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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
with Chords
Not classified
5,991
Piano & keyboards
Piano solo
3,291
Easy Piano
2,840
Piano, Voice
2,186
Piano, Vocal and Guitar
2,117
C Instruments
1,449
Piano Accompaniment
188
Accordion, Voice
187
Big Note Piano
138
Accordion
84
Organ
82
1 Piano, 4 hands
60
Piano Trio: piano, violin, cello
42
Harpsichord
16
Piano Quintet: piano, 2 violins, viola, cello
14
2 Pianos, 4 hands
11
Piano Quartet: piano, violin, viola, cello
8
2 Accordions
8
Keyboard
7
Piano Quartet: piano, 2 violins, cello
7
Piano (band part)
5
1 Piano, 6 hands
3
Organ, Trumpet (duet)
2
2 Pianos, 8 hands
2
Organ, Piano (duet)
2
All Instruments
1
+ 20 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
4,028
Guitar notes and tablatures
1,683
Ukulele
501
Lyrics and Chords
490
Guitar
347
Guitar (band part)
271
Bass guitar
210
Dulcimer
158
Mandolin
66
2 Guitars (duet)
62
Banjo
35
Piano, Guitar (duet)
33
Guitar Ensemble
20
2 Dulcimers (duet)
13
4 Guitars (Quartet)
12
3 Guitars (trio)
7
2 Ukuleles
6
Baritone Ukulele
2
Dobro
2
Mandolin, Piano (duet)
1
Guitar, Orchestra
1
Mandolin, Guitar (duet)
1
+ 17 instrumentations
-
Retract
Voice
Choral SATB
625
Choral 2-part
266
Choral 3-part
262
Choral Unison
157
Alto voice, Piano
114
Tenor voice, Piano
102
Soprano voice, Piano
96
Choral TTBB
89
Choral SSAA
81
Vocal duet, Piano
78
Baritone voice, Piano
46
Voice solo
43
High voice
21
Tenor voice
20
Vocal duet
17
Soprano voice
14
Low voice, Piano
10
Medium voice, Piano
7
Low voice
5
Choral
3
Choral SSAATTBB
3
Choral SSATB
1
Choral SAATB A Cappella
1
Voice, Guitar
1
Mezzo-Soprano voice, Piano
1
Choral SSAB, Piano
1
+ 21 instrumentations
-
Retract
Woodwind
Clarinet and Piano
1,140
Oboe, Piano (duet)
944
Alto Saxophone and Piano
890
Flute
835
Tenor Saxophone and Piano
754
Flute and Piano
597
Alto Saxophone
555
Clarinet
503
Oboe (band part)
405
Tenor Saxophone
395
English horn, Piano
342
Saxophone (band part)
318
Flute, Oboe, Clarinet, Bassoon
300
Saxophone Quartet: 4 saxophones
279
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
276
2 Saxophones (duet)
251
2 Flutes (duet)
218
Soprano Saxophone and Piano
206
Saxophone Quintet: 5 Saxophones
204
2 Recorders (duet)
161
2 Clarinets (duet)
116
Oboe
113
2 Oboes (duet)
103
Flute, Clarinet (duet)
88
Descant (Soprano) Recorder
86
Baritone Saxophone, Piano
71
Oboe, Clarinet (duet)
70
3 Clarinets (trio)
50
3 Saxophones (trio)
49
Treble (Alto) Recorder
48
Soprano Saxophone
39
Flute, Clarinet and Bassoon.
38
Recorder
38
Harmonica, Piano
36
Flute, Violin
35
Flute and Guitar
35
Flute, Oboe (duet)
33
Flute Trio: 3 flutes
31
Recorder Quartet
28
English Horn
25
Clarinet Quartet: 4 clarinets
22
Harmonica
21
Clarinet, Violin (duet)
18
Baritone Saxophone
17
Clarinet Ensemble
17
Oboe, Flute
17
Flute, Trumpet (duet)
16
Flute Quartet: 4 flutes
15
Oboe, Violin (duet)
14
5 Recorders
14
Saxophone ensemble
13
2 Clarinets, Piano
13
Pennywhistle
12
Flute, Violin, Piano
12
Tenor Recorder
11
Clarinette, Viola and Piano (trio)
11
Oboe, Bassoon (duet)
11
Flute (band part)
11
Clarinet, Bassoon (duet)
11
Flute, Bassoon, and Piano
8
Flute ensemble
8
Flute, harp and violin
8
Flute, Cello, Piano (trio)
7
Flute, Oboe, Bassoon
7
Recorder Ensemble
6
Flute Quintet : 5 flutes
6
Flute, Clarinet, Horn and Bassoon (Quartet)
6
Saxophone, Clarinet (duet)
6
Bass Clarinet, Piano
6
Clarinet Quintet: 5 clarinets
6
Clarinet, Guitar (duet)
5
Eb Instruments
5
Piccolo, Piano
5
Treble (Alto) Recorder, Piano
5
Flute, Oboe, Piano (trio)
4
Flute, Violoncello
4
Clarinet (band part)
4
Bass Clarinet
4
Flute, Trombone (duet)
4
Oboe, Trumpet (duet)
4
Clarinet, Trombone (duet)
4
Saxophone, Violin (duet)
4
Clarinet, Cello, Piano (trio)
4
Flute, Violin, Violoncello and Piano
4
2 Flutes, Piano
4
3 Recorders (trio)
3
English Horn, Guitar (duet)
3
Oboe, Violin, Piano
3
Saxophone and Guitar
3
Clarinet, Cello (duet)
3
Ocarina
3
Clarinet, Trumpet (duet)
2
Flute, Saxophone (duet)
2
Oboe, Guitar (duet)
2
Descent (Soprano) Recorder, Piano
2
2 English horns and Pianoforte
2
Flute, Viola and Piano
2
Oboe and viola (duet)
2
Oboe, Cello
2
Flute, Violin, Guitar
2
3 Oboes
2
Oboe, Clarinet, Bassoon (trio)
2
2 Oboes, Piano
2
Piccolo
2
Clarinet Quintet: Clarinet, String Quartet
1
Oboe, Bassoon and Piano
1
Oboe, Clarinet and Piano (Trio)
1
Oboe, Cello and Piano
1
4 Oboes
1
Saxophone
1
Bagpipe
1
Flute, Violin and Violoncello
1
Flute, Oboe, Violin
1
Flute, Oboe, Clarinet (trio)
1
Clarinet and Viola
1
Flute, Clarinet, Piano (trio)
1
Saxophone and Piano
1
Clarinet, Bassoon, Piano (trio)
1
Clarinet, trumpet and piano
1
+ 114 instrumentations
-
Retract
Woodbrass
Trumpet, Piano
760
Trumpet
627
French Horn and Piano
607
Trombone
465
French horn
429
Trombone and Piano
353
English horn, Piano
342
Tuba
249
Brass Quintet: 2 trumpets, horn, trombone, tuba
236
Tuba and Piano
213
Brass quartet : 2 trumpets, trombone, tuba
177
2 Trumpets (duet)
110
2 Trombones (duet)
103
2 French horns (duet)
101
Brass Quartet
94
Trumpet, Trombone (duet)
77
Trumpet (band part)
72
Trumpet, Horn (duert)
61
2 Tubas (duet)
61
Brass Quartet: 2 trumpets, horn, trombone
37
Trombone (band part)
28
English Horn
25
Euphonium
21
Tuba and Organ
17
Trombone, cello (duet)
15
Euphonium, Piano (duet)
15
Brass Trio
13
Trombone, Tuba (duet)
12
Brass Quartet: 4 trombones
12
Trumpet, Saxophone (duet)
10
Trumpet and Guitar
7
Trombone ensemble
7
Bb Instruments
5
Brass Quartet: 4 horns
5
French horn (band part)
5
Trumpet ensemble
5
Trombone, Horn (duet)
5
Bass Trombone
5
3 Trombones (trio)
5
Trumpet, violin (duet)
4
Bass Clef Instruments
4
Tuba (band part)
4
English Horn, Guitar (duet)
3
Trumpet, Cello, Piano
3
Trumpet, Tuba (duet)
3
Horn, Cello (duet)
3
2 Trumpets, Keyboard (piano or organ)
3
Euphonium, Tuba (duet)
2
3 Trumpets (trio)
2
Trombone, Violin (duet)
2
2 English horns and Pianoforte
2
Brass Quartet: 4 trumpets
2
Trumpet, Bassoon (duet)
2
Bass Trombone and Piano
2
Horn, Tuba (duet)
2
2 French horns, Piano
2
Horn and Organ
1
3 Euphoniums
1
2 Trombones, Piano
1
2 Euphoniums (duet)
1
Trumpet, Trombone, Piano
1
+ 56 instrumentations
-
Retract
Strings
Violin and Piano
1,321
Viola, Piano
970
Cello, Piano
950
Violin
878
Cello
682
Viola
560
String Quartet: 2 violins, viola, cello
481
Double Bass
261
String Quintet: 2 violins, viola, cello, bass
248
Double bass, Piano (duet)
205
Harp
192
Viola (band part)
158
2 Violins (duet)
148
Violin, Cello (duet)
141
2 Cellos (duet)
135
Violin, Viola (duet)
129
2 Violas (duet)
113
2 Double basses (duet)
56
String Trio: 2 violins, cello
51
Piano Trio: Violin, Viola, Piano
43
Viola, Cello (duet)
35
String Trio: violin, viola, cello
26
String Quintet: 2 violins, viola, 2 cellos
21
Violin, Guitar (duet)
20
String Trio: 3 violins
10
4 Cellos
10
Cello, Guitar (duet)
8
2 Cellos, Piano
6
String Trio: 3 violas
5
Viola and Bassoon
5
String Trio: 3 cellos
5
2 Harps (duet)
5
Harp, Flute (duet)
4
2 Violins, Piano
4
String quartet: 4 violins
4
Doublebass (band part)
4
Viola, Guitar (duet)
4
String Quartet : 4 violas
4
String Trio: 2 violins, viola
4
Harp, Voice
3
2 Violas, Piano
3
Violin ensemble
3
Violin, Clarinet, Piano (trio)
3
Violin (band part)
3
Cello, String Bass (duet)
3
3 double basses
2
Cello (band part)
2
Violin, Trumpet and Piano
2
String trio
2
Viola ensemble
2
Harp, Violin (duet)
2
Autoharp
2
Violin, Bassoon (duet)
2
Harp, Violin, Violoncello
1
String Quintet: 2 violins, 2 violas, cello
1
Harp and Piano
1
+ 51 instrumentations
-
Retract
Orchestra & Percussion
Concert band
202
String Orchestra
120
Jazz Ensemble
114
Handbells
103
Orchestra
58
Jazz combo
50
Brass ensemble
43
Marching band
29
Drums
24
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
24
Xylophone, Piano
13
Xylophone
11
Marimba
10
Chamber Orchestra
10
Percussion Ensemble
8
Vibraphone
6
Drum (band part)
3
2 Xylophones
2
Percussion (band part)
2
Piano and Orchestra
1
Vibraphone and Marimba
1
Percussion
1
+ 17 instrumentations
-
Retract
Others
Music Theory
1
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10 sheet music found
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1
In Dulci Jubilo - family band
#
Chamber Orchestra
#
Traditional
#
Sophia Johanna
#
In Dulci Jubilo - family band
#
Sophia Transistor
#
SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and p...
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Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. Sophia Transistor #3684543. Published by Sophia Transistor (A0.851122). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. Thisarrangement of the german traditional chistmas church song In Dulci Jubilo (In Sweet Rejoicing) offers several parts for many variableinstruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decentvocal scores with the original german lyrics and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in english and in german); 3 verses for each language - solo instruments in C (violin, flute,etc.); quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumsYouTube Play Along: https://youtu.be/G4I5bI43wAIGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns dochwas zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... DiesesArrangement des Weihnachtsklassikers In Dulci Jubilo (nun singet und seid froh!) beinhaltet Noten für die gängigstenHausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert undden Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt: -Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf Englisch undauf Deutsch); jeweils 6 Strophen - Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mitBassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - SchlagwerkViel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put togetherad libitum. All parts are matching, can be combined or played alone.traditional german christmas church songarranged by Sophia Johannafor family band2018 Holiday Contest Entry Public Domain Instrumental
$4.99
Boccherini 1788 Fandango Chamber Orchestra Piano Score and Part
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Chamber Orchestra
#
INTERMEDIATE
#
Classical
#
Rainer's Rainbow
#
R G Roth
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Boccherini 1788 Fandango Chamb
#
Rainer's Rainbow
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1291636 By Rainer's Rainbow. By Luigi Boccherini 1743-1805. Arranged by R G Roth. 19th Century,20t...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1291636 By Rainer's Rainbow. By Luigi Boccherini 1743-1805. Arranged by R G Roth. 19th Century,20th Century,Baroque,Classical,Romantic Period. Score and Parts. 101 pages. Rainer's Rainbow #882259. Published by Rainer's Rainbow (A0.1291636). Boccherini wrote his Fandango for Guitar and String Quartet in 1788. It has been arranged here for Piano and Strings instead of the Guitar. This arrangement would work with just a string quartet, however an optional bass part has been added along with a percussion castanet part. This makes it suitable as a chamber orchestra piece. A full leadsheet with chords is also provided.
$14.99
Requiem
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Chamber Orchestra
#
Harald Weiss
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Requiem
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Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
When I Survey the Wondrous Cross - Orchestration
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Chamber Orchestra
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INTERMEDIATE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sa...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Shunk (when you're in a funk) - for Winds, Strings, and Timpani
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Chamber Orchestra
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INTERMEDIATE
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Scott L
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Includes score and all parts
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Shunk
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Posterity Plus Publishing
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1369199 By Scott L. Graham. By Scott L. Graham. 21st Century,Classical,Contemporary. 20 pages. Pos...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1369199 By Scott L. Graham. By Scott L. Graham. 21st Century,Classical,Contemporary. 20 pages. Posterity Plus Publishing #953544. Published by Posterity Plus Publishing (A0.1369199). Orchestral: for Violin I, Violin II, Viola, Violoncello, Flutes, Clarinets in Bb, Oboe, Bassoon, Contrabass, Trumpets in Bb, French Horns in F, and TimpaniDissonent rich polychords and haunting modal and atonal melodies depict the deep sighs of those moments when one struggles with the hand they have been dealt. The timpani represents the march of life. The horns along with the woodwinds reflect the turmoil that breaks into these contemplations. The viola give a throaty lyrical voice that soothes in the midst of the moans and yawns of the backdrop.A short work 3:30; Includes score and all parts.
$4.69
Bach BWV 1060 Concerto Oboe and Violin and Strings Score and Parts
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Rainer's Rainbow
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R G Roth
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Bach BWV 1060 Concerto Oboe an
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Rainer's Rainbow
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1037108 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Rom...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1037108 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Romantic Period,Standards,Traditional. Score and parts. 104 pages. Rainer's Rainbow #642078. Published by Rainer's Rainbow (A0.1037108). Bach wrote this concerto originally in the key of C minor and intended it for two harpsichords. It is arranged here for the more common instrumentation of Oboe and Violin. However it is offered in the key of D minor with a complete set of string parts and harpsichord accompaniment. It could be played with strings and just the Harpsichord part on piano as an accompaniment. Orchestra parts in D minor are hard to find.
$19.99
BH019REC - Recorder Quartet Songs, Book 19 (>70 pages)
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Chamber Orchestra
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INTERMEDIATE
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Carl Van Pevenage
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BH019REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921214 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 1...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.921214 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 120 pages. Carl Van Pevenage #4350311. Published by Carl Van Pevenage (A0.921214). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 181 Vibrant waves, tundering breakers and silent sand Chansonnette 182 Perfect chords Chansonnette 183 Who can fly without a friend Chansonnette 184 A little smile is the power to all Chansonnette 185 MotherhoodChansonnette 186 Get up and danceChansonnette 187 Pop song: Writing LoveChansonnette 188 A happy flowerChansonnette 189 Preparing for the weddingChansonnette 190 The voluntary service.
$9.95
Legacy for Chamber Orchestra
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Chamber Orchestra
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ADVANCED
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Pub...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
CH191POP - Chansonnette 191 - The Red Devils' Upbeat
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Chamber Orchestra
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INTERMEDIATE
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Carl Van Pevenage
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CH191POP - Chansonnette 191 -
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921192 Composed by Carl Van Pevenage. Pop,World. Score and parts. 38 pages. Carl Van Pevenage #356...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.921192 Composed by Carl Van Pevenage. Pop,World. Score and parts. 38 pages. Carl Van Pevenage #3562945. Published by Carl Van Pevenage (A0.921192). The Belgian Red Devils' Upbeat. A Pop song with football in mind.The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). The songs are written for piano or for recorder quartet. From time to time I enjoy arranging it for Orchestra or pop group. All parts included! This song is arranged for a pop group adding a small orchestra, however chords are added to easily adapt it for your ensemble.All sound is computer generated. Playing it, will bring the music to live.
$19.95
Rhythm Herd (4 sopranos, alto recorder)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Dominic McGonigal
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Rhythm Herd
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C8 Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.924066 Composed by Dominic McGonigal. Contemporary. Score and parts. 26 pages. C8 Music #4633311. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.924066 Composed by Dominic McGonigal. Contemporary. Score and parts. 26 pages. C8 Music #4633311. Published by C8 Music (A0.924066). Rhythm Herd is a celebration of rhythmic energy in words and music. Euan Tait's poem harnesses the stampede of whinnying horses, the crackle of the fire, thundering south and gives the singers the power of nature's forces. The four sopranos keep constant pulse passed between the voices as the quavers are herded into chords, melody, phrases and whole movements. Their warm tones are punctuated by riffs on the recorder, building up to an extended obbligato fughetta. Finally, the heart dissolves to ashes, the pulse of the sopranos slows, while the recorder maintains the rhythmic riffs, now in time with the human heart. Rhythm Herd was commissioned by Philomel and first performed by them on 24 November 2018.
$4.99
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