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Flute Quartet: 4 flutes
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Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
Flute Quartet: 4 flutes
Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Interm…
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Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Classical Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 52 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet.<br> <br> Sonata Op. 49 No. 2<br> Arranged from Beethoven’s Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement “Allegro ma non troppo” and the second movement“Tempo di Menuetto” are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named “Easy Sonatas” because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike.<br> <br> BeethovenBackground<br> Ludwig vanBeethoven (1770 –1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio.<br> <br> Beethoven Overview<br> First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. That’s when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period.<br> <br> First Period<br> Seems like we often divideBeethoven’s life into three periods. Period 1 begins with Beethoven’s arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathétique, Op. 13.<br> <br> Second Period<br> His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3– 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio.<br> <br> Third Period<br> In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Große Fuge) and the finalfive sonatas for piano.
$49.95
45.23 €
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Flute Quartet: 4 flutes
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Ludwig van Beethoven
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Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
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SheetMusicPlus
Divertimento N° 1 K. 136 for Flute Quartet
Flute Quartet: 4 flutes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.997949
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.997949 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Standards. 49 pages. Diego Marani #603649. Published by Diego Marani (A0.997949). Mozart composed the Divertimento, K. 136, during down-time in Salzburg in the winter of 1772, following two extended periods in Italy. This Divertimento is in three movements, fast-slow-fast after the manner of the Italian sinfonia. The opening Allegro, in sonata form, centers around a delightful, charming theme that ends with an amusing little dynamic retreat. The Andante is typically warm and elegant, its two halves contrasted by a brief acceleration in the accompaniment's pulse. A spirited Presto finale brings the Divertimento, a fine example of Mozart's ambitious work in a genre traditionally designated as light music, to a close. This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) of the entire Divertimento is suitable for classroom, repertoire and recital.
$16.99
15.39 €
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Flute Quartet: 4 flutes
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Wolfgang Amadeus Mozart
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Divertimento N° 1 K. 136 for Flute Quartet
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Diego Marani
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SheetMusicPlus
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