Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
555
Digital
Sheet Music
11
Sheet Music
Books
0
Music
Equipment
923
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
408
PIANO & KEYBOARDS
Piano solo
419
Piano, Voice
322
Piano, Vocal and Guitar
169
Easy Piano
52
C Instruments
20
Organ
11
Big Note Piano
7
1 Piano, 4 hands
6
Piano Quartet: piano, violin, viola, cello
4
Piano Accompaniment
4
2 Pianos, 4 hands
3
Accordion
3
Piano Trio: piano, violin, cello
2
Harpsichord
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
82
Melody line, (Lyrics) and Chords
47
Lyrics and Chords
28
Guitar
28
Bass guitar
21
Ukulele
13
Banjo
7
Dulcimer
4
4 Guitars (Quartet)
2
Dobro
2
Piano, Guitar (duet)
1
Mandolin
1
Instrumentations suivantes
Retracter
VOICE
Voice solo
207
Choral SATB
172
Choral 3-part
55
Choral 2-part
31
Choral TTBB
28
Choral Unison
17
Medium voice, Piano
10
Choral SSAA
9
High voice
7
Soprano voice, Piano
7
Low voice, Piano
6
Choral
5
Baritone voice, Piano
5
Choral Instrumental Pak
5
Alto voice, Piano
3
Vocal duet
3
Tenor voice
2
Tenor voice, Piano
2
Mezzo-Soprano voice, Piano
2
Voice, Guitar
1
Vocal duet, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
2 Flutes, Piano
25
Alto Saxophone and Piano
22
Saxophone Quartet: 4 saxophones
21
Flute and Piano
20
Flute, Oboe, Clarinet, Bassoon
19
Clarinet Quartet: 4 clarinets
18
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
18
2 Saxophones (duet)
16
Flute Quartet: 4 flutes
13
Clarinet
13
Flute
13
2 Clarinets (duet)
13
2 Flutes (duet)
11
Soprano Saxophone and Piano
11
Alto Saxophone
10
Clarinet Quintet: 5 clarinets
8
Clarinet Ensemble
8
Saxophone, Clarinet (duet)
8
Clarinet, Violin (duet)
8
Oboe, Piano (duet)
8
Flute ensemble
7
Clarinet, Trumpet (duet)
6
Saxophone ensemble
6
Clarinet (band part)
5
Saxophone Quintet: 5 Saxophones
5
Tenor Saxophone
5
English horn, Piano
5
Saxophone and Harp
5
Clarinet and Piano
5
Saxophone (band part)
4
Tenor Saxophone and Piano
4
Flute, Clarinet, Piano (trio)
4
Baritone Saxophone, Piano
3
Oboe (band part)
3
2 Oboes (duet)
3
Flute, Violin
3
Clarinet, Harp (duet)
3
Flute, Clarinet (duet)
3
Flute, Saxophone (duet)
3
Oboe, Clarinet (duet)
3
Eb Instruments
2
2 Saxophones, Piano
2
Flute, Viola (duet)
2
Oboe, Bassoon (duet)
2
Soprano Saxophone
2
Flute Trio: 3 flutes
2
Clarinet and Viola
2
Bass Clarinet, Piano
2
Flute, Trumpet (duet)
2
Oboe, Harp
2
Flute (band part)
1
Oboe, Trumpet (duet)
1
Flute, Violin and Violoncello
1
Oboe, Clarinet and Piano (Trio)
1
Oboe, Flute
1
2 Recorders, Piano
1
Oboe
1
Descent (Soprano) Recorder, Piano
1
Wind ensemble
1
Saxophone and Guitar
1
Bass Clarinet
1
Flute, Oboe, Bassoon
1
Baritone Saxophone
1
Flute, Oboe, Piano (trio)
1
Flute, Bassoon, and Piano
1
Flute and Guitar
1
Clarinet, Bassoon, Piano (trio)
1
3 Clarinets (trio)
1
Flute Quintet : 5 flutes
1
Oboe, Bassoon and Piano
1
3 Saxophones (trio)
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass quartet : 2 trumpets, trombone, tuba
18
Brass Quintet: 2 trumpets, horn, trombone, tuba
18
Trumpet
9
Trombone (band part)
8
3 Trumpets (trio)
8
Trombone and Piano
8
Trumpet, Piano
7
Trumpet, Saxophone (duet)
6
Trombone ensemble
6
French horn
6
Brass Quartet: 4 trombones
6
Euphonium, Piano (duet)
5
English horn, Piano
5
2 Trumpets (duet)
4
Brass Quartet: 4 horns
4
French Horn and Harp
4
Brass Quartet: 2 trumpets, horn, trombone
4
Brass Quartet
4
2 Trombones (duet)
3
Trumpet (band part)
3
Tuba (band part)
3
Trumpet, Trombone (duet)
3
French Horn and Piano
3
Brass Quartet: 4 trumpets
3
Trombone
3
French horn (band part)
2
Bass Clef Instruments
2
Tuba
2
2 Euphoniums and 2 Tubas
2
Bb Instruments
2
Tuba and Piano
2
Trumpet, Harp
2
Euphonium
1
Bass Trombone and Piano
1
Horn Ensemble
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
54
Harp
26
2 Harps (duet)
23
Violin
23
Violin and Piano
20
Cello, Piano
10
Cello
10
String Quartet : 4 violas
9
Viola, Piano
9
String Trio: 2 violins, cello
8
Viola
7
Violin, Cello (duet)
6
2 Cellos (duet)
5
2 Violins (duet)
5
4 Cellos
5
Violin, Viola (duet)
5
Violin (band part)
4
String Trio: violin, viola, cello
4
Harp, Cello (duet)
3
Viola and Harp
3
Double bass, Piano (duet)
3
Harp, Flute (duet)
3
Harp, Violin (duet)
3
2 Violas (duet)
3
String Quintet: 2 violins, viola, cello, bass
2
Viola (band part)
2
Double Bass
2
Doublebass (band part)
2
Cello (band part)
2
Violin ensemble
1
Viola ensemble
1
Flute, Doublebass (duet)
1
String Trio: 3 cellos
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
300
String Orchestra
38
Orchestra
37
Handbells
21
Brass ensemble
15
Jazz Ensemble
12
Chamber Orchestra
11
Drums
7
Percussion Ensemble
4
Percussion (band part)
3
Jazz combo
2
Vibraphone and Marimba
1
Timpani (band part)
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Travel
Chamber Orchestra
Sheetmusic to print
11 sheet music found
<
1
The Traveler
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018258 Composed by Timothy …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018258 Composed by Timothy Lee Miller. Classical,Contemporary. Score and parts. 161 pages. TLM Music Publishing #623857. Published by TLM Music Publishing (A0.1018258). Commissioned by the University of St. Andrews (Scotland) New Music Ensemble, this work moves at a quick pace and chronicles the experience of traveling.
$49.99
45.52 €
#
Chamber Orchestra
#
Timothy Lee Miller
#
The Traveler
#
TLM Music Publishing
#
SheetMusicPlus
Guitar Concerto　"Traveling with guitar" op.131
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.885972 Composed by Kohei KON…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.885972 Composed by Kohei KONDO. 20th Century,Contemporary. Score and parts. 54 pages. Kohei KONDO #37797. Published by Kohei KONDO (A0.885972). Composed by Japanese composer Kohei KONDOGuitar Concerto　Traveling with guitar op.131 Solo guitar and chamber orchestra Premired on Feb.13.2013 in Tokyo at Owada sakura hall Guitar: Gaku YAMADA JSCM Youth Chamber Orchestra conducted by Masataka MATSUO. https://youtu.be/girIuOX7Qw8The 3rd movement can be performed as an independent solo piece.
$8.00
7.28 €
#
Chamber Orchestra
#
Kohei KONDO
#
Guitar Concerto　"Traveling with guitar" op.131
#
Kohei KONDO
#
SheetMusicPlus
Travel Music
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1258596 By Danny Elfman. By …
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1258596 By Danny Elfman. By Danny Elfman. Arranged by Patrick Sheehan. Film/TV. Score and Parts. 35 pages. Patrick Sheehan #851854. Published by Patrick Sheehan (A0.1258596). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuiceâ€INSTRUMENTATION: Harp, Piano, Violin 1A, Violin 1B, Violin 2A, Violin 2B, Viola, Violoncello, Contrabass.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
45.53 €
#
Chamber Orchestra
#
Danny Elfman
#
rock selections
#
Travel Music
#
Patrick Sheehan
#
SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.98 €
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Andante Espressivo - Ernesto NAZARETH - for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.722925 Composed by Ernesto N…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.722925 Composed by Ernesto Nazareth. Arranged by Marc GARETTO. 20th Century,Instructional,World. Score and parts. 19 pages. Marc GARETTO - Harmonie Editions #3535675. Published by Marc GARETTO - Harmonie Editions (A0.722925). Composed by Ernesto Nazareth (brazilian composer) in the 1910's, his music will make you travel in South America....
$65.00
59.19 €
#
Chamber Orchestra
#
Ernesto Nazareth
#
Andante Espressivo - Ernesto NAZARETH - for Chamber Orchestra
#
Marc GARETTO - Harmonie Editions
#
SheetMusicPlus
East Point Road
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1009772 Composed by Trey Dem…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1009772 Composed by Trey Demmond. 20th Century,Contemporary. Score and parts. 58 pages. TreyD Music & Media, LLC #28397. Published by TreyD Music & Media, LLC (A0.1009772). This is part of a series celebrating the wonderful landscapes found on Santa Rosa Island, a part of the Channel Islands National Park located just off the California coast. The easiest way to see the wonderful landscapes of Santa Rosa Island is to travel the East Point Road. It may be an easy journey, but the views are completely amazing!
$35.00
31.87 €
#
Chamber Orchestra
#
Trey Demmond
#
East Point Road
#
TreyD Music & Media, LLC
#
SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.28 €
#
Chamber Orchestra
#
Karl Friedrich Abel
#
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
#
Guido Menestrina
#
SheetMusicPlus
Think About That Day - a Christmas Song - Strings with piano with parts
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801538 Composed by Connie Bo…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801538 Composed by Connie Boss. Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6075855. Published by Connie Boss (A0.801538). This is a song that makes you wonder what it would have been like to be Mary and Joseph. Think about that day - the angel came, they traveled to Bethlehem, Jesus was born......This is for a string quartet but it is available in other versions as well. Lyrics and parts are included. cdboss@cvalley.net See lyrics below:
$5.50
5.01 €
#
Chamber Orchestra
#
Connie Boss
#
See lyrics below:
#
Think About That Day - a Christmas Song - Strings with piano with parts
#
Connie Boss
#
SheetMusicPlus
Metamorphosis
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1097212 Composed by Daniel B…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and Stem #701166. Published by Head and Stem (A0.1097212). The composition of Metamorphosis for chamber orchestra began in the Fall of 1985 and was completed in February of 1986 when the composer was just 26. This score represents a newly revised edition done in 2022. Every effort was made to maintain the original intention of the piece. Metamorphosis is a work that conveys the essence of transformation and change. It explores the emotional and sonic journey of a metamorphic process, capturing the stages of evolution, growth, and eventual emergence. Metamorphosis represents a brief early period in the composer’s output where a more dissonant harmonic language was used or where the tonality becomes more ambiguous. The composition begins with a sense of anticipation, using subtle and mysterious musical elements to represent the initial state before transformation. In the opening bars for instance, one hears a suggestion of the Scriabin “mystic†chord which also loosely serves as the basis of the piece.. A brief hat-tipping moment is where a few bars of the Ravel string quartet is paraphrased (listen for it!). The work then travels through various cycles and episodes and only hints at the chord along the way. For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$60.00
54.63 €
#
Chamber Orchestra
#
Daniel Burwasser
#
Metamorphosis
#
Head and Stem
#
SheetMusicPlus
Clarinet in the Ages - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1082630 Composed by Karol Ni…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1082630 Composed by Karol Niklas. 20th Century,Baroque,Classical,New Age,Romantic Period. Score and parts. 20 pages. Karol Niklas #686841. Published by Karol Niklas (A0.1082630). It is a piece for clarinet and string orchestra with timpani using various instrumental techniques. It travels through various ages of the music history beginning with impressionism and going as far back as baroque.
$15.00
13.66 €
#
Chamber Orchestra
#
Karol Niklas
#
Clarinet in the Ages - Score Only
#
Karol Niklas
#
SheetMusicPlus
Legacy for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brand…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
36.42 €
#
Chamber Orchestra
#
Sy Brandon
#
Legacy for Chamber Orchestra
#
Sy Brandon
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
