Download Digital Sheet Music of The Church for Cello

The Church
Cello

Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â€“ or was rather the first to indicate them such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâ€™s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ which calls Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo.

Hölderlin’s Tower for 2 cellos (mp3) Cello

Cello - Digital Download SKU: A0.1103564 By Ã–lveti MÃ¡tyÃ¡s and MÃ¡dy-Sza…(+)

Cello - Digital Download SKU: A0.1103564 By Ã–lveti MÃ¡tyÃ¡s and MÃ¡dy-SzabÃ³ Eszter. By David Warin Solomons. Chamber,Contemporary. Full Performance. Duration 194. David Warin Solomons #706833. Published by David Warin Solomons (A0.1103564). Instrumental Duo based on my setting of Marie Keyser's Poem La Tour de HÃ¶lderlin Elle est prÃ¨s du fleuve dormeur debout mais le saule inclinÃ© toucherait de sa cÃ®me l'eau L'Ã©glise vieille dit les heures de l'Ã®le oÃ¹ la nuit descend Je la vois encore son toit de gris dans le gris de l'eau. pressens dans la tour de bois ma demeure la folie la folie le silence clos clos vigilance Oh Ne pas altÃ©rer ce qui reste qui reste, et le doit. Was bleibt aber stiften die Dichter. (It stands by the sleepy river But the bending willow would touch the water with its very top The church - an old church - tells the hours from the island where the night descends I can still see it, its grey roof in the grey of the water I have a presentiment in the tower of wood, of my dwelling place, of madness, of silence Closed in, closed in but keeping watch Oh never change what remains and should remain Was bleibt aber stiften die Dichter.....) [What remains, however, is the stuff of poetry This quote from HÃ¶lderlin himself is reflected in the second cello at bars 43 to 45] Performed by Ã–lveti MÃ¡tyÃ¡s and MÃ¡dy-SzabÃ³ Eszter of Budapest Scoring Cellos.
$5.50 5.07 € #Cello #Ã–lveti MÃ¡tyÃ¡s and MÃ¡dy-SzabÃ³ Eszter #Hölderlin’s Tower for 2 cellos #David Warin Solomons #SheetMusicPlus

O Holy Night; Cantique de Noel - Solo Cello Cello

Cello Solo - Level 3 - Digital Download SKU: A0.721610 Composed by Adam, Adolph. Ar…(+)

Cello Solo - Level 3 - Digital Download SKU: A0.721610 Composed by Adam, Adolph. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred,Spiritual. Individual part. 2 pages. Music-Scores.com #4846435. Published by Music-Scores.com (A0.721610). Cantique de Noel, or O Holy Night. The setting of a poem by Cappeau which was written to celebrate the renovation of the Church organ in Roquemaure, on the west of the Rhone. This arrangement has an option to improvise, and is for unaccompanied Cello.Duration up to 3 minutes, 30 seconds.Arranged by Anne Christopherson and www.music-scores.com
$5.95 5.48 € #Cello #Adam, Adolph #O Holy Night; Cantique de Noel - Solo Cello #Music-Scores.com #SheetMusicPlus