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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
What
Not classified
3,808
Piano & keyboards
Piano solo
4,425
Piano, Vocal and Guitar
2,977
Piano, Voice
1,962
Easy Piano
1,529
Organ
247
C Instruments
241
Big Note Piano
151
1 Piano, 4 hands
121
Piano Accompaniment
58
Piano (band part)
48
Accordion
47
Piano Trio: piano, violin, cello
42
2 Pianos, 4 hands
29
Piano Quartet: piano, violin, viola, cello
12
Organ, Piano (duet)
9
Melody line, Piano
9
Organ, Trumpet (duet)
7
Keyboard
6
Piano Quartet: piano, 2 violins, cello
4
Solo instrument and Organ
4
Harpsichord
4
Accordion, Voice
3
Piano Quintet: piano, 2 violins, viola, cello
3
1 Piano, 6 hands
3
2 Pianos, 8 hands
2
Fake Book
1
+ 21 instrumentations
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Retract
Guitars
Guitar notes and tablatures
986
Melody line, (Lyrics) and Chords
740
Guitar
359
Ukulele
306
Lyrics and Chords
301
Bass guitar
171
Guitar (band part)
71
Dulcimer
21
2 Guitars (duet)
18
Piano, Guitar (duet)
14
Mandolin
12
Banjo
12
4 Guitars (Quartet)
8
Guitar Ensemble
6
3 Guitars (trio)
6
Baritone Ukulele
5
Electric Bass (band part)
5
2 Dulcimers (duet)
4
Ukulele Ensemble
2
Guitar, Violin, Cello (trio)
1
Band Scores
1
Lap Steel Guitar
1
Guitar, Orchestra
1
2 Guitars, Clarinet (trio)
1
Mandolin, Piano (duet)
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
1,584
Choral 3-part
542
Choral 2-part
361
Choral Instrumental Pak
355
Choral TTBB
312
Choral Unison
191
Choral SSAA
160
Choral
91
Vocal duet, Piano
86
Voice solo
76
Vocal duet
56
Alto voice, Piano
49
High voice
45
Baritone voice, Piano
36
Soprano voice, Piano
30
Tenor voice
29
Soprano voice
27
Tenor voice, Piano
15
Choral SSAATTBB
9
Medium voice, Piano
9
Low voice, Piano
8
Voice, Guitar
5
Choral SSATB
4
Choral SSAB a cappella
3
Choral SSAATB
2
Medium Voice
1
Low voice
1
Choral SATTB
1
Mezzo-Soprano voice, Piano
1
Choral SSATTB
1
Choral SSATBB
1
+ 26 instrumentations
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Retract
Woodwind
Saxophone (band part)
416
Flute
344
Clarinet
307
Saxophone Quartet: 4 saxophones
276
Flute and Piano
252
Alto Saxophone
248
Flute, Oboe, Clarinet, Bassoon
216
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
210
Clarinet and Piano
203
Tenor Saxophone
201
Alto Saxophone and Piano
166
2 Saxophones (duet)
161
Oboe, Piano (duet)
149
Saxophone Quintet: 5 Saxophones
132
Saxophone
131
Tenor Saxophone and Piano
127
Oboe (band part)
120
Clarinet Quartet: 4 clarinets
111
2 Flutes (duet)
106
Clarinet (band part)
103
2 Clarinets (duet)
98
Flute (band part)
92
Soprano Saxophone and Piano
82
Flute Quartet: 4 flutes
58
Flute ensemble
46
Flute, Clarinet (duet)
44
3 Saxophones (trio)
42
3 Clarinets (trio)
38
Baritone Saxophone, Piano
38
Clarinet Ensemble
37
Flute and Guitar
31
Flute Trio: 3 flutes
26
Saxophone ensemble
26
Clarinet, Violin (duet)
23
Clarinet Quintet: 5 clarinets
23
English horn, Piano
22
Oboe, Bassoon (duet)
21
Saxophone, Clarinet (duet)
21
2 Oboes (duet)
21
Oboe
20
Flute, Violin
20
Eb Instruments
19
Flute, Oboe, Clarinet (trio)
17
Harmonica
17
Flute Quintet : 5 flutes
17
English Horn
17
Soprano Saxophone
16
Flute, Violin, Piano
16
2 Recorders (duet)
15
Descant (Soprano) Recorder
15
Oboe, Clarinet, Bassoon (trio)
14
Oboe, Clarinet (duet)
13
Recorder Quartet
13
Recorder
12
Flute, Clarinet, Piano (trio)
12
2 Flutes, Piano
11
Flute, Clarinet, Horn and Bassoon (Quartet)
10
Flute, Oboe (duet)
10
Clarinet, Trumpet (duet)
10
Ocarina
9
2 Clarinets, Piano
9
Flute, Oboe, Bassoon
9
Clarinet, Guitar (duet)
9
Clarinet and Viola
9
Clarinet, Bassoon (duet)
8
Flute, Trumpet (duet)
8
Treble (Alto) Recorder
7
Oboe, Flute
7
Flute, Saxophone (duet)
7
Flute, Clarinet and Bassoon.
7
Clarinet, Harp (duet)
6
Pennywhistle
6
Tenor Recorder
6
Flute, Clarinet, Violin (trio)
6
Bass Clarinet, Piano
6
Flute, Violoncello
5
Flute, Violin and Violoncello
5
Treble (Alto) Recorder, Piano
5
Flute, harp and violin
5
Baritone Saxophone
5
Clarinet, Cello (duet)
5
Flute, Oboe, Violin
5
Piccolo
5
Flute, Viola (duet)
4
Saxophone, Violin (duet)
4
Oboe, Trumpet (duet)
4
Flute, Viola and Piano
4
Oboe, Violin (duet)
4
Recorder Ensemble
4
Clarinet, Cello, Piano (trio)
4
Descent (Soprano) Recorder, Piano
3
2 Clarinets, Bassoon
3
Saxophone and Harp
3
Flute, Cello, Piano (trio)
3
Oboe, Guitar (duet)
3
Flute, Trombone (duet)
3
English Horn, Guitar (duet)
3
2 Oboes, Piano
3
3 Recorders (trio)
3
Flute, Oboe, Piano (trio)
3
2 Saxophones, Piano
2
Flute, trombone and piano
2
Clarinette, Viola and Piano (trio)
2
Recorder, Guitar (duet)
2
Recorder, Piano
2
Clarinet, trumpet and piano
2
Oboe, Cello
2
Clarinet, Trombone (duet)
2
Saxophone and Guitar
2
4 Oboes
2
Flute, Harp and Cello
2
Oboe, Bassoon and Piano
2
Flute, Violin, Violoncello and Piano
2
Oboe, Harp
2
Clarinet Quintet: Clarinet, String Quartet
1
Flute, Bassoon, and Piano
1
Flute, Organ (duet)
1
3 Oboes
1
2 Oboes, 2 Horns and 2 Bassoons
1
2 Flutes and Guitar
1
Saxophone, Bassoon (duet)
1
Piccolo, Piano
1
Flute, Guitar, Piano
1
Oboe, Violin, Piano
1
Bass Clarinet
1
Saxophone and Piano
1
Harmonica, Piano
1
Flute and Strings Trio
1
Oboe, Trombone (duet)
1
2 Flutes and Harp
1
Flute, Cello, Guitar
1
5 Recorders
1
Saxophone and cello
1
Saxophone and Organ
1
+ 129 instrumentations
-
Retract
Woodbrass
Trumpet (band part)
298
Trumpet
298
Brass Quintet: 2 trumpets, horn, trombone, tuba
258
Trombone
245
Trombone (band part)
244
Trumpet, Piano
173
French horn
168
Trombone and Piano
158
Brass quartet : 2 trumpets, trombone, tuba
114
Brass Quartet
113
French Horn and Piano
101
2 Trombones (duet)
72
Tuba
63
French horn (band part)
61
Tuba and Piano
50
Brass Quartet: 4 trombones
49
Tuba (band part)
47
2 Trumpets (duet)
46
Brass Quartet: 2 trumpets, horn, trombone
44
Bass Clef Instruments
29
Trumpet, Trombone (duet)
25
Trumpet, Saxophone (duet)
24
English horn, Piano
22
Bb Instruments
22
2 French horns (duet)
21
Euphonium, Piano (duet)
19
English Horn
17
Euphonium
15
Brass Trio
15
Brass Quartet: 4 horns
15
Trombone ensemble
13
2 Euphoniums and 2 Tubas
11
Trumpet ensemble
10
2 Euphoniums (duet)
9
Trumpet, Horn (duert)
9
4 Tubas
9
2 Tubas (duet)
8
3 Trombones (trio)
6
2 Trumpets, Keyboard (piano or organ)
6
3 Trumpets (trio)
6
Brass Quartet: 4 trumpets
6
Euphonium, Tuba (duet)
5
Horn Ensemble
5
Trombone, cello (duet)
4
F Instruments
4
Trumpet, violin (duet)
4
2 French horns, Piano
3
English Horn, Guitar (duet)
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Bass Trombone
3
Trombone, Organ
2
Horn, Cello (duet)
2
Trombone and Orchestra
2
Brass Quartet: 2 trumpets, 2 trombones
2
Trumpet, Trombone, Piano
2
Trumpet, Tuba (duet)
2
Trumpet, Harp
2
French Horn and Harp
2
Tuba or Euphonium or Saxhorn
2
Clarinet, Horn (duet)
2
Bass Trombone and Piano
2
2 Trombones, Piano
1
Trombone, Violin (duet)
1
Trumpet, Bassoon (duet)
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
Trombone, Tuba (duet)
1
Trombone, Viola (duet)
1
Trumpet, Cello, Piano
1
Trumpet, Cello (duet)
1
French horn and Basson (duet)
1
Horn, Tuba (duet)
1
Trombone, Horn (duet)
1
+ 67 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
670
Violin
359
Violin and Piano
346
Cello
268
Cello, Piano
226
Viola, Piano
202
Viola
198
Harp
174
2 Violins (duet)
112
Violin, Cello (duet)
108
String Quintet: 2 violins, viola, cello, bass
103
String Trio: violin, viola, cello
99
Doublebass (band part)
74
Violin (band part)
72
2 Cellos (duet)
64
Viola (band part)
63
Violin, Viola (duet)
52
Double bass, Piano (duet)
50
Double Bass
50
String Trio: 2 violins, cello
39
2 Violas (duet)
38
Viola, Cello (duet)
23
Cello (band part)
22
Piano Trio: Violin, Viola, Piano
20
String Trio: 3 violins
16
2 Harps (duet)
16
4 Cellos
15
Harp, Flute (duet)
13
Violin, Guitar (duet)
13
String Trio: 3 cellos
10
String quartet: 4 violins
10
Cello, String Bass (duet)
9
Harp, Violin (duet)
9
String trio
9
String Trio: 2 violins, viola
9
Cello, Guitar (duet)
9
2 Violins, Piano
8
Violin ensemble
8
String Quintet: 2 violins, 2 violas, cello
6
Harp, Voice
6
Harp, Cello (duet)
5
Viola, Guitar (duet)
4
Harp and Piano
4
Viola and Harp
4
2 Double basses (duet)
4
4 Harps
3
Violin, Organ
3
2 Cellos, Piano
3
String Quartet : 4 violas
3
Violin, Clarinet, Piano (trio)
3
Viola ensemble
3
4 Double Basses
3
2 Violas, Piano
2
Violin, Bassoon (duet)
2
Cello, Organ
2
Harp, Trombone (duet)
2
Viola and Bassoon
2
Harp, Violin, Violoncello
2
Violin, Cello, Clarinet
1
String Trio: 3 violas
1
Cello Ensemble
1
Violin, Trumpet and Piano
1
+ 57 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,240
Jazz Ensemble
403
Orchestra
394
String Orchestra
256
Marching band
254
Drums
198
Handbells
157
Brass ensemble
138
Chamber Orchestra
79
Percussion (band part)
72
Drum (band part)
67
Jazz combo
50
Percussion Ensemble
26
Vibraphone
13
Marimba
12
Timpani (band part)
10
Percussion
7
Piano and Orchestra
6
Xylophone, Piano
3
Woodwind Trio: any 3 woodwinds
2
2 Percussions
1
Snare drums
1
Timpani
1
Xylophone (band part)
1
3 Marimbas
1
Vibraphone and Marimba
1
Xylophone
1
School Ensemble
1
+ 23 instrumentations
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Retract
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What
Chamber Orchestra
Sheetmusic to print
79 sheet music found
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1
26
51
76
What's Up
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Chamber Orchestra
#
INTERMEDIATE
#
Contemporary
#
4 Non Blondes
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Betsuel Uesile Prado
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What's Up
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BETSUEL UESILE DO PRADO
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.809338 By 4 Non Blondes. By Linda Perry. Arranged by Betsuel Uesile Prado. Contemporary. Score and...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.809338 By 4 Non Blondes. By Linda Perry. Arranged by Betsuel Uesile Prado. Contemporary. Score and parts. 20 pages. BETSUEL UESILE DO PRADO #6602073. Published by BETSUEL UESILE DO PRADO (A0.809338). Amazing arrangement of 4 Non Blondes What's Up for String Quartet and Acoustic Guitar.
$19.99
Do You Hear What I Hear
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
#
Carrie Underwood
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Dennis Ruello
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Do You Hear What I Hear
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Chicory Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.734392 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christian...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.734392 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christian,Gospel,Rock. Score and parts. 19 pages. Chicory Music #3690903. Published by Chicory Music (A0.734392). Do You Hear What I Hear? is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. The pair, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. It has sold tens of millions of copies and has been covered by hundreds of artists, This Advanced Intermediate Level arrangement for Chamber orchestra is appropriate for holiday recitals, concerts and church services.Performance time is approx. 2 min. 40 sec. 2018 Holiday Contest Entry .
$18.99
What a friend we have in Jesus
#
Chamber Orchestra
#
BEGINNER
#
Capital Music Academy Orchestr
#
Brian Lia
#
What a friend we have in Jesus
#
Brian Lia Phiri
#
SheetMusicPlus
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1462098 By Capital Music Academy Orchestra. By JOSEPH MEDLICOTT SCRIVEN. Arranged by Brian Lia. Pr...
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1462098 By Capital Music Academy Orchestra. By JOSEPH MEDLICOTT SCRIVEN. Arranged by Brian Lia. Praise & Worship,Religious,Spiritual. 14 pages. Brian Lia Phiri #1040848. Published by Brian Lia Phiri (A0.1462098). Hymn medley.
$13.89
What a friend we have in Jesus (For Violin and Chamber)
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Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
C
#
Han-Ki Kim
#
What a friend we have in Jesus
#
Han-Ki Kim
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1433607 By C.C.Converse. By C.C.Converse. Arranged by Han-Ki Kim. Chamber,Christian,Classical,Reli...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1433607 By C.C.Converse. By C.C.Converse. Arranged by Han-Ki Kim. Chamber,Christian,Classical,Religious,Sacred. 25 pages. Han-Ki Kim #1013839. Published by Han-Ki Kim (A0.1433607). “What a Friend We Have in Jesus” is a Chriatian hymn written in 1855 by preacher Joseph M. Scriven. The motive for writing this poem was to comfort his mother, who was in Ireland while M.Scriven was living in Canada, when she lay sick in her bed. Scriven originally wrote this poem anonymously, and it was not until 1880 that his name became known. The hymn's melody was composed by Charles Crozat Converse in 1868. I quoted this beautiful melody and arranged it into a small violin concerto format.
$15.90
What Wondrous Love is This - Mary's Love (Christmas song) - Strings and piano
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Chamber Orchestra
#
EASY
#
Connie Boss
#
What Wondrous Love is This - M
#
Connie Boss
#
SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801501 Arranged by Connie Boss. Christian,Christmas,Easter,Sacred. Score and parts. 4 pages. Conni...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801501 Arranged by Connie Boss. Christian,Christmas,Easter,Sacred. Score and parts. 4 pages. Connie Boss #6051913. Published by Connie Boss (A0.801501). This arrangement is for strings and piano. It has a lot of moving parts which makes it very pretty. The lyrics are included and for Christmas but could be used at any time. cdboss@cvalley.net
$5.00
What A Wonderful World
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Chamber Orchestra
#
INTERMEDIATE
#
Jazz
#
Louis Armstrong With Kenny G
#
Vinicius Louzada
#
What A Wonderful World
#
Vinicius Louzada
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.951463 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Vinicius...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.951463 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Vinicius Louzada. Jazz. Score and parts. 22 pages. Vinicius Louzada #6361535. Published by Vinicius Louzada (A0.951463).
$12.99
[Carl] What's Underfoot
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Chamber Orchestra
#
Contemporary
#
Robert Carl
#
[Carl] What's Underfoot
#
American Composers Alliance Inc.
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.953143 Composed by Robert Carl. Contemporary. Score and parts. 51 pages. American Composers Alliance Inc. #4...
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Chamber Orchestra - Digital Download SKU: A0.953143 Composed by Robert Carl. Contemporary. Score and parts. 51 pages. American Composers Alliance Inc. #4640451. Published by American Composers Alliance Inc. (A0.953143). A work for chamber orchestra in memoriam Gustav Meier - instrumentation: 2(1,2+picc)11(s.sax)1 - 111(=btbn)0 - 2 perc - 2111.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$31.95
WHAT NOW?!
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Chamber Orchestra
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INTERMEDIATE
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Klaudio Tubin
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WHAT NOW?!
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Klaudio Tubin
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1017549 Composed by Klaudio Tubin. Contemporary,Film/TV,Jazz. Score and parts. 59 pages. Klaudio T...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1017549 Composed by Klaudio Tubin. Contemporary,Film/TV,Jazz. Score and parts. 59 pages. Klaudio Tubin #6231215. Published by Klaudio Tubin (A0.1017549). Duration 8 min. ,from Megablast - Soundtracks for Your Life by KT ,( https://www.youtube.com/watch?v=18gWiKmtQS4&list=OLAK5uy_mVgZw7D7nX_SC546plklLxSlTGDeAZhrI&index=18 ) ,chord note separation recommended .
$7.77
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Piano Concerto No. 1 - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Sco...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th C...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Appassionato
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Chamber Orchestra
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Peter Nostrand
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Peter Nostrand
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the strings are supportive
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Appassionato
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Imagine Music - Digital
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SheetMusicPlus
Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Pub...
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Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Cruel Summer
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Chamber Orchestra
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INTERMEDIATE
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Taylor Swift
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Frances Dawson
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Cruel Summer
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Frances Dawson
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1503069 By Taylor Swift. By Annie Clark, Jack Antonoff, and Taylor Swift. Arranged by Frances Daws...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1503069 By Taylor Swift. By Annie Clark, Jack Antonoff, and Taylor Swift. Arranged by Frances Dawson. 21st Century,Children,Contemporary,Pop,Singer/Songwriter. 50 pages. Frances Dawson #1078695. Published by Frances Dawson (A0.1503069). An 'Eras of Taylor Swift' medley of 8 songs for chamber orchestra. Songs include: 'Love story', 'You belong with me,' 'I knew you were trouble,' '22,' 'Blank space,' 'shake it off,' 'Look what you made me do,' and 'cruel summer.' Perfect for youth and ammateur groups to play!
$49.99
Love On Top
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Chamber Orchestra
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EASY
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Beyonce
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Frances Dawson
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Love On Top
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Frances Dawson
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1493775 By Beyonce. By Beyonce Knowles, Shea Taylor, and Terius Nash. Arranged by Frances Dawson. ...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1493775 By Beyonce. By Beyonce Knowles, Shea Taylor, and Terius Nash. Arranged by Frances Dawson. 21st Century,Children,Contemporary,Pop,R & B. 54 pages. Frances Dawson #1070438. Published by Frances Dawson (A0.1493775). 'Naughties nostalgia' A mash-up arrangement of 8 well known pop songs from the early 2000's for small chamber orchestra.-Strings, clarinet and flute. Songs include 'Bby'-Justin Beiber, 'Everybody in love'-JLS, 'Murder on the dancefloor'-Sophie Ellis-Bextor, 'About you now'-Sugarbabes, 'What makes you beautiful'-1D, 'Fight for this love'-Cheryl Cole, 'Umbrella'-Rhianna and 'Love on top'-Beyonce.This 6 min arrangent is perfect for youth and community music groups who want to play some fun pop music with thier classical instruments.
$49.99
Scimitars of the Storm
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Chamber Orchestra
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INTERMEDIATE
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Anthony Plominski
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Scimitars of the Storm
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Anthony Plominski
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1459155 Composed by Anthony Plominski. Chamber. 13 pages. Anthony Plominski #1038126. Published by...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1459155 Composed by Anthony Plominski. Chamber. 13 pages. Anthony Plominski #1038126. Published by Anthony Plominski (A0.1459155). This is Scimitars of the Storm, an original orchestral composition made by Anthony Plominski. This piece includes 14 instruments of various types, though it can all be played one intrument, most commonly the piano. This piece has a dramatic, epic, battle sort of theme to it, which the many intruments help create. That epic feel keeps throughout the entire composition, though it still has variety and interesting parts to it. The difficulty of this piece can vary depending on what intrument is performing its part, though there is a decent amount of skill an experience required to play it.Loads of thought and effort went into this composition, despite it only being just over two minutes when correctly played. We hope that you enjoy playing this piece!
$10.00
When She Loved Me
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Sarah McLachlan
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John Langley / Studio Orchestr
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When She Loved Me
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www.studio-orchestrations.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Bro...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. 28 pages. Www.studio-orchestrations.com #1010934. Published by www.studio-orchestrations.com (A0.1430293). What a privilege to share an arrangement of this perfect song, sung by Sarah McLachlan in Toy Story 2 in 1999. If Toy Story and Toy Story 2 hadn't already entirely induced a nostalgic empathy from its audience for the life of old toys we used to play with, Jessie's heartfelt song of her memories with 'Emily' tugs the heart strings to make grown men cry. Randy Newman wrote a perfect little gem in this short but iconic moment in movie history. In the most respectful way the write and the song do so little SO well. The orchestration is sparse but completely appropriate and supportive. This arrangement follows the original soundtrack as closely as possible and would make a wonderful addition to a kids or education concert or an evening of film, musicals or just a celebration of great song writers. Thank you Randy Newman for your wonderful understated genius for using musical simplicity to unpack human complexity.
$140.00
Concerto For Clarinet
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Chamber Orchestra
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ADVANCED
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1433339 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 176 pages. Robert...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1433339 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 176 pages. Robert C. Olivia #1013630. Published by Robert C. Olivia (A0.1433339). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. These are the parts for the big band and strings. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie” Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$200.00
Concerto For Clarinet - Score Only
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Chamber Orchestra
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ADVANCED
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet - Score
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Robert C. Olivia
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403494 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403494 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert C. Olivia #986671. Published by Robert C. Olivia (A0.1403494). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$35.00
Concerto For Clarinet
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Chamber Orchestra
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ADVANCED
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403422 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 214 pages. Robert...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403422 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 214 pages. Robert C. Olivia #986632. Published by Robert C. Olivia (A0.1403422). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw’s band with strings played on the record version and in the motion picture. In addition to the big band & string parts here, also available is the companion conductor score and solo clarinet part. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period. The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone. There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$200.00
Sinfonia Concertante for Treble Recorder, Mandolin and Strings
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Alex Tinlin
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Alex Tinlin
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Sinfonia Concertante for Trebl
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Alex Tinlin
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1367498 By Alex Tinlin. By Domenico Caudioso. Arranged by Alex Tinlin. Baroque,Classical,Early Mus...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1367498 By Alex Tinlin. By Domenico Caudioso. Arranged by Alex Tinlin. Baroque,Classical,Early Music. 53 pages. Alex Tinlin #951848. Published by Alex Tinlin (A0.1367498). My arrangement and edition of a Sinfonia Concertante attributed to the Italian composer Domenico Caudioso. The original score is for treble recorder, mandolin and keyboard reduction of what is presumed to be a small orchestra. I have arranged this for the two solo instruments and strings.
$5.99
Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full
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Chamber Orchestra
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INTERMEDIATE
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Marc-Antoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit p
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KVAMusic Edition
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and p...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages. KVAMusic Edition #4717673. Published by KVAMusic Edition (A0.768506). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s freshness and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$20.00
Companionship Full Score - Score Only
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Rachel J Peters
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Companionship Full Score - Sco
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1371215 Composed by Rachel J Peters. 21st Century,Classical,Opera. 282 pages. Rachel J Peters #929...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1371215 Composed by Rachel J Peters. 21st Century,Classical,Opera. 282 pages. Rachel J Peters #929974. Published by Rachel J Peters (A0.1371215). CAST: 7 adult principals and children’s chorusINSTRUMENTATION: 1.0.1 (doubling t.sax).1/0.0.1.0/pft- perc (1)/1.1.1.1.1 (doubling elec.bass) (Parts are available separately for rental.)DURATION: 1 hour 15 minutesPAGES: 282WORLD PREMIERE: Fort Worth Opera, 2019; Premiere with Orchestra, Virginia Arts Festival, 2022Recovering from a nervous breakdown, aspiring baker Leslie Sinclair finally reaches the end of her obsessive quest to bake the perfect baguette when the 207,345th one suddenly comes to life. Companionship mirrors our contemporary world, where what we consume becomes all-consuming. Adapted from the short story by Arthur Phillips.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights, please write to rachel@racheljpeters.com.
$50.00
Something
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Chamber Orchestra
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INTERMEDIATE
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Rock
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The Beatles
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Guilherme Sparrapan
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Something
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Guilherme Sparrapan
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1342044 By The Beatles. By George Harrison. Arranged by Guilherme Sparrapan. 21st Century,Classica...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1342044 By The Beatles. By George Harrison. Arranged by Guilherme Sparrapan. 21st Century,Classical,Pop,Rock. 43 pages. Guilherme Sparrapan #927556. Published by Guilherme Sparrapan (A0.1342044). Something, in the original tonality with different form elements of the 1969 release.Duration: 3'30Instrumentation: 2222 / 2221 / strings / rock bandAccording to the ArrangeMe.com blogpost, the overall difficulty of this arrangement would be GRADE 3, with some wind instruments on GRADE 4 (flute 1 solo). The sheet music written for the rock band are just suggestions. The musicians and musical director may do what is proposed or create and perform as it pleases them.
$49.99
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