus
John Field, sonata III (Movement II) orchestrated by Scott Fields Davis
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1036002 Composed by John Fie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1036002 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 113 pages. Scott Fields Davis #641104. Published by Scott Fields Davis (A0.1036002). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the second movement of the third of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. To download the other movement, click the following link: John Field, Sonata III (Movement I) arranged for orchestra by Scott Fields Davis. Â
$15.00
13.77 €
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Chamber Orchestra
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John Field
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John Field, sonata III
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Scott Fields Davis
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SheetMusicPlus
John Field, Sonata II (Movement II) - orchestra by Scott Fields Davis
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.998515 Composed by John Fiel…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.998515 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 64 pages. Scott Fields Davis #6473129. Published by Scott Fields Davis (A0.998515). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the second movement of the second of four piano sonatas written by John Field and arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 4 minutes and 35 seconds. To download the other movement, click the following link: John Field, Sonata II (Movement I) arranged for orchestra by Scott Fields Davis Â
$14.75
13.54 €
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Chamber Orchestra
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John Field
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John Field, Sonata II
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Scott Fields Davis
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SheetMusicPlus
Legacy for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brand…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
36.71 €
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Chamber Orchestra
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Concerto Grosso in F minor.
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Fr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
27.53 €
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Chamber Orchestra
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George Frideric Handel
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Dvorak Humoresque - arr. for Instrumental Soloist (in Bb) and Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321436 Composed by Antonin …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321436 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909895. Published by Chappell Kingsland (A0.1321436). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Instrumental Soloist in Bb (clarinet, soprano sax, tenor sax, trumpet, etc.) and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
45.88 €
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Chamber Orchestra
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Antonin Dvorak
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Dvorak Humoresque - arr. for Instrumental Soloist
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Chappell Kingsland
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SheetMusicPlus
Dvorak Humoresque - arr. for Flute Soloist and Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321454 Composed by Antonin …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321454 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909913. Published by Chappell Kingsland (A0.1321454). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Flute Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
45.88 €
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Chamber Orchestra
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Antonin Dvorak
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Dvorak Humoresque - arr. for Flute Soloist and Chamber Orchestra
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Chappell Kingsland
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SheetMusicPlus
Dvorak Humoresque - arr. for Cello Soloist and Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321453 Composed by Antonin …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321453 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909912. Published by Chappell Kingsland (A0.1321453). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Cello Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
45.88 €
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Chamber Orchestra
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Antonin Dvorak
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Dvorak Humoresque - arr. for Cello Soloist and Chamber Orchestra
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Chappell Kingsland
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SheetMusicPlus
Dvorak Humoresque - arr. for Oboe Soloist and Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321455 Composed by Antonin …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321455 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909914. Published by Chappell Kingsland (A0.1321455). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Oboe Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
45.88 €
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Chamber Orchestra
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Antonin Dvorak
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Dvorak Humoresque - arr. for Oboe Soloist and Chamber Orchestra
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Chappell Kingsland
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SheetMusicPlus
Dvorak Humoresque - arr. for Viola Soloist and Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321457 Composed by Antonin …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321457 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909916. Published by Chappell Kingsland (A0.1321457). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Viola Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
45.88 €
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Chamber Orchestra
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Antonin Dvorak
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Dvorak Humoresque - arr. for Viola Soloist and Chamber Orchestra
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Chappell Kingsland
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SheetMusicPlus
Dvorak Humoresque - arr. for Violin Soloist and Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321458 Composed by Antonin …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321458 Composed by Antonin Dvorak. Arranged by Chappell Kingsland. 19th Century,20th Century,Chamber,Classical,Romantic Period. 27 pages. Chappell Kingsland #909917. Published by Chappell Kingsland (A0.1321458). This delightful arrangement gives Dvorak’s melody to the soloist, suitable for Intermediate or Advanced players of any age.  The chamber orchestra adds color and spice, with special touches ranging from the delicate triangle hits to the surprising flourishes in the final section.This arrangement is for Violin Soloist and Chamber Orchestra (10 players). You can also find Chappell Kingsland’s arrangements with other solo instruments for sale on this website.Originally arranged for Twylah Stewart and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00
45.88 €
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Chamber Orchestra
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Antonin Dvorak
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Dvorak Humoresque - arr. for Violin Soloist and Chamber Orchestra
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Chappell Kingsland
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