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You've selected:
Dialogue
Cello
Sheetmusic to print
10 sheet music found
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1
Monodialogue
Cello
Cello - difficult - Digital Download SKU: S9.Q6373 Fantasy for cello solo. C…
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Cello - difficult - Digital Download SKU: S9.Q6373 Fantasy for cello solo. Composed by Menachem Wiesenberg. This edition: Sheet music. Cello Library. Downloadable. Duration 14 minutes. Schott Music - Digital #Q6373. Published by Schott Music - Digital (S9.Q6373). Due to his numerous commissions and performances in Europe and America, the Israeli composer Menachem Wiesenberg (* 1950) is a highly acclaimed composer not only in his home country. His works, mainly written for orchestra and different chamber music ensembles, are characterized by instrumental colour and clearly outlined forms. 'Monodialogue' for cello solo was originally written and dedicated to the violist Tabea Zimmermann. The basic melodic motive of the piece is constructed on the musical realisation of the letters of her first name: Ta-Be-A, with Ta representing B, the German letter B representing Bb, and A being A. Characterized by high expressiveness, form and structure of the one-movement piece are a musical reflection of the interrelationship between these three pitches. The Israeli cellist Hillel Zori, when listening to this piece, was so enthusiastic about it that he at once wrote an arrangement for cello with the composer's approval.
$11.99
10.79 €
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Cello
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Menachem Wiesenberg
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Monodialogue
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Schott Music - Digital
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SheetMusicPlus
PHLEGMATIC _ 1st part of Dialogues for cello duo
Cello
Cello Solo - Digital Download SKU: A0.1022650 Composed by Pavel Kopecky. 20th Centu…
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Cello Solo - Digital Download SKU: A0.1022650 Composed by Pavel Kopecky. 20th Century,Contemporary. Individual part. 2 pages. Pavel Kopecky #1910359. Published by Pavel Kopecky (A0.1022650). PHLEGMATIC _ 1st part of Dialogues for cello duo____https://youtu.be/mepPzhqvpcQ.
$2.50
2.25 €
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Cello
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Pavel Kopecky
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PHLEGMATIC _ 1st part of Dialogues for cello duo
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Pavel Kopecky
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SheetMusicPlus
SANGUINIC - 2nd part of Dialogues for cello duo
Cello
Cello Solo - Digital Download SKU: A0.1022651 Composed by Pavel Kopecky. Contempora…
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Cello Solo - Digital Download SKU: A0.1022651 Composed by Pavel Kopecky. Contemporary. Individual part. 4 pages. Pavel Kopecky #1910343. Published by Pavel Kopecky (A0.1022651). SANGUINIC - 2nd part of Dialogues for cello duo ____https://youtu.be/J3A6gQYNZzw.
$2.50
2.25 €
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Cello
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Pavel Kopecky
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SANGUINIC - 2nd part of Dialogues for cello duo
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Pavel Kopecky
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SheetMusicPlus
MELANCHOLIC _ 3rd part of Dialogues for cello duo
Cello
Cello Solo - Digital Download SKU: A0.1022652 Composed by Pavel Kopecky. Contempora…
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Cello Solo - Digital Download SKU: A0.1022652 Composed by Pavel Kopecky. Contemporary. Individual part. 3 pages. Pavel Kopecky #1910349. Published by Pavel Kopecky (A0.1022652). MELANCHOLIC _ 3rd part of Dialogues for cello duo ___ https://youtu.be/w6wkROps9FQ.
$2.50
2.25 €
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Cello
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Pavel Kopecky
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MELANCHOLIC _ 3rd part of Dialogues for cello duo
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Pavel Kopecky
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SheetMusicPlus
CHOLERIC _ fourth part of Dialogues for cello duo
Cello
Cello Solo - Level 3 - Digital Download SKU: A0.1022653 Composed by Pavel Kopecky. …
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Cello Solo - Level 3 - Digital Download SKU: A0.1022653 Composed by Pavel Kopecky. Contemporary. Individual part. 5 pages. Pavel Kopecky #1910351. Published by Pavel Kopecky (A0.1022653). CHOLERIC _ fourth part of Dialogues for cello duo ___.
$2.50
2.25 €
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Cello
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Pavel Kopecky
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CHOLERIC _ fourth part of Dialogues for cello duo
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Pavel Kopecky
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SheetMusicPlus
Duel: for Viola and Cello - Cello
Cello
Cello Solo - Level 3 - Digital Download SKU: A0.1026051 Composed by Thomas Marples.…
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Cello Solo - Level 3 - Digital Download SKU: A0.1026051 Composed by Thomas Marples. Contemporary. Individual part. 6 pages. Thomas Marples #5775771. Published by Thomas Marples (A0.1026051). Cello part only - This piano trio performs as a dramatic battle between the Violist and Cellist to have the last word, or in this case, the last note, and win the overall piece. The exciting and fast-paced musical dialogue between the two players is interrupted by a series of expressive but furious cadenzas, which builds to a series of unsuspecting climaxes.Thoughts from the composer - I found it a great challenge to build up and explore the narrative of the piece musically, but ultimately a rewarding one, especially in concert, where the true theatricality of the Duel can be brought to life..
$4.99
4.49 €
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Cello
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Thomas Marples
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Duel: for Viola and Cello - Cello
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Thomas Marples
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Cello
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by…
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.14 €
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Cello
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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jmsgu3
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SheetMusicPlus
Serenade | Schubert | Cello
Cello
Cello Solo - Level 2 - Digital Download SKU: A0.1249086 Composed by Franz Schubert.…
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Cello Solo - Level 2 - Digital Download SKU: A0.1249086 Composed by Franz Schubert. Arranged by Milanov. Romantic Period,Wedding. Individual part. 1 pages. Milanov #843545. Published by Milanov (A0.1249086). Serenade by Schubert for Cello. Easy Intermediate. Schubert's Serenata, also known as Ständchen or Serenade, is a sublime musical masterpiece that captures the essence of romantic longing and gentle serenading. With delicate melodies and evocative harmonies, Schubert creates an intimate dialogue between the singer and piano accompaniment, painting a vivid portrait of whispered emotions beneath a starry sky. The Serenata's tender vulnerability and timeless beauty speak to the universal power of music to convey the deepest sentiments of the human heart.
$3.99
3.59 €
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Cello
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Franz Schubert
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Serenade | Schubert | Cello
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Milanov
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SheetMusicPlus
Serenade | Schubert | Cello | Chords
Cello
Cello Solo - Level 2 - Digital Download SKU: A0.1249085 Composed by Franz Schubert.…
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Cello Solo - Level 2 - Digital Download SKU: A0.1249085 Composed by Franz Schubert. Arranged by Milanov. Romantic Period,Wedding. Individual part. 1 pages. Milanov #843544. Published by Milanov (A0.1249085). Serenade by Schubert for Cello with chords. Easy Intermediate. Schubert's Serenata, also known as Ständchen or Serenade, is a sublime musical masterpiece that captures the essence of romantic longing and gentle serenading. With delicate melodies and evocative harmonies, Schubert creates an intimate dialogue between the singer and piano accompaniment, painting a vivid portrait of whispered emotions beneath a starry sky. The Serenata's tender vulnerability and timeless beauty speak to the universal power of music to convey the deepest sentiments of the human heart.
$3.99
3.59 €
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Cello
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Franz Schubert
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Serenade | Schubert | Cello | Chords
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Milanov
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SheetMusicPlus
PERFIL DEL ÁNIMA, Op. 86, for solo cello
Cello
Cello Solo - Level 4 - Digital Download SKU: A0.1029293 Composed by CÉSAR CANO.…
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Cello Solo - Level 4 - Digital Download SKU: A0.1029293 Composed by CÉSAR CANO. Contemporary,World. Individual part. 16 pages. POLYHYMNIA Ediciones musicales #4799037. Published by POLYHYMNIA Ediciones musicales (A0.1029293). Perfil del ánima (Profile of the anima), Op. 86 is a solo cello piece written in a single movement. It is part of the series of PROFILES that I am composing since 2002 for solo instruments. The anima is a concept expounded by C.G. Jung in his book The Man and his Symbols. It is a personification of all female psychological tendencies in the psyche of a man, such as vague feelings and moods, prophetic forebodings, receptivity to the irrational, personal capacity for love, love of nature and, very importantly, his relationship with the unconscious. It is best perceived in dreams. If the dreamer is a man, he will discover a female personification of his unconscious. If it is a woman, it will be a male figure. Jung named them respectively anima and animus. My work has some quotes that evoke the anima, as a fragment of the 2nd movement of Mahler's 5th Symphony, which he wrote under the fascination of Alma Schindler, his future wife. Another citation is a motif of Dvořák’s opera Rusalka, an elf from Slavic mythology, which usually lives in a lake or river. Rusalka is an ancient fairy-tale figure, already appearing in literature in 1387. Her longing is to become a human being and to love as an earthly woman, even at the price of suffering and death. My piece evokes this inner and unconscious dialogue between the masculine and feminine in all of us, represented by the cello’s low and high registers. The use of many and varied instrumental resources (chords, microtones, harmonics, timbral variations, complex rhythms, tremolos, glissandi, pizzicati, etc.), together with its broadness and thematic complexity, make Profile of the anima a demanding work for the soloist. I finished its composition on December 21th, 2016. It is dedicated to Rafał Jezierski, who performed its world premiere on February 14th, 2017, in the Auditorium of the Museum of Fine Arts of Valencia, within the cycle of concerts organized by the Royal Academy of Fine Arts of San Carlos.
$4.99
4.49 €
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Cello
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CÉSAR CANO
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PERFIL DEL ÁNIMA, Op. 86, for solo cello
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POLYHYMNIA Ediciones musicales
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SheetMusicPlus
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