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Cello
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4 sheet music found
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1
The Wexford Carol (Cello Solo)
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Cello
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EASY
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Christmas
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Traditional
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B
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The Wexford Carol
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Ben Dockery
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SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.694983 Composed by Traditional. Arranged by B. C. Dockery. Celtic,Christian,Christmas,Concert,World. Indi...
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Cello Solo - Level 2 - Digital Download SKU: A0.694983 Composed by Traditional. Arranged by B. C. Dockery. Celtic,Christian,Christmas,Concert,World. Individual part. 1 pages. Ben Dockery #6525697. Published by Ben Dockery (A0.694983). The Wexford Carol, a.k.a. The Enniscorthy Carol or Good people all this Christmas time. Arranged for solo cello. Great for lessons, recitals, church services, caroling, and Christmas parties.
$2.99
The CelloWay 1
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Cello
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BEGINNER
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Julie Munkholm Bruun
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The CelloWay 1
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Julie Munkholm Bruun
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SheetMusicPlus
Cello Solo - Level 1 - Digital Download SKU: A0.1095693 Composed by Julie Munkholm Bruun. Blues,Classical,Rock. Individual part. 41 pages. Julie Munkholm...
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Cello Solo - Level 1 - Digital Download SKU: A0.1095693 Composed by Julie Munkholm Bruun. Blues,Classical,Rock. Individual part. 41 pages. Julie Munkholm Bruun #699675. Published by Julie Munkholm Bruun (A0.1095693). There's a new cello lesson book on the market! In this book I've turned the normal way of learning to play the cello upside down. With a little bit of creativity, and a lot of knowledge and understanding about how the instrument works - and how students learn - I have created this book. I hope you will love it just as much as I do, and that it will help you build a good foundation for your cello playing. FROM THE INTRODUCTION: This lesson book was created with a new perspective in mind. My hope is, that this way of learning, will make it easier to learn to play the cello. I have chosen to include a few chapters in the beginning of the book, where you will play on open strings. That will help you establish a good, basic understanding for how the cello should sound. It will also give you the opportunity to build up strength in the left hand slowly – and concentrate on getting a good, basic bowing technique. I have included small chapters with music theory, that I find important in order to understand how the instrument works. The cello doesn't have any keys or frets to help you play in tune, so knowing a few tips and tricks will help you tremendously. As opposed to most cello lesson books, the first finger you will learn to use here is the 4th finger. The 4th finger is your little finger and usually the least strong finger of them all. Starting with 4th finger has 2 very important advantages: • When you use the 4th finger – especially in the beginning – you will use the other 3 fingers to help push the string down into the fingerboard. That will help you establish a good, healthy hand position for the left hand. And when you start with 4th finger, using the other 3 fingers will feel so easy! • 4th finger in the first position is the same note (an octave higher) as the open string below. It gives you the opportunity to use the open string to know if you play in tune. Once you have gone through this book you should be able to play with the bow, by plucking the strings (pizzicato) and use 1st, 3rd and 4th finger on the left hand. That means that you should be able to play songs in G Major and D Major in one octave. The last few chapters include duets for two cellos. I have chosen to include the duets to make it more fun to play and to start developing the students ability play chamber music. It is wonderful to be able to play an instrument, and playing with other people adds an extra dimension to that. Love, live, play! Julie.
$12.00
Cello Noir
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Cello
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INTERMEDIATE/ADVANCED
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Chris Rorrer, Cellist
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Cello Noir
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Silver Strand Music
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.1202556 By Chris Rorrer, Cellist. By Christopher Farrell. 20th Century,Classical,Contemporary,Contest,Fes...
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Cello Solo - Level 4 - Digital Download SKU: A0.1202556 By Chris Rorrer, Cellist. By Christopher Farrell. 20th Century,Classical,Contemporary,Contest,Festival,Film/TV. Individual part. 2 pages. Silver Strand Music #801297. Published by Silver Strand Music (A0.1202556). Cello Noir is all about establishing a dark unsettling mood and creating a story of people trapped in the shadows of good and evil. As the performer of this piece, you become a character in telling that story. The opening musical statement is restated but becomes increasingly twisted as the piece then dangerously spins out of control to conclude in a fiery finish. Cello Noir is a dense composition offering the player an opportunity to stretch out and impart his/her own spin. Much as a jazz musician interprets a piece, the cellist should feel free to take careful liberties in performing Cello Noir.
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Cello
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Publishe...
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Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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