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Lee S
Piano Quartet: piano, violin, viola, cello
Sheetmusic to print
4 sheet music found
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God Bless The U.s.a.
Piano Quartet: piano, violin, viola, cello
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Digital Download SKU: A0.85748…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Digital Download SKU: A0.857486 By American Idol Finalists. By Lee Greenwood. Arranged by Nancy Frese Tabb. Country,Patriotic,Pop,Praise & Worship. Score and parts. 19 pages. Nancy Frese Tabb #463984. Published by Nancy Frese Tabb (A0.857486). This timely arrangement of God Bless the USA by Lee Greenwood is arranged as a Piano Quartet featuring Violin, Viola, Cello and Piano. The parts are easy to master and this piece is great for any patriotic gathering or church service.
$12.99
11.77 €
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Piano Quartet: piano, violin, viola, cello
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American Idol Finalists
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God Bless The U.s.a.
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Nancy Frese Tabb
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SheetMusicPlus
Spring From Vivaldi's "Four Seasons"
Piano Quartet: piano, violin, viola, cello
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.901045 Composed by Antonio Vivaldi. Arranged by LeeAngelo Rush. Baroque. Score and parts. 3 pages. LeeAngelo Rush #3879763. Published by LeeAngelo Rush (A0.901045).
$9.99
9.05 €
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Piano Quartet: piano, violin, viola, cello
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Antonio Vivaldi
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Spring From Vivaldi's "Four Seasons"
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LeeAngelo Rush
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SheetMusicPlus
Away In A Manger for Piano Quartet
Piano Quartet: piano, violin, viola, cello
Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arra…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548636 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405937. Published by jmsgu3 (A0.548636). Arranged with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered to be American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as “Mueller.†Nobody knows who this “Mueller†is, but the name stuck. PopularityBy the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home.Other musical settingsThe first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
22.6 €
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Piano Quartet: piano, violin, viola, cello
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the 1880’s the cradle song was being performed in church
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Mueller
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Away In A Manger for Piano Quartet
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jmsgu3
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SheetMusicPlus
Parallel Tracks
Piano Quartet: piano, violin, viola, cello
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.11 €
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Piano Quartet: piano, violin, viola, cello
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
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