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Suddenly
Clarinet Quartet: 4 clarinets
Sheetmusic to print
4 sheet music found
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Solage: Le basile for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Solage
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James M
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Solage: Le basile for Clarinet
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1266048 Composed by Solage. Arranged by James M. Gu...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
Carmen Overture (Prelude) for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Classical
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Georges Bizet
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Diego Marani
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Carmen Overture
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.527525 Composed by Georges Bizet. Arranged by Diego Marani. Classical,In...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.527525 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Opera,Romantic Period,Standards. 19 pages. Diego Marani #2849887. Published by Diego Marani (A0.527525). Carmen is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. Carmen has since become one of the most popular and frequently performed operas in the classical canon.This arrangement of the ouverture for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$9.90
Extinction Events - Clarinet Quartet - Mvt 4 - Yaguarete Surprise
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Clarinet Quartet: 4 clarinets
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ADVANCED
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Contemporary
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John Gibson
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Extinction Events - Clarinet Q
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.581937 Composed by John Gibson. Contemporary. 17 pages. JB Linear #...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.581937 Composed by John Gibson. Contemporary. 17 pages. JB Linear #3459833. Published by JB Linear (A0.581937). Extinction Events (4th movement - Yaguaretê* Surprise) by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players. This is the fourth movement only...the others may be purchased separately: Buzzy Delights, It Isn't Easy Being a Cuckoo, and Walrus Jump. The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top. *(Yaguartë = Argentine Jaguar)Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved.Argentine Jaguars (Yaguareté) are experiencing shrinking habitats due to human population growth and cutting of forests. In this piece I imagined a Jaguar slowly stalking its prey, moving silently on velvet paws. She moves carefully but with barely hidden energy, pausing, then freezing, then suddenly pouncing. Surprise! Sadly, the Dies Irae music plays on. .
$15.00
Awakening Fire
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Contemporary
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Lori Archer Sutherland
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Awakening Fire
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Lori Archer Sutherland
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SheetMusicPlus
Composed by Lori Archer Sutherland. 21st Century, Contemporary Classical, Repertoire, Recital. Solo Part. 5 pages. Published by Lori Archer Sutherland (S0.31247...
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Composed by Lori Archer Sutherland. 21st Century, Contemporary Classical, Repertoire, Recital. Solo Part. 5 pages. Published by Lori Archer Sutherland (S0.312479). - Solo Part - 21st Century,Contemporary Classical,Repertoire,Recital - Lori Archer Sutherland
The piece begins with a single note: soft and low. From this lone ember, a slow burn works its way through the first section, building in intensity as it moves the range ever higher. After a brief nod to the beginning, the piece suddenly ignites into the fast and percussive second section. The mood changes in the middle of the second section, momentarily lyrical and flowing, while keeping its driving tempo. The piece finishes with a modified recap of the initial fiery theme. While "Awakening Fire" is intended to be played as a single, two-section piece, each section can stand on its own. Suitable for recitals and solo and ensemble contests. Originally composed for bass clarinet, the piece should transfer well to Eb contra-alto or possibly Bb contrabass. Duration: 5:50 MP3 performed by the composer. Video performed by claribaixos.
$12.00
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