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You've selected:
Fantasia from
Cello (band part)
Sheetmusic to print
3 sheet music found
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1
Fantasia on "Up from the Grave He Arose" for Solo Cello - an Easter Hymn
Cello (band part)
Cello Solo - Level 3 - Digital Download SKU: A0.806447 Composed by Robert Lowey. Ar…
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Cello Solo - Level 3 - Digital Download SKU: A0.806447 Composed by Robert Lowey. Arranged by Myanna Harvey. Christian,Easter,Sacred,Spiritual. Individual part. 7 pages. C Harvey Publications #6343655. Published by C Harvey Publications (A0.806447). Bring the beauty of Easter to those around you through this virtuosic Fantasia on the traditional hymn Up from the Grave He Arose for unaccompanied cello! This arrangement weaves the melody with supporting notes that embellish and imply harmony. This solo cello hymn arrangement would be a wonderful addition to any church or worship service.Intermediate Level, no tenor clef. 2 pages. Tune by Robert Lowry. Arrangement by Myanna Harvey CHPD272
$5.95
5.48 €
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Cello (band part)
#
Robert Lowey
#
Fantasia on "Up from the Grave He Arose" for Solo Cello - an Easter Hymn
#
C Harvey Publications
#
SheetMusicPlus
Guthrie: Concert Fantasia for Solo Cello
Cello (band part)
Cello Solo - Level 3 - Digital Download SKU: A0.549261 Composed by James M. Guthrie…
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Cello Solo - Level 3 - Digital Download SKU: A0.549261 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional. Individual part. 7 pages. Jmsgu3 #3479689. Published by jmsgu3 (A0.549261). The Fantasia follows the general scheme of the classical sonata-allegro form. A repeated fragmented motive characterizes the primary theme. The transition introduces pentatonic and synthetic materials that dissipate into a Lydian chord. The Lydian mode provides materials for the lyrical secondary theme section. A closing section revisits elements of the synthetic scale from the transition. After a repeat of the exposition, the development section begins agitato, fragmenting and transposing various diminutions of the primary motive. This is interrupted by a double augmentation and then a bariolage passage leading to declamatory statements of the primary theme transposed eventually to the subdominant. After modulating the transition materials, the secondary theme is developed in the subdominant. This time, the music is adjusted to explore a quotation of the first measure of Bach’s Cello Suite I. This treatment dissolves into a two-part transition (quasi-spiccato), leading to a final development of the Lydian motive, this time in double stops. A final transition section provides the thematic impetus for the third movement. The recapitulation ensues with the re-transition somewhat truncated and the secondary theme transposed to the tonic. A coda section dissipates excess energy while developing Lydian ideas in preparation for a quiet closing that repeats the now-broken Lydian chord.
$27.95
25.74 €
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Cello (band part)
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James M
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Guthrie: Concert Fantasia for Solo Cello
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jmsgu3
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SheetMusicPlus
Fantasia on a Theme from Thailand: Cello
Cello (band part)
By Richard Meyer. For String Orchestra. Instructional. Part. 2 pages. Published by Alfred …
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By Richard Meyer. For String Orchestra. Instructional. Part. 2 pages. Published by Alfred Music. Digital Sheet Music
$5.99
5.52 €
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Cello (band part)
#
Richard Meyer
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Fantasia on a Theme from Thailand: Cello
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
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