Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
What's up
Not classified
264
Piano & keyboards
Piano solo
170
Piano, Vocal and Guitar
78
Piano, Voice
55
Big Note Piano
43
Easy Piano
33
Organ
33
C Instruments
15
Piano Accompaniment
4
1 Piano, 4 hands
3
Piano (band part)
2
2 Pianos, 4 hands
2
Piano Trio: piano, violin, cello
2
Piano Quartet: piano, violin, viola, cello
1
Melody line, Piano
1
2 Pianos, 8 hands
1
Keyboard
1
+ 11 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
35
Bass guitar
30
Guitar
14
Melody line, (Lyrics) and Chords
8
Ukulele
7
Guitar (band part)
4
Lyrics and Chords
4
4 Guitars (Quartet)
3
2 Guitars (duet)
2
Banjo
2
Electric Bass (band part)
1
3 Guitars (trio)
1
2 Dulcimers (duet)
1
Guitar, Violin, Cello (trio)
1
+ 9 instrumentations
-
Retract
Voice
Choral SATB
60
Choral 2-part
20
Choral 3-part
19
Choral Unison
16
Alto voice, Piano
13
Choral TTBB
12
Vocal duet
5
Choral SSAA
5
Voice solo
4
Soprano voice
3
Soprano voice, Piano
2
Choral SSATTB
1
Tenor voice, Piano
1
High voice
1
Choral SSAATTBB
1
+ 10 instrumentations
-
Retract
Woodwind
Saxophone (band part)
17
2 Saxophones (duet)
13
Oboe (band part)
10
Clarinet
9
2 Flutes (duet)
9
Flute
8
Flute and Piano
8
Clarinet and Piano
7
Flute (band part)
7
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
7
2 Clarinets (duet)
6
Oboe, Piano (duet)
6
Alto Saxophone
6
Tenor Saxophone
6
Flute, Clarinet (duet)
5
Clarinet (band part)
5
Clarinet, Trumpet (duet)
4
Oboe, Bassoon (duet)
4
Alto Saxophone and Piano
4
Soprano Saxophone and Piano
4
Recorder
4
Flute ensemble
4
2 Oboes (duet)
4
Soprano Saxophone
4
English horn, Piano
3
Clarinet, Violin (duet)
3
Descant (Soprano) Recorder
3
Saxophone, Clarinet (duet)
3
Saxophone Quartet: 4 saxophones
3
Tenor Saxophone and Piano
3
Clarinet, Bassoon (duet)
2
Baritone Saxophone, Piano
2
Flute, Viola (duet)
2
2 Clarinets, Piano
2
2 Flutes, Piano
2
Flute Quartet: 4 flutes
2
Clarinet and Viola
2
Flute, Violin, Piano
2
Flute, Violin
2
Oboe, Clarinet (duet)
2
Flute, Oboe, Clarinet, Bassoon
2
Flute, Trumpet (duet)
2
Clarinet, Guitar (duet)
2
Clarinet Ensemble
2
Clarinet Quartet: 4 clarinets
1
Clarinet Quintet: Clarinet, String Quartet
1
Saxophone and Organ
1
Eb Instruments
1
Treble (Alto) Recorder, Piano
1
3 Saxophones (trio)
1
Flute Trio: 3 flutes
1
Descent (Soprano) Recorder, Piano
1
Flute Quintet : 5 flutes
1
Oboe, Flute
1
Clarinet Quintet: 5 clarinets
1
2 Oboes, Piano
1
Flute, Saxophone (duet)
1
+ 52 instrumentations
-
Retract
Woodbrass
Trombone (band part)
21
Brass Quintet: 2 trumpets, horn, trombone, tuba
20
Trumpet (band part)
14
Brass Quartet: 4 trombones
12
Trombone
9
Trumpet
9
French horn
6
2 Trombones (duet)
5
French horn (band part)
5
Trumpet, Piano
5
Trombone and Piano
5
Brass quartet : 2 trumpets, trombone, tuba
5
Trumpet, Saxophone (duet)
4
2 Trumpets (duet)
4
2 French horns (duet)
4
Tuba
4
English horn, Piano
3
Trumpet, Trombone (duet)
3
Tuba (band part)
2
Tuba and Piano
2
French Horn and Piano
2
Brass Quartet
2
Bass Trombone and Piano
1
4 Tubas
1
2 French horns, Piano
1
Bb Instruments
1
Brass Quartet: 4 trumpets
1
Bass Clef Instruments
1
Brass Quartet: 2 trumpets, horn, trombone
1
Trumpet, Horn (duert)
1
Euphonium, Piano (duet)
1
+ 26 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
29
Harp
14
Violin and Piano
13
Violin
10
String Quintet: 2 violins, viola, cello, bass
8
Violin, Cello (duet)
7
2 Violins (duet)
6
Violin (band part)
6
Violin, Viola (duet)
6
String Trio: 2 violins, cello
5
Doublebass (band part)
5
Viola, Piano
5
Cello
5
Cello, Piano
5
2 Cellos (duet)
4
Harp, Voice
4
String Trio: violin, viola, cello
4
Viola (band part)
3
Viola
3
2 Violas, Piano
2
2 Violas (duet)
2
Double Bass
2
Double bass, Piano (duet)
2
Cello (band part)
2
Piano Trio: Violin, Viola, Piano
1
Viola, Cello (duet)
1
4 Double Basses
1
String quartet: 4 violins
1
String Trio: 3 cellos
1
Cello, Organ
1
+ 25 instrumentations
-
Retract
Orchestra & Percussion
Concert band
84
Orchestra
30
Drums
19
String Orchestra
17
Jazz Ensemble
14
Brass ensemble
13
Handbells
8
Drum (band part)
6
Chamber Orchestra
6
Percussion (band part)
6
Jazz combo
5
Percussion Ensemble
3
Marching band
2
Timpani (band part)
2
Xylophone, Piano
1
Xylophone (band part)
1
Piano and Orchestra
1
Vibraphone
1
+ 13 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
849
Digital Sheet Music
6
Sheet Music Books
0
Music Equipment
713
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
What's up
Chamber Orchestra
Sheetmusic to print
6 sheet music found
<
1
What's Up
#
Chamber Orchestra
#
INTERMEDIATE
#
Contemporary
#
4 Non Blondes
#
Betsuel Uesile Prado
#
What's Up
#
BETSUEL UESILE DO PRADO
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.809338 By 4 Non Blondes. By Linda Perry. Arranged by Betsuel Uesile Prado. Contemporary. Score and...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.809338 By 4 Non Blondes. By Linda Perry. Arranged by Betsuel Uesile Prado. Contemporary. Score and parts. 20 pages. BETSUEL UESILE DO PRADO #6602073. Published by BETSUEL UESILE DO PRADO (A0.809338). Amazing arrangement of 4 Non Blondes What's Up for String Quartet and Acoustic Guitar.
$19.99
Requiem
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
#
Chamber Orchestra
#
ADVANCED
#
Christian contemporary
#
Sacred music
#
Carson Cooman
#
Carson Cooman: Symphony No. 3,
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Mus...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Love On Top
#
Chamber Orchestra
#
EASY
#
Beyonce
#
Frances Dawson
#
Love On Top
#
Frances Dawson
#
SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1493775 By Beyonce. By Beyonce Knowles, Shea Taylor, and Terius Nash. Arranged by Frances Dawson. ...
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1493775 By Beyonce. By Beyonce Knowles, Shea Taylor, and Terius Nash. Arranged by Frances Dawson. 21st Century,Children,Contemporary,Pop,R & B. 54 pages. Frances Dawson #1070438. Published by Frances Dawson (A0.1493775). 'Naughties nostalgia' A mash-up arrangement of 8 well known pop songs from the early 2000's for small chamber orchestra.-Strings, clarinet and flute. Songs include 'Bby'-Justin Beiber, 'Everybody in love'-JLS, 'Murder on the dancefloor'-Sophie Ellis-Bextor, 'About you now'-Sugarbabes, 'What makes you beautiful'-1D, 'Fight for this love'-Cheryl Cole, 'Umbrella'-Rhianna and 'Love on top'-Beyonce.This 6 min arrangent is perfect for youth and community music groups who want to play some fun pop music with thier classical instruments.
$49.99
Concerto No.1 for Violin and Orchestra
#
Chamber Orchestra
#
ADVANCED
#
Contemporary
#
David Chesky
#
Concerto No.1 for Violin and O
#
Pamaluc Music
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882392 Composed by David Chesky. Contemporary. Score and parts. 825 pages. Pamaluc Music #18831. P...
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882392 Composed by David Chesky. Contemporary. Score and parts. 825 pages. Pamaluc Music #18831. Published by Pamaluc Music (A0.882392). From the composers Urban Series. The highly engaging Violin Concerto features colorful, though light-scoring, memorable themes, essentially tonal harmonies, and rhythmic vigor, and a bracing rhythmic figure that involves some of the orchestral musicians clapping in a vaguely flamenco style The second movement is a disguised Cuban Danzon. The Third movement finale takes up very strong rhythms in what is a commentary on Bach's ,Brandenburg Concerto No.3. Duration 26:13 min 2fl./ 2ob./ 2cl./ 2bs/ 4 perc./ harp/ strings.
$34.98
<
1
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
