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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Can be
Not classified
10,909
Piano & keyboards
Piano solo
8,655
Piano, Voice
4,102
Big Note Piano
3,314
Organ
2,092
Easy Piano
1,806
Piano, Vocal and Guitar
1,154
C Instruments
546
1 Piano, 4 hands
264
Piano Accompaniment
198
Piano Trio: piano, violin, cello
69
2 Pianos, 4 hands
66
Accordion
65
Keyboard
60
Piano Quartet: piano, 2 violins, cello
33
Organ, Trumpet (duet)
18
Piano (band part)
17
Organ, Piano (duet)
16
Piano Quintet: piano, 2 violins, viola, cello
15
Piano Quartet: piano, violin, viola, cello
15
Harpsichord
6
Melody line, Piano
5
2 Pianos, 8 hands
4
Accordion ensemble
1
Piano ensembles
1
Accordion, String(s)
1
+ 20 instrumentations
-
Retract
Guitars
Guitar
546
Guitar notes and tablatures
461
Ukulele
173
Melody line, (Lyrics) and Chords
128
Piano, Guitar (duet)
125
Bass guitar
97
2 Guitars (duet)
47
Lyrics and Chords
41
4 Guitars (Quartet)
35
Guitar (band part)
33
Mandolin
33
Dulcimer
32
Banjo
30
Guitar Ensemble
15
3 Guitars (trio)
12
2 Dulcimers (duet)
6
Dobro
4
Mandolin, Guitar (duet)
3
2 Mandolins (duet)
2
Baritone Ukulele
1
+ 15 instrumentations
-
Retract
Voice
Choral SATB
3,968
Choral 2-part
1,998
Choral 3-part
1,280
Vocal duet, Piano
824
Choral Unison
814
Choral TTBB
335
Vocal duet
328
Choral SSAA
213
High voice
97
Voice solo
88
Soprano voice, Piano
48
Alto voice, Piano
47
Choral Instrumental Pak
34
Medium voice, Piano
28
Baritone voice, Piano
15
Tenor voice
13
Choral
12
Tenor voice, Piano
9
Low voice
8
Low voice, Piano
5
Choral SSAATTBB
4
Mezzo-Soprano voice, Piano
3
Choral SSATTB
2
Soprano voice
2
Choral SSATB
2
Choral SATBB
2
Soli, Mixted choir and accompaniment
2
Choral SAATB A Cappella
1
Voice, Guitar
1
Choral SATTBB A Cappella
1
Choral SSAB a cappella
1
+ 26 instrumentations
-
Retract
Woodwind
Flute and Piano
704
2 Saxophones (duet)
563
Clarinet and Piano
516
Saxophone Quartet: 4 saxophones
493
Oboe, Piano (duet)
447
Alto Saxophone and Piano
418
Tenor Saxophone and Piano
388
Clarinet Quartet: 4 clarinets
376
Flute
370
Flute, Oboe, Clarinet, Bassoon
342
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
331
Clarinet
330
2 Clarinets (duet)
295
2 Flutes (duet)
268
Soprano Saxophone and Piano
250
Saxophone (band part)
249
3 Saxophones (trio)
208
Alto Saxophone
195
Saxophone Quintet: 5 Saxophones
193
Tenor Saxophone
185
3 Clarinets (trio)
179
Saxophone
157
Flute Quartet: 4 flutes
138
Clarinet Ensemble
135
Oboe (band part)
128
Flute, Clarinet (duet)
125
Flute ensemble
107
2 Recorders (duet)
103
Saxophone, Clarinet (duet)
96
Flute Trio: 3 flutes
94
2 Oboes (duet)
89
Baritone Saxophone, Piano
83
Saxophone ensemble
82
Clarinet, Violin (duet)
72
English horn, Piano
66
Clarinet, Trumpet (duet)
60
Clarinet Quintet: 5 clarinets
60
Flute, Violin and Violoncello
56
Flute, Violin
54
Flute, Oboe, Clarinet (trio)
54
Flute Quintet : 5 flutes
54
Flute and Guitar
53
Oboe, Bassoon (duet)
53
Descant (Soprano) Recorder
52
Recorder
52
Oboe, Flute
43
Flute, Harp and Cello
41
Recorder Quartet
41
Oboe, Clarinet (duet)
40
Clarinet (band part)
39
Flute, Clarinet and Bassoon.
39
Flute, Oboe, Bassoon
38
Soprano Saxophone
36
Flute, Saxophone (duet)
34
English Horn
33
Flute, Violin, Piano
32
Clarinet and Viola
32
Flute, Trumpet (duet)
30
Flute, Viola (duet)
30
Oboe, Clarinet, Bassoon (trio)
28
2 Clarinets, Bassoon
25
Flute (band part)
24
Clarinet, Guitar (duet)
24
Flute, Violoncello
21
Oboe
21
Treble (Alto) Recorder
21
Bass Clarinet, Piano
20
Clarinet, Bassoon (duet)
20
3 Recorders (trio)
20
Clarinet, Harp (duet)
18
5 Recorders
17
Baritone Saxophone
16
4 Oboes
13
Ocarina
12
Descent (Soprano) Recorder, Piano
12
Harmonica
12
Recorder Ensemble
11
Clarinet, Trombone (duet)
10
Saxophone and Organ
10
Flute, Oboe (duet)
9
Flute, harp and violin
9
Tenor Recorder
9
3 Oboes
8
Oboe, Guitar (duet)
8
Flute, Cello, Piano (trio)
8
Piccolo, Piano
8
Oboe ensemble
6
2 Clarinets, Piano
6
Flute, Clarinet, Piano (trio)
6
Treble (Alto) Recorder, Piano
6
2 Flutes, Piano
5
Clarinet, Cello (duet)
4
English Horn, Guitar (duet)
4
Flute, Trombone (duet)
4
Saxophone and Guitar
4
2 English horns and Pianoforte
4
Eb Instruments
4
Flute, Oboe, Piano (trio)
4
Clarinet, Cello, Piano (trio)
4
Flute, Organ (duet)
3
Flute, Violin, Violoncello and Piano
3
Flute, Basso continuo
3
Clarinet Quintet: Clarinet, String Quartet
3
Flute and Strings Trio
3
2 Saxophones, Piano
3
Saxophone, Violin (duet)
2
Clarinet, Organ
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Oboe, Clarinet and Piano (Trio)
2
Flute, French horn (duet)
2
Oboe, Bassoon and Piano
2
2 Oboes, Piano
2
Oboe, Cello
2
Piccolo
2
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Melodica
1
Bass Clarinet
1
Descant (Soprano) Recorder, Basso continuo
1
2 Flutes and Harp
1
Pennywhistle
1
Clarinet, Double bass (duet)
1
Clarinet, Orchestra
1
Flute and String Quartet
1
Saxophone and Harp
1
Recorder, Piano
1
Recorder, Harp
1
Flute, Bassoon, and Piano
1
Clarinet, Tuba
1
Harmonica, Piano
1
Flute, Clarinet, Violin (trio)
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Treble (Alto) Recorder, Basso continuo
1
Wind ensemble
1
Flute, Viola and harp
1
Oboe, Harp
1
Oboe, Violin (duet)
1
2 Oboes and Basson
1
Recorder, Guitar (duet)
1
Flute, Viola and Piano
1
+ 134 instrumentations
-
Retract
Woodbrass
Trumpet, Piano
475
Trombone and Piano
458
Brass Quintet: 2 trumpets, horn, trombone, tuba
450
Trumpet
382
French Horn and Piano
281
Trombone
273
Brass quartet : 2 trumpets, trombone, tuba
221
2 Trombones (duet)
179
2 Trumpets (duet)
178
French horn
135
Tuba and Piano
117
Trumpet (band part)
116
Brass Quartet: 2 trumpets, horn, trombone
115
Brass Quartet: 4 trombones
113
Trombone (band part)
104
Tuba
104
Trumpet, Trombone (duet)
89
Brass Quartet
86
2 French horns (duet)
78
Trumpet, Saxophone (duet)
71
English horn, Piano
66
Trumpet ensemble
59
Euphonium, Piano (duet)
58
Trombone ensemble
54
2 Tubas (duet)
53
Trumpet, Horn (duert)
50
Brass Quartet: 4 horns
49
Euphonium
40
English Horn
33
French horn (band part)
32
2 Euphoniums and 2 Tubas
26
Horn Ensemble
26
Brass Quartet: 4 trumpets
25
Tuba (band part)
23
3 Trombones (trio)
23
4 Tubas
21
Euphonium, Tuba (duet)
19
2 Euphoniums (duet)
17
Brass Trio
9
Trombone, Tuba (duet)
9
3 Tubas (trio)
8
Trombone, Horn (duet)
8
Trombone, Organ
7
Tuba and Organ
7
3 Trumpets (trio)
7
Bass Clef Instruments
6
Trumpet, violin (duet)
6
Brass Quintet: 2 trumpets, horn, 2 trombones
6
3 French horns (trio)
6
Bass Trombone
5
Trumpet, Tuba (duet)
5
Brass Quartet: 2 trumpets, 2 trombones
5
Trumpet and Guitar
4
English Horn, Guitar (duet)
4
2 English horns and Pianoforte
4
Bb Instruments
4
Horn and Organ
3
Trumpet, Trombone, Piano
3
Bass Trombone and Piano
3
Trombone and Orchestra
2
2 Trombones, Piano
2
Trumpet, Cello (duet)
2
Clarinet, Horn (duet)
2
F Instruments
1
Horn, Tuba (duet)
1
Horn, Trumpet, Trombone (trio)
1
Tuba ensemble
1
2 French horns, Piano
1
Cornet and Orchestra
1
Horn, Cello (duet)
1
French Horn and Harp
1
2 Trumpets, Keyboard (piano or organ)
1
Trumpet, Harp
1
+ 68 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,468
Violin and Piano
863
Violin
611
Cello, Piano
518
Harp
490
Violin, Cello (duet)
463
Viola, Piano
453
String Trio: violin, viola, cello
356
Cello
331
2 Violins (duet)
228
2 Cellos (duet)
173
Viola
161
2 Harps (duet)
161
Violin, Viola (duet)
159
Harp, Violin (duet)
123
Harp, Flute (duet)
123
String Trio: 2 violins, cello
119
2 Violas (duet)
117
String Quintet: 2 violins, viola, cello, bass
99
Double bass, Piano (duet)
83
Double Bass
79
Violin (band part)
71
Viola (band part)
64
Piano Trio: Violin, Viola, Piano
59
String Trio: 3 violins
59
Violin, Guitar (duet)
54
Doublebass (band part)
50
Harp and Piano
42
4 Cellos
40
String Trio: 3 cellos
37
Viola, Cello (duet)
36
2 Double basses (duet)
31
String quartet: 4 violins
29
Cello, Guitar (duet)
28
String Trio: 3 violas
26
Cello, String Bass (duet)
20
String Trio: 2 violins, viola
13
Harp, Voice
13
String Quartet : 4 violas
11
Cello (band part)
10
Harp, Cello (duet)
9
Violin ensemble
9
Cello, Organ
9
String Quintet: 2 violins, 2 violas, cello
8
Viola and Harp
7
Flute, Doublebass (duet)
7
Viola ensemble
7
4 Double Basses
6
2 Violins, Piano
5
Violin, Organ
5
3 Harps
4
Viola, Guitar (duet)
4
Violoncello, Basso continuo
4
2 Violas, Piano
3
Cello Ensemble
3
Viola, Organ
3
Harp, Violin, Violoncello
3
Violin, Bassoon (duet)
3
Viola and Bassoon
2
Autoharp
2
String Quintet: 2 violins, viola, 2 cellos
2
Violin, Clarinet, Piano (trio)
2
5 Harps
2
4 Harps
1
2 Cellos, Piano
1
Cello, Orchestra
1
Harp and mandolin
1
Violin, Basso continuo
1
+ 63 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,797
String Orchestra
814
Orchestra
679
Jazz Ensemble
677
Handbells
559
Brass ensemble
455
Chamber Orchestra
351
Jazz combo
179
Percussion Ensemble
171
Drums
166
Marching band
83
Marimba
55
Vibraphone
34
Percussion (band part)
25
Drum (band part)
18
School Ensemble
6
Xylophone
5
Piano and Orchestra
4
Percussion
3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
3
3 Marimbas
3
Orchestra, Violin
3
Xylophone, Piano
3
Woodwind Quintet
2
Marimba, Piano (duet)
1
Vibraphone and Marimba
1
Voice and Orchestra
1
2 Xylophones
1
Brass Quintet: other combinaisons
1
Flexible Instrumentation
1
+ 25 instrumentations
-
Retract
Others
Musical course - Solfege
9
Music Theory
2
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--INSTRUMENTS--
ACCORDION
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CHORAL - VOCAL…
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Piano Quartet: piano, violin, viola, cello
Sheetmusic to print
15 sheet music found
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1
Can You Feel The Love Tonight
#
Piano Quartet: piano, violin, viola, cello
#
INTERMEDIATE
#
Walt Disney
#
Brett Allen, Christopher Kevin
#
Dico
#
Can You Feel The Love Tonight
#
Dico
#
SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.842899 Composed by Brett Allen, Christopher Kevin Willis, Gra...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.842899 Composed by Brett Allen, Christopher Kevin Willis, Graham Mcmillan Wilson, Ian Levine, James Todman, John Robinson Reid, Nigel Stock, and Ronald Haryanto. Arranged by Dico. Film/TV,Pop,Wedding. Score and parts. 14 pages. Dico #6342341. Published by Dico (A0.842899). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.CAN YOU FEEL THE LOVE TONIGHT - Multi-award winning song (Oscar, Golden Globe and Grammy), main theme of the film The Lion King, arranged for flexible harp/piano quartet:- Part 1: Flute (Violin | Oboe | Clarinet | Sop sax)- Harp (Piano)- Part 2: Violin (Viola)- Cello
$20.00
Nocturne for Clarinet, Violin, Cello & Piano
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Piano Quartet: piano, violin, viola, cello
#
ADVANCED
#
Eugene Astapov
#
Nocturne for Clarinet, Violin,
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EAMUSIC
#
SheetMusicPlus
Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EA...
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Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as “noctilucence†and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we don’t get many summer days, that is why this occurrence is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopin’s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries. The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano. Duration is approximately 9 minutes.
$20.00
Parallel Tracks
#
Piano Quartet: piano, violin, viola, cello
#
INTERMEDIATE/ADVANCED
#
Terry Vosbein
#
Parallel Tracks
#
Max Frank Music
#
SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. ...
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
The Swan (C. Saint-Saëns) - String quartet with piano - Score and parts
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Piano Quartet: piano, violin, viola, cello
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EASY
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André Alberto Santos
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André Alberto Santos
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The Swan
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Soul - Musical Creations
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1181088 By André Alberto Santos. By Camille Saint-Saens. Arranged by Andr...
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Piano Quartet Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1181088 By André Alberto Santos. By Camille Saint-Saens. Arranged by André Alberto Santos. Chamber,Classical,Film/TV,Romantic Period,Wedding. 17 pages. Soul - Musical Creations #780921. Published by Soul - Musical Creations (A0.1181088). If you're looking for music that can touch your heart directly, the sheet music The Swan by Camille Saint-Saëns is exactly what you need. This masterpiece of classical music is one of the most beautiful and moving pieces ever written.With its soft and enveloping melody, The Swan is able to calm the mood and relax the mind, providing a moment of peace and tranquility. Its arrangement is simple and elegant, which makes this piece accessible to beginners and experienced players alike.Additionally, The Swan is a versatile piece that can be played on a variety of instruments, including violin, piano, and cello. This means that, regardless of your instrument, you can enjoy the beauty and depth of this timeless music.If you're new to The Swan by Camille Saint-Saëns, it's time to give it a try and find out why it's one of the most popular pieces in classical music. Buy the sheet music now and start exploring the beauty and emotion of this unforgettable masterpiece.
$12.99
All Of Me
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE
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John Legend
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Wendy Hellmann
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All Of Me
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Gwendolyn Hellmann
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SheetMusicPlus
Piano Quartet Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1243257 By John Legend. By John Stephens and Toby Gad. Arranged by Wendy Hellmann. ...
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Piano Quartet Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1243257 By John Legend. By John Stephens and Toby Gad. Arranged by Wendy Hellmann. Pop,Soul,Wedding. 19 pages. Gwendolyn Hellmann #838270. Published by Gwendolyn Hellmann (A0.1243257). This arrangement of All of Me as performed by John Legend is for Violin 1, Violin 2, Cello, and Piano. Perfect for weddings and cocktail hour events. Both violin parts can be done entirely in 1st position, and the opening verse prominently features Violin 2. Written with 3 sharps. Â The PDF download contains a full score and all four individual parts - Violin 1, Violin 2, Cello, and Piano. All string parts are formatted on 2 pages to avoid page turns.
$12.99
Conductor's Score: 12 Variations of Twinkle, Twinkle, Little Star by Mozart arr. for piano quartet
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Piano Quartet: piano, violin, viola, cello
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EASY
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Classical
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Wolfgang Amadeus Mozart
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Lauri Hämäläinen
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Conductor's Score: 12 Variatio
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Suomi Music
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SheetMusicPlus
Small Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.885848 Composed by Wolfgang Amadeus Mozart. Arranged by Lauri HämälÃ...
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Small Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.885848 Composed by Wolfgang Amadeus Mozart. Arranged by Lauri Hämäläinen. Classical,Instructional,Standards. Score and parts. 32 pages. Suomi Music #4330971. Published by Suomi Music (A0.885848). Conductors' Score to Twinkle, Twinkle, Little Star by Mozart arranged for piano quartet (violin, viola, cello, piano).Between 1781-1782 Mozart wrote 12 variations on the theme Ah vous dirai-je, Maman for piano. This publication by Violin Friends is an arrangement of his composition for a piano quartet. The individual parts can be played by a junior string orchestra or an intermediate level string trio, but the piano part requires an advanced player especially in the last variations.The arrangement gives the opportunity for school orchestras to perform the arrangement with 12 different piano students from beginner to advanced levels.
$9.99
All Of Me
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE
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John Legend
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Wendy Hellmann
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All Of Me
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Gwendolyn Hellmann
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1048561 By John Legend. By John Stephens and Toby Gad. Arrang...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1048561 By John Legend. By John Stephens and Toby Gad. Arranged by Wendy Hellmann. Pop,Wedding. Score and parts. 19 pages. Gwendolyn Hellmann #652967. Published by Gwendolyn Hellmann (A0.1048561). This arrangement of All of Me as performed by John Legend is for piano and traditional string trio (violin, viola, and cello.) Perfect for weddings or cocktail hour events. The violin part can be done entirely in 1st position, and the opening verse prominently features the viola. Written with 3 sharps. The PDF download contains a full score and all four individual parts, Piano, Violin, Viola, and Cello.
$13.99
Jingle Bells for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE
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Christmas
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3...
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Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
Away In A Manger for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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BEGINNER
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Christmas
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger for Piano Qua
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. ...
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Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Luther: Out of the Depths for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instruct...
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
Funny Like a Monkey for piano quartet
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Piano Quartet: piano, violin, viola, cello
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ADVANCED
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Contemporary
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Robert M
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Funny Like a Monkey for piano
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Robert M. Greenberg
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 10...
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
The First Noel for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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BEGINNER
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Christmas
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Pu...
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Piano Quartet - Level 1 - Digital Download SKU: A0.548639 Composed by Traditional. Arranged by James M. Guthrie. Christmas. 10 pages. Jmsgu3 #3406037. Published by jmsgu3 (A0.548639). The First Nowell arranged for Piano Quartet featuring a thought-provoking re-harmonization of the final verse.OriginsThe First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is an everyday variation. Furthermore, Noel is an older word meaning “Christmas.†Therefore, “the First Noel†translates as “the First Christmas.†First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the “Carols Ancient and Modern†songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert revised and added the familiar extra verses. The First Noel: Piano Quartet Version brings new harmony in the final verse for more energy and drive.StainerOrganist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s. Stainer is, above all, famous for his songbook entitled Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol. Other favorite Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships.Diatonic FunctionThe melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three words of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends.Political ContextThe Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk melodies were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
O Come All Ye Faithful for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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BEGINNER
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Christmas
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Pub...
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Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
The First Noel for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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EASY
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Christmas
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Traditional
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James M
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The First Noel for Piano Quart
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jms...
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Piano Quartet - Level 2 - Digital Download SKU: A0.549902 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 6 pages. Jmsgu3 #3685135. Published by jmsgu3 (A0.549902). Score: 3 pages, String parts 1 page each. The First Noel arranged for Alto Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Piano Quartet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Jesus, The Very Thought of Thee
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Piano Quartet: piano, violin, viola, cello
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Classical
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Michael Hardey, Brigham Welch
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Jesus, The Very Thought of The
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Hardey and Welch Music
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SheetMusicPlus
Arranged by Michael Hardey, Brigham Welch. 6 pages. Published by Hardey and Welch Music (S0.239307). - - - Hardey and Welch Music...
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Arranged by Michael Hardey, Brigham Welch. 6 pages. Published by Hardey and Welch Music (S0.239307). - - - Hardey and Welch Music
Michael Hardey and Brigham Welch are excited to provide you with this simple arrangement of "Jesus, The Very Thought of Thee." This arrangement will be sure to bring a simple yet emotional spirit into your audience. More sheet music can be found on sheet music plus or at their website - http://hardeyandwelch.com.
$9.99
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