Download Digital Sheet Music of the M for Flute Quartet: 4 flutes

the M

Joy to the World, for flute quartet Flute Quartet: 4 flutes

Flute, Woodwind Quartet - Intermediate - Digital Download Composed by Lowell Mason, …(+)

Flute, Woodwind Quartet - Intermediate - Digital Download Composed by Lowell Mason, from G. F. Handel. Arranged by Denise M. Owen. Contemporary Classical, Christian, Christmas. 5 pages. Published by Denise M. Owen
One of the most popular Christmas carols, Joy to the World has been arranged here for four C flutes (no alto or bass required). This is accessible to higher level middle school, high school and adult flute players. The first verse is a very basic harmonization. The second goes into the relative minor, expressing the verse "No more let sins or sorrows grow, Or thorns infest the ground." The third, after a small fanfare, re-enters the major and leads to a somewhat polyphonic ending.
$7.50 6.89 € #Flute Quartet: 4 flutes #Lowell Mason, from G #Joy to the World, for flute quartet #Denise M. Owen #SheetMusicPlus

Spells of the Heart Flute Quartet: 4 flutes

Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.1022850(+)

Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.1022850 Composed by M Calvert. Contemporary. 30 pages. Martin Calvert #3453047. Published by Martin Calvert (A0.1022850). An advanced piece for 4 flutes. A romantic theme is explored in a number of different interpretations.My intention in performance should have each flute positioned away from each other in the performance space. A possible movement choreography takes place in a central performance space.
$7.99 7.34 € #Flute Quartet: 4 flutes #M Calvert #Spells of the Heart #Martin Calvert #SheetMusicPlus

The Star Spangled Banner for Flute Quartet Flute Quartet: 4 flutes

Flute Solo - Level 2 - Digital Download SKU: A0.951620 Composed by John Stafford Sm…(+)

Flute Solo - Level 2 - Digital Download SKU: A0.951620 Composed by John Stafford Smith. Arranged by Travis Hayman. Folk,Holiday,Patriotic. Individual part. 8 pages. Travis Hayman #6450901. Published by Travis Hayman (A0.951620). The Star-Spangled Banner is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory. This arrangement is written for three Flutes in C, and One Alto Flute in G.
$7.00 6.43 € #Flute Quartet: 4 flutes #John Stafford Smith #The Star Spangled Banner for Flute Quartet #Travis Hayman #SheetMusicPlus

The Moldau for Flute Quartet - Easy Version

The Moldau for Flute Quartet - Easy Version Flute Quartet: 4 flutes

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528788(+)

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528788 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 25 pages. Diego Marani #6480633. Published by Diego Marani (A0.528788). The Moldau, Czech Vltava, symphonic poem by Bohemian composer BedÅ™ich Smetana that evokes the flow of the Vltava Riverâ€”or, in German, the Moldauâ€”from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetanaâ€™s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, MÃ¡ vlast (My Country), which premiered in its entirety in Prague on November 5, 1882.This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) is the easier version than the https://www.sheetmusicplus.com/title/the-moldau-for-flute-quartet-digital-sheet-music/22053645.
$12.99 11.93 € #Flute Quartet: 4 flutes #Bedrich Smetana #The Moldau for Flute Quartet - Easy Version #Diego Marani #SheetMusicPlus

#The Moldau for Flute Quartet - Easy Version

The Moldau for Flute Quartet

The Moldau for Flute Quartet Flute Quartet: 4 flutes

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528766(+)

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528766 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 25 pages. Diego Marani #6446901. Published by Diego Marani (A0.528766). The Moldau, Czech Vltava, symphonic poem by Bohemian composer BedÅ™ich Smetana that evokes the flow of the Vltava Riverâ€”or, in German, the Moldauâ€”from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetanaâ€™s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, MÃ¡ vlast (My Country), which premiered in its entirety in Prague on November 5, 1882.This arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.
$16.99 15.6 € #Flute Quartet: 4 flutes #Bedrich Smetana #The Moldau for Flute Quartet #Diego Marani #SheetMusicPlus

#The Moldau for Flute Quartet

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1092455 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. Regis Bookshar #696547. Published by Regis Bookshar (A0.1092455). Kyrie - by Francesco Durante; Flute Quartet â€“ Intermediate â€“ Digital Download. â€œKyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Flute Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensembleâ€™s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Santâ€™Onofrio. He is said to have succeeded Scarlatti in 1725 at Santâ€™Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Duranteâ€™s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Duranteâ€™s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this â€œKyrieâ€. In addition to this arrangement for a Flute Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. Iâ€™m certain that this beautiful arrangement of Francesco Duranteâ€™s â€œKyrieâ€ will continue to entertain both performers and audiences alike for years to come.

Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Classical Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 52 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet.<br> <br> Sonata Op. 49 No. 2<br> Arranged from Beethoven’s Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement “Allegro ma non troppo” and the second movement“Tempo di Menuetto” are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named “Easy Sonatas” because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike.<br> <br> BeethovenBackground<br> Ludwig vanBeethoven (1770 –1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio.<br> <br> Beethoven Overview<br> First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. That’s when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period.<br> <br> First Period<br> Seems like we often divideBeethoven’s life into three periods. Period 1 begins with Beethoven’s arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathétique, Op. 13.<br> <br> Second Period<br> His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3– 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio.<br> <br> Third Period<br> In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Große Fuge) and the finalfive sonatas for piano.

Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.1033846 Composed by Dora PejaÄeviÄ‡. Arranged by Yuki Hasegawa. 20th Century,Standards. 14 pages. Edition les bons concerts #6667327. Published by Edition les bons concerts (A0.1033846). Dora PejaÄeviÄ‡, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This is one of the fascinating collection of her works that allow for deep expression through the use of harmony that sometimes pushes the limits towards her later years, as is typical around the beginning of the 20th century.The arrangement for flute quartet was commissioned by the Japan Croatia Music Society and was completed in July 2021, and premiered in Tokyo on 6 August by the Flute Quartet Tsutsu-uraura. The performers in the recording and Youtube are Ms. Mari Akimoto (Fl.1), Ms. Natsuki Oba (Alto Fl.), Mr. Atsushi Kawasaki (Fl. 3), Ms. Shiho Shirasaki (Fl. 2).Arranger Yuki Hasegawa, biographyArranger, pianist, conductor and producer.Shortly after enrolling in the piano department of Kunitachi College of Music, she was appointed as the official accompanist for the flute public lecture, and since then she has co-starred about 150 works in the flute repertoire. After leaving for study abroad in Paris, she often performed as the official accompanist for flute competitions and masterclasses there also, and won four first prizes in a duo with flute.She completed the departments of piano accompaniment, chamber music, Ã©criture musicale and orchestration at the Conservatoire SupÃ©rieur de Paris-CNR and others. She also studied Ã©criture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crepy and other representative professors in France in terms of composition and arrangement.She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejaÄeviÄ‡, and has also recorded on CD.She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed for use by representative organisations in each country.Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan.(As of 20, December 2021)About Edition les bons concertsThe name of the publisher has been given with the wish: Use this sheet music to do good concerts!In addition to considering the page-turning position, the sheet musics are designed for ease of use in the rehearsal, such as adding the rehearsal numbers of other editions in case the accompanist's score is different from the soloist's.

Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.851221 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. 40 pages. Sophia Transistor #6209061. Published by Sophia Transistor (A0.851221). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for flute quartet (or any 4 voices notated in C). A symphonic suite arranged for quartet instrumentation.This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for flute players. Breething signs and spaces are included.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid woodwind only Star Trek performance.Leadsheet with all 4 voices is available in C with 18 pages in DIN-A4 format.Following parts are available:1st voice as flute in C on 5 pages in DIN-A4.2nd voice as flute in C on 5 pages in DIN-A4.3rd voice as flute in C on 5 pages in DIN-A4.4th voice as as flute in C on 5 pages in DIN-A4.Titelpage and table of contents page are included.Total page number: 40Highest note of voice 1: ringing c''' (but the higher notes are also notated one octave lower)Thanks!Youtube Play Along:https://youtu.be/Zfi2ZiB3GKA German Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert fÃ¼r QuerflÃ¶te in C.Dieses StÃ¼ck von Michael Giacchino enthÃ¤lt auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den AnfÃ¤ngen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphfonisch und orchestral.Dieses StÃ¼ck wurde speziell auf QuerflÃ¶te angepasst. Die Streicher-lastigen Stellen wurden gekÃ¼rzt, weggelassen oder umgedichtet, damit man am Ende ein solides HolzblasstÃ¼ck hat. Atmungszeichen und PlÃ¤tze zum Atmen finden Verwendung. Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhÃ¶rt:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur mit allen 4 Stimmen gibt es einmal als Lead-Conductor-Sheet auf 18 Seiten in DIN-A4.Folgende Einzelstimmen sind verfÃ¼gbar:1. Stimme als QuerflÃ¶te in C auf 5 Seiten in DIN-A4.2. Stimme als QuerflÃ¶te in C auf 5 Seiten in DIN-A4.3. Stimme als QuerflÃ¶te in C auf 5 Seiten in DIN-A4.4. Stimme als QuerflÃ¶te in C auf 5 Seiten in DIN-A4.Knallige Titelseite und Inhaltsangabe mit Copyrightinfo sind ebenfalls vorhanden.Insgesamt 40 Seiten.Stimme 1 bis klingend c''' (nach unten transponieren immer mÃ¶glich)Epische Filmmusiknoten fÃ¼r Quer-FlÃ¶ten-Quartett: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epicfluteDanke fÃ¼rs anschauen!TAGS:STAR TREK theme, flute quartet, Noten, sheet music, score, arrangement, flute quartet arrangement, to boldly go, filmmusic for flute quartet, epic film music, QuerflÃ¶ten Qj.

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass.Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Â Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.

Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass.Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Â Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.Â Â The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherchÃ© one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â

Alle Menschen Müssen Sterben (BWV 643) for Flute Quartet Flute Quartet: 4 flutes

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.793070(+)

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.793070 Composed by Johann Sebastian Bach. Arranged by Suzie Wilkins. Baroque,Christian,Concert,Instructional,Standards. 7 pages. Suzie Wilkins #2936195. Published by Suzie Wilkins (A0.793070). This short piece (BWV 643) is one of Bach's most beautiful organ works, and here it is presented for flute quartet. Consisting of two flutes, alto flute and bass flute, this piece will be perfect for a concert or for ensemble practice. Unusually, nearly all of the musical interest lies in the underneath parts, giving the harmony players a chance to shine. Arranged by a flutist, the parts fit neatly under the fingers as much as possible.Approximate duration: 1 minute 30 seconds
$3.99 3.66 € #Flute Quartet: 4 flutes #Johann Sebastian Bach #Alle Menschen Müssen Sterben #Suzie Wilkins #SheetMusicPlus