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You've selected:
Meditation from Thaïs
Cello
Sheetmusic to print
5 sheet music found
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Meditation (from "Thais")
Cello
Cello Solo - Level 4 - Digital Download SKU: A0.1453600 Composed by Jules Massenet.…
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Cello Solo - Level 4 - Digital Download SKU: A0.1453600 Composed by Jules Massenet. Arranged by Homco/Crinion. Religious,Romantic Period,Sacred,Wedding. Individual part. 2 pages. Homco/Crinion #1032816. Published by Homco/Crinion (A0.1453600). This meditative music from the Opera Thais by Jules Massenet is most often heard as a violin solo, even though the original music appears as a symphonic intermezzo between the scenes of Act II of the Opera. As part of the Opera's plot, this underscoring music plays during a silent time of reflection for the main character as she is contemplating a major decision regarding her future. Thus, the contemplative nature of the melody. The arrangement here is intended for Solo Unaccompanied Cello. The key has been changed to adapt better to the cello range, and both a shorter and a longer version have been penned.
$5.99
5.52 €
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Cello
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Jules Massenet
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Meditation
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Homco/Crinion
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SheetMusicPlus
Thais (Meditation) - Easy Arrangement
Cello
Cello Solo - Level 1 - Digital Download SKU: A0.1278229 By Fabio Eduardo de Oliveir…
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Cello Solo - Level 1 - Digital Download SKU: A0.1278229 By Fabio Eduardo de Oliveira. By J. Massenet. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Individual part. 1 pages. Fabio Eduardo #869928. Published by Fabio Eduardo (A0.1278229). Free Mp3 Playback DownloadMéditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet. The piece is written for solo violin and orchestra. The opera premiered at the Opéra Garnier in Paris on March 16, 1894.
$1.99
1.83 €
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Cello
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Fabio Eduardo de Oliveira
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Thais
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Fabio Eduardo
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SheetMusicPlus
Meditation on Ink Painting《水墨畫之冥想》
Cello
Cello Solo - Digital Download SKU: A0.961997 Composed by Ma Shui Long 馬水…
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Cello Solo - Digital Download SKU: A0.961997 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Individual part. 17 pages. SpringAutumnmusic #2341883. Published by SpringAutumnmusic (A0.961997). 《水墨畫之冥想》(ä¹æ”¯å¤§æç´å®¤å…§æ¨‚曲) 1994å¹´ 作曲者自幼喜愛繪畫與音樂。爾後,雖然é¸æ“‡äº†éŸ³æ¨‚為終身志æ¥ï¼Œä½†å°ç¹ªç•«çš„興趣與狂熱,始終有增無減。在已完æˆçš„音樂作å“ä¸ï¼Œå¹¾é¦–å‡èˆ‡ç¹ªç•«æœ‰å¯†åˆ‡çš„關係。作曲者èªç‚ºï¼Œæ‰€æœ‰çš„è—è¡“å‰µä½œï¼Œé›–ç„¶å› å…¶ä½¿ç”¨çš„ç´ æä¸åŒæˆ–表ç¾çš„技法相異,但最後所è¦å‘ˆç¾çš„è—術本質,應是殊途åŒæ¸ï¼ŒéŸ³æ¨‚與繪畫更是ä¸ä¾‹å¤–。 本曲創作的動機,來自於傳統水墨畫ä¸çš„「虛實相生ã€è§€å¿µã€‚å¤äººç¬ªé‡å…‰ã€Œç•«çŒã€äº‘ï¼šå¯¦è™•ä¹‹å¦™ï¼Œçš†å› è™›è™•è€Œç”Ÿï¼Œä¹Ÿå°±æ˜¯ç„¡è™›ä¸æ˜“顯實,無空ä¸èƒ½å˜è™›ã€‚ç„¡ç–ä¸èƒ½æˆå¯†ï¼Œç„¡å¯†ä¸èƒ½è¦‹ç–,是以虛實相生,ç–密相用。作曲者試圖以æ¤ç¹ªç•«æ‰‹æ³•ï¼Œå‘ˆç¾åœ¨æ¤é¦–樂曲çµæ§‹ä¸ï¼Œå¦‚時間與空間的å°æ¯”,織度與密度的互æ›ï¼Œå¯¦é«”與空éˆçš„轉變ç‰ï¼Œä»¥æ±‚音畫之æ„境。 ※本曲由文建會委託創作,首演於1995å¹´11月25日於國家演å¥å»³ï¼Œç”±è²¡åœ˜æ³•äººé‚±å†èˆˆæ–‡æ•™åŸºé‡‘會主辦之「春秋樂集95秋 · 室內樂之夜ã€ã€‚ç”±æ¶‚æƒ æ°‘æ“”ä»»æŒ‡æ®ï¼Œå¤§æç´æ¼”å¥å®¶ç‚ºå«ç¬çŽ²ã€é»ƒæ™ºç‘›ã€é„佩玲ã€æ›¾å²å¦ƒã€æ´ªå©‰å®¹ã€é»ƒéŸ»å®‡ã€åŠ‰å§å«¥ã€è˜‡åƒèŠ³ã€çŽ‹ä½©ç‘œã€‚ 《Meditation on Ink Painting》for Nine Cellos (1994) Music and painting are two beloved arts for Professor Ma since he was a kid. Even he finally decided devoted to music composing for his life, he always had the passion for painting. Several Professor Ma’s compositions were highly inspired from the concepts and techniques of painting. Professor Ma believed that all the arts, although they present differently on the usages of materials or techniques, the essence and highest acheivement of all arts must be the same, including both music and painting. Meditation on Paintings in Ink was directly inspired by the techniques of Chinese traditional ink painting and the concept of the mutuality in virtuality and reality. The composer attempted to transform the philosophy that derive from the virtuality-reality relationship into the composition, presented it as the contrast between time and space, the alternation of texture and density, or, the changing of emptiness and fullness, etc., in order to establish an artistic atmosphere of musical painting. Meditation on Paintings in Ink was commissioned by the Council for Cultural Affairs, premiered in the National Concert Hall, on 25th of November 1995. It was programed in the Euterpe: Spring and Autumn concert series Autumn 1995: A Night of Chamber Music, held by the Chew’s Culture Foundation. The world premiere was conducted by Hwei-Ming Twu and the nine cellists were Wan-Ling Sun, Jyh-Ing Huang, Pei-Ling Cheng (Yi-Chin Cheng) , Shih-Fei Tseng, Wan-Rong Hung, Yun-Yu Huang, Chu-Chuan Liu, Monica C.F. Su and Pei-Yu Wang.
$13.99
12.9 €
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Cello
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Ma Shui Long 馬水é¾
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Meditation on Ink Painting《水墨畫之冥想》
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SpringAutumnmusic
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SheetMusicPlus
Massenet: Meditation (from Thaïs) - Solo Cello
Cello
Arranged by Tim Cais. Romantic Period, Opera. 2 pages. Published by Tim Cais (S0.228015). …
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Arranged by Tim Cais. Romantic Period, Opera. 2 pages. Published by Tim Cais (S0.228015). - - Romantic Period,Opera - Tim Cais
$8.99
8.29 €
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Cello
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Massenet: Meditation
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Tim Cais
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Violoncello
Cello
Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry …
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Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Cello
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
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