Download Digital Sheet Music of The C for Clarinet Quartet: 4 clarinets

The C

Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

The Royal Court of Aquitaine (Clarinet Quartet version) Clarinet Quartet: 4 clarinets

Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.7…(+)

Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.764636 Composed by James Pybus. Contemporary,Contest,Festival. 15 pages. James Pybus #34151. Published by James Pybus (A0.764636). The Royal Court of Aquitaine is an original composition for SATB Saxophone Quartet or Clarinet Quartet and is dedicated to the Three Rivers Saxophone Quartet who are based in Pittsburgh, in appreciation for having me as one of their guests at their 20th Annual Saxophone and Woodwind Workshop held at California University of Pennsylvania, June 27- July 2, 2010. I began working on the piece just prior to attending the workshop and completed it a few days after returning home to Mississauga, Ontario. The title was suggested by my lovely bride after she first heard the piece. Raised in a family where medieval history was a frequent topic of discussion since her father was a Professor of Medieval Studies at the University of Toronto, my wife says she had a vision of Eleanor of Aquitaine arriving by ship in England with her entourage, while her husband King Henry II awaited her. Since I had no title in mind, and after having researched the medieval Queen, I decided my wifeâ€™s suggestion was particularly apt. The piece is in ternary form, with the first theme in C Dorian mode, perhaps depicting Eleanorâ€™s strength and conviction as a monarch. This leads into the second section in Eb major, which is more lyrical and calming in nature, suggesting her influence over the Courtly Love Movement while residing in Poitiers. The first section then returns to bring the piece to a balanced conclusion. The performance time is 3:15. Contact me at james.pybus56@gmail.com.
$15.00 13.44 € #Clarinet Quartet: 4 clarinets #James Pybus #The Royal Court of Aquitaine #James Pybus #SheetMusicPlus