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Be Like That
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Cello
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by…
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.46 €
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Cello
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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jmsgu3
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SheetMusicPlus
Canções e sambinhas (1996) for cello and piano
Cello
Cello Solo - Level 4 - Digital Download SKU: A0.869211 Composed by Thomas Oboe Lee.…
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Cello Solo - Level 4 - Digital Download SKU: A0.869211 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual part. With Sambinha bachiana ... III. 36 pages. Thomas Oboe Lee #30911. Published by Thomas Oboe Lee (A0.869211). Program note: Canções e Sambinhas is the third of a triptych of compositions written for my friend, the enormously gifted cellist, Andrés DÃaz. The first was Eurydice, a tone poem on the Orpheus myth for cello and orchestra, and the second was La Chimera Fantastica for the DÃaz Trio. Canções e Sambinhas is in four movements. I. Canção de amor ... II. Sambinha bachiana ... III. Valsa lenta ... IV. Mais uma vêz ... Having lived in Brazil during my teen-age years, I inevitably continue to return to the wonderful music of that country for inspiration: the chôros of Ernesto Nazareth, Jacob do Bandolim, Pixinginha, and Heitor Villa-Lobos. The first movement begins with a slow, dark introduction before the love song emerges .... The second movement is a lively samba. As the title indicates, it is a little samba infused with Bach-like counterpoint, although a bit crazier. Villa-Lobos might find this amusing .... The third movement is a slow meditation for the cello on a passacaglia-like theme in the piano. The last movement, Mais uma vêz (meaning One Mo' Time in English), is a samba like the second movement, but it is set more homophonically, more dance-like in character .... The work is dedicated to my wife, Kris, who is an inspiration to my life and work.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/can-es-e-sambinhas-1996-for-cello-and-pianoVideo link: https://youtu.be/X2gFRiypqTA
$9.99
9.26 €
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Cello
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Thomas Oboe Lee
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Canções e sambinhas
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Thomas Oboe Lee
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SheetMusicPlus
Rondo for Cello and Piano, Opus 2 - Cello Part
Cello
Cello - Digital Download SKU: BQ.979-0-50179-205-4 Composed by Jan Vaclav Hugo Vori…
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Cello - Digital Download SKU: BQ.979-0-50179-205-4 Composed by Jan Vaclav Hugo Vorisek. Edited by Slavy Dimoff. This edition: softcover. Bisel Classics. Part. With Text Language: English / German. Opus 2. 22 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-205-4). ISBN 9790501792054.The Rondo op. 2 was composed in a phase in Vorisek's life, when everything indicated, that his career as musician and composer was going to be outstanding. He had been newly appointed first conductor of the recently founded ''Musikverein'' and stood at the center of the development of that kind of chamber-music euphoria that defined Viennese music culture of the period. As a pianistic bravura piece the composition invites to join in for a feast of chamber music, optionally with violin or cello as partner. The vocal-like coloratura passages of the theme bring in an atmosphere of ''Italianita'', inspired by a famous ''Arietta da camera'', the Bolero of Gaetano Piantanida, that was often performed in music salons of Vienna.
$16.95
15.72 €
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Cello
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Jan Vaclav Hugo Vorisek
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Rondo for Cello and Piano, Opus 2 - Cello Part
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Bisel Classics - Digital
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SheetMusicPlus
Easy Cello Solos - Student Edition
Cello
Cello Solo - Level 1 - Digital Download SKU: A0.812889 Composed by Adrianus Valeriu…
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Cello Solo - Level 1 - Digital Download SKU: A0.812889 Composed by Adrianus Valerius, Folklore, Folliott S. Pierpoint, Franz Lehar, Franz Schubert, Franz Xaver Gruber, Johannes Brahms, John Newton, and Traditional. Arranged by Yellow Cello Music. Celtic,Christian,Folk,Romantic Period,Standards. Individual part. 27 pages. Sheryl Smith #4981963. Published by Sheryl Smith (A0.812889). Includes 15 songs for the beginner cellist. Specially created for students using Suzuki and similar methods. For students who play in first position only, and for those beginning to learn shifting.What makes this book special? It includes:1. Pieces in the low register of the cello. Beginner books often focus on the A and D strings. 2. More lyrical pieces, meaning more song-like, more Romantic than Baroque style. 3. A teacher accompaniment part (teacher edition only). The students find it enjoyable, and it teaches them how important it is to listen and to play in time, in tune, and with dynamics. Can also be used for recitals.4. Familiar tunes. What is familiar to one person is unknown to others, but I tried to put in pieces that many people would be familiar with.5. Shifting with familiar tunes. When I was a student, I found it easier to learn a shift if the piece was familiar. My ear knew where to go. I have included a few pieces with two versions: first position and shifting . The student can learn the first position version and then be able to learn shifting with a familiar tune.6. There is plenty of empty space on the pages for teachers to add markings.7. Created by a cello teacher for cellists. Not adapted from another instrument. Tested by real students.
$9.99
9.26 €
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Cello
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Adrianus Valerius, Folklore, Folliott S
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Easy Cello Solos - Student Edition
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Sheryl Smith
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SheetMusicPlus
The Swan (C. Saint-Saëns) - Cello ensamble - Score and parts
Cello
Cello - Level 3 - Digital Download SKU: A0.1181081 By André Alberto Santos. By C…
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Cello - Level 3 - Digital Download SKU: A0.1181081 By André Alberto Santos. By Camille Saint-Saens. Arranged by André Alberto Santos. Chamber,Classical,Film/TV,Romantic Period,Wedding. 20 pages. Soul - Musical Creations #780914. Published by Soul - Musical Creations (A0.1181081). If you're looking for music that can touch your heart directly, the sheet music The Swan by Camille Saint-Saëns is exactly what you need. This masterpiece of classical music is one of the most beautiful and moving pieces ever written.With its soft and enveloping melody, The Swan is able to calm the mood and relax the mind, providing a moment of peace and tranquility. Its arrangement is simple and elegant, which makes this piece accessible to beginners and experienced players alike.Additionally, The Swan is a versatile piece that can be played on a variety of instruments, including violin, piano, and cello. This means that, regardless of your instrument, you can enjoy the beauty and depth of this timeless music.If you're new to The Swan by Camille Saint-Saëns, it's time to give it a try and find out why it's one of the most popular pieces in classical music. Buy the sheet music now and start exploring the beauty and emotion of this unforgettable masterpiece.
$9.99
9.26 €
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Cello
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André Alberto Santos
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The Swan
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Soul - Musical Creations
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SheetMusicPlus
Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
Cello
Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 …
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Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2] <br> <br> These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.<br> <br> There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello. <br> <br> <br> <br> [1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011<br> [2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740<br> <br> Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas<br> <br> Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982
$25.00
23.18 €
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Cello
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Jean Daniel Braun
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Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
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AR Publications
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SheetMusicPlus
Easy Cello Solos - Large Print Student Edition
Cello
Cello - Easy/Beginner - Digital Download Composed by Traditional, John Newton, Follio…
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Cello - Easy/Beginner - Digital Download Composed by Traditional, John Newton, Folliott S. Pierpoint, Franz Lehar, Franz Xaver Gruber, Adrianus Valerius, Johannes Brahms, Franz Schubert,. Arranged by Sheryl Smith, Yellow Cello Music. Romantic Period, Christian, Folk, Celtic, Children's Music. Solo Part. 40 pages. Published by Yellow Cello Music
A book of solos for cello. Includes 15 songs (Celtic tunes, classical themes, folk melodies) for the beginner cellist. Created for students using Suzuki and similar methods. For students who play in first position only, and for those beginning to learn shifting.What makes this book special?<br> It includes:<br> 1. Pieces in the low register of the cello. Beginner books often focus on the A and D strings.<br> 2. More lyrical pieces, meaning more song-like, more Romantic than Baroque style.<br> 3. A teacher accompaniment part. The students find it enjoyable, and it teaches them how important it is to listen and to play in time, in tune, and with dynamics. Can also be used for recitals.<br> 4. Familiar tunes. What is familiar to one person is unknown to others, but I tried to put in pieces that many people would be familiar with.<br> 5. Shifting with familiar tunes. When I was a student, I found it easier to learn a shift if the piece was familiar. My ear knew where to go. I have included a few pieces with two versions: first position and shifting . The student can learn the first position version and then be able to learn shifting with a familiar tune.<br> 6. There is plenty of empty space on the pages for teachers to add markings.
$8.99
8.34 €
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Cello
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Traditional, John Newton, Folliott S
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Easy Cello Solos - Large Print Student Edition
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Yellow Cello Music
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SheetMusicPlus
Easy Cello Solos - Teacher Edition (with cello accompaniment)
Cello
Cello - Digital Download Composed by Traditional, Folklore, John Newton, Folliott S. …
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Cello - Digital Download Composed by Traditional, Folklore, John Newton, Folliott S. Pierpoint, Franz Lehar, Franz Xaver Gruber, Adrianus Valerius, Johannes Brahms, Franz Schubert. Arranged by Yellow Cello Music. Romantic Period, Christian, Repertoire, Folk, Celtic. 31 pages. Published by Yellow Cello Music
Includes 15 pieces for the beginner cellist.Specially created for students using Suzuki and similar methods. For studentswho play in first position only, and for those beginning to learn shifting.<br> What makes this book special? It includes:<br> 1. Pieces in the low register of the cello. Beginner booksoften focus on the A and D strings.<br> 2. More lyrical pieces, meaning more song-like, more Romanticthan Baroque style.<br> 3. A teacher accompaniment part (teacher edition only). Thestudents find it enjoyable, and it teaches them how important it is to listenand to play in time, in tune, and with dynamics. Can also be used for recitals.<br> 4. Familiar tunes. What is familiar to one person is unknownto others, but I tried to put in pieces that many people would be familiar with.<br> 5. Shifting with familiar tunes. When I was a student, Ifound it easier to learn a shift if the piece was familiar. My ear knew whereto go. I have included a few pieces with two versions: first position andshifting . The student can learn the first position version and then be able tolearn shifting with a familiar tune.<br> 6. There is plenty of empty space on the pages for teachersto add markings.<br> 7. Created by a cello teacher for cellists. Not adaptedfrom another instrument. Tested by real students.
$9.99
9.26 €
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Cello
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Traditional, Folklore, John Newton, Folliott S
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Easy Cello Solos - Teacher Edition
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SheetMusicPlus
Georg's Cello Method Volume 2 - The Extensions
Cello
Cello, String Duet - Early Intermediate - Digital Download Composed by Georg Mertens,…
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Cello, String Duet - Early Intermediate - Digital Download Composed by Georg Mertens, Anonymous, J.S Bach, C. Negri, Phalese, J. Pachelbel. Arranged by Georg Mertens. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 24 pages. Published by Georg Mertens
"Georg's Cello Method" has been developed over 30 years, tested and corrected again and again.<br> The cello learner will be guided step by step, so that learning will follow easily without unexplained or unprepared obstacles. The compositions used are stretching over 400 years, some of the tunes are known like the Pachelbel Canon, Bach's Minuet or the song Dona, Dona and Greensleeves.
$9.99
9.26 €
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Cello
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Georg Mertens, Anonymous, J
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Georg's Cello Method Volume 2 - The Extensions
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SheetMusicPlus
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