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Piano solo
73082
Piano, Voice
48553
Piano, Vocal and Guitar
37594
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30102
Organ
10339
C Instruments
4996
Piano Accompaniment
4890
Big Note Piano
3296
1 Piano, 4 hands
2643
Piano Trio: piano, violin, cello
1356
Accordion
1156
2 Pianos, 4 hands
813
Piano (band part)
553
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394
Organ, Trumpet (duet)
340
Piano Quartet: piano, 2 violins, cello
306
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205
Organ, Piano (duet)
168
Harpsichord
166
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103
Keyboard
97
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50
2 Pianos, 8 hands
37
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23
Accordion ensemble
22
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17
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13
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12
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8
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6
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6
Piano ensembles
5
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5
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3
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2
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1
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19340
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9784
Melody line, (Lyrics) and Chords
2663
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2307
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2091
2 Guitars (duet)
1440
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1337
Lyrics and Chords
960
4 Guitars (Quartet)
669
Piano, Guitar (duet)
642
Mandolin
593
Dulcimer
342
3 Guitars (trio)
280
Banjo
268
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175
Lap Steel Guitar
155
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134
Mandolin, Piano (duet)
54
Guitar, Violin, Cello (trio)
38
Mandolin, Guitar (duet)
37
Baritone Ukulele
33
2 Dulcimers (duet)
25
2 Ukuleles
19
Ukulele Ensemble
19
Guitar, Flute, Clarinet
14
Dobro
10
Zither
7
Guitar, Orchestra
7
2 Mandolins (duet)
6
Plectrum Orchestra
5
Guitar, String Quartet
5
Lute
4
Guitar, Harp
2
Guitar Tab, Voice, Bass, Drum
2
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1
2 Guitars, Clarinet (trio)
1
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Choral SATB
31551
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10720
Choral 2-part
9059
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5589
Choral Unison
4556
Choral SSAA
3333
Vocal duet, Piano
2972
Choral
2292
Vocal duet
1279
Voice solo
1045
Soprano voice, Piano
859
High voice
818
Alto voice, Piano
593
Tenor voice, Piano
516
Baritone voice, Piano
389
Low voice, Piano
384
Medium voice, Piano
257
Medium Voice
240
Tenor voice
117
Voice, Guitar
110
Choral SSATB
108
Choral SSAATTBB
102
Soprano voice
70
Soli, Mixted choir and accompaniment
68
Choral, Organ
59
Mezzo-Soprano voice, Piano
51
Children choir
42
Low voice
42
Choral SSATTB
41
Choral SSAB, Piano
26
Choral SSAB a cappella
24
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17
Baritone voice
17
Choral SSAATB
11
Voix Masculines
10
Choral SATBB
10
Vocal duet, Organ
7
Soprano voice, Orchestra
5
Choral SATTBB A Cappella
4
Lyrics only
3
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3
Children choir, Piano
2
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2
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14417
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9638
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8838
Saxophone Quartet: 4 saxophones
7281
Clarinet and Piano
7275
Flute
5825
Oboe, Piano (duet)
5775
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5609
Alto Saxophone and Piano
5406
2 Saxophones (duet)
5295
Flute, Oboe, Clarinet, Bassoon
4682
Clarinet Quartet: 4 clarinets
4670
Clarinet
4626
2 Flutes (duet)
4538
Oboe (band part)
4414
Alto Saxophone
4255
Tenor Saxophone and Piano
4158
2 Clarinets (duet)
3867
Tenor Saxophone
3604
Flute (band part)
3329
Flute Quartet: 4 flutes
2571
Soprano Saxophone and Piano
2494
Saxophone Quintet: 5 Saxophones
2196
3 Saxophones (trio)
1996
3 Clarinets (trio)
1996
Flute, Clarinet (duet)
1770
Flute and Guitar
1714
Clarinet Ensemble
1472
Flute Trio: 3 flutes
1407
Flute ensemble
1180
Oboe
1104
Baritone Saxophone, Piano
1075
2 Oboes (duet)
1061
Saxophone ensemble
1003
Clarinet Quintet: 5 clarinets
951
English horn, Piano
931
Recorder Quartet
805
Flute, Violin
801
Oboe, Bassoon (duet)
761
Clarinet, Violin (duet)
736
2 Recorders (duet)
714
Descant (Soprano) Recorder
660
Oboe, Clarinet (duet)
653
Saxophone, Clarinet (duet)
634
Recorder
541
Flute, Clarinet and Bassoon.
537
Flute, Oboe, Clarinet (trio)
533
Soprano Saxophone
495
Clarinet, Guitar (duet)
474
Clarinet, Bassoon (duet)
452
Treble (Alto) Recorder
450
Bass Clarinet, Piano
436
Flute, Violoncello
431
Flute, Oboe, Bassoon
423
3 Recorders (trio)
421
Flute, Oboe (duet)
380
Flute Quintet : 5 flutes
379
Harmonica
370
Oboe, Clarinet, Bassoon (trio)
355
Piccolo
334
Oboe, Flute
331
Clarinet, Trumpet (duet)
324
Ocarina
314
English Horn
306
Flute, Clarinet, Piano (trio)
305
Flute, Trumpet (duet)
298
Flute, Viola (duet)
297
Clarinet, Cello (duet)
283
Clarinet and Viola
265
5 Recorders
264
Flute, Saxophone (duet)
259
Clarinet, Harp (duet)
255
Flute, Cello, Piano (trio)
246
Flute, Violin and Violoncello
228
Flute, Violin, Piano
219
Recorder Ensemble
215
2 Saxophones, Piano
206
Saxophone
201
Baritone Saxophone
200
2 Flutes, Piano
188
Oboe, Cello
186
Oboe, Violin (duet)
177
3 Oboes
163
Descent (Soprano) Recorder, Piano
152
2 Clarinets, Piano
149
Saxophone and Piano
144
Treble (Alto) Recorder, Piano
138
Flute, Trombone (duet)
126
Flute, Oboe, Violin
122
Saxophone and Guitar
117
Bass Clarinet
116
Oboe, Guitar (duet)
114
Flute, Bassoon, and Piano
110
Pennywhistle
109
Flute, Clarinet, Violin (trio)
104
English Horn, Guitar (duet)
100
Clarinet, Cello, Piano (trio)
90
Tenor Recorder
88
Clarinet, Trombone (duet)
86
Saxophone, Violin (duet)
85
2 Clarinets, Bassoon
85
Flute, Harp and Cello
79
Flute, harp and violin
77
Oboe, Trumpet (duet)
76
Wind ensemble
74
Oboe and viola (duet)
73
4 Oboes
72
Flute, Organ (duet)
70
Recorder, Piano
67
Saxophone and Organ
61
Recorder, Guitar (duet)
61
Flute, Oboe, Piano (trio)
57
Piccolo, Piano
56
Bagpipe
55
Flute, Clarinet, Horn and Bassoon (Quartet)
52
Flute, Violin, Violoncello and Piano
52
Flute, Viola and Piano
50
Oboe, Harp
46
Eb Instruments
44
Saxophone and Harp
44
Harmonica, Piano
42
Saxophone, Bassoon (duet)
41
Treble (Alto) Recorder, Basso continuo
38
Oboe, Trombone (duet)
36
Clarinet, Bassoon, Piano (trio)
35
Clarinette, Viola and Piano (trio)
33
Flute, trombone and piano
33
Flute and Strings Trio
32
Clarinet Quartet: Clarinet, Violin, Viola, Cello
31
Clarinet, Tuba
29
Flute, Tuba (duet)
28
Clarinet Quintet: Clarinet, String Quartet
28
2 English horns and Pianoforte
28
Flute, Violin, Guitar
26
Flute, Cello, Guitar
26
Flute, French horn (duet)
25
Clarinet, trumpet and piano
23
Clarinet, Organ
21
Flute, Orchestra
21
Oboe, Cello and Piano
20
Saxophone and cello
19
Flute and String Quartet
17
2 Oboes, Piano
17
Flute, Viola and harp
16
Clarinet, Double bass (duet)
16
Oboe, Bassoon and Piano
16
2 Recorders, Piano
13
Clarinet, Orchestra
13
2 Flutes and Guitar
13
Oboe, Violin, Piano
12
Oboe ensemble
11
Oboe, Clarinet and Piano (Trio)
11
Recorder, Harp
10
Saxophone, Tuba (duet)
9
English horn, Harp (duet)
9
Oboe, Violin, Viola and Violoncello (Quartet)
8
Flute, Basso continuo
7
Oboe, Organ
7
Flute, Viola and Cello
6
Clarinet, String quartet and Piano
6
Pan Flute
6
2 Oboes and English horn
5
Descant (Soprano) Recorder, Basso continuo
5
2 Oboes and Basson
4
Oboe and String quartet
3
2 Flutes, 2 Clarinets (Quartet)
3
2 Flutes and Harp
3
Melodica
2
Oboe, Clarinet, Bassoon and Piano
2
2 Recorders, Guitar
2
Oboe and Orchestra
2
Clarinet, Saxophone, Piano
1
3 Recorders, Piano
1
Flute, Guitar, Piano
1
2 Flutes, Basso continuo
1
Flute, viola, cello and guitar
1
2 clarinets, 2 bassoons
1
2 Oboes, 2 Horns and 2 Bassoons
1
Instrumentations suivantes
Retracter
WOODBRASS
Trombone (band part)
10800
Brass Quintet: 2 trumpets, horn, trombone, tuba
7199
Trumpet (band part)
7012
Trumpet
5118
Trumpet, Piano
4946
Trombone and Piano
4347
French horn (band part)
3879
Trombone
3695
Tuba (band part)
3491
French horn
3154
Brass quartet : 2 trumpets, trombone, tuba
3125
French Horn and Piano
3090
2 Trumpets (duet)
2015
Tuba
1914
2 Trombones (duet)
1677
Brass Quartet: 2 trumpets, horn, trombone
1534
Tuba and Piano
1434
Brass Quartet
1265
Trumpet, Trombone (duet)
1202
Brass Quartet: 4 trombones
1014
English horn, Piano
931
2 French horns (duet)
927
Euphonium, Piano (duet)
882
Brass Quartet: 4 horns
722
Euphonium
702
Trumpet, Saxophone (duet)
597
4 Tubas
549
Trumpet, Horn (duert)
480
Brass Trio
479
Trombone ensemble
416
Cornet
359
3 Trombones (trio)
346
English Horn
306
2 Tubas (duet)
299
Trumpet ensemble
226
2 Euphoniums and 2 Tubas
221
3 Trumpets (trio)
219
Horn Ensemble
207
Tuba or Euphonium or Saxhorn
203
Brass Quartet: 4 trumpets
190
Euphonium, Tuba (duet)
125
2 Trumpets, Keyboard (piano or organ)
123
Trumpet, violin (duet)
109
Trumpet, Tuba (duet)
107
Bass Trombone
101
Trumpet, Bassoon (duet)
101
English Horn, Guitar (duet)
100
Brass Quartet: 2 trumpets, 2 trombones
99
Trombone, cello (duet)
97
Tuba and Organ
92
Horn, Cello (duet)
86
Trombone, Tuba (duet)
80
Bass Trombone and Piano
76
2 Euphoniums (duet)
76
Trombone, Horn (duet)
75
Trombone, Violin (duet)
75
3 French horns (trio)
72
Trumpet, Cello (duet)
72
Bass Clef Instruments
68
Tuba ensemble
66
Horn, Tuba (duet)
57
Trombone, Organ
57
French Horn and Harp
52
Bb Instruments
46
Trumpet, Harp
39
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
37
Trumpet, Cello, Piano
37
Trumpet, Trombone, Piano
35
French horn and Basson (duet)
35
Clarinet, Horn (duet)
31
2 English horns and Pianoforte
28
Horn and Organ
22
Horn, Trumpet, Trombone (trio)
19
Trumpet and Guitar
17
3 Tubas (trio)
16
Trombone, Viola (duet)
13
2 Trombones, Piano
13
Trumpet, Orchestra
12
Cornet and Piano
11
3 Euphoniums
11
2 French horns, Piano
10
Brass Quintet: 2 trumpets, horn, 2 trombones
9
English horn, Harp (duet)
9
Flügelhorn
6
Horn, Cello and Piano
6
Trombone and Orchestra
6
Trumpet, Euphonium (duet)
5
4 Euphoniums
4
Instruments en Sol
4
Horn and Orchestra
3
Euphonium (band part)
3
Euphonium or Saxhorn and Piano
2
Bass Saxhorn or Euphonium or Tuba and Piano
2
Cornet and Orchestra
2
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
18597
Violin and Piano
11965
Violin
8582
Cello, Piano
7397
Harp
6159
Viola, Piano
5957
Cello
5642
Violin (band part)
4982
Viola
4785
Violin, Cello (duet)
4008
2 Violins (duet)
3435
Doublebass (band part)
3094
String Trio: violin, viola, cello
3083
2 Cellos (duet)
2410
Violin, Viola (duet)
2054
Cello (band part)
1911
2 Violas (duet)
1609
String Quintet: 2 violins, viola, cello, bass
1550
Double Bass
1473
Viola (band part)
1385
Double bass, Piano (duet)
1197
String Trio: 2 violins, cello
1104
Viola, Cello (duet)
896
4 Cellos
763
String Trio: 3 violins
763
Violin, Guitar (duet)
713
Piano Trio: Violin, Viola, Piano
704
Harp, Flute (duet)
685
Cello, Guitar (duet)
555
String Trio: 3 cellos
467
2 Harps (duet)
459
String trio
364
Harp, Violin (duet)
359
String quartet: 4 violins
357
Viola, Guitar (duet)
313
2 Double basses (duet)
259
Cello, String Bass (duet)
235
String Trio: 2 violins, viola
224
String Quartet : 4 violas
219
Violin, Bassoon (duet)
181
String Trio: 3 violas
160
Viola and Bassoon
115
2 Violins, Piano
113
Harp, Cello (duet)
110
String Quintet: 2 violins, 2 violas, cello
91
Viola and Harp
68
4 Double Basses
65
Violin, Organ
63
Harp, Voice
61
Cello Ensemble
60
Violin, Clarinet, Piano (trio)
59
Flute, Doublebass (duet)
52
Cello, Organ
49
Harp (band part)
49
String Quintet: 2 violins, viola, 2 cellos
45
Violin ensemble
40
Harp, Violin, Violoncello
39
2 Cellos, Piano
35
Cello, Orchestra
34
Violin, Tuba (duet)
32
Viola ensemble
31
Harp and Piano
29
3 Harps
29
Harp and mandolin
22
Autoharp
18
3 double basses
17
Cello and Marimba
15
Violin, Cello, Clarinet
15
Harp, Trombone (duet)
14
Viola, Organ
13
2 Violas, Piano
11
Viola and orchestra
11
Violin, Basso continuo
10
4 Harps
10
Violin, Trumpet and Piano
9
Harp and Organ
7
Harp, Orchestra
7
Violoncello, Basso continuo
7
5 Harps
6
Harp, String quartet
5
Double basses ensemble
3
2 Violins and Basso
3
Violin, Double bass (duet)
2
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Concert band
26821
String Orchestra
8929
Orchestra
6599
Jazz Ensemble
4895
Percussion (band part)
4669
Brass ensemble
4165
Handbells
4136
Chamber Orchestra
2580
Percussion
1760
Drums
1639
Jazz combo
1598
Marching band
1590
Timpani (band part)
1554
Drum (band part)
1164
Percussion Ensemble
1026
Marimba
345
Timpani
286
Vibraphone
234
Xylophone
233
Woodwind Quintet
140
Xylophone, Piano
113
Snare drums
111
Piano and Orchestra
81
Woodwind Quartet: any 4 woodwinds
74
2 Xylophones
56
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
46
Orchestra, Violin
30
Big band
30
Vibraphone and Marimba
29
Vibraphone, Piano
27
Brass Quintet: other combinaisons
26
School Ensemble
23
Flexible Instrumentation
18
Xylophone or Marimba or Vibraphone
10
Marimba, Piano (duet)
9
2 Marimbas
8
3 Marimbas
8
Marimba and Organ
6
Bongos
6
Woodwind Trio: any 3 woodwinds
5
Mariachi
4
Cajon
4
Voice and Orchestra
3
2 Snare Drums (duet)
3
Conga
2
Bodhran
2
3 Percussions
2
Symphonic Band
2
Marimba or Xylophone and Piano
2
2 Percussions
1
Marimba, Saxophone (duet)
1
Xylophone (band part)
1
Snare drums, Piano
1
Voice Mezzo-Soprano, Orchestra
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
227
Music Theory
14
Stationery
5
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2576
Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Sacred,Wedding. Score and Parts. 43 pages. Flavio Regis Cunha #873288. Published by Flavio Regis Cunha (A0.1281935). Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.🎶 Experience the Elegance:Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.🌟 Elevate Your Performance:Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.🎻 Immerse in Musical History:Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.📚 Our Sheet Music:With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.🔥 Stand Out with Excellence:Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.🎉 Join the Musical Journey:Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠Get Your Sheet Music Now#MajesticHarmony #MusicalElegance #HändelMagic🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵Advanced Intermediate LevelFormat: Concert, 9 x 12 inches43 pages.
$18.99
17.1 €
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Chamber Orchestra
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George Frideric Handel
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Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings
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Flavio Regis Cunha
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SheetMusicPlus
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3033833. Published by Musik Fabrik Music Publishing (A0.533630). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$25.95
23.37 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score and parts
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing #3033835. Published by Musik Fabrik Music Publishing (A0.533631). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$64.95
58.5 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Forrest Gump - Score
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.597203 Composed by Alan Silv…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.597203 Composed by Alan Silvestri. Arranged by Flávio Régis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV,Instructional. Score and parts. 24 pages. Flavio Regis Cunha #4405850. Published by Flavio Regis Cunha (A0.597203). This is a beautiful arrangement for acoustic guitar, percussion and string orchestra. This music is of extreme beauty and simplicity. While the guitar performs the main melody, the string orchestra performs simple figurations, occasionally in divisi. Two lines of cellos were added to take better advantage of the instrument. Intermediate.Format: Concert, 9 x 12 inches.FULL SCOE AND ORCHESTRAL PARTS16 pages. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$49.99
45.02 €
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Chamber Orchestra
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Alan Silvestri
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Forrest Gump - Score
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Flavio Regis Cunha
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.37 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Legacy for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brand…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
36.03 €
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Chamber Orchestra
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
90.07 €
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Chamber Orchestra
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.37 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Set of Parts
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088281 Composed by John Sta…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088281 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. Set of parts. 17 pages. Ondine Press #692535. Published by Ondine Press (A0.1088281). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a set of parts to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The full score is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$20.00
18.01 €
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Chamber Orchestra
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John Stafford Smith
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088278 Composed by John Sta…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088278 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. 7 pages. Ondine Press #692531. Published by Ondine Press (A0.1088278). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a full score to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The set of parts is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$8.00
7.21 €
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Chamber Orchestra
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John Stafford Smith
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
Rondo in A minor for Cello and Orchestra
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jack…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
58.54 €
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Chamber Orchestra
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Joel Jacklich
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Rondo in A minor for Cello and Orchestra
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Joel Jacklich
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.27 €
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Chamber Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
STANFORD The Blue Bird for oboe and string quartet
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.963745 Composed by Charles V…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.963745 Composed by Charles Villiers Stanford. Arranged by Ian Butterworth. 20th Century,Concert,Contemporary. Score and parts. 9 pages. Ian Butterworth #5997453. Published by Ian Butterworth (A0.963745). This short piece, probably Satnford's most well known work, was originally for unaccompanied choir as is very suitable for oboe and strings.
$7.99
7.2 €
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Chamber Orchestra
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Charles Villiers Stanford
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STANFORD The Blue Bird for oboe and string quartet
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Ian Butterworth
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SheetMusicPlus
Ever Forward
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber O…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contemporary,Folk. Score and Parts. 57 pages. Elizabeth Ann Davis #750461. Published by Elizabeth Ann Davis (A0.1150285). Water, especially moving water, was always a vibrant part of my childhood, from playing in the small creek down the hill out my back door, to swimming and fishing at Deam Lake, riding riverboats along the Ohio, or enjoying the beaches. Water carries with it the promise of life, the power of nature. Ever Forward is written in three sections - Waves, Wreck and Work. Waves begins as woodwinds sing mellow tunes over the gentle ripples on languid waters in the strings. An abrupt, unannounced Wreck interrupts the relaxed excursion - the siren alarms blaring out against the havoc. Finally, just as sailors would pull together to tackle tough jobs, the community rallies together to Work out answers to the problems that have surfaced. Cellos start up Haul Away, Joe, a short-drag chantey (used mainly for tightening the sheet) where all hands haul together on the last ‘Joe’. More and more join in on the effort, bringing the piece to a spirited finale.
$14.99
13.5 €
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Chamber Orchestra
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Trinity Chamber Orchestra of Bethesda, Maryland
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Ever Forward
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Elizabeth Ann Davis
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SheetMusicPlus
Metamorphosis for solo flute, solo pedal or lever harp, and strings
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383557. Published by Adrienne Inglis (ASCAP) (A0.953627). Celebrate women scientists!Metamorphosis (2019) by Adrienne Inglis (ASCAP) for flute, harp, and string orchestra, commissioned by Balcones Community Orchestra, celebrates the life and work of Maria Sibylla Merian (1647-1717), pioneering entomologist, naturalist, and artist.Duration 5:30 minutes.Commissioned by the Balcones Community Orchestra of Austin, Texas, Metamorphosis (2019) by Adrienne Inglis for solo flute, solo harp, and string orchestra, honors the life and work of pioneering entomologist, naturalist, and artist Maria Sibylla Merian (1647-1717). As she carefully documented in illustrated detail the life cycle of so many insects, Metamorphosis musically follows a butterfly from adult, egg, larva, pupa, and adult. The piece opens with an ostinato pattern in the strings over which the flute and harp play fluttering modal melodies. The strings and harp represent the egg stage with minimalistic layers of a single pitch. To recognize Merian’s time in Suriname and her discovery of many insect species there, a cheerful tune fashioned after traditional Arawak folk songs informs the busy larvae in the caterpillar canon. A bit of contemplative dorian polyphony laced with metamorphic machinations demonstrate the remarkable transformation of the pupa as well as Merian’s time at a devout Labadist religious commune. The butterfly emerges from the pupa with a flute/harp cadenza and then the strings underscore the adult butterfly with a return of the ostinato. The piece ends with the same ostinato as the beginning such that the piece could loop seamlessly as in a true life cycle.This performance does not include the revisions made in this version of the music: https://youtu.be/GIjQpkXl6Uc
$9.99
9 €
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Chamber Orchestra
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Adrienne Inglis
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Metamorphosis for solo flute, solo pedal or lever harp, and strings
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Adrienne Inglis
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SheetMusicPlus
INTREPID: A Fantasy for Oboe/English Horn Soloist and Chamber Orchestra (Parts Only)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.800343 Composed by Sarah Wal…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.800343 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 55 pages. Novel Soundtrax #484973. Published by Novel Soundtrax (A0.800343). Evoking the driving forces of metamorphosis and migration, INTREPID is a cinematic Fantasy for soloist on oboe and english horn, with small chamber orchestra accompaniment. It is rich in color and texture, persistently forward-moving on its sweeping journey. --Instrument List: 2 Flutes / 1 Piccolo (doubled by Flute II) 1 Clarinet in Bb (or 1 part for Bb/A Clarinets) Bassoon Solo Oboe and English Horn in F (doubled by soloist) 2 Horns in F 2 Tenor Trombones 1 Percussionist: Suspended Cymbal, Triangle, Maracas, and Cabasa Piano Harp Strings (vln 1, vln 2, vla, cello, bass).
$45.00
40.53 €
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Chamber Orchestra
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Sarah Wallin Huff
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INTREPID: A Fantasy for Oboe/English Horn Soloist and Chamber Orchestra
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Novel Soundtrax
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SheetMusicPlus
Transformers - The Shard
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1031474 Composed by Steve Ja…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1031474 Composed by Steve Jablonsky. Arranged by Michael Chavez. Contemporary,Film/TV,Instructional. Score and parts. 2 pages. Michael Chavez #3416515. Published by Michael Chavez (A0.1031474). This is an excerpt from Transformers: Revenge of The Fallen. It is arranged for strings, Horn, trombone and Percussion. .
$10.00
9.01 €
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Chamber Orchestra
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Steve Jablonsky
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Transformers - The Shard
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Michael Chavez
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SheetMusicPlus
Concertino for Flute and Strings
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.814750 Composed by Richard E…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Published by Dacker Music (A0.814750). As the title (which means little concerto) indicates, Concertino for Flute and Strings closely follows sonata forms on a somewhat smaller scale. Tonality is an important part of sonata form, and in this composition, the tonal relationships within and between the movements are all based on thirds. The tempi, form, and keys of the 3 movements are as follows: 1. Allegro molto - sonata-allegro - E minor 2. Andante moderato - theme and variations - C major 3. Allegro energico - abridged sonata-rondo - E minor This composition is the composer's transcription of his Sonatina for Flute and Piano.The price includes license to make as many copies of each part as required.Grade 4 - Duration 7:45
$45.00
40.53 €
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Chamber Orchestra
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Richard E Brown
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Concertino for Flute and Strings
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Dacker Music
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
19.77 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
16.17 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Joseph White: La Bella Cubana for chamber orchestra - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph Wh…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
9 €
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Chamber Orchestra
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Joseph White
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Joseph White: La Bella Cubana for chamber orchestra - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Landscape before sunrise for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.51 €
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Chamber Orchestra
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David Warin Solomons
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Landscape before sunrise for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Der Zigeunerbaron Ouverture - arr. for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.927844 Composed by Johann St…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.927844 Composed by Johann Strauss Jr. Arranged by Gianmaria Griglio. Romantic Period. Score and parts. 92 pages. Gianmaria Griglio #4988065. Published by Gianmaria Griglio (A0.927844). The Gypsy Baron (German: Der Zigeunerbaron) is an operetta in three acts by Johann Strauss II which premiered at the Theater an der Wien on 24 October 1885. During the composer's lifetime, the operetta enjoyed great success, second only to the popularity of Die Fledermaus (The bat). The Ouverture is a very popular piece, often performed during concerts but it normally requires large orchestral forces: hence the present arrangement, which only requires 1 flute, 1 oboe, 1 clarinet, 1 bassoon, 1 horn, 2 percussion players, and strings.P.S.: if you want to listen to a beautiful performance of this Ouverture check out the Vienna Philharmonic with Carlos Kleiber. It's absolutely brilliant!
$14.99
13.5 €
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Chamber Orchestra
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Johann Strauss Jr
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Der Zigeunerbaron Ouverture - arr. for chamber orchestra
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Gianmaria Griglio
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SheetMusicPlus
Song of the Forgotten Rose Trio for Marimba, Flute and Piano
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina P…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432533. Published by Sabrina Peña Young (A0.976943). Beautiful song for flute, marimba and piano about love, romance, and a forgotten rose found by her hero. A wedding song. Mythical tale. Truly a lovely work for intermediate to advanced musicians. A perfect work of repertoire for any music studio! Ideal for pedagogy, performance, or special event. Award-winning composer. Quite an exceptional work! Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.1 €
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Chamber Orchestra
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Sabrina Pena Young
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Song of the Forgotten Rose Trio for Marimba, Flute and Piano
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Sabrina Peña Young
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SheetMusicPlus
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