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Mall Rat
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5,282
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11
Piano Trio: piano, violin, cello
7
1 Piano, 4 hands
5
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4
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Accordion
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Harpsichord
1
Piano Quartet: piano, 2 violins, cello
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Piano (band part)
1
Piano Quartet: piano, violin, viola, cello
1
1 Piano, 6 hands
1
Piano Quintet: piano, 2 violins, viola, cello
1
+ 14 instrumentations
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19
Melody line, (Lyrics) and Chords
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4 Guitars (Quartet)
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+ 6 instrumentations
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148
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68
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25
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25
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24
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23
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21
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19
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14
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13
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12
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12
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12
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12
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11
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9
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8
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7
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3 Clarinets (trio)
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4 Oboes
2
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2
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Recorder
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2
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2
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1
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1
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1
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1
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1
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1
Clarinet, Bassoon (duet)
1
Saxophone and Orchestra
1
Flute, Violoncello
1
Saxophone and Piano
1
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70
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60
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39
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36
2 Trombones (duet)
36
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36
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28
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27
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20
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17
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13
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11
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10
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7
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6
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6
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3 Trombones (trio)
1
3 Tubas (trio)
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Trumpet, Cello, Piano
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+ 35 instrumentations
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105
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103
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94
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4 Cellos
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Cello Ensemble
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4 Double Basses
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String Trio: 3 violas
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3 Harps
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Viola and orchestra
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Violin, Organ
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1
2 Violins, Piano
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Mall Rat
Cello
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4 sheet music found
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1
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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Cello
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #346...
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
The Wedding
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Cello
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ADVANCED
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Bear McCreary and Steven L
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Diana Mayne
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The Wedding
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Diana Mayne
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SheetMusicPlus
Cello Solo - Level 5 - Digital Download SKU: A0.958265 Composed by Bear McCreary and Steven L. Kaplan. Arranged by Diana Mayne. Celtic,Film/TV,Irish,Wedd...
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Cello Solo - Level 5 - Digital Download SKU: A0.958265 Composed by Bear McCreary and Steven L. Kaplan. Arranged by Diana Mayne. Celtic,Film/TV,Irish,Wedding. Individual part. 2 pages. Diana Mayne #6722085. Published by Diana Mayne (A0.958265). Cello sheet music for The Wedding from the Outlander Series 1 Soundtrack. This is the music played during Claire & Jamie Fraser's wedding episode. A beautiful, slow Celtic ballad, with lots of ornamental notes decorating the melody. Would be lovely for smaller wedding ceremonies, elopements, or handfasting ceremonies. Can be played along with the original soundtrack version at home for fun, if desired. Suitable for advanced players. Approx. 3:18 in length.
$4.99
Suite for Solo Cello all parts
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Cello
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INTERMEDIATE/ADVANCED
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Classical
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Robert Kuehn
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Suite for Solo Cello all parts
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Robert Kuehn
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.1026428 Composed by Robert Kuehn. Baroque,Classical,Romantic Period. Individual part. 8 pages. Robert Kue...
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Cello Solo - Level 4 - Digital Download SKU: A0.1026428 Composed by Robert Kuehn. Baroque,Classical,Romantic Period. Individual part. 8 pages. Robert Kuehn #6100277. Published by Robert Kuehn (A0.1026428). A suite for the intermediate player, that contains elements of classical, romantic and baroque genres. Tempos are recommended guidance only- they work at any number of tempos (except for the allegro in movement 2). Otherwise, play them as you feel them. Movement 1 is really a set of variations on the main theme in D minor. It explores a moderate range of keys and rhythms. Movement 2 starts with an adagio that can be played quite freely, ascending from Cmaj up thru various keys, leading to an allegro/presto dance-like piano theme in Dmaj. Much room for tempo/dynamics interpretation then ending with a brief restatement of the adagio theme in a new key, followed by a mad rush up the cello to a high, quiet E, with small sighs to end the piece. Movements 3, 4 and 5 would be good performance pieces for students (melodically solid with multiple harmonic shifts, moderate bowing and fingering challenges and engaging rhythms).
$8.00
Hanjale
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Cello
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Kareem Roustom
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Hanjale
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Solo cello - Digital Download SKU: MQ.LMP018-E Composed by Kareem Roustom. 12 pages. MorningStar Music Publishers - Digital Sheet Music #LMP018-E. Publis...
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Solo cello - Digital Download SKU: MQ.LMP018-E Composed by Kareem Roustom. 12 pages. MorningStar Music Publishers - Digital Sheet Music #LMP018-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.LMP018-E). Performance history:1/19/2013 by Jason Calloway, Harold Golen Gallery, Miami, FL11/1/2014 Bryan Hayslett, Boston Conservatory, Boston, MA11/4/2013 Bryan Hayslett, Distler Hall at Tufts University, Boston, MA4/2/2014 Kinan Abou-Afach at Rowan University, Glassboro, NJ11/18/2015 Hassan Moataz El-Mola at Sonorium Salon, Tokyo, Japan 11/19/2015 Hassan Moataz El-Mola at Suginami Koukaido Hall, Tokyo, Japan11/23/2015 Hassan Moataz El-Mola at Kawai Music Salon, Sendai, JapanProgram Notes:Kareem Roustom (b. 1971)'Hanjale', which means swagger in Arabic, derives its name from the colloquial saying Awal al-raqs hanjale (the dance begins with a swagger). The saying can be interpreted to mean that larger actions begin with small moves or gestures. Depending on the context, this Arabic saying can allude to both positive and negative outcomes from simple beginnings. This work uses an ornate rhythmic cycle with seventeen beats as a frame work for its rhythmic structure and a four note motif as a basis for its melodic and harmonic structure. Originally composed for solo mandolin, this arrangement takes advantage of the cello's expressive range.Duration ca. 12.
$10.50
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