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Together, we
Not classified
553
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425
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197
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126
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112
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53
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27
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21
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54
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17
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8
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1
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1
Flute Quintet : 5 flutes
1
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33
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29
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27
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25
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24
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21
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20
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14
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13
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12
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11
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9
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8
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6
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5
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5
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4
2 Tubas (duet)
4
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4
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4
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4
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4
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2
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2
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2
Brass quartet : 2 trumpets, trombone, tuba
2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
F Instruments
1
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String Quartet: 2 violins, viola, cello
54
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47
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35
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31
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29
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26
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17
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13
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12
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Together, we
Chamber Orchestra
Sheetmusic to print
8 sheet music found
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1
Sing We Now of Christmas
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Chamber Orchestra
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ADVANCED
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French carol
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Kyra Beacock
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Sing We Now of Christmas
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Kyra Beacock
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.963820 Composed by French carol. Arranged by Kyra Beacock. Christmas,Classical,Renaissance,Sacred,...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.963820 Composed by French carol. Arranged by Kyra Beacock. Christmas,Classical,Renaissance,Sacred,World. Score and parts. 34 pages. Kyra Beacock #4841145. Published by Kyra Beacock (A0.963820). The idea behind my arrangements is for a group of keyboard, digital piano, or acoustic piano players to come together and be able to play in a piano band. Students learn how to listen, sight read, follow a conductor and play an individual part within an ensemble setting. It brings pianists together to make music and enjoy the camaraderie of group participation.
$24.95
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Chamber Orchestra
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ADVANCED
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Classical
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO I
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Sneakwood Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Scor...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
We Gather Together
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Chamber Orchestra
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INTERMEDIATE
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Dutch Folk Song
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Brittany Thompson, Paul Thomps
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We Gather Together
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House of El Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.751295 Composed by Dutch Folk Song. Arranged by Brittany Thompson, Paul Thompson. Christian,Holida...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.751295 Composed by Dutch Folk Song. Arranged by Brittany Thompson, Paul Thompson. Christian,Holiday,Sacred. Score and parts. 18 pages. House of El Music #6382005. Published by House of El Music (A0.751295). String Quartet and Harp will soothe your heart and soul with this calming Thanksgiving hymn.
$20.00
We Gather Together
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Chamber Orchestra
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EASY
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Sacred music
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Netherlands Folk Hymn
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Gert Th
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We Gather Together
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Gert Th. Walter
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.683792 Composed by Netherlands Folk Hymn. Arranged by Gert Th. Walter. Christian,Holiday,Praise & ...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.683792 Composed by Netherlands Folk Hymn. Arranged by Gert Th. Walter. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #6102513. Published by Gert Th. Walter (A0.683792). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$7.99
We Gather Together
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Chamber Orchestra
#
EASY
#
Sacred music
#
Netherlands Folk Hymn
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Gert Th
#
We Gather Together
#
Gert Th. Walter
#
SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.683793 Composed by Netherlands Folk Hymn. Arranged by Gert Th. Walter. Christian,Holiday,Praise & ...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.683793 Composed by Netherlands Folk Hymn. Arranged by Gert Th. Walter. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #6102515. Published by Gert Th. Walter (A0.683793). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$8.99
We Gather Together
#
Chamber Orchestra
#
EASY
#
Sacred music
#
Netherlands Folk Hymn
#
Gert Th
#
We Gather Together
#
Gert Th. Walter
#
SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.683780 Composed by Netherlands Folk Hymn. Arranged by Gert Th. Walter. Christian,Holiday,Praise & ...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.683780 Composed by Netherlands Folk Hymn. Arranged by Gert Th. Walter. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 18 pages. Gert Th. Walter #6099609. Published by Gert Th. Walter (A0.683780). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$20.95
Legacy for Chamber Orchestra
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Chamber Orchestra
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ADVANCED
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Pub...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
When I Survey the Wondrous Cross - Orchestration
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Chamber Orchestra
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INTERMEDIATE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sa...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
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