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MIGHT
Piano Quartet: piano, violin, viola, cello
Sheetmusic to print
4 sheet music found
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1
Holy, Holy, Holy! Lord God Almighty, for Violin, Viola, Cello and Piano
Piano Quartet: piano, violin, viola, cello
Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1352605 Composed by J…
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Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1352605 Composed by John Bacchus Dykes. Arranged by Cindy Blevins. Christian,Praise & Worship. 11 pages. Cindy Blevins #937397. Published by Cindy Blevins (A0.1352605). This is a beautiful, playable arrangement for violin, viola, cello and piano. You receive the score and the separate parts.
$7.99
7.37 €
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Piano Quartet: piano, violin, viola, cello
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John Bacchus Dykes
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Holy, Holy, Holy! Lord God Almighty, for Violin, Viola, Cello and Piano
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Cindy Blevins
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SheetMusicPlus
I Sing the Mighty Power Of God, for Violin, Viola, Cello and Piano
Piano Quartet: piano, violin, viola, cello
Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1353172 Composed by W…
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Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1353172 Composed by Wurrtemberg. Arranged by Cindy Blevins. Christian,Praise & Worship. 12 pages. Cindy Blevins #937971. Published by Cindy Blevins (A0.1353172). This is a beautiful, playable arrangement for violin, viola, cello and piano. You receive the score and the separate parts.
$7.99
7.37 €
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Piano Quartet: piano, violin, viola, cello
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Wurrtemberg
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I Sing the Mighty Power Of God, for Violin, Viola, Cello and Piano
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Cindy Blevins
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SheetMusicPlus
Funny Like a Monkey for piano quartet
Piano Quartet: piano, violin, viola, cello
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
33.23 €
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Piano Quartet: piano, violin, viola, cello
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Robert M
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Funny Like a Monkey for piano quartet
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Robert M. Greenberg
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SheetMusicPlus
Parallel Tracks
Piano Quartet: piano, violin, viola, cello
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.45 €
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Piano Quartet: piano, violin, viola, cello
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
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