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The R

Air On The G String (BWV 1068) / Fugue c minor (BWV 847) Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1103957 Composed by Johann S…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1103957 Composed by Johann Sebastian Bach. Arranged by Uwe Roessler RÃ¶ssler Rassler. 20th Century,Baroque,Contemporary,Contest,Festival,Jazz. Score and parts. 32 pages. Uwe Roessler #707241. Published by Uwe Roessler (A0.1103957). This arrangement consists of two parts which can be played either seperately, or consecutively: the famous â€œAir On The G Stringâ€ (BWV 1068, as in the 1871 arrangement by August Wilhemj), inspired by Jaques LoussierÂ´s â€œPlay Bachâ€- version, and the fugue c-minor from the Well-Tempered Piano (BWV 847), inspired by the magnificent Turtle Island String QuartetÂ´s incomparable swinging rendition (hence the video link). There are several options of playing this arrangement: â€œAirâ€ has two parts which can be repeated â€“ thus, violin1 and cello can distribute the theme. Of course, these repetitions are optional. If you want to play the Air only â€“ there is an optional ending in bar 22. If you want to play only the fugue â€“ start from bar 23 (intro), or from bar 30 (theme). Or you choose to play Air and fugue consecutively. The arrangement works great either ways ;-). Piano voice is written out. However, there are also chord symbols for your own voicings. Minimal instrumentation: piano trio (violin1, cello, piano). Comes with full score and all individual parts. Optional voices for violin 2 and bass, clarinet Bb, guitar, and drums included. Professional sheet material. IÂ´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$30.00 27.55 € #Chamber Orchestra #Johann Sebastian Bach #Air On The G String #Uwe Roessler #SheetMusicPlus

Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese B…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.
$19.95 18.32 € #Chamber Orchestra #Therese Brenet #Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score #Musik Fabrik Music Publishing #SheetMusicPlus

#Therese Brenet

Thérèse Brenet : Concerto for violoncello and chamber orchestra - score plus solo part Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.532846 Composed by Therese B…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.532846 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #61889. Published by Musik Fabrik Music Publishing (A0.532846). This concerto is a stormy work: dry and violent in the first movement, full of rich harmonies in the third movement. Only the second movement, in contrast, resounds with an infinite softness. There are very few metronomic indications or other indications of tempo. ThÃ©rÃ¨se Brenet wanted to write a music which breathes and which gives the conductor the possibility to make choices to create an interpretation in the true sense of the word Instrumentation 1111/1000/timp/2perc/piano/strings (43322) Parts on rental from the publisher.
$19.95 18.32 € #Chamber Orchestra #Therese Brenet #Thérèse Brenet : Concerto for violoncello and chamber orchestra - score plus solo part #Musik Fabrik Music Publishing #SheetMusicPlus

Händel: Basss Aria "The Trumpet Shall Sound" for Bass Solo and Chamber Orchestra (D major Version) Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.597235 By George Frideric Ha…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by FlÃ¡vio RÃ©gis Cunha. Baroque,Contest,Easter,Festival,Film/TV,Sacred. Score and Parts. 46 pages. Flavio Regis Cunha #4602725. Published by Flavio Regis Cunha (A0.597235). HÃ¤ndel: The Trumpet Shall Sound for Trumpet, Strings, Bass Solo and Harpsichord (D major Version)The trumpet shall sound Are you looking for a beautiful and exciting piece of music perfect to perform in a church, school or professional orchestra? Look no further! Â Introducing 'The Trumpet Shall Sound' composed by Georg Friedrich HÃ¤ndel. This transcendent, multi-instrumental work will leave your audience awe-struck! Get the full sheet music arrangement, designed to be performed with Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings in D major. Â Experience this masterpiece the way it was intended - bring it to life in concert field! Perfect for churches, schools and orchestras. Download 'The Trumpet Shall Sound' now and make your performance extra special!The Air for bass The trumpet shall sound, marked Pomposo, ma non allegro, is a da capo aria. In the work's only instrumental solo, the trumpet provides motifs which the bass picks up. In and we shall be changed, the word changed is treated in inventive ever-changing melismas of up to six measures. In the middle section, the word immortality is expressed in a lively melisma of first eight, then nine measures.Advanced Intermediate.Format: A446 pagesFull Score and Orchestral PartsBb Major version: Â https://www.sheetmusicplus.com/title/hndel-the-trumpet-shall-sound-for-bassoon-trumpet-in-bb-bass-solo-harpsichord-and-strings-digital-sheet-music/22572767?aff_id=728965
$18.99 17.44 € #Chamber Orchestra #George Frideric Handel #Händel: Basss Aria "The Trumpet Shall Sound" for Bass Solo and Chamber Orchestra #Flavio Regis Cunha #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina Gutman. 20th Century,Children,Classical,Contemporary,Standards. Score and parts. 5 pages. Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts #4718069. Published by Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts (A0.1018475). MOZART, SYMPHONIC PERCEPTION OF REALITY & EFFECTIVE LEADERSHIP Rozalina Gutmanâ€™s Flow-based secret recipe that defies the common expectations of young studentsâ€™ ability to achieve uncommon heights on their most satisfying path towards Higher Human Potential, is now OUT! No more waiting to grow up for having hands-on FUN-driven experiential interaction with complex and sophisticated piano/orchestra compositional mindset of Mozart! Thanks to this new publication release of CADENZA FOR THE 3RD MOVEMENT OF CONCERTO FOR PIANO & ORCHESTRA #21 IN C MAJOR BY W.A.MOZART, (K467) FOR LITTLE FUN-LOVING GENIUSES WITH SMALL AND FAST-MOVING HANDS, shared generously (in Limited Edition) by intâ€™ly recognized master piano instructor Rozalina Gutman, now young performers can utilize her creative form of scaffolding during developmentally-critical time of their childhood. Her emotionally/intellectually balanced approach allows for the multi-dimensional engagement of childâ€™s brain, fostering synaptic network growth for the symphonic perception of the reality - the crucial for the effective leadership ability to grasp complexities of balancing multiple priorities with no oversimplification, to help avoid the mindsâ€™s blind spots... (Read & see more inside, including Photo: Mihaly Csikszentmihalyi, Professor Flow, visionary Hungarian-born Research Psychologist who coined the term Flow & initiated paradigm shifting studies, shows his support for Rozalina Gutmanâ€™s innovations in the area of infusing childrenâ€™s learning process with authentic narrative & fun, to help them achieve the state of Flow. )This publication affirms Rozalina Gutmanâ€™s outstanding lifelong commitment to advocacy for Music and Arts Education and Expressive Arts Therapy, to raise awareness for their evident high efficacy transformative impact on the human mind. And her Flow-infused teaching magic illustrates well this undeniable fact.(See inside Photo: Rozalina Gutmanâ€™s advocacy for Music Education message receives enthusiastic support from Maestro Gustavo Dudamel, proud music educator and passionate advocate for Music Education, conductor of famed Simon Bolivar National Youth Orchestra of Venezuela & Youth Orchestra of Los Angeles, conductor of LA Philharmonic.)Rozalina Gutman launched her campaign for Advocacy for Music Education through Brain/Music Research at the time of her presentation on her unique holistic teaching method (while showcasing this Cadenza) at the 17th International Seminar for the Commission on Education of Professional Musicians (CEPROM), ISME, under auspices of UNESCO. The head of Chinese delegation personally invited her to 29th World Conference of ISME in Beijing, China, where she led Intâ€™l Symposium on this subject. ...Rozalina Gutmanâ€™s method revolves around encouraging students to invent narratives, relating to content and structure of the classical music pieces they are learning. Motivation for the child to enjoy the experience of learning... comes through personal investment in the meaning of the music being studied... Michael Hannan, Editor of Peer-Reviewed CEPROM Proceedings & Chair of 17th Intâ€™l Seminar of CEPROM, ISME, under auspices of UNESCO(See more Photos of Rozalina Gutman inside: with celebrity supporters: Prof. Mihaly Csikszentmihalyi (Professor Flow), LA Philharmonic Conductor Gustavo Dudamel, Sen. Nancy Pelosi, Dr. Alexander (Sugar Tax on coke), Quincy Jones, celebritiesâ€™ producer, Dr. Deepak Chopra, among many others celebrities! )And now, you too can team up with this visionary strive - JOIN NOW! the initiated by her multi-disciplinary international campaign to advocate for the transformative power of Music & the Arts, to utilize this ancestral gift for propelling the spread of the human mind evolution during our time: www.CHARISMAfoundation.org Rozalina Gutman, intâ€™ly recognized music educator and presenter, multidisciplinary scholar, concert.

#Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flÃ»tes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 Ã©xecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durÃ©e/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi quâ€™une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est Ã©galement disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________PrmiÃ¨re: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011PremiÃ¨re of the version for violin and 17 instruments: FrÃ©dÃ©ric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist EugÃ¨ne YsaÃ¿e. After Debussyâ€™s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violinâ€™s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussyâ€™s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the SÃ©rÃ©nade begins and ends with Debussyâ€™s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel FaurÃ©, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussyâ€™s unfinished works, and especially his theatre projects. His completion of Debussyâ€™s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En ArchÃ¨ en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. LichtfuÃŸ and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459. Published by Stefano Torchio (A0.1022760). S. M. Torchio: En ArchÃ¨ en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. LichtfuÃŸ and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En ArchÃ¨ en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. LichtfuÃŸ and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875. Published by Stefano Torchio (A0.1022758). S. M. Torchio: En ArchÃ¨ en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. LichtfuÃŸ and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.