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You've selected:
Out In Space
Cello
Sheetmusic to print
5 sheet music found
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1
Quiet Space - Viola & Piano
Cello
Cello Solo - Level 3 - Digital Download SKU: A0.572661 Composed by James Michael St…
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Cello Solo - Level 3 - Digital Download SKU: A0.572661 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Multicultural,New Age,Standards,World. Individual part. 7 pages. James M Stevens Music ASCAP #3874711. Published by James M Stevens Music ASCAP (A0.572661). This is an original composition for Viola & Piano in a quiet, new age style. There is a separate Viola part in the score and the piano can be used as a separate new age solo. The track as heard can be found under Quiet Space Accompaniment Track. James Michael Stevens is a prolific composer residing in Nashville, TN. https://www.youtube.com/watch?v=1_BeXoAjZLo
$6.99
6.44 €
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Cello
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James Michael Stevens
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Quiet Space - Viola & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
For Once In My Life
Cello
Cello Solo - Level 3 - Digital Download SKU: A0.521863 By Stevie Wonder. By Orlando…
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Cello Solo - Level 3 - Digital Download SKU: A0.521863 By Stevie Wonder. By Orlando Murden. Arranged by Sherry Lewis. Pop. Individual part. 5 pages. Sherry Lewis Publishing #6507991. Published by Sherry Lewis Publishing (A0.521863). FOR ONCE IN MY LIFECello Solo, Intermediate level Score: 0 2 pages Time: 3'50ABOUT THE DEMO: I have a fun introduction but shortened it on the demo to get more of the main theme MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99
4.6 €
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Cello
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Stevie Wonder
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For Once In My Life
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Sherry Lewis Publishing
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Cello
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by…
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.21 €
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Cello
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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jmsgu3
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SheetMusicPlus
Beginner Cello Theory for Children, Book One
Cello
By Melanie Smith-Doderai. For Cello. All Styles. 84 pages. Published by Mel Bay Publicatio…
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By Melanie Smith-Doderai. For Cello. All Styles. 84 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609745349. This book is designed as a workbook to teach theory specifically relevant to the cello at a level that is attainable and challenging, yet fun for young children. It is intended to build confidence and solidify the relationship between theory and playing. Children will enjoy the drawing and coloring activities in the book, while developing the fundamentals of cello theory at the same time. The book can be used to teach beginners the basics of theory, or even to refresh musicians who might need a small review of cello theory. No matter who uses this book, it will give a strong foundation to cello theory, and through this understanding will foster a greater love of playing. Concepts covered in this book include: learning the parts of the cello; learning about line and space notes; learning musical symbols; and how to draw music.
$17.99
16.59 €
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Cello
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Melanie Smith-Doderai
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Beginner Cello Theory for Children, Book One
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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