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You've selected:
Sometime
Cello
Sheetmusic to print
4 sheet music found
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1
Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps)
Cello
Cello Solo - Level 2 - Digital Download SKU: A0.1464958 Composed by Joe Davis and O…
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Cello Solo - Level 2 - Digital Download SKU: A0.1464958 Composed by Joe Davis and Osvaldo Farres. Arranged by Leo Silva. Pop. Individual part. 1 pages. MP Sheet Music #1043660. Published by MP Sheet Music (A0.1464958). Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps), sometimes known simply as Quizás; (Perhaps), it's a popular song of Cuban composer Osvaldo Farrés. Farrés wrote the song, and the lyrics originally in Spanish. The English lyrics, Perhaps, perhaps, perhaps, was translated from the original by Joe Davis, and was recorded for the first time by Desi Arnaz in 1948.
$4.99
4.63 €
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Cello
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Joe Davis and Osvaldo Farres
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Quizas, Quizas, Quizas
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MP Sheet Music
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SheetMusicPlus
Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps)
Cello
Cello Solo - Level 2 - Digital Download SKU: A0.1464962 Composed by Joe Davis and O…
(+)
Cello Solo - Level 2 - Digital Download SKU: A0.1464962 Composed by Joe Davis and Osvaldo Farres. Arranged by Leo Silva. Pop. Individual part. 1 pages. MP Sheet Music #1043664. Published by MP Sheet Music (A0.1464962). Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps), sometimes known simply as Quizás; (Perhaps), it's a popular song of Cuban composer Osvaldo Farrés. Farrés wrote the song, and the lyrics originally in Spanish. The English lyrics, Perhaps, perhaps, perhaps, was translated from the original by Joe Davis, and was recorded for the first time by Desi Arnaz in 1948.
$4.99
4.63 €
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Cello
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Joe Davis and Osvaldo Farres
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Quizas, Quizas, Quizas
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MP Sheet Music
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Cello
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by…
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.44 €
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Cello
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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jmsgu3
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SheetMusicPlus
Pam Wedgwood: Sometime Maybe (Grade 4, C3, from the ABRSM Cello Syllabus from 2024) - cello solo
Cello
Instantly printable sheet music by Pam Wedgwood for cello solo of MEDIUM skill level. / cl…
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Instantly printable sheet music by Pam Wedgwood for cello solo of MEDIUM skill level. / classical
$4.97
4.61 €
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Cello
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Pam Wedgwood
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Virtualsheetmusic
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