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Chamber Orchestra
Sheetmusic to print
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When I Survey the Wondrous Cross - Orchestration
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
54.85 €
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Chamber Orchestra
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Isaac Watts / Lowell Mason
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
#
SheetMusicPlus
Visions of Nowhere, op. 10 - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1218112 Composed by Peter Le…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. Published by Peter Le Tissier (A0.1218112). Visions of Nowhere was written in the latter half of 2021 into the first months of 2022. The piece is a melting pot of ideas, strongly connected with some of the GÃ idhlig songs written during the years 2018-2021 and motifs from the Symphony in D/E Minor (2017-2021). The piece is scored for small Chamber Orchestra, with an orchestral Harp part that has been written with the intention that a Piano may be used as a substitute should it be required. The work is roughly 8-10 minutes long.Parts are available upon contact with the composer at www.peterletissier.com.
$20.99
19.19 €
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Chamber Orchestra
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Peter Le Tissier
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Visions of Nowhere, op. 10 - Score Only
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Peter Le Tissier
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SheetMusicPlus
Color Wheel
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.597701 Composed by Richard M…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.597701 Composed by Richard Montalto. Contemporary. Score and parts. 74 pages. ArrangeMe #6685349. Published by ArrangeMe (A0.597701). Color Wheel is an exploration of orchestral colors, combining tonal and atonal sonorities.
$70.00
64 €
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Chamber Orchestra
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Richard Montalto
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Color Wheel
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ArrangeMe
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SheetMusicPlus
It's Raining Somewhere Else
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. Grant Harville #876644. Published by Grant Harville (A0.1285539). It's Raining Somewhere Else from Undertale, arranged for small orchestra. Like a chill jazz standard, it can be played separately or in conjunction with other selections from the video game. Solo parts for piano, percussion, trumpet, and trombone.Instrumentation: 0000 0230 4perc pf str.
$49.99
45.7 €
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Chamber Orchestra
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Toby Fox
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It's Raining Somewhere Else
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Grant Harville
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SheetMusicPlus
Where Have I Danced With You Before
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1275397 By Return To Forever…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1275397 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score and Parts. 26 pages. Jeff Tincher #867324. Published by Jeff Tincher (A0.1275397). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$50.00
45.71 €
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Chamber Orchestra
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Return To Forever
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Where Have I Danced With You Before
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Jeff Tincher
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SheetMusicPlus
Where Should a Baby Rest?
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.872662 Composed by Philip Or…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.872662 Composed by Philip Orem. Children,Contemporary,Holiday. Score and parts. 49 pages. Philip Orem #3626031. Published by Philip Orem (A0.872662). This is a sweet setting of the nursery rhyme, Where Should a Baby Rest? for alto and a small orchestra. A great addition for a children's or pops concert or as an encore.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$65.00
59.43 €
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Chamber Orchestra
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Philip Orem
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Where Should a Baby Rest?
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Philip Orem
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SheetMusicPlus
When I Am Older
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1500189 Composed by Kristen …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1500189 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Demetrio Bonvecchio. Film/TV,Jazz,Pop. 44 pages. Demetrio Bonvecchio (Db Music) #1076266. Published by Demetrio Bonvecchio (Db Music) (A0.1500189). When I Am Older, here arranged for Chamber Orchestra with Vocal Soloist, is a little number sung by Olaf in Frozen 2.I particularly like this melody because it reminds me of the old Golden Era musicals.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioScore + Set of Parts includedOther Chamber Orchestra scores available: Bundle Of Joy (from Inside Out) A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Let It Go (from Frozen) (with Vocal Soloist) Go The Distance (from Hercules) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
91.42 €
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Chamber Orchestra
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Kristen Anderson-Lopez and Robert Lopez
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When I Am Older
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Demetrio Bonvecchio
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SheetMusicPlus
When You Were Born
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1495184 Composed by Guy Jame…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1495184 Composed by Guy James Michael Farley. Arranged by Nathan Morson. Christmas,Film/TV. 12 pages. Nathan Morson #1071730. Published by Nathan Morson (A0.1495184). When You Were Born for Orchestra - Score and PartsDuration: 1:35www.nathanmorson.com.
$60.00
54.85 €
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Chamber Orchestra
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Guy James Michael Farley
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When You Were Born
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Nathan Morson
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SheetMusicPlus
Shunk (when you're in a funk) - for Winds, Strings, and Timpani
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1369199 By Scott L. Graham. …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1369199 By Scott L. Graham. By Scott L. Graham. 21st Century,Classical,Contemporary. 20 pages. Posterity Plus Publishing #953544. Published by Posterity Plus Publishing (A0.1369199). Orchestral: for Violin I, Violin II, Viola, Violoncello, Flutes, Clarinets in Bb, Oboe, Bassoon, Contrabass, Trumpets in Bb, French Horns in F, and TimpaniDissonent rich polychords and haunting modal and atonal melodies depict the deep sighs of those moments when one struggles with the hand they have been dealt. The timpani represents the march of life. The horns along with the woodwinds reflect the turmoil that breaks into these contemplations. The viola give a throaty lyrical voice that soothes in the midst of the moans and yawns of the backdrop.A short work 3:30; Includes score and all parts.
$4.69
4.29 €
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Chamber Orchestra
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Scott L
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Includes score and all parts
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Shunk
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Posterity Plus Publishing
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SheetMusicPlus
When We Were Young
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1011796 By Adele. By Adele A…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1011796 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Daniel Jones. Pop,R & B. Score and parts. 15 pages. Daniel Jones #3468024. Published by Daniel Jones (A0.1011796). When We Were Young (arr. Jones) for Voice, Piano, and String Quartet.
$12.99
11.88 €
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Chamber Orchestra
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Adele
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When We Were Young
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Daniel Jones
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SheetMusicPlus
When You Say Nothing At All
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Country. Score and parts. 18 pages. SMT Music #3536859. Published by SMT Music (A0.749733). When You Say Nothing at All is a country song written by Paul Overstreet and Don Schlitz. Keith Whitley first recorded it in 1988 and it hit NO. 1 on the Hot Country Singles Chart. In 1995 Allison Krausse and Union Station released it. It became her first solo top-10 country hit. Song definitely has legs ... I like the Keith Whitley version best. It's a nice Unity Candle song for weddings. My cousin requested it and so I did this arrangement for her singer which put it in lower key.. C major. If you want it for your wedding you can look for me at Sheet Music Plus or SMT Music in Louisville, KY. I can put up another version in your key on this website. This arr. is 2 1/2 min. in length. You can see our performance of it at https://www.youtube.com/watch?v=9XvgJr4JVpQ
$20.00
18.28 €
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Chamber Orchestra
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Keith Whitley
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When You Say Nothing At All
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SMT Music
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SheetMusicPlus
When She Loved Me
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.1348110 By Sarah McLachlan. By Randy N…
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Chamber Orchestra - Digital Download SKU: A0.1348110 By Sarah McLachlan. By Randy Newman. Arranged by Greg Eaton. 20th Century,Broadway,Film/TV,Musical/Show. 22 pages. Greg Eaton #932926. Published by Greg Eaton (A0.1348110). When She Loved Me, from Toy Story 2, arranged for small orchestra by Greg Eaton. Scored for:FluteClarinetHornTrumpetTromboneDrum KitViolin 1Violin 2ViolaCelliBass.
$49.99
45.7 €
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Chamber Orchestra
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Sarah McLachlan
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When She Loved Me
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Greg Eaton
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SheetMusicPlus
Music from Nowhere - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1037645 Composed by Timothy …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1037645 Composed by Timothy Sullivan. 20th Century,Classical,Contemporary,Contest,Festival,New Age. Score and parts. 22 pages. SullivanWorks #642548. Published by SullivanWorks (A0.1037645).
$20.00
18.28 €
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Chamber Orchestra
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Timothy Sullivan
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Music from Nowhere - Score Only
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SullivanWorks
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SheetMusicPlus
Somewhere That's Green
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.788805 Composed by Alan Menken. Arrang…
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Chamber Orchestra - Digital Download SKU: A0.788805 Composed by Alan Menken. Arranged by Karl Logue. Contemporary. Score and parts. 39 pages. LogueRhythm Productions #6608195. Published by LogueRhythm Productions (A0.788805). Cheeky TTBB Arrangement of the Broadway classic. Great for GALA men's choruses. Available for TTBB/Piano, or TTBB and chamber ensemble.
$49.99
45.7 €
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Chamber Orchestra
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Alan Menken
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Somewhere That's Green
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LogueRhythm Productions
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SheetMusicPlus
Where Thy Beauty Lies - Score and Parts
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.811359 Composed by Daniel Ashcroft. Co…
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Chamber Orchestra - Digital Download SKU: A0.811359 Composed by Daniel Ashcroft. Contemporary. Score and parts. 141 pages. DanielAshcroftMusic #19671. Published by DanielAshcroftMusic (A0.811359).
$40.00
36.57 €
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Chamber Orchestra
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Daniel Ashcroft
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Where Thy Beauty Lies - Score and Parts
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DanielAshcroftMusic
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SheetMusicPlus
Where Is Your Mercy Now? (Chamber Orchestra Version)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1100192 By Stephen DeCesare.…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1100192 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. 20th Century,Classical,Jewish,Multicultural,World. Score and parts. 22 pages. Exultet Music #704075. Published by Exultet Music (A0.1100192). This dramatic, heartfelt piece is the cry of what the prisoners of the holocaust might have been feeling in the Nazi concentration camps. Scored for Flute, Bb-Clarinet, Bassoon, Violin, Viola, and Cello.
$12.99
11.88 €
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Chamber Orchestra
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Stephen DeCesare
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Where Is Your Mercy Now?
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Exultet Music
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SheetMusicPlus
Where am I? for string quartet and flute
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.576513 Composed by David War…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.576513 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 18 pages. David Warin Solomons #27327. Published by David Warin Solomons (A0.576513). Inspired by the poem Care Home by my father SN Solomons,
$12.00
10.97 €
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Chamber Orchestra
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David Warin Solomons
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Where am I? for string quartet and flute
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David Warin Solomons
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SheetMusicPlus
Oceans (where Feet May Fail)
Chamber Orchestra
By Hillsong United. By Matt Crocker, Salomon Lighthelm, and Joel Houston. Arranged by …
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By Hillsong United. By Matt Crocker, Salomon Lighthelm, and Joel Houston. Arranged by Ana Paula Pires. Christmas, Praise & Worship, Spiritual, Traditional, Wedding. Score and parts. 25 pages. Bystonais #6641815. Published by Bystonais
$49.99
45.7 €
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Chamber Orchestra
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Hillsong United
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Oceans
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Bystonais
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SheetMusicPlus
When Johnny Comes Marching Home
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.864731 Composed by Patrick G…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.864731 Composed by Patrick Gilmore. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 6 pages. Piano Teacher Press #48783. Published by Piano Teacher Press (A0.864731). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. Here’s an early intermediate arrangement originates from the American Civil War. Each performer must learn to be both melodist and accompanist, thus learning one of the major elements of playing in ensemble with other musicians.
$3.99
3.65 €
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Chamber Orchestra
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Patrick Gilmore
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When Johnny Comes Marching Home
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Piano Teacher Press
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.19 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Be Thou My Vision
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
68.57 €
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Chamber Orchestra
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Traditional Irish Folk Tune
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
Homage to Sibelius
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
94.62 €
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Chamber Orchestra
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Donde Esta Santa Claus
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1353147 Composed by Alvin Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1353147 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holiday,Latin,Pop. 66 pages. PRS&B #937946. Published by PRS&B (A0.1353147). Dónde Está Santa Claus- for CHAMBER/ SMALL orchestra is a playful and festive Christmas song that has delighted audiences for decades. Translating to Where is Santa Claus in English, this cheerful tune captures the excitement and curiosity surrounding Santa's whereabouts on Christmas Eve. The catchy melody and upbeat tempo of Donde está Santa Claus make it a fun and memorable for your audiences. Written for small orchestra with an extended percussion section (all of which are optional and could be played by members of the orchestra), this Latin tinged arrangement will be a welcomed addition to your holiday library. 0-1-1-1-1 -2-1-1-0-timp., vib or marmb., sl. bls., bong., clav., guiro., maras., drm set (or divided between two perc.), kybrd., hrp., str. Intermediate level.
$70.00
64 €
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Chamber Orchestra
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Alvin Greiner, George Scheck, and Rod Gordon Parker
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Donde Esta Santa Claus
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PRS&B
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.46 €
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Chamber Orchestra
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Georg Philipp Telemann
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
Barbara Allen for piccolo and orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringe…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
14.63 €
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Chamber Orchestra
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Reinhold Behringer
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Barbara Allen for piccolo and orchestra
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David Warin Solomons
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SheetMusicPlus
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