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You've selected:
Alan E
Cello
Sheetmusic to print
6 sheet music found
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1
Faded
Cello
Cello Solo - Level 1 - Digital Download SKU: A0.821975 By Alan Walker. By Alan Walk…
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Cello Solo - Level 1 - Digital Download SKU: A0.821975 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Willem Aarts. Contemporary. Individual part. 2 pages. Willem Aarts #5982941. Published by Willem Aarts (A0.821975). Faded by Alan Walker - Sheet music for cello.Website: www.wa-music.nl E-mail: info@wa-music.nl SheetMusicPlus: https://www.sheetmusicplus.com/publishers/willem-aarts-sheet-music/3004231 YouTube: https://www.youtube.com/channel/UCNmXzZjD-NTFr9QQ22t0SkQ
$4.99
4.49 €
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Cello
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Alan Walker
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Faded
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Willem Aarts
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SheetMusicPlus
Under The Sea
Cello
Cello Solo - Level 3 - Digital Download SKU: A0.593917 Composed by Alan Menken. Arr…
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Cello Solo - Level 3 - Digital Download SKU: A0.593917 Composed by Alan Menken. Arranged by David McKeown. Broadway,Contemporary,Film/TV,Multicultural,Musical/Show,World. Individual part. 4 pages. David McKeown #6504015. Published by David McKeown (A0.593917). Under the Sea is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a solo for Cello with chord symbols for piano or guitar accompaniment. Click on the YouTube link above to listen to a full performance of this arrangement played on Clarinet.Written by Howard Ashman and Alan Menken and sung by Samuel E. Wright, the character Sebastian the Crab tries to persuade Ariel not to leave the underwater realm. The calypso style Under the Sea was overshadowed by Part of Your World when the film was released, but later went on to win both an Oscar and a Grammy. Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach syncopated rhythms.
$4.99
4.49 €
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Cello
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Alan Menken
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Under The Sea
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David McKeown
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SheetMusicPlus
How Great Thou Art
Cello
Cello Solo - Level 2 - Digital Download SKU: A0.526310 By Alan. By Traditional Swed…
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Cello Solo - Level 2 - Digital Download SKU: A0.526310 By Alan. By Traditional Swedish Folk Tune. Arranged by Sarah Cellobat Chaffee. Praise & Worship,Traditional. Individual part. 1 pages. Sarah Cellobat Chaffee #6444187. Published by Sarah Cellobat Chaffee (A0.526310). How Great Thou Art is a popular hymn that originated as a poem set to a traditional Swedish folk melody, that English missionary Stuart K. Hine then translated and modified. Christianity Today magazine has ranked it as #2 of the Favorite Hymns of All Time, so you can't go wrong having this one in your gig books! I originally wrote this solo cello arrangement to play for a Christian funeral, but it will also be perfect for church services or any other occasion you need some soul-stirring worship music. Rated early-intermediate; this will be easily playable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$6.99
6.29 €
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Cello
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Alan
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How Great Thou Art
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Sarah Cellobat Chaffee
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Cello
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by…
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.14 €
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Cello
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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jmsgu3
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SheetMusicPlus
Sonata in d minor, op. 108
Cello
Cello Solo - Level 5 - Digital Download SKU: A0.552888 Composed by Johannes Brahms.…
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Cello Solo - Level 5 - Digital Download SKU: A0.552888 Composed by Johannes Brahms. Arranged by Branimir Pusticki. Romantic Period. Individual part. 28 pages. Branimir Pusticki #162473. Published by Branimir Pusticki (A0.552888). Transcriptions and arrangements were quite popular and effective means for a romantic composer to promote new works, reach a wider playing audience or boost sales of sheet music. Brahms was certainly not a stranger to this practice: the composer himself produced many transcriptions for piano or piano duo, but also versions of clarinet sonatas and the cello e-minor sonata for viola. The beautiful first violin sonata exists in a version for cello by one of Brahms’ most prolific and favourite arranger Paul Klengel - but perhaps it is unfair to ask a pianist to re-learn that piece in the new key of D-major. In comparison to the boisterous and vigorous Op. 99 cello sonata, the d-minor violin sonata offers an introspective drama of a restless composer, well suited to the darker voice of the cello. With the constant advancements in playing technique and modern cello strings, the balance is less of a problem. Thus, the piano part remains unchanged, and subtle changes in cello register can be implemented to utilize the whole range and character of the instrument, while keeping the integrity of the original ideas and musical material.
$12.00
10.8 €
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Cello
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Johannes Brahms
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Sonata in d minor, op. 108
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Branimir Pusticki
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SheetMusicPlus
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