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This Old Man
Chamber Orchestra
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51
Heinzelmannchens Wachtparade
Chamber Orchestra
Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edit…
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Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edition: piano direction and parts. Domesticum. Downloadable. Op. 5. Duration 8 minutes. Schott Music - Digital #Q49252. Published by Schott Music - Digital
The parade of the 'Heinzelmaennchen' (brownies) is reminiscent of old times. Catchy naive motifs prompt the listener to sing along, move to the rhythm and wallow in memories. Extremely popular in post-war Germany and frequently played even today, this music carries you off into the coffee houses of the 1920s. It is part of the standard repertoire of each spa and salon orchestra still today.
$42.99
39.71 €
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Chamber Orchestra
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Kurt Noack
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Heinzelmannchens Wachtparade
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Schott Music - Digital
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.63 €
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Chamber Orchestra
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Georg Philipp Telemann
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.97 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.88 €
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Chamber Orchestra
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina Gutman. 20th Century,Children,Classical,Contemporary,Standards. Score and parts. 5 pages. Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts #4718069. Published by Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts (A0.1018475). MOZART, SYMPHONIC PERCEPTION OF REALITY & EFFECTIVE LEADERSHIP Rozalina Gutman’s Flow-based secret recipe that defies the common expectations of young students’ ability to achieve uncommon heights on their most satisfying path towards Higher Human Potential, is now OUT! No more waiting to grow up for having hands-on FUN-driven experiential interaction with complex and sophisticated piano/orchestra compositional mindset of Mozart! Thanks to this new publication release of CADENZA FOR THE 3RD MOVEMENT OF CONCERTO FOR PIANO & ORCHESTRA #21 IN C MAJOR BY W.A.MOZART, (K467) FOR LITTLE FUN-LOVING GENIUSES WITH SMALL AND FAST-MOVING HANDS, shared generously (in Limited Edition) by int’ly recognized master piano instructor Rozalina Gutman, now young performers can utilize her creative form of scaffolding during developmentally-critical time of their childhood. Her emotionally/intellectually balanced approach allows for the multi-dimensional engagement of child’s brain, fostering synaptic network growth for the symphonic perception of the reality - the crucial for the effective leadership ability to grasp complexities of balancing multiple priorities with no oversimplification, to help avoid the minds’s blind spots... (Read & see more inside, including Photo: Mihaly Csikszentmihalyi, Professor Flow, visionary Hungarian-born Research Psychologist who coined the term Flow & initiated paradigm shifting studies, shows his support for Rozalina Gutman’s innovations in the area of infusing children’s learning process with authentic narrative & fun, to help them achieve the state of Flow. )This publication affirms Rozalina Gutman’s outstanding lifelong commitment to advocacy for Music and Arts Education and Expressive Arts Therapy, to raise awareness for their evident high efficacy transformative impact on the human mind. And her Flow-infused teaching magic illustrates well this undeniable fact.(See inside Photo: Rozalina Gutman’s advocacy for Music Education message receives enthusiastic support from Maestro Gustavo Dudamel, proud music educator and passionate advocate for Music Education, conductor of famed Simon Bolivar National Youth Orchestra of Venezuela & Youth Orchestra of Los Angeles, conductor of LA Philharmonic.)Rozalina Gutman launched her campaign for Advocacy for Music Education through Brain/Music Research at the time of her presentation on her unique holistic teaching method (while showcasing this Cadenza) at the 17th International Seminar for the Commission on Education of Professional Musicians (CEPROM), ISME, under auspices of UNESCO. The head of Chinese delegation personally invited her to 29th World Conference of ISME in Beijing, China, where she led Int’l Symposium on this subject. ...Rozalina Gutman’s method revolves around encouraging students to invent narratives, relating to content and structure of the classical music pieces they are learning. Motivation for the child to enjoy the experience of learning... comes through personal investment in the meaning of the music being studied... Michael Hannan, Editor of Peer-Reviewed CEPROM Proceedings & Chair of 17th Int’l Seminar of CEPROM, ISME, under auspices of UNESCO(See more Photos of Rozalina Gutman inside: with celebrity supporters: Prof. Mihaly Csikszentmihalyi (Professor Flow), LA Philharmonic Conductor Gustavo Dudamel, Sen. Nancy Pelosi, Dr. Alexander (Sugar Tax on coke), Quincy Jones, celebrities’ producer, Dr. Deepak Chopra, among many others celebrities! )And now, you too can team up with this visionary strive - JOIN NOW! the initiated by her multi-disciplinary international campaign to advocate for the transformative power of Music & the Arts, to utilize this ancestral gift for propelling the spread of the human mind evolution during our time: www.CHARISMAfoundation.org Rozalina Gutman, int’ly recognized music educator and presenter, multidisciplinary scholar, concert.
$137.78
127.28 €
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Chamber Orchestra
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Rozalina Gutman
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EFFECTIVE LEADERSHIP
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Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
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Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts
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SheetMusicPlus
12 Variations on "Ah, vous dirai-je maman", K.265 for flute and orchestra
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.1035220 Composed by Wolfgang Amadeus M…
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Chamber Orchestra - Digital Download SKU: A0.1035220 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Christmas,Classical,Easter,Holiday,Love. Score and parts. 37 pages. James Strauss #5298007. Published by James Strauss (A0.1035220). Twelve Variations on Ah vous dirai-je, Maman, K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song Ah! vous dirai-je, Maman. The French melody first appeared in 1761, and has been used for many children's songs, such as Twinkle, Twinkle, Little Star, Baa, Baa, Black Sheep and the Alphabet Song.Here is an arrangement for flute and orchestra .
$29.00
26.79 €
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Chamber Orchestra
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Wolfgang Amadeus Mozart
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12 Variations on "Ah, vous dirai-je maman", K.265 for flute and orchestra
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James Strauss
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SheetMusicPlus
Carson Cooman: Quintet for Bassoon and Strings (2005–08) for bassoon and string quartet
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533574 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3024985. Published by Musik Fabrik Music Publishing (A0.533574). Quintet for Bassoon and Strings (2005–08) was commissioned by The Commission Projectand is dedicated to Klaus Heymann, in tribute for his invigoration of the classical recordingindustry and his enthusiastic support for the composers of our time.The original conception for the work was devised during an extremely foggy week onNantucket Island, Massachusetts in the summer of 2005. It is music deeply connected to theocean landscape. Throughout the work, the strings often present a fog-like backdrop,through which the bassoon’s color emerges like a lighthouse beacon—lyrical and flexible.The work opens with a series of interlocking, nebulous figurations in the strings thatgradually build in intensity. The bassoon unfolds the work’s basic melodic material in a freesolo that also increases in intensity. At the point of climax, the tempo suddenly slowsdramatically, and a tender, lyrical cantilena emerges. As this music dissolves, a bouncy andenergetic music takes the foreground. It climaxes in a bassoon cadenza. Though the bassoonhas played the leader throughout, this is the first time it is heard unaccompanied. A brief,but vigorous afterglow recalls the opening of the work. The final section emerges out of it: aseries of high, distant harmonics (perhaps harbor buoys) in the strings through which thebassoon sings a final song.
$25.95
23.97 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Quintet for Bassoon and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
VARIATION 25 (from the GOLDBERG VARIATIONS)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.924813 Composed by Johann Se…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.924813 Composed by Johann Sebastian Bach. Arranged by Stanley M. Hoffman. Baroque. Score and parts. 18 pages. Stanleymhoffman.com #3911845. Published by stanleymhoffman.com (A0.924813). This arrangement of VARIATION 25 from J. S. Bach's GOLDBERG VARIATIONS is transposed to the key of A minor to make it playable by the solo violin, and more easily playable by all performers. Duration: 12:00 with repeats.
$10.00
9.24 €
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Chamber Orchestra
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Johann Sebastian Bach
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VARIATION 25
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stanleymhoffman.com
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SheetMusicPlus
Grave of Charlie Reynolds
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.955018 Composed by Jim Bosse…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.955018 Composed by Jim Bosse. Contemporary,Folk. Score and parts. 41 pages. Jim Bosse #4595307. Published by Jim Bosse (A0.955018). This is the final movement from Shavano Suite, a set of four pieces inspired by folklore and campfire tales of the Maysville/Mount Shavano area in the Rocky Mountains of Colorado. The suite was originally scored for classical guitar duet, but this version is expanded for guitar, string quartet and percussion. The percussion part requires a large drum (or timpani), glockenspiel, guiro and wind chimes. The suite has a total performance time if 17 minutes. This movement, however, can stand alone as a concert piece, with a performance time of 3 minutes and 30 seconds. Performance demand is advanced intermediate level. Videos of all four movements in the original guitar duet form can be viewed on YouTube by searching jimbosseguitar. Jim's web site is www.facebook.com/jimbosse
$4.99
4.61 €
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Chamber Orchestra
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Jim Bosse
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Grave of Charlie Reynolds
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Jim Bosse
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SheetMusicPlus
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
3.69 €
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Chamber Orchestra
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Instrumentation:
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German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126484 Composed by Igor Kor…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
13.89 €
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Chamber Orchestra
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Igor Korneitchouk
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The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Studio at the Post
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SheetMusicPlus
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126491 Composed by Igor Kor…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
4.64 €
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Chamber Orchestra
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Igor Korneitchouk
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The Disqualification of Harry Semantix as Trial Juror for East County
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Studio at the Post
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SheetMusicPlus
Histoire du Soldat Concert Suite
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1141262 Composed by Igor Str…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1141262 Composed by Igor Stravinsky. Arranged by John M. Laverty. 20th Century,Chamber,Classical. Score and Parts. 245 pages. Zephyrwindmusic.com #741570. Published by zephyrwindmusic.com (A0.1141262). Histoire du Soldat is one of Igor Stravinsky’s most performed chamber works. It is published in the original edition (for seven players, three spoken parts, and a single dancer) and as a trio version for clarinet, violin, and piano scored by the composer. It is also frequently performed as a concert suite using the original instrumentation. Although the concert suite is in many respects identical to the original, it omits several movements as well as small sections within some movements where spoken parts with music occur. This new edition is intended to eliminate any confusion as to what music should be included or eliminated in order to create a more deï¬nitive concert suite. Fortunately, Stravinsky performed or recorded the concert suite on many occasions indicating his intentions for how the work should be presented. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download. Instrumentation: Clarinet in B-flat and A Bassoon Cornet in B-flat and A (with an optional part in C) Trombone Percussion Violin Double Bass.
$50.00
46.19 €
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Chamber Orchestra
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Igor Stravinsky
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Histoire du Soldat Concert Suite
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zephyrwindmusic.com
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SheetMusicPlus
I Told You, Dear Mother
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.931490 Composed by Lazaros Delidemos. …
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Chamber Orchestra - Digital Download SKU: A0.931490 Composed by Lazaros Delidemos. Folk,Instructional,Romantic Period,World. Score and parts. 16 pages. Lazaros Delidemos #3531861. Published by Lazaros Delidemos (A0.931490). I wrote this piece as an example for my composition students. It is a contrapuntal composition based on a Greek folk song,which is presented at the beginning with clarinet solo, and then it is used as a cantus firmus. In the second part of the composition a two part canon is created on this cantus firmus (shown with the words canon and resolutio instead ofdux and comes.
$11.99
11.08 €
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Chamber Orchestra
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Lazaros Delidemos
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instead of
dux and comes
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I Told You, Dear Mother
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Lazaros Delidemos
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.72 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.38 €
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Chamber Orchestra
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Karl Friedrich Abel
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Pájaros (Birds) for solo flute and strings
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
8.3 €
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Chamber Orchestra
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.88 €
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Alpenhorn Variety Pack
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.889884 Composed by Gary Frie…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.889884 Composed by Gary Friedman. Contemporary,World. Score and parts. 47 pages. Gary Friedman #13175. Published by Gary Friedman (A0.889884). This contains music in several styles, both slow and lively, for solo alpenhorn and orchestra. A piano is included in the orchestra, but if not available, other instruments are provided with cues for the piano passages. It was written to celebrate the 75th anniversary of the San Francisco Civic Symphony, the oldest community orchestra on the West Coast. There were three performances in 2006, the anniversary year - two indoor and one outdoor. A piano reduction of the orchestra accompaniment is provided here and is also sold separately with the solo part for $5.00. Duration: 6 or 8 minutes, depending on whether an optional repeat is taken. Year: 2005.
$40.00
36.95 €
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Chamber Orchestra
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Gary Friedman
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Alpenhorn Variety Pack
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Gary Friedman
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SheetMusicPlus
WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 13 player ensemble - PARTS ONLY
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1094114 Composed by Richard …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1094114 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditional. Score and parts. 58 pages. Matthew Toogood #698220. Published by Matthew Toogood (A0.1094114). Commissioned for the Swiss Richard Wagner Society for a performance in the Richard Wagner Museum (Tribschen) 2022, this chamber arrangement of Richard Wagners Vorspiel (Prelude/Overture) to his opera 'Die Meistersingers von Nürnberg' endeavours to maintain the original sound and intention of the full orchestra but executed by an ensemble of 13 solo players. The arrangement is designed to pair with Wagner's original Siegfried Idyll using the same instrumentation. String parts are as close as possible to the original, thus can be expanded without modification to string sections of more players. Instrumentation: Flute, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns in F, Trumpet in C, Strings (V1, V2, Vla, Vc, DB) PARTS ONLY!! - score sold separately. A transposed Trumpet part in Bb is included. Each part is designed to be printed on a double sided A3 sheet of paper, then folded to create a booklet part of up to 4 pages. (*note exception Viola, which is adapted to help manage page turns). ALSO AVAILABLE is a 12 player ensemble, with modifications to the horn parts in order to dispense with the Trumpet.
$50.00
46.19 €
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Chamber Orchestra
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Richard Wagner
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WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 13 player ensemble - PARTS ONLY
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Matthew Toogood
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SheetMusicPlus
WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 12 player ensemble - Parts only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1092164 Composed by Richard …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1092164 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditional. Score and parts. 49 pages. Matthew Toogood #696281. Published by Matthew Toogood (A0.1092164). Commissioned for the Swiss Richard Wagner Society for a performance in the Richard Wagner Museum (Tribschen) 2022, this chamber arrangement of Richard Wagners Vorspiel (Prelude/Overture) to his opera 'Die Meistersingers von Nürnberg' retains the original sound and intention of the full orchestra but for an ensemble of 12 players. String parts are as close as possible to the original, and can be expanded without modification to string sections of more players. Instrumentation: Flute, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns, Strings (V1, V2, Vla, Vc, DB) Parts only - score sold separately Each part is designed to be printed on a double sided A3 sheet of paper, then folded to create a booklet part of up to 4 pages. (*note exception Viola, which is adapted to help manage page turns). ALSO AVAILABLE is a 13 player ensemble, with modifications to include a Trumpet and therefore be the same ensemble as Wagner's original Siegfried Idyll.
$50.00
46.19 €
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Chamber Orchestra
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Richard Wagner
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WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 12 player ensemble - Parts only
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Matthew Toogood
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SheetMusicPlus
La Fee Verte Bagpipe Concerto
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christin…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
27.71 €
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Chamber Orchestra
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Serenade in D Minor, 1st Movement (Score & Parts)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931991 Composed by AntoniÌ…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.931991 Composed by AntoniÌn Dvořák. Arranged by Steven Klaus. Romantic Period. Score and parts. 55 pages. NiceChart #4764581. Published by NiceChart (A0.931991). This piece, also known as ‘Serenade for wind instruments, cello, and double bass’, has a strong old-world Slavonic styling. This serenade was written as a dedication to composer and music critic Louis Ehlert, whose positive reviews of Dvořák’s works, helped boost his career in Germany. This arrangement focuses on the first of the four movement work which was labeled as Moderato, quasi marcia. The orchestration alone makes this piece unique and requires many of the instruments found in an orchestra. It is a great choice for ensembles that have players that double on other instruments and as a way to showcase chamber work without excluding too many musicians.To add options to this arrangement, supplemental parts have been included for Piano, Guitar, Timpani, Marimba, Snare Drum, Drum Set, Cymbals and Triangle/Bass Drum.
$50.00
46.19 €
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Chamber Orchestra
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AntoniÌn Dvořák
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Serenade in D Minor, 1st Movement
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NiceChart
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SheetMusicPlus
Wesendonck-Lieder
Chamber Orchestra
1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 ·…
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1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 · 0 · 0 - Hfe. - Str. (6 · 4 · 4 · 4 · 2) alto and chamber orchestra - Digital Download SKU: S9.Q2899 Fünf Lieder für eine Frauenstimme auf Gedichte von Mathilde Wesendonck von Richard Wagner. Composed by Hans Werner Henze and Richard Wagner. This edition: conductor's and study score. Music Of Our Time. Downloadable, Full and study score. Duration 15 minutes. Schott Music - Digital #Q2899. Published by Schott Music - Digital (S9.Q2899). German.During the period in which these arrangements were created, Hans Werner Henze was far from being a Wagnerite. Despite this, he deliberately set out to study Wagner's music. Tristan und Isolde was the opera Henze found most accessible and it was therefore the Wesendonck-Lieder, dating from 1858 with their clear affinity to the harmony of Tristan, which became Henze’s focal point of interest. In his arrangements he was aiming 'to evoke the pre-Tristan state. For this reason, I have selected a small ensemble consisting of seven wind instruments, two horns, harp and small string orchestra to retain the preliminary study character of these Lieder. At the same time however, I am attempting to permit the Tristanesque tone which is already inherent in the piano version to unfold through harmonic separation.' - Hans Werner Henze.
$45.99
42.48 €
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Chamber Orchestra
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Hans Werner Henze and Richard Wagner
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Wesendonck-Lieder
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Schott Music - Digital
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SheetMusicPlus
Revelation of New Life
Chamber Orchestra
0 · 2 (1. auch Engl. Hr.) · 0 · 2 - 0 · 1 · 0 · 0 - Str. (0 · 0 · …
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0 · 2 (1. auch Engl. Hr.) · 0 · 2 - 0 · 1 · 0 · 0 - Str. (0 · 0 · 2 · 2 · 1) alto-solo, mixed choir and chamber orchestra - intermediate - Digital Download SKU: S9.Q24032 Advent Cantata for alto solo, miced choir and chamber orchestra. Composed by Bertold Hummel. This edition: vocal/piano score. Downloadable, Piano reduction. Op. 8. Duration 20 minutes. Schott Music - Digital #Q24032. Published by Schott Music - Digital (S9.Q24032). German.Als umfassende, nicht nur chormusikalische Offenbarung erweist sich Bertold Hummels Adventskantate Offenbarung neuen Lebens für Alt-Solo, gemischten Chor und Kammerorchester op. 8. In seinem 1953 im Auftrag des Südwestfunks geschriebenen Werk verarbeitet der 2002 verstorbene Komponist in sechs Abschnitten frühbarocke Kirchenlieder und stellt ihnen Psalm- und Bibelsprüche des Deutschen Psalters von Romano Guardini gegenüber. Dabei wechseln Antiphon, Choralbearbeitung, Chor-Psalmodie und eine Passacaglia einander ab. Es entsteht ein rhythmisch lebhaftes sakrales Werk voller Ausdruckstiefe und herber Klarheit, in dem an alte kirchentonale Psalmtöne anknüpfende melodische Substanz verarbeitet wird. Aber auch Einflüsse des späten Strawinsky sind unverkennbar. Das rund 20-minütige Werk kann wahlweise in deutscher oder englischer Sprache und anstelle des Kammerorchesters auch mit Klavier-/Orgelbegleitung musiziert werden. Es eignet sich natürlich zur Aufführung an einem Stück, kann aber auch – wie bei der Uraufführung geschehen – mit Zwischentexten zum Advent angereichert werden. Zudem ist eine Herauslösung einzelner Abschnitte der Kantate zur musikalischen Gestaltung von Adventsgottesdiensten bei dieser vorweihnachtlichen Komposition durchaus möglich.
$15.99
14.77 €
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Chamber Orchestra
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Bertold Hummel
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Revelation of New Life
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Schott Music - Digital
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SheetMusicPlus
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