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Piano Quartet: piano, violin, viola, cello
Sheetmusic to print
7 sheet music found
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1
Max Bruch - Double Concerto in E minor, Op.88 arr. for piano quartet
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE/ADVANCED
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Max Bruch
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Maksym Kravchenko
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Max Bruch - Double Concerto in
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Julia Samarska
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.816441 Composed by Max Bruch. Arranged by Maksym Kravchenko. ...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.816441 Composed by Max Bruch. Arranged by Maksym Kravchenko. Concert,Romantic Period,Standards,World. Score and parts. 17 pages. Julia Samarska #6715983. Published by Julia Samarska (A0.816441). Max Bruch - Double Concerto in E minor, Op.88 re-arranged for piano quartet ensemble - piano, violin, viola, cello.
$50.00
Parallel Tracks
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE/ADVANCED
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
Luther: Out of the Depths for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instruct...
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
Wildest Dreams
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE
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Pop music
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Taylor Swift
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Wendy Hellmann
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Wildest Dreams
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Gwendolyn Hellmann
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SheetMusicPlus
Piano Quartet Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1243418 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift...
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Piano Quartet Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1243418 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Wendy Hellmann. Pop,Rock,Wedding. 22 pages. Gwendolyn Hellmann #838383. Published by Gwendolyn Hellmann (A0.1243418). This dream pop power ballad by Taylor Swift is arranged for Violin 1, Violin 2, Cello, and Piano. While Violin 1 takes over the melody with piano doubling in the chorus, Violin 2 harmonizes and Cello plays the heartbeat of the song. Each part is unique and engaging. This makes a great addition to cocktail hour event repertoire! The PDF download contains both a full score and a set of individual parts - Violin 1, Violin 2, Cello, and Piano. All string parts are formatted on 2 pages to avoid any page turns.
$12.99
Wildest Dreams
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE/ADVANCED
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Pop music
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Taylor Swift
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Wendy Hellmann
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Wildest Dreams
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Gwendolyn Hellmann
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1133121 By Taylor Swift. By Johan Schuster, Max Martin, Shell...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1133121 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Wendy Hellmann. Pop. Score and parts. 23 pages. Gwendolyn Hellmann #733282. Published by Gwendolyn Hellmann (A0.1133121). This dream pop power ballad by Taylor Swift is arranged for piano quartet - Violin, Viola, Cello, and Piano. While the violin takes over the melody with piano doubling in the chorus, viola harmonizes and cello plays the heartbeat of the song. Each part is unique and engaging. This makes a great addition to cocktail hour event repertoire! The PDF download contains both a full score and a set of individual parts - Violin, Viola, Cello, and Piano.
$12.99
Two Nocturnes
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Piano Quartet: piano, violin, viola, cello
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Sir Peter Maxwell Davies
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Two Nocturnes
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Schott Music - Digital
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SheetMusicPlus
Pno-vln.va.vc piano, violin, viola and cello - Digital Download SKU: S9.Q19143 For piano quartet. Composed by Sir Peter Maxwell Davies. This editi...
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Pno-vln.va.vc piano, violin, viola and cello - Digital Download SKU: S9.Q19143 For piano quartet. Composed by Sir Peter Maxwell Davies. This edition: score and parts. Downloadable, score and parts. Op. 307. Duration 5 minutes. Schott Music - Digital #Q19143. Published by Schott Music - Digital (S9.Q19143). The two nocturnes were composed immediately after major surgery, against a deadline, and, despite the music sounding unlike anything I have written before, I decided to keep them exactly as they turned out.2010 is a Chopin year, and I made this pair of nocturnes into a little tribute, after playing through and listening to most of his output. Never before had I composed under these drugged conditions – the musical dimensions were enormously exaggerated, with each interval and each phrase being elongated out of all proportion, and the whole few minutes filling the whole of time and space.The orchestration, for piano quartet, was influenced by the very neo-classical feel of the chamber version of the concertos, and the harmonic language very much the result of pondering Chopin’s very individual take on J.S Bach.They are dedicated to James MacMillan and Amelia Freedman respectively.Sir Peter Maxwell Davies (2010).
$12.99
In The Land of Wonder-Wander for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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In The Land of Wonder-Wander f
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Sy Brandon
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.755009 Composed by Sy Brandon. 20th Century,Contemporary. Sco...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.755009 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 49 pages. Sy Brandon #3239669. Published by Sy Brandon (A0.755009). In The Land of Wonder-Wander attempts to capture the essence of both Maxfield Parrish’s illustration and Eugene Fields’ poem The Dinkey-Bird. Both the painting and the poem create the feeling of a magical place where beauty, joy and pleasure abound. It is a mysterious place, perhaps as occurring in a dream, yet a place where one does not wish to leave. In The Land of Wonder-Wander begins quietly with vague tonality and sparse instrumentation as it transports the listener into this mystical land. As the tempo becomes stricter and the instrumentation fuller, the beauty of this place is apparent. A change to a triple meter and a faster tempo creates a joyous and wondrous section as there are many sweet treats growing to satisfy the soul. Children scampering and playing are represented by an allegro section with playful melodies and slight dissonance. The Dinkey Bird becomes the focus of the next section, which uses a staccato motif surrounded by rapid scales and arpeggios. These ideas build in intensity, expressing the wonder and beauty of this far away land, until they begin to fade away as the land recedes into the sea. A last flourish occurs as if one is trying to hold on to the experience before one wakes up from this marvelous dream.
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