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Separated!
Cello
Sheetmusic to print
3 sheet music found
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Separated!
Cello
Cello Solo - Level 5 - Digital Download SKU: A0.969877 Composed by Amy Dunker. Conc…
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Cello Solo - Level 5 - Digital Download SKU: A0.969877 Composed by Amy Dunker. Concert,Contemporary. Individual part. 6 pages. Amy Dunker #6207817. Published by Amy Dunker (A0.969877). The Trump administration family separation policy is an aspect of US President Donald Trump's immigration policy. The policy was presented to the public as a zero tolerance approach intended to deter illegal immigration and to encourage tougher legislation. It was officially adopted across the entire US–Mexico border from April 2018 until June 2018. Later investigations found that the practice of family separations had begun a year prior to the public announcement. Under the policy, federal authorities separated children and infants from parents or guardians with whom they had entered the US. The adults were prosecuted and held in federal jails or deported, and the children were placed under the supervision of the US Department of Health and Human Services. In January 2020 the Southern Poverty Law Center reported that the official government number of children separated from their parents or guardians under the policy was 4,368. By October 2020, the parents of 545 children still had not been found. The administration has refused to provide funds to cover the expenses of reuniting families, and volunteer organizations continue to provide both volunteers and funding.
$10.00
9.11 €
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Cello
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October 2020, the parents of 545 children still had not been found
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Amy Dunker
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Separated!
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Amy Dunker
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SheetMusicPlus
Sway (Quien Sera)
Cello
Cello Solo - Level 3 - Digital Download SKU: A0.1447455 By Dean Martin. By Luis Dem…
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Cello Solo - Level 3 - Digital Download SKU: A0.1447455 By Dean Martin. By Luis Demetrio Traconis Molina, Norman Gimbel, and Pablo Beltran Ruiz. Arranged by FERNANDO LUIZ NEVES. 20th Century,Chamber,Contemporary,Latin,Multicultural,World. Individual part. 8 pages. Fernando Neves #1027236. Published by Fernando Neves (A0.1447455). Sway whose original title is Quién Será is a Latin bolero-mambo song written by the Mexican composer Pablo Bertrán Ruiz. Norman Gimbel adapted the lyrics to English. This is an instrumental version for Cello and Acoustic Guitar. Available 8-page PDF with complete score for Cello and Guitar and including separated parts for both instruments. The guitar part includes chords and fingering. Enjoy this timeless song!
$18.97
17.27 €
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Cello
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Dean Martin
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Sway
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Fernando Neves
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Cello
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by…
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.66 €
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Cello
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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jmsgu3
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SheetMusicPlus
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